Young In Hong (born 1972) [1] is a visual artist from Seoul, Korea, based in Bristol, England. [2] Hong graduated with an MA and a PhD in Art from Goldsmith College in London UK in 2012. [3] From 1992 to 1998, she studied Sculpture at Seoul National University (BA and MA). Hong currently works from her studio at Spike Island in Bristol [4] and is represented by PKM Gallery in Seoul. [5] She teaches at Bath School of Art as Reader in Performance and Textiles. [6]
Hong's work is research-led, revisiting specific historical moments in South Korea and reinterpreting them. She is interested in how art can have a political role, particularly from a female perspective, as South Korean history has evolved under authoritative male-dominated regimes until very recently. [7] In her practice, Hong examines unwritten history, collective memory and undervalued cultural practices, politics of intuition and the practice of ‘equality’. Most of her works deal with those people whom society regards as minorities, and she often uses methods that are not usually associated with high art. [8] Hong works in a range of disciplines – drawing, embroidery painting, installation and site-specific performance. [9] For her performance projects, she collaborates with local communities, dancers, musicians and choreographers and the public. [10]
In 2015, curator Fatoş Üstek commissioned her to create a new work for fig-2 at the ICA London, [11] resulting in the ambitious, very complex, but at the same time very strong and resonating piece In Her Dream [12] , a collaboration with Delfina Foundation and The Korean Cultural Centre. Hong combined baroque aesthetics with Korean Shaman music for a performance based on a detailed study of induced violence and isolation in the everyday lives of women from various countries of affiliation. [13]
The Moon's Trick, Hong's solo exhibition at the Korean Cultural Centre UK in 2017 [14] [15] [16] [17] [18] was part of Korea-UK/2017-18. [19] It later travelled to Exeter Phoenix. [20] The same year, Echoes, commissioned by Venice Agendas, launched at the Venice Biennale in May 2017 and continued to run in Margate at Turner Contemporary, [21] Folkestone and Spike Island Bristol in December 2017. Voluntary participants were invited through open call to respond to a soundtrack consisting of a compilation of political statements by public figures ranging from Donald Trump to Michael Moore.
In her solo show We Where at PKM Gallery in Seoul in 2022, "Hong attends to the subject of “communities” that become forgotten in contemporary society. She recognizes the loss of a communal space that premodern folks believed to be real, i.e., sacred areas in which the spirits of living organisms including animals, humans, and plants could communicate through a natural connection, and wishes for the recovery of such relationships of equality." [22] [23] For the group exhibition Scoring the Word, Hong created Meta-hierarchical Exercise, a series of nine improvised group performances with 24 embroidered choreography-scores, presented at the Seoul Museum of Art in November 2022. [24]
5100:Pentagon, created for the Gwangju Biennale 2014, was performed again at the Parque de la Memoria in Buenos Aires in December 2022, with local volunteers, as part of Mitos del futuro próximo curated by Sofía Dourron and Javier Villa. [25] The movements of the performers are inspired by video footage of the Gwangju massacre in South Korea in May 1980, found in the archives of the democratic movement in the city of Gwangju.
Lubaina Himid included Hong's embroidered image Burning Love [26] in the touring exhibition Found Cities, Lost Objects: Women in the City, curated in partnership with the Arts Council Collection in 2022/23. [27]
Ring of Animals, Young In Hong's first solo exhibition in Belgium is shown at Kunsthal Extra City in Antwerp in early 2023. [28] The same year, she produced a new work for Threads - breathing stories into materials, co-curated by textile artist Alice Kettle at Arnolfini in Bristol. 2023, Young In Hong received the Spike Island Commission for South West-based Artists. The resulting work was presented in Spike Island’s galleries in spring 2024 in the show Five Acts. [29] [30] [31]
Arts Council Collection [58]
Gyeonggi Museum of Modern Art, Korea [59]
Seoul Museum of Art [60]
PHUNK is a Singapore-based contemporary art and design collective founded by Alvin Tan, Melvin Chee, Jackson Tan, and William Chan in 1994. They have exhibited and collaborated with artists, designers and fashion brands around the world, producing work across a diverse range of mediums.
Michael Elmgreen and Ingar Dragset have worked together as an artist duo since 1995. Their work explores the relationship between art, architecture and design.
Suh Yongsun, also Yong Sun Suh or Seo Young-Sun, is a Korean painter and sculptor. In his art he mainly portrays human existence.
Michael Schultz was an internationally active German gallerist. Michael Schultz Gallery / Galerie Michael Schultz operated in Berlin, Germany, Beijing, and Seoul. Thus he ran four galleries on two continents. The galleries provided cultural exchange, as Asian artists are shown in Europe and vice versa. The Galerie Michael Schultz GmbH & Co.KG was dissolved on November 7, 2019 due to the opening of insolvency proceedings. Schultz died of a brief serious illness on December 28, 2021.
Kim Beom is a South Korean multimedia artist.
The Roberts Institute of Art, formerly operating as David Roberts Art Foundation (DRAF), is a non-profit contemporary arts organisation based in London. It commissions pioneering performance art, collaborates with national partners on exhibitions and works to research and share the David and Indrė Roberts Collection.
