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Ousmane Sembène, often credited in the French style as Sembène Ousmane in articles and reference works, was a Senegalese film director, producer and writer. The Los Angeles Times considered him one of the greatest authors of Africa and he has often been called the "father of African film". Descended from a Serer family through his mother from the line of Matar Sène, Ousmane Sembène was particularly drawn to Serer religious festivals especially the Tuur festival.
Cinema of Africa is both the history and present of the making or screening of films on the African continent, and also refers to the persons involved in this form of audiovisual culture. It dates back to the early 20th century, when film reels were the primary cinematic technology in use. During the colonial era, African life was shown only by the work of white, colonial, Western filmmakers, who depicted Africans in a negative fashion, as exotic "others". As there are more than 50 countries with audiovisual traditions, there is no one single 'African cinema'. Both historically and culturally, there are major regional differences between North African and sub-Saharan cinemas, and between the cinemas of different countries.
Xala is a 1975 Senegalese film directed by Ousmane Sembène. It is an adaptation of Sembène's 1973 novel of the same name. The film depicts El Hadji, a businessman in Senegal, who is cursed with crippling erectile dysfunction upon the day of his marriage to his third wife. The film satirizes the corruption in African post-independence governments; El Hadji's impotence symbolizes the failure of such governments to be useful at all.
Mark Semyonovich Donskoy was a Soviet film director, screenwriter, and studio administrative head.
Borom Sarret or The Wagoner is a 1963 film by Senegalese director Ousmane Sembène, the first film over which he had full control. It is often called the first film made in Africa by an African; the first "professional" African film; or the first such film to be shown widely outside of Africa. However, this is disputed, with some other films, such as Song of Khartoum, Sarzan, and Mouramani having arguably been produced earlier. Thus, some authors refer to it as "among the first" films made in Africa by an African filmmaker. Borom Sarret is 18 minutes long and tells a story about a cart driver in Dakar. The film illustrates the poverty in Africa, showing that independence has not solved the problems of its people. It was shown as part of the Cannes Classics section of the 2013 Cannes Film Festival.
Mandabi is a 1968 film written and directed by Senegalese filmmaker Ousmane Sembène. The film is based on Sembène's novel The Money-Order and is the director's first film in his native Wolof language. Since most of the Senegalese population do not understand French, Sembène wanted to create cinema for Wolof speakers. This is believed to be the first full-length African language film from West Africa.
Tribal Scars is a collection of short stories by Senegalese author Ousmane Sembène. It was originally published in French as Voltaique in 1962.
The cinema of Senegal is a relatively small film industry which experienced its prime from the 1960s through to the early 1980s, but has since declined to less than five feature films produced in the last ten years.
Senegalese literature is written or literary work which has been produced by writers born in the West African state. Senegalese literary works are mostly written in French, the language of the colonial administration. However, there are many instances of works being written in Arabic and the native languages of Wolof, Pulaar, Mandinka, Diola, Soninke and Serer. Oral traditions, in the form of Griot storytellers, constitute a historical element of the Senegalese canon and have persisted as cultural custodians throughout the nation’s history. A form of proto-Senegalese literature arose during the mid 19th century with the works of David Abbé Boilat, who produced written ethnographic literature which supported French Colonial rule. This genre of Senegalese literature continued to expand during the 1920s with the works of Bakary Diallo and Ahmadou Mapaté Diagne. Earlier literary examples exist in the form of Qur’anic texts which led to the growth of a form African linguistic expressionism using the Arabic alphabet, known as Ajami. Poets of this genre include Ahmad Ayan Sih and Dhu al-nun.
Guelwaar is a 1993 French-Senegalese drama film written and directed by Ousmane Sembène. The name is borrowed from the Serer pre-colonial dynasty of Guelowar. The film won The President of the Italian Senate's Gold Medal at the 49th Venice International Film Festival.
Ceddo, also known as The Outsiders, is a 1977 Senegalese drama film directed by Ousmane Sembène. It was entered into the 10th Moscow International Film Festival.
The 7th Moscow International Film Festival was held from 20 July to 3 August 1971. The Golden Prizes were awarded to the Italian film Confessions of a Police Captain directed by Damiano Damiani, the Japanese film Live Today, Die Tomorrow! directed by Kaneto Shindo and the Soviet film The White Bird Marked with Black directed by Yuri Ilyenko.
The 45th annual Venice International Film Festival was held from 29 August to 9 September 1988.
The 11th Moscow International Film Festival was held from 14 to 28 August 1979. The Golden Prizes were awarded to the Italian-French film Christ Stopped at Eboli directed by Francesco Rosi, the Spanish film Siete días de enero directed by Juan Antonio Bardem and the Polish film Camera Buff directed by Krzysztof Kieślowski.
The 10th Africa Movie Academy Awards ceremony honouring movies of 2013 was scheduled to take place in Yenagoa, Bayelsa State on 26 April 2014, but was shifted to 24 May 2014. The nomination party was held at Emperor Palace, Johannesburg, South Africa on 2 April 2014.
Uhlanga the Mark also known as Uhlanga: The Mark is a 2012 South African drama film produced, written, directed by award-winning author Ndaba Ka Ngwane on his directorial debut. The film stars Sbo Da Poet, Thuli Mhlongo and award-winning DJ Linda Sibiya on his acting debut in the lead roles. The background music for the film was scored by Khulekani Zondi who also handled the cinematography and editing. The theme of the film is based on the violence and rural poverty in modern South Africa. The film was made with a low budget and was released on 15 July 2012. It received critical acclaim from the critics for its screenplay, visual effects and cinematography. The film was also premiered in several international film festivals in South Africa, UK, Italy and Germany. The film has won several awards and nominations in International film festivals.
Marie Clémentine Dusabejambo is a Rwandan filmmaker.
The Festival du Cinéma Africain de Khouribga (FCAK) or African Film Festival in Khouribga is a film festival for African cinema held in Khouribga in Morocco. Established in 1977, it is one of the oldest and most important film festivals in Morocco.
Samba Gadjigo, is a Senegalese filmmaker and writer. He is most notable as the director of critically acclaimed film Sembene!.
Younousse Sèye is a Senegalese artist and actress. Considered Senegal's first woman painter, she is best known for her mixed-media works incorporating cowrie shells. Having no formal training in either visual art or acting, she achieved success in the post-independence Dakar art scene and appeared in several major films by the Senegalese director Ousmane Sembène.
References
- ↑ "Official Website of the AMAAs". Africa Movie Academy Awards. Retrieved 22 May 2014.
