Region | Philippines |
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Bungisngis is a one-eyed giant in Philippine folklore. This giant, purported to dwell in Meluz, Orion, Bataan and Batangas and is described as always laughing. [1] The literal meaning of the name Bungingis is derived from the Tagalog word ngisi which means "to giggle". [2]
Having a humanoid shape, it has large teeth which are always showing, and its upper lip covers its face when it is thrown back. Two long tusks protrude from the sides of its mouth. The giant's only eye is found in the middle of its forehead, [1] but this is compensated for by its strong sense of hearing. It also displays unusual strength. In the Filipino tale "The Three Friends – The Monkey, The Dog and The Carabao," the giant is able to lift the carabao and throw it with such force that it ends knee-deep in the ground. [3] However, despite its strength, the bungisngis is easily outwitted and quickly panics. [4] [5] In the tale of the Three Friends, Monkey's tricks led him to his death. [3]
Carabao is the Philippine English term for the water buffalo. In the Philippines, Carabao represents hard work.
The manananggal is a mythical creature in the Philippines that is able to separate its upper torso from the lower part of its body. Their fangs and wings give them a vampire-like appearance.
Aswang is an umbrella term for various shape-shifting evil creatures in Filipino folklore, such as vampires, ghouls, witches, viscera suckers, and transforming human-beast hybrids. The aswang is the subject of a wide variety of myths, stories, arts, and films, as it is well known throughout the Philippines. Spanish colonists noted that the aswang was the most feared among the mythical creatures of the Philippines, even in the 16th century. Although with no specific motive other than harming others, their behavior can be interpreted as an inversion of the traditional Filipino's values. The aswang is especially popular in southern parts of Luzon, and some parts of Mindanao and Visayas, especially the Visayan province of Capiz.
In Philippine mythology, the kapre is a creature that may be described as a tree giant, being a tall, dark-coloured, hairy, and muscular creature. Kapres are also said to have a very strong body odour and to sit in tree branches to smoke.
The Tikbalang (/ˈtikbaˌlaŋ/) is a creature of Philippine folklore said to lurk in the mountains and rainforests of the Philippines. It is a tall, bony humanoid creature with the head and hooves of a horse and disproportionately long limbs, to the point that its knees reach above its head when it squats down. In some versions, it is a transformation of an aborted fetus sent to earth from limbo.
Usog or balis is a topic in psycho-medicine in Filipino Psychology where an affliction or psychological disorder is attributed to a greeting by a stranger, or an evil eye hex. It usually affects an unsuspecting child, usually an infant or toddler, who has been greeted by a visitor or a stranger.
Philippine mythology is rooted in the many indigenous Philippine folk religions. Philippine mythology exhibits influence from Indonesian, Hindu, Muslim, Shinto, Buddhist, and Christian traditions.
Francisco Sionil José was a Filipino writer who was one of the most widely read in the English language. A National Artist of the Philippines for Literature, which was bestowed upon him in 2001, José's novels and short stories depict the social underpinnings of class struggles and colonialism in Filipino society. His works—written in English—have been translated into 28 languages, including Korean, Indonesian, Czech, Russian, Latvian, Ukrainian and Dutch. He was often considered the leading Filipino candidate for the Nobel Prize in Literature.
The Pugot is a mythical fiend that is found in the folklore of the Ilocos region of the Philippines. It can assume various shapes such as hogs, dogs or even as humans. However, it usually appears as a black, big headless being. The creature usually resides in dark places or deserted houses. However, they especially like living in trees such as the duhat, santol, and tamarind.
Pedro Penduko is a Filipino comic book character created by National Artist for Literature Francisco V. Coching. The character, who is styled as a folk hero, debuted in the magazine Liwayway in 1954.
Vicente Silva Manansala was a Filipino cubist painter and illustrator. One of the first Abstractionists on the Philippine art scene Vicente Manansala is also credited with bridging the gap between the city and the suburbs, between the rural and cosmopolitan ways of life. His paintings depict a nation in transition, an allusion to the new culture brought by the Americans. Manansala together with Fabian de la Rosa are among the best-selling Philippine artists in the West.
Amihan is a genderless deity that is depicted as a bird in the Philippine mythology. According to the Tagalog folklore, Amihan is the first creature to inhabit the universe, along with the gods called Bathala and Aman Sinaya. In the legend, Amihan is described as a bird who saved the first human beings, Malakas and Maganda, from a bamboo plant.
Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
The Kumakatok are a group of three robed figures believed by many in the Philippines to knock on doors in the middle of the night and bring bad omens. They allegedly look like humans, but wear hoods that obscure their faces to some extent. One resembles a young female, a middle aged man and an elderly man. The omen will affect those that the group visited regardless whether they opened the door to invite the group or not.
The tiyanak is a vampiric creature in Philippine mythology that takes on the form of a toddler or baby. Although there are various types, it typically takes the form of a newborn baby and cries in the jungle to attract unwary travelers. Once it is picked up by an unfortunate passerby, it reverts to its true form and attacks the victim. The tiyanak is also depicted to take malevolent delight in leading travelers astray, or in abducting children.
In Philippine mythology, a siyokoy (syokoy) is an aquatic humanoid creature with scales, webbed limbs, and fins. Most folklore accounts describe the siyokoy as being hostile to humans, and are often associated with drownings.
Indigenous Philippine shrines and sacred grounds are places regarded as holy within the indigenous Philippine folk religions. These places usually serve as grounds for communication with the spirit world, especially to the deities and ancestral spirits. In some cases, they also function as safeguards for the caskets of ancestors, as well as statues or other objects depicting divine entities.