Aria, Ciaccona & Vivace is a 2019 composition by Krzysztof Penderecki, which was compiled and adapted for piano by Venezuelan-German composer Sef Albertz. [1] [2] This work represents the only solo piano music in the catalog of the renowned Polish composer. [3] It was one of the last works of Penderecki, composed before his death, just over a year after its premiere in March 2019.
Aria, Ciaccona & Vivace takes approximately 15 minutes to perform. [3] [4] The single pieces were originally written for orchestra and in the piano version they are placed in a new dramaturgical context. [1]
German pianist Anna-Maria Maak gave the world premiere performance on March 22, 2019, during the ‘Town Hall Concert Serie’ (Rathauskonzerte) in Torgau (Germany). [1] [2] [3] [4] It represented the last world premiere in the lifetime of the renowned composer. [7] [8]
On March 26, 2019, Georg Frackowiak, music critic of the newspaper Torgauer Zeitung wrote about the premiere of the work: "Composition, arrangement and performance were equally convincing, with the pianistic ability of the interpreter arousing total admiration...". [1]
About the new composition, Maak said: "It’s a wonderful piano music, pianistically adapted in a very appropriate way. Making Penderecki's exciting musical language accessible to pianists is a real asset!". [1]
Pianist Anna-Maria Maak has also performed the world premiere recording of Aria, Ciaccona & Vivace, which can be found on her 2021 Album 'In the Secret of the World' alongside world premieres of original compositions by Sef Albertz. [9] [10] [8] [11] [12] [13]
Krzysztof Eugeniusz Penderecki was an internationally renowned Polish composer and conductor. His best known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St. Luke Passion, Polish Requiem, Anaklasis and Utrenja. Penderecki's oeuvre includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.
Threnody to the Victims of Hiroshima, also translated as Threnody for the Victims of Hiroshima, is a musical composition for 52 string instruments composed in 1961 by Krzysztof Penderecki. Dedicated to the residents of Hiroshima killed and injured by the first-ever wartime usage of an atomic weapon, the composition won the Tribune Internationale des Compositeurs UNESCO prize that same year.
The Academy of Music in Kraków is a conservatory located in central Kraków, Poland. It is the alma mater of the renowned Polish contemporary composer Krzysztof Penderecki, who was also its Rector for 15 years. The Academy is the only one in Poland to have two winners of the International Chopin Competition in Warsaw as well as a few further prize-winners among its alumni.
Polish Requiem, also A Polish Requiem, is a large-scale requiem mass for soloists, mixed choir and orchestra by the Polish composer Krzysztof Penderecki. The Lacrimosa, dedicated to the trade union leader Lech Wałęsa, was written for the unveiling of a statue at the Gdańsk Shipyard to commemorate those killed in the Polish anti-government riots in 1970. He expanded the work into a requiem, writing other parts to honour different patriotic events over the next four years. The Polish Requiem was first performed in Stuttgart on 28 September 1984. Penderecki revised and expanded the work in 1993, and expanded it again in 2005 with the additional movement, Ciaccona. It is called Polish Requiem because its parts are dedicated to heroes and victims of Polish history. One of the better-known works by Penderecki, the mass largely follows the liturgical Latin of the requiem format with the addition of Święty Boże, the Polish translation of the Trisagion.
Motion Trio is a Polish accordion trio founded in 1996 by Janusz Wojtarowicz.
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The Yale School of Music is one of the 12 professional schools at Yale University. It offers three graduate degrees: Master of Music (MM), Master of Musical Arts (MMA), and Doctor of Musical Arts (DMA), as well as a joint Bachelor of Arts—Master of Music program in conjunction with Yale College, a Certificate in Performance, and an Artist Diploma.
Anaklasis is a composition for 42 string instruments and percussion, composed in 1960 by the Polish composer Krzysztof Penderecki. It was first performed at the Donaueschingen Festival in 1960. At this first performance, it was well received by the audience who demanded an encore.
Piotr Orzechowski, also known by his stage name Pianohooligan, is a Polish jazz pianist and composer. He is a graduate of the Berklee College of Music in Valencia and a winner of the Montreux Jazz Piano Competition and Jazz Hoeilaart, hailed by the critics as "the most creative and uncompromising young Polish jazz artist."
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Utrenja, alternatively spelled as Utrenia, Utrenya, or Jutrznia, and sometimes also translated as Matins, is a set of two liturgical compositions by Polish composer Krzysztof Penderecki. They were composed and premiered in 1970 and 1971.
The Symphony No. 1 by Polish composer Krzysztof Penderecki was composed in 1973. It was published by Polish Music Publishing House and Schott Music and has never been expanded or revised.
The Capriccio for Violin and Orchestra is a composition by Polish composer Krzysztof Penderecki. It is one of the five caprices that he composed and one of the two that he composed for a soloist with an orchestra, together with the Capriccio for Oboe and Eleven Instruments.
Emanations, also referred to by its original German title Emanationen or by its Polish title Emanacje, is a composition for two orchestras by Polish composer Krzysztof Penderecki. Composed in 1958, it is one of his early compositions.
Mitología de las Aguas, or Mythology of the waters, is a composition for flute and guitar by the Cuban composer Leo Brouwer, written in 2009 for the German-Venezuelan guitarist and composer Sef Albertz.
Skylla and Charybdis is a 2014 composition for piano quartet by Graham Waterhouse, played in four movements without a break. The title refers to Scylla and Charybdis, two sea monsters from Greek mythology. In performances in German-speaking countries, it has also appeared as Zwischen Skylla and Charybdis, and in English surroundings also as Between Scylla and Charybdis.
Maria Belooussova is a Russian pianist. She lived and worked in Paris.
Credo is a large-scale sacred composition for soloists, children's choir, mixed choir and orchestra by Krzysztof Penderecki, completed in 1998. It was commissioned by Helmuth Rilling for the Oregon Bach Festival, where it was first performed on 11 July 1998. Penderecki expanded the liturgical text by hymns and Bible verses in Latin, Polish and German. A recording won the 2000 Grammy Award for best choral performance.
Maria Sławek is a Polish classical violinist, performing internationally and teaching at the Academy of Music in Kraków. Her repertoire ranges from J.S. Bach to contemporary composers.