9 to 5 (musical)

Last updated
9 to 5: The Musical
9 to 5 (musical).png
Music Dolly Parton
LyricsDolly Parton
Book Patricia Resnick
Basis 9 to 5
by Colin Higgins
Patricia Resnick
Productions2008 Los Angeles (try-out)
2009 Broadway
2010 US tour
2012 UK tour
2019 West End
2019 UK tour
2020/2022 Australian tour
2021/2022 UK tour
2022/2023 UK Tour TBC

9 to 5: The Musical is a musical based on the 1980 film of the same name, with music and lyrics by Dolly Parton. It features a book by Patricia Resnick, based on the screenplay by Resnick and Colin Higgins. The musical premiered in Los Angeles in September 2008, and opened on Broadway in April 2009. It received 15 Drama Desk Award nominations, the most received by a production in a single year, as well as four Tony Awards nominations. The Broadway production however was short-lived, closing in September 2009. A national tour of the US was launched in 2010, followed by a UK premiere in 2012. It opened in the West End in February 2019 and then launched a UK Tour in 2021.

Contents

Production history

Development

Allison-Janney in 2014.jpg
Megan Hilty.jpg
Stephanie J Block 10092008.jpg
Allison Janney, Megan Hilty, and Stephanie J. Block portrayed Violet Newstead, Doralee Rhodes, and Judy Bernly respectively.

A reading of the musical was held on January 19, 2007, with a cast including Tracey Ullman, Allison Janney, Megan Hilty, Stephanie J. Block, Norm Lewis and Marc Kudisch. A revised draft was tested in a week-long workshop beginning on June 20, 2007, with an industry presentation in New York on June 28, 2007. Additional performers included Bebe Neuwirth and Andy Karl. [1]

Los Angeles tryout (2008)

The musical had a world premiere out-of-town engagement at the Center Theatre Group's Ahmanson Theatre in Los Angeles beginning previews September 9, 2008. The official opening night took place on September 20, on a run through October 19. [2] It won two Los Angeles Drama Critics Circle Awards, for Musical Score (Parton) and for Choreography (Andy Blankenbuehler). [3]

Following the Los Angeles run, a lawsuit was filed by the estate of Colin Higgins, the film's co-screenwriter and director, against Higgins' former attorney, now representing Resnick, for the musical's failure "to secure Mr. Higgins's stage rights for the musical project," among other issues. [4]

Broadway (2009)

Previews began on Broadway at the Marquis Theatre on April 7, 2009, with an official opening on April 30. [5] Joe Mantello directed, with a cast that featured Allison Janney, Stephanie J. Block, Megan Hilty, Andy Karl and Marc Kudisch. The production closed on September 6, 2009, after 24 previews and 148 regular performances. [6]

US tour (2010–11)

The first national tour of the United States began at the Tennessee Performing Arts Center in Nashville on September 21, 2010. Jeff Calhoun took over as director and choreographer, in the production that featured Dee Hoty, Mamie Parris, Diana DeGarmo and Joseph Mahowald in the lead roles. In preparing the musical for the tour, Calhoun stated that in "believing that a short show is a happy show, we [have] jettisoned a second act song for the character of Mr. Hart, repositioned Roz's song in Act One and tried to make invisible cuts to the book." [7]

The 10-month tour concluded on July 31, 2011, at the Bass Performance Hall in Fort Worth, Texas.

UK tour (2012–2013)

The re-vamped 9 to 5 began its first national tour of the United Kingdom at the Manchester Opera House from October 12, 2012. [8] [9] Headlining the cast were Jackie Clune, Natalie Casey, Amy Lennox, Ben Richards and Bonnie Langford. Since Bonnie Langford left in early 2013, Anita Louise Combe took over the role of Roz. Jeff Calhoun returns as director. [10] The tour finished on August 24, 2013, at another run at the Manchester Opera House. [11]

West End (2019-2020)

9 to 5 opened in the West End at the Savoy Theatre February 17, 2019, following previews from 29 January. The production starred Amber Davies as Judy, Louise Redknapp (who delayed joining the production in March 2019 due to injury) as Violet, Brian Conley as Franklin, Natalie McQueen as Doralee and Bonnie Langford as Roz. [12] On May 5, 2019, the production announced its limited run would become open-ended, with an extension from August 2019 to April 2020. [13] [14] in October 2019 the production was once again extended through May 2020. On October 28th 2019, Dolly Parton announced that David Hasselhoff would star as Franklin Hart Jnr from 2 December 2019 until 8 February 2020. [15] [16] The show eventually closed early in March 2020 due to COVID. [17]

Australia (2022)

9 to 5 was announced to have its Australian premier at the Lyric Theatre in Sydney with previews beginning 19 April 2020. [18] However, due to the global coronavirus pandemic, the production was postponed. [19] The Australian premiere was on 24 February 2022 at the Capitol Theatre in Sydney. The production is directed by Jeff Calhoun who also directed and co-choreographed the 2010 re-imagination of the show as well as the 2019 West End production. [20] [21] The cast was originally announced to be Marina Prior as Violet, Caroline O'Connor as Roz, Erin Clare as Doralee, Samantha Dodemaide as Judy, [18] and Eddie Perfect as Franklin Hart Jr. [22] Casey Donovan joined as Judy when the show was relaunched in 2021. [23] Following the Sydney season, the show is expected to travel to Brisbane (at the Lyric Theatre, QPAC), [24] Melbourne (at the State Theatre, Arts Centre Melbourne), [25] and Adelaide (at the Festival Theatre). [26]

