Workingman's Dead | ||||
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Studio album by | ||||
Released | June 14, 1970 | |||
Recorded | February 1970 | |||
Studio | Pacific High Recording, San Francisco | |||
Genre | ||||
Length | 35:33 | |||
Label | Warner Bros. | |||
Producer |
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Grateful Dead chronology | ||||
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Singles from Workingman's Dead | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
American Songwriter | [2] |
Christgau's Record Guide | A [3] |
Pitchfork | 9.1/10 [4] |
Rolling Stone | [5] |
Encyclopedia of Popular Music | [6] |
Workingman's Dead is the fourth studio album (and fifth overall) by American rock band Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970. The album and its studio follow-up, American Beauty , were recorded back-to-back using a similar style, eschewing the psychedelic experimentation of previous albums in favor of Jerry Garcia and Robert Hunter's Americana-styled songcraft.
In 2003, the album was ranked number 262 on Rolling Stone magazine's list of the 500 greatest albums of all time, 264 in a 2012 revised list, [7] and 409 in the 2020 list. [8] It was voted number 371 in Colin Larkin's All Time Top 1000 Albums . [9]
The band again recorded at Pacific High Recording Studio in San Francisco, spending just nine days there. After the protracted sessions required for the previous two studio albums, Garcia suggested "Let's do it all in three weeks and get it the hell out of the way". [10] Besides trying to avoid the debt that had accumulated while recording Aoxomoxoa , the band was dealing with the stress of a recent drug bust in New Orleans –which could have resulted in jail time. Additionally, they returned from a tour to find their soon-to-be-fired manager, Lenny Hart (father of drummer Mickey Hart), refusing to show the books to anyone else in the organization. "In midst of all this adverse stuff that was happening ... [recording the album] was definitely an upper," said Garcia in an interview. [11]
Lyricist Robert Hunter had joined the band on the road for the first time, resulting in a period of faster song development. Unlike the psychedelic, electrified music for which the band had become known, the new songs took a new direction, reviving their folk-band roots. Bassist Phil Lesh stated "The song lyrics reflected an 'old, weird' America that perhaps never was ... The almost miraculous appearance of these new songs would also generate a massive paradigm shift in our group mind: from the mind-munching frenzy of a seven-headed fire-breathing dragon to the warmth and serenity of a choir of chanting cherubim. Even the album cover reflects this new direction: The cover for Aoxomoxoa is colorful and psychedelic, and that of Workingman’s Dead is monochromatic and sepia." [12] In recent years, a search revealed that the photograph was taken at 1199 Evans Avenue in San Francisco. [13]
Workingman's Dead and American Beauty , the companion album that followed months later, were, according to drummer Bill Kreutzmann, both influenced by the Bakersfield sound. He explained "We tried to be like a Bakersfield band –but one that still sounded like we were from 300 miles north of that town ... we held to our psychedelic roots. Workingman's Dead was all about discovering the song ... American Beauty became all about having the harmonies to do that". [14]
"This was, sort of, stepping out of our spacesuit and coming down to Earth and putting on a pair of Osh Kosh and digging the furrows ... we would have to bring the music in, to support the texts: Hunter's Holy Grail"
- Mickey Hart [15]
While on tour in Boulder, Colorado, the previous year, Garcia had purchased a steel guitar and was now keen to use it on the new batch of songs. Lesh explained, "Just as with any other instrument he picked up, he made it sing. The main impetus for this development was the nature of the new songs Hunter and Jerry had been writing; many of them had a decidedly country flavor ('Dire Wolf,' 'Friend of the Devil,' 'High Time,' 'Casey Jones,' 'Ripple'), and Jerry began using the new axe on these as they were slotted into the set lists. Bobby [Weir] also began bringing in covers of his favorite country tunes and some originals in that vein, so we were starting to see a trend developing. Personally, I was thrilled that the band could make such a complete musical about-face while still maintaining the flat-out weirdness that I’d come to know and love." [16]
Songs such as "Uncle John's Band", "High Time", and "Cumberland Blues" were brought to life with soaring harmonies and layered vocal textures that had not previously been a part of the band's sound. According to the 1992 Dead oral history, Aces Back to Back, in the summer of 1968, Stephen Stills vacationed at Mickey Hart's ranch in Novato. "Stills lived with me for three months around the time of CSN's first record," recalls Hart, "and he and David Crosby really turned Jerry and Bobby onto the voice as the holy instrument. You know, 'Hey, is this what a voice can do?' That turned us away from pure improvisation and more toward songs." [17]
Garcia commented that much of the sound of the album comes both from his pairing with Hunter, as well as the band's friendship with Crosby, Stills and Nash: "Hearing those guys sing and how nice they sounded together, we thought, 'We can try that. Let's work on it a little'." [18]
The album title came about when Jerry Garcia commented to lyricist Robert Hunter that the album was "turning into the 'workingman's Dead' version of the band". [19] Having both worked on all of the album's songs and gone out on the road with the band, Hunter appears as a seventh member on the front cover photograph.
