Pitchshifter are an English industrial rock band from Nottingham, formed in 1989. The band was started by lead guitarist and programmer Johnny A. Carter, and bassist and vocalist Mark Clayden. The band's early material was characterized for its gritty industrial metal sound with downtuned guitars and the use of drum machines, and has been cited as one of the originators of the genre along with Godflesh. With later albums the group's music became increasingly more melodic and strongly influenced by nu metal and drum and bass; particularly evident of their 1998 release www.pitchshifter.com, which has been compared with groups like The Prodigy.
Deviant is the fifth album by the British industrial metal band Pitchshifter, released in 2000. It was a follow-up to the commercially successful album www.pitchshifter.com, but was seen by the record label as a disappointment. Promotional videos by DOSE Productions were made for the tracks "Hidden Agenda" and "Dead Battery". The track "Everything's Fucked" was originally released as "Everything Sucks". Jello Biafra makes an appearance on the track "As Seen on TV". By March 2002, the album had sold 33,000 copies in the U.S., just over half the amount www.pitchshifter.com had sold at the same time.
PSI is the sixth studio album by the industrial rock band Pitchshifter, released in 2002. Their previous two albums had been released on a major label, but this was released by the minor Mayan Records, a subsidiary label owned by Sanctuary Records. "Eight Days" and "Shutdown" were released as singles.
Industrial metal is the fusion of heavy metal and industrial music, typically employing repeating metal guitar riffs, sampling, synthesizer or sequencer lines, and distorted vocals. Prominent industrial metal acts include Ministry, Nine Inch Nails, KMFDM, and Godflesh.
DGC Records was an American record label that operated as a division of Interscope Geffen A&M Records, which is owned by Universal Music Group.
Submit is an EP by the British band Pitch Shifter, released on 23 March 1992 by Earache on LP, cassette and CD.
Earache Records is a British independent record label, music publisher and management company founded by Digby Pearson in 1985, based in Nottingham, England, with offices in London and New York. The label helped to pioneer extreme metal by releasing early grindcore and death metal records between the late 1980s and mid-1990s. Its roster has since diversified into more mainstream guitar music, working with bands such as Rival Sons, the Temperance Movement, Blackberry Smoke, Scarlet Rebels and the White Buffalo. The company also hosted the 'Earache Express' stage at Glastonbury Festival in 2017 and 'The Earache Factory' at Boomtown 2018. The label's logo is a homage to Thrasher magazine, as Pearson was a skateboard culture enthusiast.
La Sexorcisto: Devil Music Volume One is the third studio album by American heavy metal band White Zombie, released on March 30, 1992, through Geffen Records. The album marked a major artistic and commercial turning point for the band. After the recruitment of guitarist Jay Noel Yuenger, White Zombie was able to successfully embrace the metal sound they had pursued since Make Them Die Slowly (1989), while incorporating groove-based elements into their sound as they evolved away from their roots in punk rock and noise rock. The album was the band's last to feature drummer Ivan de Prume.
Industrial is the debut album by the band Pitch Shifter. It was released in 1991 on Peaceville Records. It is the only Pitchshifter album featuring Mark Clayden on lead vocals. After Industrial was released, the band released a single "Death Industrial" with two new tracks that would later be released on Submit.
Infotainment? is the third album by the band Pitch Shifter, released in 1996.
James Donald Davies is the former live and studio guitarist for English band the Prodigy. He is also a former member of Pitchshifter.
Un-United Kingdom is an EP released by Pitchshifter in 1999. The EP is dedicated to band's good friend, Ken Owen from Carcass, who suffered a severe intracerebral hemorrhage and spent ten months in a coma before ultimately recovering.
Urban Discipline is the second studio album by American hardcore band Biohazard, released on November 10, 1992 by Roadrunner Records. A remastered edition featuring bonus tracks was released in 1998.
Violent Revolution is the tenth studio album by German thrash metal band Kreator. It was released on 25 September 2001 and is the band's first album to feature lead guitarist Sami Yli-Sirniö. After almost a decade of musical experimentation with their metal sound, with this album the band returned to their 1980s thrash metal style, although it does make use of Gothenburg metal elements.
Fallen Angel of Doom.... is Blasphemy's first full-length album, released in 1990. The album is considered one of the most influential records for the war metal style.
Desensitized is the second album by the industrial metal band, Pitch Shifter, released on Earache Records in 1993. A music video was made for the track "Triad" that featured the band playing in a white room. The same track was also featured in the 1994 science fiction/horror film Brainscan.
Weckt die Toten! is the third album by the German folk metal band In Extremo. It was released on 1 May 1998 through Vielklang Musikproduktion.
Salutations from the Ghetto Nation is the third album by the American heavy metal band Warrior Soul, released in 1992. The album was remastered and re-released with bonus tracks on CD, MP3 and vinyl in 2009 by Escapi Music.
Freak*on*ica is the fifth studio album by American rock band Girls Against Boys, released on May 18, 1998, through DGC Records. It was their first and only album for a major label. It was produced by Nick Launay.
Sons of the Pioneers is the second and final studio album by American rock band The Workhorse Movement, released on June 6, 2000, through Roadrunner Records and Overcore Records. It was produced by Scott Santos, owner of Overcore Records, and was recorded at Overture Recording in Novi, Michigan. Primarily an alternative metal and rap metal release, the album's sound draws upon a variety of influences and music genres, including hip-hop, psychedelia, jazz, hard rock and stoner rock. The Workhorse Movement supported the album's release with touring of the United States and Europe, with shows supporting Sevendust, Kittie, Fishbone and Pitchshifter and on the Tattoo the Earth concert tour from July to August 2000.
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