UK Tour (2021/ 2022)

After the lifting of restrictions due to the COVID-19 pandemic, 9 to 5 began the second national tour of the United Kingdom from the Mayflower Theatre Southampton on August 31, 2021. [27] Louise Redknapp reprised her role as Violet for the 2021 leg of the tour, with Claire Sweeney set to take over the role in the 2022 leg. [28] The tour concluded at the Palace Theatre Manchester on March 5, 2022. [29]

Planned US Tour (2022)

In March 2022, it was announced that a new US tour, based on the West End and Australian productions, is scheduled to launch in the fall of that year. [30] Jeff Calhoun will serve as director and the production will feature choreography by Lisa Stevens, design by Tom Rogers, lighting design by Howard Hudson, video design by Nina Dunn, and musical supervision, arrangements, and orchestrations by Mark Crossland. [31]

Regional productions

The regional theatre premiere was held at the Barter Theatre in Abingdon, Virginia from February 23 to May 12, 2012. [32] Subsequent regional productions took place at the Dutch Apple Dinner Theatre (March 15-April 28, 2012), [33] Pointe Performing Arts Center in Orlando, Florida (March 30-April 15, 2012), The Music Theatre in Wichita, Kansas (June 22-July 1, 2012), [34] Auburn, New York's Merry-Go-Round Playhouse (June 27-July 18, 2012), [35] The Patchogue Theatre for the Performing Arts in Patchogue, NY (July 18-August 4, 2012), [36] Rhode Island's Theatre By The Sea (July 18-August 11, 2012), the Ogunquit Playhouse (September), [37] and Albuquerque's Little Theatre (October 19-November 11, 2012). [38] 3-D Theatricals in Southern California will open a production on February 8, 2013, at Louis E. Plummer Auditorium in Fullerton and March 1, 2013, at the Redondo Beach Performing Arts Center. From June 21–30, 2013, The Wagon Wheel Theatre from June 19–29 wagonwheeltheatre.org, The Grand Opera House in Dubuque will host a production. From July 19 - August 3, 2013, it was presented by Minnetonka Theatre, Minnetonka, MN. On September 2, 2014, 9 to 5 opened at the Walnut Street Theater in Philadelphia. The show closed on October 19, 2014, and featured Dee Hoty as Violet. [39]

Plot

Act I

As the clocks ring and the workers wake up, Violet, Doralee, and Judy prepare for work ("9 to 5"). The workers begin another mundane and hellish day at work under Franklin Hart, Jr., President of Consolidated Industries. Judy and Violet meet for the first time and Judy reveals she does not have any work experience, but Violet states she will be proud to train her and gives her a few tips and pointers for surviving office life ("Around Here"). Franklin Hart, Jr., is a domineering and equally lecherous man, who lusts after his secretary, Doralee, and has no shame in making those feelings known, which discomfits Doralee ("Here for You"). Judy is having major issues on her first day (such as being unable to work a Xerox machine) and feels there is something more inhibiting her. All three women, in separate settings, share mutual feelings, but all feel they can overcome it and make it all work out in the end ("I Just Might"). A new day rises upon the begrudged workers of Consolidated and life resumes as normal. Around the lunch hour, Doralee and Judy speak for the first time as Doralee asks Judy to go to lunch with her, but Judy subtly refuses and Doralee doesn't know why. She then reflects on her whole life, about just being a pretty face and nothing much more ("Backwoods Barbie"). Violet is passed over for yet another promotion, which angers her since it is somebody that she personally trained. After a heated confrontation in Hart's office, Doralee finds out about Hart's rumor about their supposed 'affair', which infuriates her to the point of threatening him. All three of the women, who are now seemingly united in their contempt for Hart, go back to Violet's house and light up a joint. Suddenly, each woman lapses into a murderous fantasy involving Mr. Hart; Judy as an unforgiving femme fatale ("The Dance O' Death"), Doralee as a crack rodeo star ("Cowgirl's Revenge"), and Violet as a deranged Snow White ("Potion Notion"). All of these sadistic fantasies soon culminate into a celebration of Hart's death, which is quickly nixed after Hart is discovered alive ("Joy to the Girls").

The next day at the office, Violet unwittingly acts out her fantasy and believes she put rat poison into Hart's coffee. They all go to the hospital in a panic but learn he was never there. Roz overheard the ladies in the bathroom and tells Hart, who concocts a plan to scare them by pretending he was actually poisoned and to threaten them with the police. After Hart leaves, Roz sings a song confessing her obsessive love and fantasies for him ("Heart to Hart"). Hart confronts Doralee with the information and Doralee, acting on a fight or flight instinct, rips the phones out and ties up Hart with the wires, which he seems to get a quasi-sexual pleasure from. The women are seemingly puzzled as to what to do with Hart, but Judy and Violet create a plan in which they will imprison Hart in his own house. As they are carrying out their plan, they sing to Hart their issues with him and the problems in their own lives but will begin to make the changes in their lives and have the confidence to succeed ("Shine Like the Sun"). The women, empowered, have restrained Hart to a mechanical harness above his bed.

