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Krzysztof Eugeniusz Penderecki was a Polish composer and conductor. Among his best known works are Threnody to the Victims of Hiroshima, Symphony No. 3, his St. Luke Passion, Polish Requiem, Anaklasis and Utrenja. Penderecki composed four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.
Ivan Moody is an Anglo-Portuguese composer born in London, England in 1964. He studied composition with at London University, York University and privately with John Tavener. He also studied Orthodox theology at the University of Joensuu in Finland. Moody is active as a conductor, having directed ensembles such as Voces Angelicae, the Kastalsky Chamber Choir, Capilla Peña Florida (Spain), Cappella Romana, the Choir of the Cathedral of St George, Novi Sad, (Serbia) the KotorArt Festival Choir (Montenegro), the Orthodox Choir of the University of Joensuu (Finland) and Ensemble Alpha (Portugal); and as a widely published musicologist. His research interests include the music of Eastern Europe, especially 20th century and contemporary music from Russia and the Balkans, the music of the Orthodox Church in the modern era, music and spirituality, music as theology, Serbian church music, the aesthetics of modernism and post-modernism and their intersection with Orthodox church music and the musical culture of the Mediterranean.
Polish Requiem, also A Polish Requiem, is a large-scale requiem mass for soloists, mixed choir and orchestra by the Polish composer Krzysztof Penderecki. The Lacrimosa, dedicated to the trade union leader Lech Wałęsa, was written for the unveiling of a statue at the Gdańsk Shipyard to commemorate those killed in the Polish anti-government riots in 1970. He expanded the work into a requiem, writing other parts to honour different patriotic events over the next four years. The Polish Requiem was first performed in Stuttgart on 28 September 1984. Penderecki revised and expanded the work in 1993, and expanded it again in 2005 with the additional movement, Ciaccona. It is called Polish Requiem because its parts are dedicated to heroes and victims of Polish history. One of the better-known works by Penderecki, the mass largely follows the liturgical Latin of the requiem format with the addition of Święty Boże, the Polish translation of the Trisagion.
Krzysztof Penderecki wrote his Seventh Symphony, subtitled "Seven Gates of Jerusalem," in 1996 to commemorate the third millennium of the city of Jerusalem. Originally conceived as an oratorio, this choral symphony was premièred in Jerusalem in January 1997; it was only after the first Polish performance two months later that Penderecki decided to call it a symphony. It is written for two sopranos, alto, tenor, bass, narrator, chorus and orchestra.
Jerzy Katlewicz was a Polish music conductor, pianist and Professor of the Academy of Music in Kraków since 1990. Katlewicz graduated from the same Academy in 1952, and served as conductor of the Kraków Philharmonic between 1952 and 1958 during the period of Stalinism in Poland. He was appointed artistic director there a decade later, in 1968 and remained at his post until 1981. In 1961-68 he was artistic director of Polish Baltic Opera and Philharmonic in Gdańsk. In 1984–1985 he was artistic director of the Symphony Orchestra and Choir of the Polish Radio and Television state agency in Kraków. Katlewicz was the recipient of the Commander's Cross with Star of the Order of Merit of the Republic of Poland (1993), among other distinctions.
The Suite is a 1994 composition for solo cello by Polish composer Krzysztof Penderecki. The piece is well known for its typical chromatic melodies and for its recurrent use of pizzicati and col legno.
Utrenja, alternatively spelled as Utrenia, Utrenya, or Jutrznia, and sometimes also translated as Matins, is a set of two liturgical compositions by Polish composer Krzysztof Penderecki. They were composed and premiered in 1970 and 1971.
The Partita for Harpsichord and Orchestra, sometimes also referred to as Partita for Harpsichord, Electric Guitar, Bass Guitar, Harp, Double Bass, and Chamber Orchestra or Harpsichord Concerto, is a composition by Polish composer Krzysztof Penderecki. It was finished in 1971 and is Penderecki's only major composition for a harpsichord soloist.
