Works of Edith Maryon

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Works

The following is a substantially incomplete list of the works of Edith Maryon.

Contents

ImageTitle/DescriptionDateDimensionsLocationComments
Modelled head from life1898Displayed at the Camden School of Art, where it won both a National Bronze Medal and a Queen's Prize, and where Maryon won a £40 (equivalent to £5,400in 2023) School of Art Scholarship. [1] Maryon's brother Herbert Maryon also won a prize, for a wrought metal casket, as well as a scholarship. [1]
Panel for screen1899Displayed at the New Gallery for the 1899 Arts and Crafts Exhibition Society exhibition. [2]
1899.11 - Art et Decoration - Edith Maryon modeled figure.jpg Modeled figure1899Displayed at the 1899 National Art Competition in South Kensington, where it won a bronze medal. [3]
Religion1900Sketch model of a figure for a public building. Possibly exhibited in January 1899 at the Glasgow Art Galleries Sculpture Competition, where a sculpture by Maryon on the subject "Religion" was commended. [4] Exhibited at the Royal Academy of Arts from 7 May to 6 August 1900, [5] with the catalogue quoting Ephesians 6:11, "Put on the whole armour of God." [6] Exhibited at the Thirtieth Autumn Exhibition at the Walker Art Gallery from 17 September 1900 to 5 January 1901, priced at £15 15s (equivalent to £2,000in 2023), and with the catalogue quoting the same line from Ephesians. [7] Displayed at the Leeds City Art Gallery for the 1901 spring exhibition, also priced at £15 15s (equivalent to £2,000in 2023). [8] Said by Marion Spielmann to "show taste and elegance" and be "full of promise". [9]
Edith maryon - Model of a figure from the nude.png Model of a figure from the nude1900Displayed at the Victoria and Albert Museum as part of the 1900 National Competition of Schools of Art and Art Classes, where it won a gold medal. [10] Maryon won one of two Princess of Wales scholarships. [10] [11] Pictured in The Magazine of Art in 1901. [12] Maryon was pictured in The Ladies' Field afterwards. [11]
1900-01 - The Artist - Edith Maryon A Plaster Relief.jpg Plaster relief1900Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where Maryon (possibly for this piece) won an award offered by The Artist for an adaptation of the human figure to some applied art object. [13]
1900-01 - The Artist - Edith Maryon A Sketch in Clay.jpg A Sketch in Clay1900Displayed at the 1900 exhibition of the Royal College of Art's South Kensington Sketch Club, where it won an award for modelling offered by Édouard Lantéri. [14]
Edith Maryon - May Morning.png May Morning1901Relief, portion of a fireplace. [15] Exhibited at the Royal Academy of Arts from 6 May to 5 August 1901, [16] with the catalogue quoting William Wordsworth, "When youths and maids At peep of dawn would rise, And wander forth, in forest glades Thy birth to solemnize." [17] [18] [19] Pictured in a review of the exhibition in The Builder, with the magazine terming it a "spirited panel in relief". [20] Exhibited at the Thirty-first Autumn Exhibition at the Walker Art Gallery from 16 September 1900 to 4 January 1901, priced at £52 10s (equivalent to £6,700in 2023), and with the catalogue quoting the same lines by Wordsworth. [21] Pictured in Marion Spielmann's 1901 book British Sculpture and Sculptors of Today, and said to "show taste and elegance" and be "full of promise"; [9] in The Magazine of Art , he wrote that it was "somewhat ambitious in design, although a little conventional perhaps; it is frankly student's work, but full of cleverness, grace, and distinction, and even fuller of promise, for the lady is working in a good school". [22]
Portrait medallion1901Metal in relief. Exhibited at the Royal Academy of Arts from 6 May to 5 August 1901. [23] [18] [16]
Joan d'Arc1901Relief. Exhibited at the 1901 Glasgow International Exhibition. [24] [25]
Auf Weidersehn1902Displayed at the Leeds City Art Gallery for the 1902 spring exhibition, priced at £12 12s (equivalent to £1,600in 2023). [26]