Act II

After the Entr'acte, in Hart's office, the three women are pondering on how they can keep the office in the dark about Hart's disappearance when Doralee's skill of being able to forge Hart's signature comes into play. Judy and Doralee both point out to Violet that she is, in a sense, the new Operating Officer of the company. Violet then lapses in fantasy and sings a song about she is now a hard-hitter like the rest of the male employees (who seems to rank above the women) ("One of the Boys"). Roz begins to get nosy and wonders where Hart actually is, which creates a new obstacle for the ladies to rid. Judy formulates the idea to send Roz to a one-month language seminar to learn French, which isn't necessary and is only a way to get rid of her. Roz receives the memo from Violet and is heartbroken because she believes that Hart doesn't like her and that the time she isn't at work is lonely and boring ("5 to 9"). As Hart is still strung up in his bedroom, he passes time by watching countless hours of soap operas. Doralee enters to give him a meal and Hart lashes out at her saying that he still has the control and will use it when he is free. Doralee brushes him off and leaves the room. Hart begins to recount how most of the men in history had "downfalls" by women and that he is no different, which angers him ("Always a Woman").

Back at the office, the new changes the women have made under Hart's name have seemed to ease the workers' lives and changed their outlook on work ("Change It"). Joe, who has shown admiration toward Violet through the show, asking her out many times, confronts her and asks why she rebuffs him. She claims she was a "one-man woman" and that her husband's death three years before has prevented her from dating again. Joe tells her that it is time to move on and possibly give someone new a chance ("Let Love Grow"). Violet accepts as they walk out of the scene holding hands. Later on that evening, Judy's ex-husband, Dick, shows up at Hart's house and asks her to take him back (since his secretary girlfriend dumped him). She rebuffs him and states she is a changed woman who will not crawl back to someone who broke her heart, showing strength as she orders him to leave ("Get Out and Stay Out").

The next day, Hart storms into the office with Judy hostage, which shocks the women, who have collected evidence about Hart's "creative accounting" and embezzling practices to use against him. The women, seemingly defeated, prepare to submit to Hart's wishes when they learn that the CEO of Consolidated, Mr. Tinsworthy, is paying a visit. The women and Hart meet Tinsworthy, who, after noting the changes in office life, gives the credit to Hart. Violet and the others step up and say they made the changes, but are shot down. However, in a comedic twist, Tinsworthy sends Hart to manage the South American branch in Bolivia. Violet is then promoted to Hart's position as President of the company and a celebration ensues, while Roz is devastated over the loss of her obsession.

The characters deliver epilogues about what happened to everybody after the events of the story (Finale: "9 to 5" Reprise):

Musical numbers

Notes

† Removed for the US National Tour

†† Removed from the West End production and UK Tour and replaced with "Hey Boss" for Violet, Doralee and Judy

* Added to production after Los Angeles pre-Broadway run

Other songs

The following songs were in the Los Angeles pre-Broadway run and have since been cut from the final version of the Broadway production. [40]

9 to 5 uses a rock combo including keyboards, guitars, bass, drums, percussion, two woodwind players, two trumpets, and a trombone.

Casts

Below is the principal casting of all major productions of the musical.

CharactersBroadwayUS National TourFirst UK TourWest EndSecond UK TourThird UK TourAustraliaJapan
2009201020122019202120222024
Violet Newstead Allison Janney Dee Hoty Jackie Clune Caroline Sheen Louise Redknapp Louise Redknapp

Claire Sweeney

 Marina Prior Rio Asumi
Judy Bernly Stephanie J. Block Mamie Parris Natalie Casey Amber Davies Vivian Panka Casey Donovan Sora Kazuki
Doralee Rhodes Megan Hilty Diana DeGarmo Amy Lennox Natalie McQueen Georgina Castle Stephanie ChandosErin Clare Aya Hirano
Franklin Hart Marc Kudisch Joseph Mahowald Ben Richards Brian Conley Sean NeedhamSean Needham Eddie Perfect Tetsuya Bessho
Roz KeithKathy FitzgeraldKristine Zbornik Bonnie Langford Lucinda LawrenceJulia J Nagle Caroline O'Connor Megumi Iino
Joe Andy Karl Gregg GoodbrodMark WillshireChristopher Jordan MarshallRussell DicksonEthan Jones Akiyoshi Utsumi

Recordings

An original Broadway cast recording was recorded on May 3, and May 4, 2009, at Legacy Recording Studios in New York. The cast recording of the show was available on July 14, 2009, through all digital formats (including iTunes), and through Parton's official website. [41] [42] [43] The hard-copy CD was available on July 28, 2009. It was released ahead of schedule at the Marquis Theatre (July 2, 2009). The cast recording has 18 tracks and features the entire original score minus the Act II entr'acte. [44] On December 4, 2009, when the Grammy Award nominees were announced, the cast recording was nominated for Best Musical Show Album.

