1887 in Brazil

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Events in the year 1887 in Brazil .

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<span class="mw-page-title-main">Maria Lacerda de Moura</span> Brazilian anarcho-feminist journalist (1887–1945)

Maria Lacerda de Moura was a Brazilian teacher, writer and anarcha-feminist. The daughter of spiritist and anti-clerical parents, she grew up in the city of Barbacena, in the interior of Minas Gerais, where she graduated as a teacher at the Escola Normal Municipal de Barbacena and participated in official efforts to tackle social inequality through national literacy campaigns and educational reforms.

<span class="mw-page-title-main">Dado Villa-Lobos</span> Belgian-born Brazilian musician (born 1965)

Eduardo "Dado" Dutra Villa-Lobos is a Belgian-born Brazilian musician, best known as the ex-guitarist of brazilian rock band Legião Urbana. Along with singer Renato Russo and drummer Marcelo Bonfá, he was one of the founding members of that band, who formed in Brasília in 1982. Villa-Lobos remained with the band through all of their studio albums, until the group dissolved after the 1996 death of Russo. In 2005, he released his first solo album, Jardim de Cáctus, produced by Laufer.

Chôros is the title of a series of compositions by the Brazilian composer Heitor Villa-Lobos, composed between 1920 and 1929.

<span class="mw-page-title-main">1900 in Brazil</span>

Events in the year 1900 in Brazil.

<span class="mw-page-title-main">1915 in Brazil</span>

Events in the year 1915 in Brazil.

<span class="mw-page-title-main">1942 in Brazil</span>

Events in the year 1942 in Brazil.

<span class="mw-page-title-main">1959 in Brazil</span>

Events in the year 1959 in Brazil.

<i>Chôros No. 7</i> Septet by Brazilian composer

Chôros No. 7, subtitled "Settimino" (Septet), is an instrumental septet written in 1924 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 7 is of modest length, a performance lasting about eight-and-a-half minutes.

<i>Chôros No. 10</i> Work by Brazilian composer Heitor Villa-Lobos

Chôros No. 10 is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 10 is of moderate length, one performance recorded by the composer lasting just under thirteen minutes.

<i>Chôros No. 5</i>

Chôros No. 5 is a solo piano composition written in 1925 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 5 is one of the shorter members of the series, with a performance lasting about four-and-a-half minutes.

<i>Chôros No. 12</i> Orchestral piece by Villa-Lobos

Chôros No. 12 is an orchestral work written between 1925 and 1945 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 12 is one of the longest compositions in the series, a performance lasting about 35 minutes.

<i>Chôros No. 6</i>

Chôros No. 6 is an orchestral work written between 1925 and 1942 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 6 is one of the longer compositions in the series, lasting about 25 minutes in performance.

<i>Chôros No. 8</i>

Chôros No. 8 is a work for orchestra and two pianos, written in 1925 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. A recording of Chôros No. 8 conducted by the composer lasts 22 minutes.

<i>Chôros No. 4</i>

Chôros No. 4 is a quartet for three horns and trombone, written in 1926 by the Brazilian composer Heitor Villa-Lobos. It forms a part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 4 is one of the shorter members of the series, a performance lasting about five-and-a-half minutes.

<i>Chôros No. 13</i>

Chôros No. 13 is a work for two orchestras and band, written in 1929 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 13 is one of the longer compositions in the series, but has never been performed, because the full score is lost.

<i>Chôros No. 14</i>

Chôros No. 14 is a work for choruses, orchestra, and band, written in 1928 by the Brazilian composer Heitor Villa-Lobos. It is the last of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. The whereabouts of the score of Chôros No. 14 is unknown.

<i>Introdução aos Chôros</i>

Introdução aos Chôros: Abertura, is a composition for guitar and orchestra by the Brazilian composer Heitor Villa-Lobos, composed in 1929 as an overture to precede a complete performance of his series of fourteen Chôros. A performance of just the Introdução lasts about thirteen minutes.

<i>Quinteto (em forma de chôros)</i>

The Quinteto is a chamber-music composition by the Brazilian composer Heitor Villa-Lobos, written in 1928. Originally scored for five woodwind instruments, it is most often performed in an arrangement for the conventional wind quintet of flute, oboe, clarinet, horn, and bassoon. A performance lasts about eleven minutes.

<span class="mw-page-title-main">Symphony No. 7 (Villa-Lobos)</span>

Symphony No. 7, Odisséia da paz is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1945. A performance lasts about 30 minutes.

<span class="mw-page-title-main">Piano Concerto No. 2 (Villa-Lobos)</span>

The Piano Concerto No. 2, W487, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1948. A performance lasts about 28 minutes.

References

  1. ↑ "Pedro II - emperor of Brazil". Encyclopedia Britannica. Retrieved 13 June 2018.
  2. ↑ William Darrel Rogers (1984). Brazilian Foreign Policy Since 1964: From Close Alignment with the West to Assertive Independence. University of Virginia. p. 53.
  3. ↑ Vinigi Grottanelli, et al. "Ethnology and/or Cultural Anthropology in Italy: Traditions and Development. Current Anthropology 18.4 (1977): 593-614, p. 595
  4. ↑ Béhague, Gerard. 2001. "Villa-Lobos, Heitor". The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  5. ↑ Maria Lacerda de Moura, 1887-1944 by Singularidades
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