Warner Bros. released "Uncle John's Band" (backed with "New Speedway Boogie") as a single to promote the album. It received limited airplay, even though it was edited to a radio-friendly three-minute length and the lyric "goddamn" removed.
Readers of Rolling Stone voted Workingman's Dead the best album of 1970, followed by Crosby, Stills, Nash and Young's Déjà Vu and Van Morrison's Moondance . [19]
The album was remastered and expanded in 2001 as part of The Golden Road (1965–1973) 12-CD box set. This version, given separate release in 2003, includes eight bonus tracks. A DVD-Audio version was also released in 2001, without the bonus material. In 2014 it was issued as a two-LP set, mastered at 45 rpm by Mobile Fidelity Sound Lab.
On July 10, 2020 Rhino Records released the "50th Anniversary Deluxe Edition" of Workingman's Dead. Disc one contains a newly remastered mix of the album. Discs two and three contain a previously unreleased complete concert from the Capitol Theater in Port Chester, New York, recorded on February 21, 1971. [20]
All songs written by Jerry Garcia and Robert Hunter, except where noted.
No. | Title | Lead vocals | Length |
---|---|---|---|
1. | "Uncle John's Band" | 4:42 | |
2. | "High Time" | Garcia | 5:13 |
3. | "Dire Wolf" | Garcia | 3:13 |
4. | "New Speedway Boogie" | Garcia | 4:05 |
Total length: | 17:13 |
No. | Title | Writer(s) | Lead vocals | Length |
---|---|---|---|---|
1. | "Cumberland Blues" |
|
| 3:15 |
2. | "Black Peter" | Garcia | 5:42 | |
3. | "Easy Wind" | Hunter | Ron McKernan | 4:59 |
4. | "Casey Jones" | Garcia | 4:24 | |
Total length: | 18:20 |
No. | Title | Length |
---|---|---|
9. | "New Speedway Boogie" (alternate mix) | 4:10 |
10. | "Dire Wolf" (live) | 2:31 |
11. | "Black Peter" (live) | 9:07 |
12. | "Easy Wind" (live) | 8:09 |
13. | "Cumberland Blues" (live) | 4:52 |
14. | "Mason's Children" (live: Garcia, Lesh, Bob Weir, Hunter) | 6:32 |
15. | "Uncle John's Band" (live) | 7:57 |
16. | "Radio promo" | 1:00 |
Total length: | 44:18 79:51 |
Bonus track details
50th Anniversary Deluxe Edition – disc two
No. | Title | Length |
---|---|---|
1. | "Cold Rain and Snow" (traditional, arranged by Grateful Dead) | 7:36 |
2. | "Me and Bobby McGee" (Kris Kristofferson, Fred Foster) | 7:33 |
3. | "Loser" (Garcia, Hunter) | 6:54 |
4. | "Easy Wind" | 8:49 |
5. | "Playing in the Band" (Weir, Hart, Hunter) | 5:25 |
6. | "Bertha" (Garcia, Hunter) | 6:13 |
7. | "Me and My Uncle" (John Phillips) | 3:56 |
8. | "Ripple" (false start) | 1:09 |
9. | "Ripple" (Garcia, Hunter) | 5:24 |
10. | "Next Time You See Me" (Earl Forest, Bill Harvey) | 4:39 |
11. | "Sugar Magnolia" (Bob Weir, Robert Hunter) | 6:08 |
12. | "Greatest Story Ever Told" (Weir, Hunter) | 4:09 |
13. | "Johnny B. Goode" (Chuck Berry) | 3:42 |
Total length: | 71:37 107:10 |
50th Anniversary Deluxe Edition – disc three
No. | Title | Length |
---|---|---|
1. | "China Cat Sunflower" (Garcia, Hunter) | 6:20 |
2. | "I Know You Rider" (traditional, arranged by Grateful Dead) | 4:29 |
3. | "Bird Song" (Garcia, Hunter) | 6:17 |
4. | "Cumberland Blues" | 4:55 |
5. | "I'm a King Bee" (Slim Harpo) | 7:32 |
6. | "Beat It On Down the Line" (Jesse Fuller) | 3:17 |
7. | "Wharf Rat" (Garcia, Hunter) | 9:46 |
8. | "Truckin'" (Garcia, Lesh, Weir, Hunter) | 8:07 |
9. | "Casey Jones" | 4:39 |
10. | "Good Lovin'" (Artie Resnick, Rudy Clark) | 17:00 |
11. | "Uncle John's Band" | 7:27 |
Total length: | 79:49 186:59 |
Workingman's Dead: The Angel's Share | ||||