A West End Cast Recording was released on February 7, 2020. [45] It features the entire West End version of the score as recorded by the Original West End cast. It was recorded live at the Savoy Theatre during the show's run there.

Critical response

Los Angeles

The Los Angeles try-outs received mixed reviews from critics. Variety praised the three female leads but suggested cutting act one: "Giant production numbers lose sight of character and quickly wear out their welcome." Further, the review praised the choreography, design, and Parton's music, saying that the "score mostly achieves its intended goals of variety, build and likability, at its best nailing character with images as resonant as the title tune's 'Pour myself a cup of ambition.'" The review noted: "Joe Mantello consistently indulges business in dubious taste." [46] The Theatremania.com review, while praising the choreography, costumes, set and performances of the female leads, concluded that "ultimately, the whole enterprise lacks the freshness it needs to make it a truly first-rate musical." [47] The Ventura County Star praised the director and choreographer, "along with music director Stephen Oremus, whose arrangements add to the texture of the show... the classy Allison Janney and two actor-songbirds, Megan Hilty and Stephanie J. Block, who carry the delightful burden of keeping the faith with much more of Parton's energizing, warmhearted way with words and music". [48] The Orange County Register praised the three female leads but wrote that "this production is more tricked out than it needs to be. Director Joe Mantello and his creative team have spent a great deal of time and energy turning a modest story about office politics into a bells-and-whistles Broadway show". [49]

Broadway

Following the Broadway opening, Ben Brantley of The New York Times described the show as an "overinflated whoopee cushion" and a "gaudy, empty musical" that "piles on the flashy accessories like a prerecession hedge funder run amok at Barney's." He thought the stage adaptation turns its "feminist revenge story into an occasion for lewd slapstick (which feels about as up-to-date as the 1940s burlesque revue Hellzapoppin ) and a mail-order catalog of big production numbers, filtered through that joyless aesthetic that pervaded the 1970s." He added, "The comic sensibility certainly feels vintage, rather in the smirky mode of sitcoms like Three's Company . The governing philosophy seems to be that it's O.K. to leer if you wink at your own prurience... That's true of much of the show. Its broad flirtation with tastelessness reminds you of how stylishly Mel Brooks played with brazen vulgarity in The Producers ." [50]

In the New York Daily News , Joe Dziemianowicz rated the production three out of five stars. He thought the "bouncy, big-hearted songs" were "fresh and original," although "Not every tune is a home run, and some lyrics are too plain-spoken. But enough of them stand out." He thought the creative team "has struggled to open the show up for the stage." In conclusion he said, "Is 9 to 5 as hip as TV's The Office or as joyously hit-filled as How to Succeed in Business Without Really Trying ? No, but if you're looking for a little diversion, it will do the trick from 8 to 10:15." [51]

Linda Winer of Newsday called it "lavish and harmless entertainment... with a shiny-colored and efficient score" and said "the squarely old-fashioned show fills a tourist-ready Hollywood slot left vacant by Legally Blonde and Hairspray . The thing feels less created than assembled from recycled musical-comedy components, but Broadway doesn't have one of these right now, and summer approaches." [52]

Writing for the New York Post , Elizabeth Vincentelli rated the show three out of four stars and called it "goofily entertaining." About Dolly Parton she said, "It shouldn't surprise anybody she's taken so well to the stage: She's always been a storyteller first and foremost. Her countrified pop, enhanced by fiddle and pedal-steel guitar, fits perfectly on Broadway. Of all the mainstream artists who've tried their hand at show music in the past few years, she may be the most convincing." [53]

Variety critic David Rooney thought that, although the material showcasing the female leads "is an uneven cut-and-paste job that struggles to recapture the movie's giddy estrogen rush, plenty of folks will nonetheless find this a nostalgic crowd-pleaser." He continued, "As composer-lyricist of the country-flavored pop score, Parton is a significant presence... not just in the evergreen title tune but particularly in a handful of new songs... [that] reveal the songwriter's authentic personality," and concluded, "The pleasures of 9 to 5 are less guilty, but they're also less satisfying than they should be. The promising material and terrific performers are too often sold short by clumsy story-building, overwhelming sets and unfocused direction." [54]

Ed Pilkington of The Guardian called the stage adaptation "a triumph" and praised Parton, describing her as "the real star of the show" and adding, "She is not on stage, but her presence fills it. She has composed a set of songs, accompanied with her own lyrics, that complement the original song. The greatest triumph of the night was that the film has been reinvented as a musical so successfully. It seemed improbable, given the cult status of the movie, but the stage show has met it and raised it, rather than being its pale imitation." [55]

