A History of Ireland in 100 Objects was a joint project by The Irish Times , the National Museum of Ireland, and the Royal Irish Academy to define one hundred archaeological or cultural objects that are important in the history of Ireland. The objects are single man-made artefacts or documents, excluding buildings, ranging in date from about 5,000 BC (Mesolithic) to the early 21st century. Most of the objects are held in accessible collections in the Republic of Ireland or Northern Ireland. [1]
Details of the hundred objects, written by Irish Times journalist Fintan O'Toole, were initially serialized in The Irish Times between February 2011 and January 2013. In February 2013 a book about the hundred objects written by O'Toole, entitled A History of Ireland in 100 Objects, was published, and it quickly became a best-seller with 35,000 free downloads. [2]
In January 2017 An Post announced that a selection of the 100 objects would form the subjects for the 9th definitive postage stamp series for Ireland, to be issued over a period of five or six years from 2017. The first set of stamps featuring twelve of the objects were issued in January 2017, consisting of eight different SOAR (Stamps on a Roll) stamps with various values (€0.05 to €7.50), a range coil stamps, and a national (N) and an international (W) rate stamp booklet. [1]
Objects for which there is a specific Wikipedia article are given in bold type.
Image | Number | Object | Date | Location | Postage stamp | Reference | |
---|---|---|---|---|---|---|---|
1 | Mesolithic fish trap | c. 5000 BC | National Museum of Ireland – Archaeology, Dublin | Set 1, 2017 (SOAR) | [3] | ||
2 | Ceremonial axehead | 3600 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | |||
3 | Neolithic bowl | c. 3500 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | |||
4 | Flint macehead | 3300–2800 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | |||
5 | Neolithic bag | 3800–2500 BC | National Museum of Ireland – Archaeology | ||||
6 | Basket earrings | c. 2300 BC | National Museum of Ireland – Archaeology | ||||
7 | Pair of gold discs | 2200–2000 BC | National Museum of Ireland – Archaeology | Set 1, 2017 ('N' rate) | |||
8 | Coggalbeg gold hoard | 2300–2000 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | |||
9 | Bronze Age funerary pots | 1900–1300 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | |||
10 | Tara torcs | c. 1200 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | [4] | ||
11 | Mooghaun hoard | c. 800 BC | National Museum of Ireland – Archaeology, and British Museum | ||||
12 | Gleninsheen gorget | c. 800–700 BC | National Museum of Ireland – Archaeology | Set 1, 2017 ('W' rate) | |||
13 | Castlederg bronze cauldron | 700–600 BC | National Museum of Ireland – Archaeology | Set 1, 2017 ('N' rate) | |||
14 | Iron spearhead | 800–675 BC | National Museum of Ireland – Archaeology | ||||
15 | Broighter boat | c. 100 BC | National Museum of Ireland – Archaeology | Set 1, 2017 (SOAR) | |||
16 | Old Croghan Man | 362–175 BC | National Museum of Ireland – Archaeology | Set 1, 2017 ('N' rate) | |||
17 | Loughnashade horn | c. 100 BC | National Museum of Ireland – Archaeology | ||||
18 | Keshcarrigan bowl | early-1st century | National Museum of Ireland – Archaeology | ||||
19 | The Corleck Head | 1st to 2nd century | National Museum of Ireland – Archaeology | ||||
20 | Petrie crown | 2nd century | National Museum of Ireland – Archaeology | [5] | |||
21 | Cunorix stone | 460–75 | In situ | ||||
22 | St Patrick's Confessio | 21 | c. 460–90 | Trinity College, Dublin | |||
23 | Mullaghmast stone | 500–600 | National Museum of Ireland – Archaeology | ||||
24 | St Patrick's bell | c. 7th century | National Museum of Ireland – Archaeology | [6] | |||
25 | Springmount wax tablets | late-6th century | National Museum of Ireland – Archaeology | ||||
26 | Ballinderry Brooch | c. 600 | National Museum of Ireland – Archaeology | ||||
27 | Donore handle | 700–20 | National Museum of Ireland – Archaeology | [7] | |||
28 | Book of Kells | c. 800 | Trinity College | ||||
29 | Tara brooch | 8th century | National Museum of Ireland – Archaeology | [8] | |||
30 | Ardagh chalice | 8th century | National Museum of Ireland – Archaeology | ||||
31 | Derrynflan paten | late-8th century | National Museum of Ireland – Archaeology | ||||
32 | Moylough Belt-Shrine | 8th or 9th century | National Museum of Ireland – Archaeology | [9] | |||