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Studio album by | ||||
Released | July 1, 2020 | |||
Recorded | February 1970 | |||
Studio | Pacific High Recording | |||
Label | Rhino | |||
Grateful Dead chronology | ||||
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On July 1, 2020, a collection of demos and outtakes from the Workingman's Dead recording sessions entitled Workingman's Dead: The Angel's Share was released in streaming and digital download formats. [22] [23] [24]
No. | Title | Length |
---|---|---|
1. | "Uncle John’s Band (False Start 1) [Not Slated]" | 1:04 |
2. | "Uncle John’s Band (Breakdown) [Not Slated]" | 1:08 |
3. | "Uncle John’s Band (False Start 2) [Not Slated]" | 0:27 |
4. | "Uncle John’s Band (Complete Track) [Not Slated]" | 4:44 |
5. | "Uncle John’s Band (Take 6 Breakdown) [Slated]" | 1:02 |
6. | "Uncle John’s Band (Take 7 Breakdown) [Slated]" | 1:46 |
7. | "High Time (Breakdown 1) [Not Slated]" | 1:23 |
8. | "High Time (Breakdown 2) [Not Slated]" | 1:09 |
9. | "High Time (Take 3 Breakdown) [Slated]" | 0:25 |
10. | "High Time (Complete Track 1) [Not Slated]" | 5:40 |
11. | "High Time (Studio Chatter)" | 0:44 |
12. | "High Time (Complete Track 2) [Not Slated]" | 5:32 |
13. | "High Time (Take 6 Breakdown) [Slated]" | 0:46 |
14. | "High Time (Take 7 Breakdown) [Slated]" | 0:17 |
15. | "Dire Wolf (Breakdown 1) [Not Slated]" | 1:25 |
16. | "Dire Wolf (Complete Track 1) [Not Slated]" | 2:51 |
17. | "Dire Wolf (Complete Track 2) [Not Slated]" | 4:23 |
18. | "Dire Wolf (Take 2 Breakdown) [Slated]" | 1:08 |
19. | "Dire Wolf (Take 4 False Start & Breakdown) [Slated]" | 0:45 |
20. | "Dire Wolf (Breakdown 2) [Not Slated]" | 0:57 |
21. | "Dire Wolf (Take 6 Breakdown) [Slated]" | 1:31 |
22. | "Dire Wolf (Breakdown 3) [Not Slated]" | 0:42 |
23. | "Dire Wolf (False Starts 1) [Not Slated]" | 0:21 |
24. | "Dire Wolf (Breakdown 4) [Not Slated]" | 2:18 |
25. | "Dire Wolf (False Start 2) [Not Slated]" | 1:07 |
26. | "Dire Wolf (Complete Track 3) [Not Slated]" | 4:26 |
27. | "Dire Wolf (Complete Track with Vocals) [Not Slated]" | 4:36 |
28. | "Dire Wolf (False Start 3) [Not Slated]" | 0:36 |
29. | "New Speedway Boogie (Demo with Acoustic Guitar, Drums & Vocals) [Not Slated]" | 2:35 |
30. | "New Speedway Boogie (Complete Track with Vocals 1) [Not Slated]" | 3:57 |
31. | "New Speedway Boogie (Take 2 Breakdown with Vocals) [Slated]" | 1:34 |
32. | "New Speedway Boogie (Take 3 Breakdown with Vocals) [Slated]" | 1:38 |
33. | "New Speedway Boogie (Mis-Named as Take 3 False Start with Vocals) [Slated]" | 0:15 |
34. | "New Speedway Boogie (Take 4 Complete with Vocals & Lead Guitar) [Slated]" | 4:26 |
35. | "New Speedway Boogie (Arranging Take with Vocals) [Not Slated]" | 2:37 |
36. | "New Speedway Boogie (Breakdown with Vocals 1) [Not Slated]" | 1:00 |
37. | "New Speedway Boogie (Breakdown with Vocals 2) [Not Slated]" | 1:59 |
38. | "New Speedway Boogie (Complete Track With Vocals 2) [Not Slated]" | 4:48 |
39. | "New Speedway Boogie (Take 8 With Vocals) [Slated]" | 4:19 |
40. | "Cumberland Blues (Various Breakdowns & Take 9) [Slated]" | 3:26 |
41. | "Black Peter (Breakdown 1) [Not Slated]" | 1:05 |
42. | "Black Peter (Breakdown 2) [Not Slated]" | 1:12 |
43. | "Black Peter (Studio Chatter)" | 1:45 |
44. | "Black Peter (Breakdown 3) [Not Slated]" | 5:41 |
45. | "Black Peter (Breakdown 4) [Not Slated]" | 4:42 |
46. | "Black Peter (Complete Track with Vocals) [Not Slated]" | 5:43 |
47. | "Easy Wind (Complete Track With Vocals 1) [Not Slated]" | 4:53 |