Awards and nominations

Los Angeles try-out

YearAward CeremonyCategoryNomineeResult
2008LA Ovation Award [56] Best Book/Lyrics/Music for an Original Musical Dolly Parton and Patricia ResnickNominated
Lead Actress in a Musical Megan Hilty Nominated
Allison Janney Nominated
Best Scenic Design - Large Theatre Scott Pask Nominated
Best Costume Design - Large Theatre William Ivey Long Nominated
Best Lighting Design - Large Theatre Jules Fisher and Peggy Eisenhauer Nominated
Best Sound Design - Large TheatreJohn H. ShiversNominated
Los Angeles Drama Critics Circle Award [57] Best Musical Score Dolly Parton Won
Best Choreography Andy Blankenbuehler Won

Original Broadway production

YearAward CeremonyCategoryNomineeResult
2009 Drama Desk Award [58] Outstanding Musical Nominated
Outstanding Book of a Musical Patricia ResnickNominated
Outstanding Actress in a Musical Allison Janney Won
Stephanie J. Block Nominated
Megan Hilty Nominated
Outstanding Featured Actor in a Musical Marc Kudisch Nominated
Outstanding Director of a Musical Joe Mantello Nominated
Outstanding Choreography Andy Blankenbuehler Nominated
Outstanding Music Dolly Parton Nominated
Outstanding Lyrics Nominated
Outstanding Orchestrations Bruce Coughlin Nominated
Outstanding Set Design Scott Pask Nominated
Outstanding Costume Design William Ivey Long Nominated
Outstanding Lighting Design Jules Fisher and Kenneth Posner Nominated
Outstanding Sound Design John H. ShiversNominated
Drama League Award [59] Distinguished Production of a MusicalNominated
Distinguished Performance Megan Hilty Nominated
Allison Janney Nominated
Grammy Award [60] Best Musical Show Album Nominated
Outer Critics Circle Award Outstanding Actress in a Musical Megan Hilty Nominated
Outstanding Featured Actress in a MusicalKathy FitzgeraldNominated
Outstanding Choreographer Andy Blankenbuehler Nominated
Tony Award Best Original Score Dolly Parton Nominated
Best Actress in a Musical Allison Janney Nominated
Best Featured Actor in a Musical Marc Kudisch Nominated
Best Choreography Andy Blankenbuehler Nominated

Related Research Articles

<i>Fiddler on the Roof</i> 1964 musical

Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in the Pale of Settlement of Imperial Russia in or around 1905. It is based on Tevye and his Daughters and other tales by Sholem Aleichem. The story centers on Tevye, a milkman in the village of Anatevka, who attempts to maintain his Jewish religious and cultural traditions as outside influences encroach upon his family's lives. He must cope with the strong-willed actions of his three older daughters who wish to marry for love; their choices of husbands are successively less palatable for Tevye. An edict of the tsar eventually evicts the Jews from their village.

<i>Hello, Dolly!</i> (musical) 1964 Broadway musical

Hello, Dolly! is a 1964 musical with lyrics and music by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce The Merchant of Yonkers, which Wilder revised and retitled The Matchmaker in 1954. The musical follows the story of Dolly Gallagher Levi, a strong-willed matchmaker, as she travels to Yonkers, New York, to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder.

<span class="mw-page-title-main">Bernadette Peters</span> American actress and singer (born 1948)

Bernadette Peters is an American actress and singer. Over a career spanning more than six decades, she has starred in musical theatre, television and film, performed in solo concerts and released recordings. She is a critically acclaimed Broadway performer, having received seven nominations for Tony Awards, winning two, and nine Drama Desk Award nominations, winning three. Four of the Broadway cast albums on which she has starred have won Grammy Awards.

<i>Chicago</i> (musical) 1975 musical by John Kander and Fred Ebb

Chicago is a 1975 American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the jazz age, the musical is based on a 1926 play of the same title by Maurine Dallas Watkins about actual criminals and crimes on which she reported. The story is a satire on corruption in the administration of criminal justice and the concept of the "celebrity criminal".

<i>Annie Get Your Gun</i> (musical) 1946 musical by Irving Berlin

Annie Get Your Gun is a musical with lyrics and music by Irving Berlin and a book by Dorothy Fields and her brother Herbert Fields. The story is a fictionalized version of the life of Annie Oakley (1860–1926), a sharpshooter who starred in Buffalo Bill's Wild West, and her romance with sharpshooter Frank E. Butler (1847–1926).

<span class="mw-page-title-main">Diana DeGarmo</span> American singer-songwriter

Diana Nicole DeGarmo is an American singer-songwriter and actress. She rose to fame in 2004 as the runner-up of the third season of American Idol, releasing her debut studio album, Blue Skies, later that year. The following year, DeGarmo ventured into a career in musical theatre. She has starred in two Broadway, one off-Broadway and three national tours. She made her television acting debut in a six-month arc as Angelina Veneziano on The Young and the Restless. DeGarmo has since released two extended plays, Unplugged in Nashville (2009) and Live to Love (2012). She is married to fifth season American Idol finalist Ace Young.