33 | Rinnegan Crucifixion Plaque | 8th or 9th century | National Museum of Ireland – Archaeology | ||||
34 | Tall cross | late-9th century | Monasterboice, County Louth | [10] | |||
35 | Oseberg ship | c. 815 | Museum of Cultural History, Oslo, Norway | ||||
36 | Ballinderry sword | mid-9th century | National Museum of Ireland – Archaeology | ||||
37 | Decorated lead weights | c. 900 | National Museum of Ireland – Archaeology | ||||
38 | Roscrea Brooch | late-9th century | National Museum of Ireland – Archaeology | ||||
39 | Slave chain | late-9th or early-10th century | National Museum of Ireland – Archaeology | ||||
40 | Silver cone | mid-10th century | National Museum of Ireland – Archaeology | ||||
41 | Carved crook | early-11th century | National Museum of Ireland – Archaeology | ||||
42 | Breac Maodhóg | late-11th century | National Museum of Ireland – Archaeology | ||||
43 | Clonmacnoise Crozier | 11th century | National Museum of Ireland – Archaeology | ||||
44 | Cross of Cong | early-12th century | National Museum of Ireland – Archaeology | ||||
45 | 'Strongbow's tomb' | 12th century | Christ Church Cathedral, Dublin | ||||
46 | Laudabiliter papal bull | 1155 | National Library of Ireland, Dublin | ||||
47 | Figure of a horseman | 13th century | National Museum of Ireland – Archaeology | ||||
48 | Domhnach Airgid | c. 1350 | National Museum of Ireland – Archaeology | ||||
49 | Waterford charter roll | 1215–1373 | Medieval Museum, Waterford | ||||
50 | Two coins | 1280s and 1460 | National Museum of Ireland – Decorative Arts and History | ||||
51 | Processional cross | 1479 | National Museum of Ireland – Archaeology | ||||
52 | Magi Cope | c. 1470 | Medieval Museum, Waterford | ||||
53 | De Burgo-O'Malley chalice | 1494 | National Museum of Ireland – Decorative Arts and History | ||||
54 | Kavanagh charter horn | 12th and 15th centuries | National Museum of Ireland – Archaeology | [11] | |||
55 | Gallowglass gravestone | 15th or 16th century | Gaelic Athletic Association Museum, Dublin | ||||
56 | Book of Common Prayer | 1551 | Royal Irish Academy, Dublin | ||||
57 | Salamander pendant | c. 1588 | Ulster Museum, Belfast | ||||
58 | Morion | late-16th century | National Museum of Ireland – Decorative Arts and History | ||||
59 | Leac na ríogh | 10–15th century | Near Cookstown, County Tyrone | ||||
60 | Wassail bowl | late-16th century | Ulster Museum, Belfast | ||||
61 | Deposition on atrocities | 1641 | Trinity College | ||||
62 | O'Queely chalice | 1640 | National Museum of Ireland – Decorative Arts and History, Dublin | ||||
63 | Fleetwood cabinet | c. 1652 | National Museum of Ireland – Decorative Arts and History (now National Gallery of Ireland) | ||||
64 | Books of Survey and Distribution | mid-17th century | National Archives of Ireland, Dublin | ||||
65 | King William's gauntlets | c. 1690 | National Museum of Ireland – Decorative Arts and History | [12] | |||
66 | Crucifixion stone | 1740 | National Museum of Ireland – Decorative Arts and History | [13] | |||
67 | Conestoga wagon | 18th century | Ulster American Folk Park, County Tyrone | ||||
68 | Wood's halfpence | 1722 | National Museum of Ireland – Decorative Arts and History | ||||
69 | Dillon regimental flag | 1745 | National Museum of Ireland – Decorative Arts and History | ||||
70 | Rococo candlestick | c. 1745 | National Museum of Ireland – Decorative Arts and History | ||||
71 | Engraving of linen-makers | 1782 | Ulster Museum, Belfast | ||||
72 | Cotton panel | 1783 | National Museum of Ireland – Decorative Arts and History | ||||
73 | Pike | 1798 | National Museum of Ireland – Decorative Arts and History | ||||
74 | Act of Union blacklist | early-19th century | National Library of Ireland | ||||
75 | Penrose decanter | late-18th century | National Museum of Ireland – Decorative Arts and History | ||||
76 | Robert Emmet's ring | 1790s | National Museum of Ireland – Decorative Arts and History | ||||
77 | Wicker cradle | 19th–20th centuries | National Museum of Ireland – Decorative Arts and History | ||||
78 | Daniel O'Connell's 'chariot' | 1844 | Caherdaniel, County Kerry | ||||
79 | Stokes 'tapestry' | 1833–53 | National Museum of Ireland – Decorative Arts and History | ||||
80 | 'Captain Rock' threatening letter | 1842 | National Library of Ireland | ||||
81 | Empty cooking pot | 19th century | National Museum of Ireland – Country Life | ||||
82 | Emigrant's teapot | late-19th–mid-20th century | National Museum of Ireland – Country Life, County Mayo | ||||