Cupid and Psyche1902Clasp, silver enamel. Exhibited at the Royal Academy of Arts from 5 May to 4 August 1902. [27] [18] [28]
Francis, son of Sir Rennell and Lady Rodd1902Medallion. Exhibited at the Royal Academy of Arts from 5 May to 4 August 1902. [29] [18] [28]
Miss Mildred Maryon1903Plaster bust. [30] Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903. [31] [18] [32] Exhibited at the Thirty-third Autumn Exhibition at the Walker Art Gallery from 14 September 1903 to 2 January 1904, not priced for sale. [30] Pictured in Raab 1993 , abb. 15.
Mother and child1903Group. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903. [31] [33] [18] [32] Said by Marion Spielmann to "show taste and elegance" and be "full of promise". [9]
Rev. Canon Rawnsley 1903 Keswick Museum [34] Bronze relief. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903. [31] [18] [32]
Edith Maryon - Evelyn and Gloria.jpg "Listen!" Evelyn and Gloria, children of Sir Rennell and Lady Rodd1903Marble. [35] Exhibited at the Royal Academy of Arts from 4 May to 3 August 1903, [36] [37] [32] and again from 2 May to 1 August 1904 under the name Evelyn and Gloria: children of Sir Rennell and Lady Rodd. [38] [39] [40] [18] Exhibited under the latter name at the Thirty-fourth Autumn Exhibition at the Walker Art Gallery from 12 September 1904 to 7 January 1905, not priced for sale. [35] According to Raab, these are different works. [41]
Edith Maryon - The Messenger of Death.jpg The Messenger of Death1904 Exhibited at the Royal Academy of Arts from 2 May to 1 August 1904, [42] with line "One shall be taken, the other left". [43] [44] [45] [18]
Edith Maryon - The Triumph of Peace.jpg The Triumph of Peace1904Exhibited at the New Gallery in 1904. [46] [47] According to Raab, the same work as Peace and War. [41]
Miss Rose Gough, daughter of the Hon. Mrs. Denison1904Marble bust. Exhibited at the Royal Academy of Arts from 2 May to 1 August 1904. [31] [18] [42]
St. Michael1904 or 1905Plaster statuette. [48] [49] Exhibited at the Thirty-fifth Autumn Exhibition at the Walker Art Gallery from 18 September 1905 to 6 January 1906, priced at £15 15s (equivalent to £2,100in 2023). [49] Pictured in Raab 1993 , abb. 16.
Peace and war1905Sketch model for a frieze. Exhibited at the Royal Academy of Arts from 1 May to 7 August 1905. [50] [51] Exhibited at the Thirty-fifth Autumn Exhibition at the Walker Art Gallery from 18 September 1905 to 6 January 1906, priced at £10 10s (equivalent to £1,400in 2023). [52] According to Raab, the same work as The Triumph of Peace. [41]
The Singer1905
Sleep1905 [53]
Edith Maryon - The Pixies' Ring.jpg The Pixies' Ring1906Versions in plaster and marble. [54] Exhibited at the Royal Academy of Arts from 7 May to 6 August 1906. [55] [56] [57] Exhibited at the Thirty-sixth Autumn Exhibition at the Walker Art Gallery from 17 September 1906 to 5 January 1907, priced at £50 in plaster (equivalent to £6,500in 2023) and £300 in marble (equivalent to £39,000in 2023). [54]
Edith Maryon - A Poet of Umbria.jpg A Poet of Umbria1907 [58]
Alfred Tucker by Edith Maryon.jpg Portrait of Bishop Alfred Tucker 1908 or earlier [59] [60]
Edith Maryon - The Enchanted Garden.jpg The Enchanted Garden1908 Exhibited at the Royal Academy of Arts from 4 May to 3 August 1908. [61] [62] [63]
A future Darwin1908Bust. Exhibited at the Royal Academy of Arts from 4 May to 3 August 1908. [64] [63]
The Passing of Winter.jpg The Passing of Winter—Miss Maude Allan as Spring1909Plaster group. [65] [66] [67] Exhibited at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £200 (equivalent to £25,400in 2023). [65]
Dance of Anitra by Edith Maryon - Dreweatts 1.jpg The Dance of Anitra February 190953 cm high; 19.5 x 16 cm wide (base)Private collectionBronze statuette. Depicts Maud Allan performing Anitra's dance from Act IV of Peer Gynt . [68] [69] Exhibited at the Royal Academy of Arts from 3 May to 2 August 1909, [68] [70] [71] [72] [73] and at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £12 12s (equivalent to £1,600in 2023). [74] [75] [76] Auctioned for £4,200 in 2025, attributed to a private collection in Wiltshire. [77]