<i>9 to 5</i> (film) 1980 American comedy film directed by Colin Higgins

9 to 5 is a 1980 American comedy film directed by Colin Higgins, who wrote the screenplay with Patricia Resnick, and starring Jane Fonda, Lily Tomlin, Dolly Parton, Dabney Coleman, Elizabeth Wilson, and Sterling Hayden. It tells the story of three working women who live out their fantasies of getting even with and overthrowing their company's autocratic, "sexist, egotistical, lying, hypocritical bigot" vice president.

<span class="mw-page-title-main">Tyne Daly</span> American actress (born 1946)

Ellen Tyne Daly is an American actress. Over her six decade career she is known for her leading roles on stage and screen. She has won six Emmy Awards for her television work, a Tony Award, and is a 2011 American Theatre Hall of Fame inductee.

<span class="mw-page-title-main">Sutton Foster</span> American actress (born 1975)

Sutton Lenore Foster is an American actress. She is known for her work on the Broadway stage, for which she has won the Tony Award for Best Actress in a Musical twice, in 2002 for her role as Millie Dillmount in Thoroughly Modern Millie, and in 2011 for her performance as Reno Sweeney in Anything Goes, a role which she reprised in 2021 for a production in London and for which she received a nomination for the Laurence Olivier Award for Best Actress in a Musical. Her other Broadway credits include Grease, Little Women, The Drowsy Chaperone, Young Frankenstein, Shrek the Musical, Violet, The Music Man, Sweeney Todd: The Demon Barber of Fleet Street, and Once Upon a Mattress. On television, Foster played the lead role in the short-lived ABC Family comedy-drama Bunheads from 2012 to 2013. From 2015 to 2021, she starred in the TV Land comedy-drama Younger.

<i>Wicked</i> (musical) 2003 musical by Stephen Schwartz

Wicked is a musical with music and lyrics by Stephen Schwartz and a book by Winnie Holzman. It is a loose adaptation of the 1995 Gregory Maguire novel Wicked: The Life and Times of the Wicked Witch of the West, which in turn is based on L. Frank Baum's 1900 novel The Wonderful Wizard of Oz and its 1939 film adaptation. The musical is told from the perspective of two witches, Elphaba and Glinda, before and after Dorothy's arrival in Oz. The story explores the complex friendship between Elphaba and Galinda. Their relationship is tested by their contrasting personalities, conflicting viewpoints, shared love interest, reactions to the corrupt rule of the Wonderful Wizard, and ultimately, Elphaba's tragic fall.

<span class="mw-page-title-main">Stephanie J. Block</span> American actress and singer (born 1972)

Stephanie Janette Block is an American actress and singer, best known for her work on the Broadway stage.

Judy Kaye is an American singer and actress. She has appeared in stage musicals, plays, and operas. Kaye has been in long runs on Broadway in the musicals The Phantom of the Opera, Ragtime, Mamma Mia!, and Nice Work If You Can Get It.

Rachel York is an American actress and singer. She is known for stage roles, including award winning performances in Camelot, Hello, Dolly!, Into the Woods, and Anything Goes. She also has performed in film and on television, including her portrayal of Lucille Ball in the 2003 television film Lucy.

Susan H. Schulman is an American theatre director.

<i>9 to 5</i> (TV series) American television sitcom

9 to 5 is an American television sitcom based on the 1980 film of the same name that aired on ABC from March 25, 1982, to October 27, 1983, and in first-run syndication from September 13, 1986, to March 26, 1988.

<span class="mw-page-title-main">Lauren Kennedy</span> American actress

Lauren Kennedy is an American actress and singer who has performed numerous times on Broadway. She is now the producing artistic director of Theatre Raleigh in her home state of North Carolina.

<span class="mw-page-title-main">Jessica Lee Goldyn</span> American Broadway actress (born 1985)

Jessica Lee Goldyn is an American musical theatre actress, singer, and dancer best known for creating the role of Val in the Broadway revival of A Chorus Line and appearing as Nini (replacement) in Moulin Rouge! The Musical. Goldyn played the lead role of Cassie from August 10, 2008 opposite Mario Lopez as Zack, until the show ended its Broadway revival run on August 17, 2008. Goldyn had been an understudy for the lead character of Cassie. She played the title role in Annie (musical) at age 21. Goldyn appeared in The Paper Mill Playhouse (NJ) rendition of A Chorus Line in the star role of Cassie from October 7 through October 28, 2012.

<span class="mw-page-title-main">Ryah Nixon</span> American actress

Ryah Nixon is a graduate of the Carnegie Mellon University School of Drama, class of 2009. Classmates include: Kyle Beltran, Hunter Ryan Herdlicka, Steffanie Leigh, and Ian Harding. She is originally from Seattle, Washington and attended Roosevelt High School.

<i>Rodgers + Hammersteins Cinderella</i> (Beane musical) Musical by Rodgers, Hammerstein and Beane (2013 adaptation)

Rodgers + Hammerstein's Cinderella is a musical in two acts with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and a book by Douglas Carter Beane based partly on Hammerstein's 1957 book. The story is derived from the fairy tale Cinderella, particularly the French version Cendrillon ou la petite pantoufle de verre, by Charles Perrault. The story concerns a young woman forced into a life of servitude by her cruel stepmother. She dreams of a better life, and with the help of her Fairy Godmother, Cinderella is transformed into an elegant young lady and is able to attend the ball to meet her Prince. In this version, however, she opens the Prince's eyes to the injustice in his kingdom.