83 | William Smith O'Brien gold cup | 1854 | National Museum of Ireland – Decorative Arts and History | ||||
84 | Parnell silver casket | 1844 | National Museum of Ireland – Decorative Arts and History | ||||
85 | Carlow Cathedral pulpit | 1899 | Carlow County Museum, County Carlow | ||||
86 | Youghal lace collar | 1906 | National Museum of Ireland – Decorative Arts and History | ||||
87 | Gaelic Athletic Association medal | 1887 | National Museum of Ireland – Decorative Arts and History | ||||
88 | Reclining Buddha | late-19th century | National Museum of Ireland – Decorative Arts and History | ||||
89 | Titanic launch ticket | May 1911 | Ulster Folk and Transport Museum, County Down | ||||
90 | River Clyde lamp | 1915 | National Museum of Ireland – Decorative Arts and History | ||||
91 | James Connolly's shirt | 1916 | National Museum of Ireland – Decorative Arts and History | ||||
92 | Rejected coin design | 1927 | National Museum of Ireland – Decorative Arts and History | ||||
93 | Boyne coracle | 1928 | National Museum of Ireland – Country Life | ||||
94 | Eileen Gray chair | 1926 | National Museum of Ireland – Decorative Arts and History | ||||
95 | Emigrant's suitcase | 1950s | National Museum of Ireland – Country Life | ||||
96 | Washing machine | 1950s | Irish Agricultural Museum, County Wexford | ||||
97 | Bloody Sunday handkerchief | 1972 | Museum of Free Derry, Derry | ||||
98 | Intel microprocessor | 1994 | National Science Museum at Maynooth, County Kildare | ||||
99 | Anglo Irish Bank sign | 2000–2011 | National Museum of Ireland – Decorative Arts and History | ||||
100 | Decommissioned AK-47 | 2005 | National Museum of Ireland – Decorative Arts and History | [14] | |||
The Hill of Tara is a hill and ancient ceremonial and burial site near Skryne in County Meath, Ireland. Tradition identifies the hill as the inauguration place and seat of the High Kings of Ireland; it also appears in Irish mythology. Tara consists of numerous monuments and earthworks—dating from the Neolithic to the Iron Age—including a passage tomb, burial mounds, round enclosures, a standing stone, and a ceremonial avenue. There is also a church and graveyard on the hill. Tara forms part of a larger ancient landscape and Tara itself is a protected national monument under the care of the Office of Public Works, an agency of the Irish Government.
The Tara Brooch is an Irish Celtic brooch, dated to the late-7th or early-8th century. It is of the pseudo-penannular type, and made from bronze, silver and gold. Its head consists of an intricately decorated circular ring, and overall, its front and reverse sides are equally decorated; each holds around 50 inserted cast panels packed with filigree. The brooch was constructed from numerous individually made pieces; all of the borders and its terminals contain multiple panels holding multi-coloured studs, interlace patterns, filigree, and Celtic spirals. The brooch is widely considered the most complex and ornate of its kind and would have been commissioned as a fastener for the cloak of a high-ranking cleric or as ceremonial insignia of high office for a High King of Ireland.
Fintan O'Toole is an Irish journalist, literary editor, and drama critic for The Irish Times, for which he has written since 1988. O'Toole was drama critic for the New York Daily News from 1997 to 2001 and is a regular contributor to The New York Review of Books. He is also an author, literary critic, historical writer and political commentator.
The postage stamps of Ireland are issued by the postal operator of the independent Irish state. Ireland was part of the United Kingdom of Great Britain and Ireland when the world's first postage stamps were issued in 1840. These stamps, and all subsequent British issues, were used throughout Ireland until the new Irish Government assumed power in 1922. Beginning on 17 February 1922, existing British stamps were overprinted with Irish text to provide some definitives until separate Irish issues became available within the new Irish Free State. Following the overprints, a regular series of definitive stamps was produced by the new Department of Posts and Telegraphs, using domestic designs. These definitives were issued on 6 December 1922, the day that the Irish Free State officially came into existence; the first was a 2d stamp, depicting a map of Ireland. Since then new images, and additional values as needed, have produced nine definitive series of different designs.
