Krzysztof Eugeniusz Penderecki was a Polish composer and conductor. His best-known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St Luke Passion, Polish Requiem, Anaklasis and Utrenja. His oeuvre includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.
Lyric Opera of Chicago is one of the leading opera companies in the United States. It was founded in Chicago in 1954, under the name 'Lyric Theatre of Chicago' by Carol Fox, Nicola Rescigno and Lawrence Kelly, with a season that included Maria Callas's American debut in Norma. The company was re-organized by Fox in 1956 under its present name and, after her 1981 departure, it has continued to be of one of the major opera companies in the United States. The Lyric is housed in a theater and related spaces in the Civic Opera Building. These spaces are now owned by the Lyric.
Kathleen Deanna Battle is an American operatic soprano known for her distinctive vocal range and tone. Born in Portsmouth, Ohio, Battle initially became known for her work within the concert repertoire through performances with major orchestras during the early and mid-1970s. She made her opera debut in 1975. Battle expanded her repertoire into lyric soprano and coloratura soprano roles during the 1980s and early 1990s, until her eventual dismissal from the Metropolitan Opera in 1994. She later has focused on recording and the concert stage. After a 22-year absence from the Met, Battle performed a concert of spirituals at the Metropolitan Opera House in November 2016.
Michael Lynn Ballam is an American opera singer, educator, and arts administrator.
Félix Marie Henri Tilkin, better known by his pen name Ivan Caryll, was a Belgian-born composer of operettas and Edwardian musical comedies in the English language, who made his career in London and later New York. He composed some forty musical comedies and operettas.
I Capuleti e i Montecchi is an Italian opera in two acts by Vincenzo Bellini. The libretto by Felice Romani was a reworking of the story of Romeo and Juliet for an opera by Nicola Vaccai called Giulietta e Romeo and based on the play of the same name by Luigi Scevola written in 1818, thus an Italian source rather than taken directly from William Shakespeare.
Where the Wild Things Are, Op. 20, is a fantasy opera in one act, nine scenes, by Oliver Knussen to a libretto by Maurice Sendak, based on Sendak's own 1963 children's book of the same title. Knussen composed the music from 1979 to 1983, on commission from the Opèra National, Brussels.
A Streetcar Named Desire is an opera composed by André Previn in 1995 with a libretto by Philip Littell. It is based on the play of the same name by Tennessee Williams.
Gianna Rolandi was an American soprano. She was based at the New York City Opera (NYCO) and enjoyed a 20-year national and international career in coloratura soprano roles. She retired from performing in 1994 and served as director of and principal instructor at the Lyric Opera of Chicago's opera studio until 2013.
Mireille is an 1864 opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mirèio. The vocal score is dedicated to George V of Hanover.
The Midsummer Marriage is an opera in three acts, with music and libretto by Michael Tippett. The work's first performance was at Covent Garden, on 27 January 1955, conducted by John Pritchard. The reception of the opera was controversial, over confusion as to the libretto and Tippett's use of symbols and psychological references. The opera has received at least 10 more productions, in England, Wales, Scotland, Germany, Sweden and the United States, including two more at the Royal Opera House.
The Ice Break is an English-language opera in three acts, with music and libretto to an original scenario by Sir Michael Tippett. The opera received its premiere at the Royal Opera House, Covent Garden on 7 July 1977, conducted by Colin Davis, the dedicatee of the opera.
Die Teufel von Loudun is an opera in three acts written in 1968 and 1969 by Polish composer Krzysztof Penderecki, and then revised in 1972 and 1975. It has a German libretto by the composer, based on John Whiting's dramatization of Aldous Huxley's book of the same name.
Philip Kraus is an American operatic baritone and stage director known for his performances with the Lyric Opera of Chicago, starting in 1991, and for his co-founding of Light Opera Works, a professional light opera company in Chicago, in 1980.
Macbeth is an opera in three acts, with music by Ernest Bloch to a libretto by Edmond Fleg, after the eponymous play of William Shakespeare. Bloch composed the opera between 1904 and 1906, but it did not receive its first performance until 30 November 1910 by the Opéra-Comique in Paris with Henri Albers in the title role and conducted by François Ruhlmann. Alex Cohen has written of quarrels within the cast that contributed to the opera's poorly received premiere.
William Stone is an American operatic baritone. He is a graduate of Duke University and University of Illinois at Urbana-Champaign. He made his professional operatic debut in 1975 and his international debut in 1977.
Bruno Bartoletti was an Italian operatic conductor. His active international career lasted from 1953 to 2007, and he specialized in the Italian repertory and contemporary works. He was particularly noted for his 51-year association with Lyric Opera of Chicago, as co-artistic director, artistic director, principal conductor, and artistic director emeritus. He also served as Artistic Director of both the Teatro dell'Opera di Roma (1965–1973) and the Maggio Musicale Fiorentino (1985–1991), and as principal conductor of the Danish Royal Opera (1957–1960), in addition to frequent work as a guest conductor at various major opera houses.
Ellen Shade is an American operatic soprano from New York.
Frank Little was an operatic lyric tenor and educator.
Joy Davidson was an American operatic mezzo-soprano, actress, and pedagogue. She performed internationally in many of the world's great opera houses.