Natalie McQueen is an English actress known for her performances in a number of UK West End productions including Bonnie & Clyde, 9 to 5, Kinky Boots and Wicked.

References

  1. ↑ Jones, Kenneth."A Cup of Ambition: '9 to 5' Musical Takes Next Step in NYC Reading with Neuwirth, Janney, Block" Archived October 13, 2008, at the Wayback Machine Playbill.com, June 20, 2007
  2. ↑ Gans, Andrew and Jones, Kenneth."A Cup of Ambition: '9 to 5': The Musical Comes to Life Sept. 9 in Los Angeles" Archived 2008-09-10 at the Wayback Machine Playbill.com, September 9, 2008
  3. ↑ Jones, Kenneth. "Parton Gets L.A. Critics Award for '9 to 5'; Friedman, Glover, Louis & Keely Also Win" Archived 2009-03-20 at the Wayback Machine Playbill.com, March 17, 2009
  4. ↑ Itzkoff, Dave. "'9 to 5' Musical Spawns Lawsuit" The New York Times, January 21, 2009
  5. ↑ Jones, Kenneth. "Hello, Dolly! '9 to 5' Books Broadway's Marquis; Full Casting Announced" Archived May 6, 2009, at the Wayback Machine Playbill.com, July 15, 2008
  6. ↑ Jones, Kenneth."Punching Out: 9 to 5 Will Close Sept. 6; Tour Will Launch in Nashville," Archived 2009-08-03 at the Wayback Machine Playbill.com, July 29, 2009
  7. ↑ Jones, Kenneth."Dee Hoty, Mamie Parris and Diana DeGarmo Star in '9 to 5' Tour; Script Revisions Made" Archived 2010-12-12 at the Wayback Machine Playbill.com, September 21, 2010
  8. ↑ Ambassador Theatre Group Official Website - Dolly Parton's '9 to 5' Tour Page Archived 2012-04-03 at the Wayback Machine atgtickets.com
  9. ↑ STAGE TUBE: Dolly Parton Talks New Musical, '9 to 5' UK Tour and More Broadwayworld.com, March 26, 2012
  10. ↑ "Cast: Bonnie Langford clocks in for 9 to 5: The Musical". Whatsonstage. (Whatsonstage). 29 June 2012. Archived from the original on 2012-07-01. Retrieved 29 June 2012.
  11. ↑ "Dolly Parton's, 9 to 5 The Musical. Touring the UK. A brand spankin' new musical. Music and Lyrics by Dolly Parton". www.9to5themusical.co.uk.
  12. ↑ Johnson, Robin. "Dolly Parton’s '9 To 5 The Musical' is coming to the West End" officiallondontheatre.com, September 13, 2018
  13. ↑ Daniels, Nicholas. " '9 to 5 The Musical' to extend into the new year at the West End's Savoy Theatre" londontheatredirect.com, 9 May 2019
  14. ↑ " '9 to 5' extends at the Savoy Theatre to 2020" londontheatre.co.uk, 9 May 2019
  15. ↑ "9 to 5 the Musical" londonboxoffice.co.uk, 28 October 2019
  16. ↑ "TV Legend David Hasselhoff to join 9 TO 5 THE MUSICAL" bestoftheatre.co.uk, 28 October 2019
  17. ↑ "9 to 5 The Musical - Celebrating A West End Triumph" bestoftheatre.co.uk, 8 April 2020
  18. 1 2 "Lead Cast Announced For Dolly Parton's 9 TO 5 THE MUSICAL". BroadwayWorld . November 9, 2019.
  19. ↑ "Dolly Parton's 9 to 5 The Musical Postponed". Star Observer . March 20, 2020.
  20. ↑ Harrison, Joseph (September 22, 2010). "BWW Interviews: Jeff Calhoun, Director/Co-Choreographer of 9 to 5: The Musical at Atlanta's Fox Theatre, September 28 – October 3, 2010". BroadwayWorld .
  21. ↑ Gans, Andrew (September 13, 2018). "Dolly Parton's 9 to 5 Musical Will Play London's West End". Playbill .
  22. ↑ Lefkowitz, Andy (March 2, 2020). "Beetlejuice Songwriter Eddie Perfect Books His Next Acting Gig in the Australian Premiere of 9 to 5". broadway.com.
  23. ↑ ACMN. "9 to 5 the Musical". 9 to 5 the Musical. Retrieved 2022-04-04.
  24. ↑ ACMN. "9 to 5 the Musical". 9 to 5 the Musical. Retrieved 2022-04-04.
  25. ↑ ACMN. "9 to 5 the Musical". 9 to 5 the Musical. Retrieved 2022-04-04.
  26. ↑ ACMN. "9 to 5 the Musical". 9 to 5 the Musical. Retrieved 2022-04-04.
  27. ↑ "Dolly Parton's 9 to 5 Tour 2021 - Dolly Parton's 9 to 5 Tour Tickets 2021". British Theatre. 2021-02-27. Retrieved 2021-12-09.