To the Witches' Revels.jpg To the Witches' Revels190937 cm highPrivate collectionPatinated bronze, signed and dated in the cast. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £15 15s (equivalent to £2,000in 2023). [74] Auctioned for £3,400 in 2015 (equivalent to £4,300in 2023). [78] [79] [80] [81]
Psyche190943 cm highPrivate collectionBronze statuette. Exhibited in plaster at the Thirty-ninth Autumn Exhibition at the Walker Art Gallery from 20 September 1909 to 8 January 1910, with bronze version, which sold during the exhibition, priced at £12 12s (equivalent to £1,600in 2023). [82] [83] Exhibited at the Royal Academy of Arts from 2 May to 6 August 1910. [84] [85] Auctioned by Christie's in 1993 with an estimate of £1,000–1,500 (equivalent to £20003000 in 2023), but was bought in. [86] [87] Sold by Tennants in 2004 for £850 (equivalent to £1,400in 2023), against an estimate of £300–500 (equivalent to £500800 in 2023). [88] [89]
The Order of the Bath1909Exhibited in plaster at the Thirty-ninth Autumn Exhibition at the Walker Art Gallery from 20 September 1909 to 8 January 1910, with bronze version priced at £2 2s (equivalent to £300in 2023). [90]
Miss Ruth Franklin1910Statuette. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at £10 10s (equivalent to £1,300in 2023). [91]
Edith Maryon - Meditation.jpg Meditation19108 cm highPrivate collectionBronze. Exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at 10s 10d (equivalent to £100in 2023). [74] Sold by East Bristol Auctions in February 2019. [92] [93] A version in gilt plaster purchased by William Lever, 1st Viscount Leverhulme and displayed at the Lady Lever Art Gallery, but no longer part of the collection. [94]
Fairy Luck19107.5 cm highVersions in bronze and gilt plaster. [74] [95] Bronze version exhibited at the Fortieth Autumn Exhibition at the Walker Art Gallery from 19 September 1910 to 7 January 1911, priced at 10s 10d (equivalent to £100in 2023), and sold during the exhibition. [74] Gilt-plaster version purchased by William Lever, 1st Viscount Leverhulme and displayed at the Lady Lever Art Gallery, but no longer part of the collection. [96] [94]
Priestess of Isis.jpg Priestess of Isis, Sistrum Lady of Isis, Nekhta Aukh1911 Exhibited at the Royal Academy of Arts from 1 May to 7 August 1911. [97] [98] [99] Exhibited in plaster at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £50 (equivalent to £6,400in 2023). [65]
The Priest - Edith Maryon.jpg The Priest1911 [100]
Echo191129.8 cm high; 33.7 cm wide (plinth) Walker Art Gallery Bronze statuette. Exhibited at the Royal Academy of Arts from 1 May to 7 August 1911. [97] [99] Exhibited at the Forty-first Autumn Exhibition at the Walker Art Gallery from 23 September 1911 to 6 January 1912, priced at £10 10s (equivalent to £1,300in 2023). [101] Purchased at the close of the exhibition by the Walker Art Gallery for its permanent collection. [101] [102]
The Seeker of Divine Wisdom.jpg The seeker of Divine wisdom1912 Exhibited at the Royal Academy of Arts from 6 May to 5 August 1912, [103] with the catalogue including the line "The seeker kneels before Wisdom; behind him stand Religion, Knowledge, Purity, Change; on the left side Natural Law or Science, Love, Inspiration or Prayer; seated figures Contemplation or Research." [104] [105]
The Skylark1912Oxydised silver-plated. [106] Exhibited at the Forty-second Autumn Exhibition at the Walker Art Gallery from 5 October 1912 to 4 January 1913, priced at £2 2s (equivalent to £300in 2023). [106]
In Memory of Theo Faiss by Edith Maryon.jpg In Memory of Theo Faiss 192171.5 cm (version 1) or 67 cm (version 2) high; 33.5 cm widePrivate collectionsRelief in plaster and bronze. Two versions made.
Nude relief860mm high; 560mm wide; 35mm deep; 13.6 kgdestroyedSold on eBay on 11 October 2021 for £111; destroyed by Parcelforce. [107]
Plaster casts of eurythmy figuresPrivate collection [108]