Kimsooja was born in Daegu, South Korea. Kimsooja is a multi-disciplinary conceptual artist who travels between her three homes and places of work in New York City, Paris, and Seoul. In 1980 Kim graduated with a B.F.A in Painting from Hong-Ik University, Seoul and continued to pursue her M.F.A there, obtaining the degree in 1984 at the age of 27. Her origin as a painter was a crucial starting point for the development of her art. That same year, she received a scholarship to study art at Ecole Nationale Supérieure des Beaux-Arts in Paris, France, where she studied Printmaking. Her first solo exhibition was held in 1988 at Gallery Hyundai, Seoul. Currently, her work is featured in countless international museums and galleries as well as public art fairs and other spaces. Her practice combines performance, film, photo, and site-specific installation using textile, light, and sound. Kimsooja's work investigates questions concerning the conditions of humanity, while engaging issues of aesthetics, culture, politics, and the environment. Her principle of ‘non-doing’ and ‘non-making,’ which follows a conceptual and structural investigation of performance through modes of mobility and immobility, inverts the notion of the artist as the predominant actor.
Jane Jin Kaisen is a visual artist and filmmaker based in Copenhagen, Denmark.
Lee Hun Chung (이헌정) is a South Korean artist. He is famous for working with ceramics and concrete in a wide range from small objects to large installations. Lee creates modern day pieces using techniques and colors dating back to the Joseon Dynasty. Lee attended Hong-ik University in Seoul from 1986–1991 with a BFA in ceramic sculpture. He continued his education throughout San Francisco and Korea, and getting a PH.D in architecture from Kyung-Won University in Gyeonggi-do, South Korea.
Choi Byung Hoon (최병훈) is a South Korean artist. He is considered by many to be the father of Contemporary Korean Design. Choi graduated from the Hong-ik University with a degree in applied fine arts in 1974, a few years later he completed his masters of fine arts from Hong-ik. Since his graduation, Choi has become well known for his work in modernizing the traditions of Korean design. Choi gathers inspiration from Mayan, Incan, African and Indian cultures. He had been a professor of College of Fine Arts at Hongik University from 1990 to 2017 and is currently Honorary Professor at Hongik University.
Sanghee Song is a South Korean artist. Sanghee Song was born in Seoul in 1970. She attended Ewha Womans University, earning her BFA in painting in 1992 and her MFA in 1994. Her works challenge the myths and repetitive narrativity of virtuous women. For her 2004 video The National Theater, Song reenacted the assassination of Yuk Young-soo, wife of South Korean president Park Chung-hee.
Dansaekhwa, often translated as "monochrome painting" from Korean, is a retroactive term grouping together disparate artworks that were exhibited in South Korea beginning in the mid 1970s. While the wide range of artists whose work critics and art historians consider to fall under this category are often exhibited together, they were never part of an official artistic movement nor produced a manifesto. Nonetheless, their artistic practices are seen to share "a commitment to thinking more intensively about the constituent elements of mark, line, frame, surface and space around which they understood the medium of painting." Their interests compose a diverse set of formal concerns that cannot be reduced to a preference for limited color palettes.
Minouk Lim is a South Korean multimedia artist, and documentary filmmaker. She has had exhibitions at such institutes as National Museum of Fine Arts, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, Walker Art Center, and the Tamayo Contemporary Art Museum.
Cho Yong-ik was a South Korean artist. He was a leading figure in Korean abstract painting along with Kim Tschang Yeul, Park Seo-bo, and Chung Sang-Hwa.
Mari Kim (Korean: 마리킴) is a South Korean contemporary artist from Seoul, South Korea. She is known for the big-eyed, cartoon-like female characters in her pop art paintings, called "eyedolls". Her work was popularly recognized after her 2011 collaboration with the K-pop girl group 2NE1, directing the animated music video for their single "Hate You". The single topped charts and the music video, with eyedoll action heroines portraying each of the four members, received over twenty million YouTube views.
Kent Tate is a Canadian artist and filmmaker living in British Columbia. Tate is known for his single-channel video installation works.
Yun Hyong-keun was a South Korean artist. After graduating from the Hongik University, Yun became associated with the Dansaekhwa movement. Yun is well known for the smearing effects of burnt umber and ultramarine blue paints on raw canvas or linen, which reveals a Korean sensibility of reflection and meditation.
Fatoş Üstek, born 1980 in Ankara, is a London-based independent Turkish curator and writer, working internationally with large scale organizations, biennials and festivals, as well as commissioning in the public realm. In 2008 she received her MA in Contemporary Art Theory from Goldsmiths College London, after completing her BA in Mathematics at Bogazici University in Istanbul.
Yee Soo-kyung is a South Korean multi-disciplinary artist and sculptor best known for her Translated Vase series which utilizes the broken fragments of priceless Korean ceramics to form a new sculpture. Yee's biomorphic sculptures highlight the beauty and possibility after rupture. Her other works in installation and drawings explore psycho-spiritual introspection, cultural deconstruction, kitsch, as well as Korean traditional arts and history melded with contemporary aesthetics.
Kim Byung-jong, also known by his art name Dan-A, is a South Korean representative painter, known for his unique painting style that encompasses the East and the West, the traditional and the modern.