The Symphony No. 1 by Polish composer Krzysztof Penderecki was composed in 1973. It was published by Polish Music Publishing House and Schott Music and has never been expanded or revised.
Fonogrammi, for flute and chamber orchestra, is a composition by Polish composer Krzysztof Penderecki. It was finished in 1961 and was published by Schott Music, even though it remained initially unpublished.
The Dream of Jacob, also referred to as The Awakening of Jacob, is a composition by Polish composer Krzysztof Penderecki. It is scored for large orchestra and was finished in 1974.
The Capriccio for Violin and Orchestra is a composition by Polish composer Krzysztof Penderecki. It is one of the five caprices that he composed and one of the two that he composed for a soloist with an orchestra, together with the Capriccio for Oboe and Eleven Instruments.
Emanations, also referred to by its original German title Emanationen or by its Polish title Emanacje, is a composition for two orchestras by Polish composer Krzysztof Penderecki. Composed in 1958, it is one of his early compositions.
The Prelude for Clarinet in B-flat major, sometimes also referred to as Prelude for Solo Clarinet, is a work by Polish composer Krzysztof Penderecki. It was composed in 1987 and is one of the pieces from the series of compositions for solo instruments that Penderecki composed during the 1980s, such as Cadenza for Solo Viola (1984) and Per Slava (1986).
The Clarinet Quartet, also known as Quartet for Clarinet and String Trio, is a work for clarinet, violin, viola, and cello by Polish composer Krzysztof Penderecki. It was finished in 1993.
Three Miniatures for Clarinet and Piano is an early work by Polish composer Krzysztof Penderecki. It was finished in 1956, but was premiered four years later.
Magnificat is a large-scale sacred composition, a musical setting of the biblical canticle Magnificat, for bass soloist, men's and boys' voices, two mixed choirs, and orchestra, by Krzysztof Penderecki, completed in 1974. It was commissioned for the 1200th anniversary of the Salzburg Cathedral, where it was premiered on 17 August 1974, conducted by the composer.
Credo is a large-scale sacred composition for soloists, children's choir, mixed choir and orchestra by Krzysztof Penderecki, completed in 1998. It was commissioned by Helmuth Rilling for the Oregon Bach Festival, where it was first performed on 11 July 1998. Penderecki expanded the liturgical text by hymns and Bible verses in Latin, Polish and German. A recording won the 2000 Grammy Award for best choral performance.
Kosmogonia is a composition by Krzysztof Penderecki.
References
- ↑ Avis, Peter (2007). Penderecki: Orchestral Works. EMI Records Ltd.
- 1 2 3 Bylander, Cindy (January 2004). Krzysztof Penderecki: a bio-bibliography. Westport: Greenwood Publishing Group, Inc. ISBN 0-313-25658-6.
- ↑ "Blue" Gene Tyranny. "Krzysztof Penderecki Canticum canticorum Salomonis, for chorus & orchestra". allmusic.com. Rovi Corporation. Retrieved February 16, 2014.
- ↑ Whitehouse, Richard. "PENDERECKI, K.: Canticum canticorum Salomonis / Kosmogonia (Warsaw Philharmonic Choir and Orchestra, Wit) (Liner Notes)". naxos.com. Naxos Digital Services. Retrieved February 16, 2014.
- ↑ "PENDERECKI, K.: Canticum canticorum Salomonis / Kosmogonia (Sung Text)" (PDF). naxos.com. Naxos Digital Services. Retrieved February 16, 2014.
- ↑ Michałowski, M. Jozef (1974). "A jednak Penderecki!". Dziennik Zachodni (225).
- ↑ Erhardt; Ludwik (1974). "O muzyce polskiej na festiwalu". Ruch muzyczny. 18 (23): 3–12.
- ↑ "Łody nie przełamane". Sztandar Mlodych (227). 1974.
- ↑ Fuks, Marian (1974). "Przekora i dręczenie. Po 'Warszawskiej Jesieni 1974". Trybuna Mazowiecka (235).
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