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Grouping | Legendary creature |
---|---|
Sub grouping | Hybrid |
Region | Philippines |
The Anggitay is a creature with the upper body of a female human and the lower body and legs of a horse from waist down. They were the Philippine counterpart to the centauride, the female centaurs. They are also believed to be the female counterpart of the Tikbalang .
They are sometimes depicted as having a single horn in the middle of their forehead, just like a unicorn. They were usually said to be attracted to precious gemstones, and jewelry. Their homeland is believed to be in Santo Tomas, Batangas. [1]
Strzyga is usually a female demon in Slavic mythology, which stems from the mythological Strix of Ancient Rome and Ancient Greece. The demon is similar to a vampire, and is predominantly found in Polish and Silesian folklore. Striga comes from an Albanian mythology, it is said to be a witch that curses people, and sucks upon the life force of others during their sleep.
The manananggal is a mythical creature in the Philippines that is able to separate its upper torso from the lower part of its body. Their fangs and wings give them a vampire-like appearance.
Aswang is an umbrella term for various shape-shifting evil creatures in Filipino folklore, such as vampires, ghouls, witches, viscera suckers, and transforming human-beast hybrids. The aswang is the subject of a wide variety of myths, stories, arts, and films, as it is well known throughout the Philippines. Spanish colonists noted that the aswang was the most feared among the mythical creatures of the Philippines, even in the 16th century. Although with no specific motive other than harming others, their behavior can be interpreted as an inversion of the traditional Filipino's values. The aswang is especially popular in southern parts of Luzon, and some parts of Mindanao and Visayas, especially the Visayan province of Capiz.
In Philippine mythology, the kapre is a creature that may be described as a tree giant, being a tall, dark-coloured, hairy, and muscular creature. Kapres are also said to have a very strong body odour and to sit in tree branches to smoke.
Philippine mythology is the body of stories and epics originating from, and part of, the indigenous Philippine folk religions, which include various ethnic faiths distinct from one another. Philippine mythology is incorporated from various sources, having similarities with Indonesian and Malay myths, as well as Hindu, Muslim, Shinto, Buddhist, and Christian traditions, such as the notion of heaven, hell, and the human soul. Philippine mythology attempts to explain the nature of the world through the lives and actions of heroes, deities, and mythological creatures. The majority of these myths were passed on through oral tradition, and preserved through the aid of community spiritual leaders or shamans and community elders.
Filipino shamans, commonly known as Babaylan, were shamans of the various ethnic groups of the pre-colonial Philippine islands. These shamans specialized in communicating, appeasing, or harnessing the spirits of the dead and the spirits of nature. They were almost always women or feminized men. They were believed to have spirit guides, by which they could contact and interact with the spirits and deities and the spirit world. Their primary role were as mediums during pag-anito séance rituals. There were also various subtypes of babaylan specializing in the arts of healing and herbalism, divination, and sorcery.
A kinnara is a creature from Hindu and Buddhist mythology. They are described as part human and part bird, and have a strong association with music and love. Believed to come from the Himalayas, they often watch over the well-being of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the Adi Parva of the Mahabharata, where they say:
We are everlasting lover and beloved. We never separate. We are eternally husband and wife; never do we become mother and father. No offspring is seen in our lap. We are lover and beloved ever-embracing. In between us we do not permit any third creature demanding affection. Our life is a life of perpetual pleasures.
Pedro Penduko is a Filipino comic book character styled as a folk hero or superhero, created by National Artist for Literature Francisco V. Coching and debuted on the magazine Liwayway.
Mythic humanoids are mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins. A major chunk of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on their journey. They are said to come before the creation of gods and goddesses. Skiewa
The Wakwak is a vampiric, bird-like creature in Philippine mythology. It is said to snatch humans at night as prey, similar to the manananggal and the Ekek in rural areas of the Philippines. The difference between the Manananggal and the Wakwak is that Wakwak cannot separate its torso from its body while the Manananggal can. Some believe the Wakwak is a form of vampire. Other people contend that a Wakwak is a Philippine night bird associated with witches.
The Sirena is a mythological sea creature from Filipino culture. In some regions of the Philippines, particularly Bicol and Visayas, Sirenas are known as Magindara and portrayed as vicious mermaids. Like Sirens of Greek mythology they have alluring and irresistible singing voices; unlike Sirens, which are portrayed as part woman and part bird, Sirenas are often portrayed as mermaid-like creatures that live under the sea. In Philippine mythology, the Sirena is a mythological aquatic creature with the head and torso of a human female and the tail of a fish. The Sirena is an Engkanto –' the Filipino counterpart of English mermaids. Engkantos are classified as one of the Bantay Tubig, a Filipino term for mythical guardians of the water. In addition to the Sirena, other examples of Bantay Tubig are Siyokoy, Kataw and Ugkoy. The male version of a Sirena is called a Sireno. Sometimes Sirena are paired with Siyokoy. A popular mermaid character in the Philippines is Dyesebel.
The Kataw is one of the merfolk in the Philippine Mythology. In Visayan, Katau was believed to have higher rankings than other water and sea creatures as those of Sirena, Sireno and Siyokoy. It is believed that the Kataws are the reigning rulers of the kingdom Bantay Tubig.
Dalaketnon, are the evil engkanto. Dalaketnons are a race of Elf-like creatures in Philippine mythology In Visayans they were believed to be handsome and beautiful creatures that resemble nobles and monarchs of the prehispanic Philippines, They dwell on Dalakit trees hence the name Dalakitnon which literally means From the Dalakit or Dakit tree These mythological race exhibits sexual dimorphism the men having light colored skin and very dark hair and women having bronze-brown skin and brown hair. Stories say that they have leaf-shaped pointy ears. depicted in modern times as gothic-like tall, handsome males and beautiful females. They dress in fashionable manner, live in the "haunted house-like" mansions and try to fit in with mortal people. Some believe that the only way to Dalaket, their dwelling place, is by entering the Dalaket trees. These creatures abduct people and take them to their world. They hold a feast for their victims and force them to eat the Black Rice that put them under their spell making them their slaves.
The Yawkyawk is a female creature originating in the mythology of the Kunwinjku people of Western Arnhem Land, Northern Territory, Australia.
The Box Office Entertainment Awards, sometimes known as the GMMSF Box Office Entertainment Awards is an annual award ceremony held in Metro Manila and organized by Guillermo Mendoza Memorial Scholarship Foundation. The award-giving body honors stars and performers simply for their popularity and commercial success in the Philippine entertainment industry, regardless of their excellence in their particular fields.
The indigenous religious beliefs of the Tagalog people were well documented by Spanish missionaries, mostly in the form of epistolary accounts (relaciones) and entries in various dictionaries compiled by missionary friars.