  28. ↑ "Claire Sweeney to join the cast of 9 to 5 the Musical | WhatsOnStage". www.whatsonstage.com. Retrieved 2021-12-09.
  29. ↑ "Tour". 9 To 5 The Musical. Retrieved 2021-12-09.
  30. ↑ "Exclusive: Dolly Parton Announces 9 TO 5 THE MUSICAL National Tour Launching Fall 2022". Broadway World. 2022-03-17. Retrieved 2022-03-17.
  31. ↑ "Dolly Parton's 9 to 5 The Musical Will Launch North American Tour This Fall". Playbill. Retrieved 2022-03-17.
  32. ↑ Shows Archived 2012-01-07 at the Wayback Machine bartertheatre.com
  33. ↑ Season Archived 2012-01-25 at the Wayback Machine dutchapple.com
  34. ↑ Music Theatre of Wichita mtwichita.org
  35. ↑ Merry-Go-Round Playhouse announces 2012 show lineup auburnpub.com
  36. ↑ "The Gateway". PACSC.ORG.
  37. ↑ "Rhode Island's Theatre By the Sea Will Stage How to Succeed…, '9 to 5', 'Sound of Music' in 2012" Archived 2012-10-22 at the Wayback Machine Playbill.com
  38. ↑ "9 TO 5: The Musical". Archived from the original on 2012-08-04. Retrieved 2012-08-14.
  39. ↑ Lanes, Elliot (15 September 2014). "Theatre Review: '9 to 5 The Musical' at Walnut Street Theatre in Philadelphia PA". MD Theatre Guide. Archived from the original on 2014-09-16. Retrieved 16 March 2021.
  40. ↑ "9 to 5" LA Pre-Broadway Showbill, Ahmanson Theatre, pp1-16" Archived July 19, 2011, at the Wayback Machine CenterTheatreGroup.org, accessed August 25, 2011,
  41. ↑ "iTunes Store: '9 to 5' OBCR" itunes.apple.com, accessed August 25, 2011
  42. ↑ DollyPartonMusic.Net Archived 2015-06-22 at the Wayback Machine dollypartonmusic.net, accessed August 25, 2011
  43. ↑ "'9 to 5 The Musical' (Original Cast Recording)" Amazon.com, accessed August 25, 2011
  44. ↑ "Dolly Partons Score For '9 TO 5' Released" broadwayworld.com, June 10, 2009
  45. ↑ "9 to 5 the Musical West End cast recording released | WhatsOnStage". www.whatsonstage.com. Retrieved 2020-04-02.
  46. ↑ Verini, Bob. "9 to 5: The Musical", Variety, September 21, 2008
  47. ↑ Schwartz, Jonas. 9 to 5: The Musical Archived 2008-10-25 at the Wayback Machine , theatermania.com, Sep 22, 2008
  48. ↑ Moran, Rita. "Janney, talented cast shine in Dolly Parton's new '9 to 5'" Archived 2008-12-01 at the Wayback Machine , venturacountystar.com, September 25, 2008
  49. ↑ Hodgins, Paul. "'9 to 5' scores 7 out of 10" Archived 2008-12-02 at the Wayback Machine , ocregister.com, September 21, 2008
  50. ↑ Brantley, Ben."'9 to 5' Sisterhood vs. Boss, On a New Battlefield" The New York Times, May 1, 2009
  51. ↑ Dziemianowicz, Joe."Dolly Parton's tunes work in '9 to 5'" New York Daily News, April 30, 2009
  52. ↑ Story Newsday, May 1, 2009 Archived May 4, 2009, at the Wayback Machine
  53. ↑ Vincentelli, Elizabeth."Parton's Musical Works" New York Post, May 1, 2009, p.45
  54. ↑ Rooney, David."Legit Reviews:'9 to 5: The Musical'" Variety, April 30, 2009, p.22
  55. ↑ Pilkington, Ed."The sweet revenge of a backwoods Barbie in '9 to 5: The Musical'" The Guardian, April 30, 2009
  56. ↑ "2008/2009 Ovation Nominees lastageblog.com, accessed August 25, 2011
  57. ↑ Kenneth Jones."Parton Gets L.A. Critics Award for '9 to 5'; Friedman, Glover, Louis & Keely Also Win" Archived 2009-03-20 at the Wayback Machine Playbill.com, March 17, 2009
  58. ↑ Drama Desk Nominees Announced; 9 to 5 Garners Record-Breaking 15 Noms Archived 2014-06-01 at the Wayback Machine Retrieved April 29, 2013
  59. ↑ Gans, Andrew."'Billy', 'Carnage', 'Hair', 'Blithe' and 'Rush' Win Drama League Awards" Archived May 18, 2009, at the Wayback Machine Playbill.com, May 15, 2009
  60. ↑ "Ain't Misbehavin", 'Hair', '9 to 5', 'Shrek', 'West Side Story', Liza Nominated for Grammy Awards" broadwayworld.com, December 2, 2009
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.