References

  1. 1 2 "Camden School of Art" . The Holloway & Hornsey Press. No. 1, 351. Holloway, London. 16 December 1898. p. 5. Retrieved 20 February 2023.
  2. Arts & Crafts Exhibition Catalogue 1899, p. 136.
  3. Benn 1899, pp. 148–149.
  4. "Glasgow Art Galleries Sculpture Competition". The British Architect . LI: 58. 27 January 1899. Open Access logo PLoS transparent.svg
  5. Valentine, Helen (30 May 2018). "1900: "She put a spell on me", or the Enchantment of George Frampton's Lamia". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 3 December 2025. Lock-green.svg
  6. Royal Academy of Arts 1900, p. 63.
  7. Thirtieth Autumn Exhibition Catalogue 1900, p. 107.
  8. "Religion". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951 . University of Glasgow History of Art. 2011. Archived from the original on 21 June 2024. Retrieved 3 December 2025. Lock-green.svg
  9. 1 2 3 Spielmann 1901a, p. 163.
  10. 1 2 The Artist National Competition 1900–1901, p. 86.
  11. 1 2 G. 1900, p. 26.
  12. The Magazine of Art National Competitions 1901, p. 39.
  13. K. 1900–1901, pp. 193, 195.
  14. K. 1900–1901, pp. 194–195.
  15. Koch 1901, p. 85.
  16. 1 2 Pomeroy, Mark (30 May 2018). "1901: The Policeman Painter". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 3 December 2025. Lock-green.svg
  17. Royal Academy of Arts 1901, p. 63.
  18. 1 2 3 4 5 6 7 8 9 10 Graves 1906, p. 208.
  19. Wordsworth, William (1870). "Ode, Composed on May Morning". The Poetical Works of William Wordsworth. Vol. IV. London: E. Moxon, Son, & Co. pp. 272–274. Archived from the original on 14 March 2023. Retrieved 13 March 2020. Open Access logo PLoS transparent.svg
  20. The Builder 1901, pp. 577–578.
  21. Thirty-first Autumn Exhibition Catalogue 1901, p. 106.
  22. Spielmann 1901b, p. 506.
  23. Royal Academy of Arts 1901, p. 64.
  24. International Exhibition Glasgow Catalogue 1901, p. 113.
  25. "Joan D'Arc". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951 . University of Glasgow History of Art. 2011. Archived from the original on 7 June 2020. Retrieved 8 March 2020. Lock-green.svg
  26. "Auf Weidersehn". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951 . University of Glasgow History of Art. 2011. Archived from the original on 6 June 2020. Retrieved 8 March 2020. Lock-green.svg
  27. Royal Academy of Arts 1902, p. 54.
  28. 1 2 Prettejohn, Elizabeth (30 May 2018). "1902: Royalty for a New Century". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
  29. Royal Academy of Arts 1902, p. 55.
  30. 1 2 Thirty-third Autumn Exhibition Catalogue 1903, p. 104.
  31. 1 2 3 4 Royal Academy of Arts 1903, p. 62.
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  35. 1 2 Thirty-fourth Autumn Exhibition Catalogue 1904, p. 120.
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  38. Royal Academy of Arts 1904, p. 61.
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  42. 1 2 Tromans, Nicholas (30 May 2018). "1904: Physical Energy". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
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  49. 1 2 Thirty-fifth Autumn Exhibition Catalogue 1905, p. 80.
  50. Royal Academy of Arts 1905, p. 59.
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  52. Thirty-fifth Autumn Exhibition Catalogue 1905, p. 81.
  53. Billcliffe 1992, p. 197.
  54. 1 2 Thirty-sixth Autumn Exhibition Catalogue 1906, p. 81.
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  56. Koch 1908, p. 79.
  57. Feather, Jessica (30 May 2018). "1906: A New Era for Printmakers?". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
