1825 in art

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List of years in art (table)
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Events in the year 1825 in Art.

Events

Works

The Trial of William Lord Russell by George Hayter. The Trial of William Lord Russell in 1683.jpg
The Trial of William Lord Russell by George Hayter.
Entry of Charles X into Paris on 6 June 1825 by Louis-Francois Lejeune. Lejeune LF Charles X 1825.jpg
Entry of Charles X into Paris on 6 June 1825 by Louis-François Lejeune.
View from the Artist's Window by Rorbye. Martinus Rorbye - View from the Artist's Window - Google Art Project.jpg
View from the Artist's Window by Rørbye.

Births

Deaths

Related Research Articles

Events from the year 1839 in art.

<span class="mw-page-title-main">William Etty</span> English painter (1787–1849)

William Etty was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his first few years in London.

Events from the year 1832 in art.

Events in the year 1810 in Art.

Events in the year 1821 in Art.

Events in the year 1828 in Art.

Events from the year 1856 in art.

Events in the year 1822 in Art.

Events from the year 1835 in art.

Events from the year 1770 in art.

Events in the year 1815 in Art.

Events in the year 1820 in Art.

Events in the year 1829 in Art.

Events from the year 1797 in art.

Events from the year 1777 in art.

Events from the year 1729 in art.

<span class="mw-page-title-main">1724 in art</span> Overview of the events of 1724 in art

Events from the year 1724 in art.

<i>Preparing for a Fancy Dress Ball</i> Painting by William Etty

Preparing for a Fancy Dress Ball, also known as The Misses Williams-Wynn, is a 173 by 150 cm oil on canvas by English artist William Etty, first exhibited in 1835 and currently in the York Art Gallery. Although Etty was then known almost exclusively for history paintings featuring nude figures, he was commissioned in 1833 by Welsh Conservative politician Charles Watkin Williams-Wynn to paint a portrait of two of his daughters. Preparing for a Fancy Dress Ball shows Williams-Wynn's daughters, Charlotte and Mary, in lavish Italian-style costume: Charlotte, the eldest, is shown standing, helping the seated Mary decorate her hair with a ribbon and a rose. Etty put a good deal of effort into the piece and took much longer than usual to finish it.

<i>Portrait of Mlle Rachel</i> Painting by William Etty

Portrait of Mlle Rachel is an oil painting on millboard by English artist William Etty, painted during the 1840s and currently in the York Art Gallery. It shows the tragic actress Élisa Rachel Félix, better known as Mademoiselle Rachel, at the time one of the most acclaimed actresses in France. The subject is not shown looking at the artist, but glancing anxiously out of the picture with tears in her eyes. The work was probably painted during one of Rachel's tours of London in the 1840s. It appears unfinished, suggesting that it was painted in a single sitting and Rachel did not return to give Etty the opportunity to complete it.

<i>The Triumph of Cleopatra</i> 1821 painting by William Etty

The Triumph of Cleopatra, also known as Cleopatra's Arrival in Cilicia and The Arrival of Cleopatra in Cilicia, is an oil painting by English artist William Etty. It was first exhibited in 1821, and is now in the Lady Lever Art Gallery in Port Sunlight, Merseyside. During the 1810s Etty had become widely respected among staff and students at the Royal Academy of Arts, in particular for his use of colour and ability to paint realistic flesh tones. Despite having exhibited at every Summer Exhibition since 1811, he attracted little commercial or critical interest. In 1820, he exhibited The Coral Finder, which showed nude figures on a gilded boat. This painting attracted the attention of Sir Francis Freeling, who commissioned a similar painting on a more ambitious scale.

References

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