48. | "Easy Wind (Breakdown With Vocals 1) [Not Slated]" | 0:48 |
49. | "Easy Wind (Breakdown With Vocals 2) [Not Slated]" | 4:20 |
50. | "Easy Wind (Breakdown With Vocals 3) [Not Slated]" | 1:12 |
51. | "Easy Wind (Breakdown With Vocals 4) [Not Slated]" | 1:04 |
52. | "Easy Wind (Complete Track With Vocals 2) [Not Slated]" | 5:52 |
53. | "Easy Wind (False Starts & Breakdowns With Vocals) [Not Slated]" | 1:43 |
54. | "Easy Wind (Incomplete Track With Vocals) [Not Slated]" | 1:44 |
55. | "Easy Wind (Take 17 With Vocals) [Slated]" | 5:42 |
56. | "Easy Wind (Take 18 Breakdown With Vocals) [Slated]" | 0:45 |
57. | "Easy Wind (Take 19 Breakdown With Vocals) [Slated]" | 1:05 |
58. | "Easy Wind (Take 20 With Vocals) [Slated]" | 4:36 |
59. | "Easy Wind (Take 21 False Start With Vocals) [Slated]" | 0:21 |
60. | "Easy Wind (Take 22 Breakdown With Vocals) [Slated]" | 0:39 |
61. | "Easy Wind (Take 23 Breakdown With Vocals) [Slated]" | 0:39 |
62. | "Casey Jones (Breakdown 1) [Not Slated]" | 2:51 |
63. | "Casey Jones (Breakdown 2) [Not Slated]" | 3:10 |
64. | "Casey Jones (Complete Track With Vocals) [Not Slated]" | 4:34 |
Grateful Dead
Additional musicians
Production
| Reissue production credits
|
Chart | Position |
---|---|
Pop Albums | 27 [26] |
Certification | Date |
---|---|
Gold | July 11, 1974 |
Platinum | October 13, 1986 |
American Beauty is the fifth studio album by rock band the Grateful Dead. Released in November 1970, by Warner Bros. Records, the album continued the folk rock and country music style of their previous album Workingman's Dead, issued earlier in the year.
Anthem of the Sun is the second album by rock band the Grateful Dead, released in 1968 on Warner Bros/Seven Arts. It is the first album to feature second drummer Mickey Hart. The band was also joined by Tom Constanten, who contributed avant-garde instrumental and studio techniques influenced by composers John Cage and Karlheinz Stockhausen. The album was assembled through a collage-like editing approach helmed by members Jerry Garcia and Phil Lesh, in which disparate studio and live performance tapes were spliced together to create new hybrid recordings. The band also supplemented their performances with instruments such as prepared piano, kazoo, harpsichord, timpani, trumpet, and güiro. The result is an experimental studio amalgam that is neither a pure studio album nor a live album.
Aoxomoxoa is the third studio album by the Grateful Dead. It was one of the first rock albums to be recorded using 16-track technology. The title is a meaningless palindrome, usually pronounced.
Wake of the Flood is the sixth studio album by the rock band the Grateful Dead. Released on October 15, 1973, it was the first album on the band's own Grateful Dead Records label. Their first studio album in nearly three years, it was also the first without founding member Ron "Pigpen" McKernan, who had recently died. His absence and keyboardist Keith Godchaux's penchants for bebop and modal jazz contributed to the band's musical evolution. Godchaux's wife, vocalist Donna Jean Godchaux, also joined the group and appears on the album.
What a Long Strange Trip It's Been is the second compilation album by American rock band Grateful Dead. It was released August 18, 1977 by Warner Bros. Records, three and a half years after the Skeletons from the Closet compilation. Both albums are subtitled "The Best of the Grateful Dead". Unlike the previous compilation, What a Long Strange Trip It's Been is a double album.