Saint Mac Cairthinn, also Macartan, McCartan, is recognized as the first presiding Bishop of Clogher from 454 to his death. One of the earliest Christian saints in Ireland, he is known as Saint Patrick's "Threin Fhir", or "Strong Man" for his dedication and faithfulness to the fledgling Church. His feast day is 24 March.
Definitive postage stamps of Ireland are the regular series of definitive postage stamps issued by the Irish Free State between 1922 and 1937 and by Republic of Ireland since 1937. Nine distinctly different series of designs have been released; additionally the watermark was changed for two issues and the currency was changed on three occasions while the designs remained the same.
The National Museum of Ireland – Archaeology is a branch of the National Museum of Ireland located on Kildare Street in Dublin, Ireland, that specialises in Irish and other antiquities dating from the Stone Age to the Late Middle Ages.
Darragh Fives is an Irish hurler who plays for Waterford Junior Championship club Tourin–Ballinwillin and at inter-county level with the Waterford senior hurling team. He usually lines out as a left wing-back.
Jason Forde is an Irish hurler who plays for Tipperary senior Championship club Silvermines and at inter-county level with the Tipperary senior hurling team. He usually lines out as a left corner-forward.
Mark Ellis is an Irish hurler who plays as a centre-back for Duhallow Championship club Millstreet. He is a former member of the Cork senior hurling team.
John McGrath is an Irish hurler and Gaelic footballer who plays for Tipperary Senior Championship club Loughmore–Castleiney and at inter-county level with the Tipperary senior hurling team. He usually lines out as a right corner-forward.
Tadhg de Búrca, sometimes referred to as The Tadhger, is an Irish hurler who plays for Waterford Intermediate Championship club Clashmore–Kinsalebeg and at inter-county level with the Waterford senior hurling team. He usually lines out as a centre-back having previously enjoyed a role as a sweeper.
Jamie Barron is an Irish hurler who plays for Waterford Senior Championship club The Nire–Fourmilewater and at inter-county level with the Waterford senior hurling team. He usually lines out as a midfielder.
The Keshcarrigan Bowl is an Iron Age bronze bowl discovered to the north of Keshcarrigan, County Leitrim, Ireland, in the 19th century. The bowl was found in the waterway between Lough Scur and Lough Marrave. It was perhaps a ceremonial drinking cup. The bowl would have been a prestigious item in 1st century Ireland, the bird-shaped handle outstandingly designed and skillfully executed. The Keshcarrigan Bowl is in the archaeology branch of the National Museum of Ireland.
Seán Finn is an Irish hurler who plays as a right corner-back for club side Bruff and at inter-county level with the Limerick senior hurling team.
The Breac Maodhóg is a relatively large Irish house-shaped reliquary, today in the National Museum of Ireland. It is thought to date from the second half of the 11th century, and while periods as early as the 9th century have been proposed, the later dating is believed more likely based on the style of its decoration.
The Coggalbeg hoard is an Early Bronze Age hoard of three pieces of Irish gold jewellery dating to 2300–2000 BC. It is now in the National Museum of Ireland – Archaeology in Dublin, where it is normally on display.
The Roscrea brooch is a 9th-century Celtic brooch of the pseudo-penannular type, found at or near Roscrea, County Tipperary, Ireland, before 1829. It is made from cast silver, and decorated with zoomorphic patterns of open-jawed animals and gilded gold filigree, and is 9.5 cm in height and 8.3 cm wide. The silver is of an unusually high quality for Irish metalwork of the period, indicating that its craftsmen were both trading materials with settled Vikings, who had first, traumatically, invaded the island in the preceding century, and had absorbed elements of the Scandinavian's imagery and metalwork techniques.
The Gleninsheen gorget is a late Bronze Age collar, found in 1930 in the Gleninsheen region of the Burren, County Clare, Ireland. Given that the gorget is made from gold and weighs 276 g (8.9 ozt) it must have been intended as an ornament for a high-ranking warrior. Dated to c. 800–700 BC, it is one of the earliest examples of substantial Irish goldwork, although the gorget may represent a development of the much earlier and lighter gold lunula form. Both are mainly found in Ireland.
The Rinnegan Crucifixion Plaque is a late 7th or early 8th century Irish gilt-bronze crucifixion plaque sculpture found in the 19th century in the churchyard of St. John’s on the head of Lough Ree in Rinnegan County Westmeath, and near Athlone, County Roscommon. It is one of the earliest extant representations of the crucifixion in Irish art, and outside of illuminated manuscripts, a rare example of both representation and a narrative scene in early Irish Insular art.