  58. Koch 1908, p. 127.
  59. Tucker 1908, pp. iii, xv.
  60. Forrer 1930, p. 33.
  61. Royal Academy of Arts 1908, p. 56.
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  63. 1 2 Barringer, Tim (30 May 2018). "1908: Deep in the Maze of Summer Woods". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
  64. Royal Academy of Arts 1908, p. 59.
  65. 1 2 3 Forty-first Autumn Exhibition Catalogue 1911, p. 116.
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  68. 1 2 Royal Academy of Arts 1909, p. 62.
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  73. Shaw, Samuel (30 May 2018). "1909: George Clausen and the Woman Reading". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
  74. 1 2 3 4 5 Fortieth Autumn Exhibition Catalogue 1910, p. 121.
  75. Bare 1911a, p. 231.
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  77. "Edith Maryon (1872–1924), A Bronze Figure of Maud Allan- Dance of Anitra, Dated 1909". Dreweatts. 11 September 2025. Archived from the original on 11 September 2025. Retrieved 11 September 2025. Lock-green.svg
  78. Koch 1909, p. 94.
  79. Koch 1912, p. 14.
  80. "Louisa Edith Maryon (1872–1924)". Woolley & Wallis. 2015. Archived from the original on 5 July 2019. Retrieved 7 July 2019. Lock-green.svg
  81. Faxneld 2017, pp. 239, 241–242.
  82. Thirty-ninth Autumn Exhibition Catalogue 7th ed. 1909, p. 116.
  83. Thirty-ninth Autumn Exhibition Catalogue 8th ed. 1909, p. 116.
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  86. The Nineteenth Century: The Properties of the late Sir Basil Fraser, 2nd Baronet of Cromarty; Clare, Duchess of Sutherland; and from various sources. London: Christie, Manson & Woods Ltd. 1993. OCLC   171301145.
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  90. Thirty-ninth Autumn Exhibition Catalogue 8th ed. 1909, p. 117.
  91. Fortieth Autumn Exhibition Catalogue 1910, p. 125.
  92. "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". East Bristol Auctions. Archived from the original on 11 September 2025. Retrieved 11 September 2025. Lock-green.svg
  93. "Rare Louisa Edith Church Maryon Bronze Figurine of an Infant". The Saleroom. 26 February 2019. Archived from the original on 21 February 2020. Retrieved 21 February 2020. Lock-green.svg
  94. 1 2 Clay et al. 1999, p. 81.
  95. Yarrington 2005, p. 105.
  96. Yarrington 2005, pp. 105 & n.42.
  97. 1 2 Royal Academy of Arts 1911, p. 58.
  98. Koch 1912, p. 70.
  99. 1 2 Yordanov, Vassil Vesselinov (30 May 2018). "1911: Formalism and Naturalism". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
  100. Koch 1912, p. 71.
  101. 1 2 Forty-first Autumn Exhibition Catalogue 1911, p. 115.
  102. "Echo". Art UK . Retrieved 22 October 2023. Lock-green.svg
  103. Law, Jonathan (30 May 2018). "1912: Henry Scott Tuke and the Erotics of Display". The Royal Academy Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British Art . Retrieved 4 December 2025. Lock-green.svg
  104. Royal Academy of Arts 1912, p. 61.
  105. Koch 1912, p. 115.
  106. 1 2 Forty-second Autumn Exhibition Catalogue 1912, p. 88.
  107. "Edith Maryon Large Decorative Bas Relief Plaster Sculpture of Nude Male". eBay . 11 October 2021. Archived from the original on 28 November 2021. Retrieved 28 November 2021. Lock-green.svg
  108. "GIPS". Mirum. Archived from the original on 23 December 2022. Retrieved 23 December 2022. Lock-green.svg

Bibliography

Royal Academy of Arts exhibition catalogues

Walker Gallery Autumn exhibition catalogues