Garcia is Grateful Dead guitarist Jerry Garcia's first solo album, released in January 1972.
So Many Roads (1965–1995) is a five-disc box set by the Grateful Dead. Primarily consisting of concert recordings from different periods of the band's history, it also contains several songs recorded in the studio. All but one of the forty-two tracks were previously unreleased. The album was released on November 7, 1999. It was certified a gold record by the RIAA on April 12, 2000.
Ace is an album by Grateful Dead singer and guitarist Bob Weir. His first solo album, it was released in 1972. Weir's bandmates in the Grateful Dead back him on the album, and all but one of the songs became staples of the band's live shows.
The Very Best of Grateful Dead is a single-CD compilation album chronicling all the years of the San Francisco psychedelic band the Grateful Dead. It is the first release to document every label the band recorded on: Warner Bros. Records, Grateful Dead Records/United Artists Records and Arista Records. It was released on September 16, 2003.
Three from the Vault is a live album by the Grateful Dead. It contains the complete show recorded on February 19, 1971 at the Capitol Theatre in Port Chester, New York. It was released on June 26, 2007.
Road Trips Volume 3 Number 3 is a live album by the American rock band the Grateful Dead. Recorded on May 15, 1970, and released on June 14, 2010, it was the 11th of the "Road Trips" series of albums, and the first to contain three discs instead of two.
The Warner Bros. Studio Albums is a box set of five vinyl LPs by the rock group the Grateful Dead. It is a reissue of their first five studio albums: The Grateful Dead (1967), Anthem of the Sun (1968), Aoxomoxoa (1969), Workingman's Dead (1970), and American Beauty (1970). These albums were originally released by Warner Bros. Records. The box set was released by Rhino Records on September 21, 2010.
Dave's Picks Volume 6 is a three-CD live album by the rock band the Grateful Dead. It contains two complete concerts: one from December 20, 1969, at the Fillmore Auditorium in San Francisco and the second from February 2, 1970, at the Fox Theatre in St. Louis. It was produced as a limited edition of 13,000 numbered copies, and was released on May 1, 2013.
Dave's Picks Volume 10 is a three-CD live album by the rock band the Grateful Dead. It contains the complete concert recorded on December 12, 1969, at the Thelma music venue in Los Angeles, California. It was produced as a limited edition of 14,000 numbered copies, and was released on May 1, 2014.
30 Trips Around the Sun: The Definitive Live Story 1965–1995 is a four-CD live album by the rock band the Grateful Dead. It contains 30 songs recorded in concert—one from each of the years 1966 through 1995—plus one song recorded in a 1965 studio session. All of the tracks are selected from the 80-CD box set 30 Trips Around the Sun, which contains 30 previously unreleased complete shows. The album was released on September 18, 2015. A chronological sampling format was also used for the 5-disc set So Many Roads (1965–1995).
The Grateful Dead had worked on songs in the early 1990s for an album that was intended to be the follow-up to Built to Last (1989), but it was never completed. This has sometimes been referred to as the unfinished last Grateful Dead album and The Missing Album. The band began work on a new album in February 1992, which was incomplete. After Jerry Garcia's death, the band considered finishing the album, but it never came into fruition.
Dave's Picks Volume 19 is a three-CD live album by the rock band the Grateful Dead. It contains the complete concert recorded on January 23, 1970, at the Honolulu Civic Auditorium in Honolulu, Hawaii. It also includes bonus tracks recorded the following night at the same venue, keyboardist Tom Constanten's last show with the band. It was produced as a limited edition of 16,500 copies, and was released on August 1, 2016.
Dave's Picks Volume 30 is a 3-CD live album by the rock band the Grateful Dead. It contains the complete early and late shows recorded on January 2, 1970 at the Fillmore East in New York City, along with five songs from the band's performances at the same venue the following night. It was released on May 3, 2019 in a limited edition of 20,000 copies.
Sage & Spirit is a compilation album by the rock band the Grateful Dead. It contains ten songs – eight recorded in the studio and two live – selected from various albums. It was produced as a vinyl LP in a limited edition of 4,000 copies, and released on April 3, 2019 in conjunction with Record Store Day.
Dave's Picks Volume 43 is a three-CD live album by the rock band the Grateful Dead. It was recorded on November 2, 1969 at the Family Dog at the Great Highway in San Francisco, California, and on December 26, 1969 at McFarlin Memorial Auditorium in University Park, Texas. It was released on July 29, 2022, in a limited edition of 25,000 copies.