The Prelude for Clarinet in B-flat major, sometimes also referred to as Prelude for Solo Clarinet, is a work by Polish composer Krzysztof Penderecki. It was composed in 1987 and is one of the pieces from the series of compositions for solo instruments that Penderecki composed during the 1980s, such as Cadenza for Solo Viola (1984) and Per Slava (1986).
The work was a gift for British composer Paul Patterson for his fortieth birthday. [1] The composition did not receive a formal premiere due to its short length, but the first performance took place in Manchester, in December 1, 1987. Joanna Patton played it for the first time to the great public. [2] It was published by the Polish Music Publishing House and Schott Music. [3]
This composition is in one movements and takes approximately 3 minutes to perform. It is marked lento sostenuto at the beginning, which is the general tone of the piece. The composition is notated without bar lines, which transforms the piece into a pseudo-improvisatory composition, leaving the performer great room for expression. It starts with a low G being played in a pulsating manner and develops from there a sighing tone adding higher notes. Then the general mood of the composition becomes more fast and rampant, until a high-pitched glissando is reached, returning slowly to the G played at the beginning. [4]
Following are some of the most well-known recordings of this piece:
Clarinet | Record Company | Year of Recording | Format |
---|---|---|---|
Aleksander Romański | WERGO | 1993 | CD [3] |
Martin Fröst | BIS Records | 1994 | CD [3] |
Ulf Rodenhäuser | Musikproduktion Dabringhaus und Grimm | 1997 | CD [3] |
Karl Leister | Camerata | 1998 | CD [3] |
Michel Lethiec | Naxos | 2001 | CD [3] [5] |
Krzysztof Eugeniusz Penderecki was a Polish composer and conductor. Among his best known works are Threnody to the Victims of Hiroshima, Symphony No. 3, his St. Luke Passion, Polish Requiem, Anaklasis and Utrenja. Penderecki composed four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.
Milton Byron Babbitt was an American composer, music theorist, mathematician, and teacher. He is particularly noted for his serial and electronic music.
Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.
A piano sextet is a composition for piano and five other musical instruments, or a group of six musicians who perform such works. There is no standard grouping of instruments with that name, and compared to the string quartet or piano quintet literature, relatively few such compositions exist. The best-known piano sextet is probably the Sextet by Poulenc, one of the pinnacles of the wind and piano repertoire. Chausson's Concert is widely regarded as one of the masterpieces of French strings and piano chamber music literature.
Arnold Atkinson Cooke was a British composer.
Tristan Keuris was a Dutch composer.
Volker David Kirchner was a German composer and violist. After studies of violin and composition at the Peter Cornelius Conservatory, the Hochschule für Musik Köln and the Hochschule für Musik Detmold, he worked for decades as a violist in the Radio-Sinfonie-Orchester Frankfurt. He was simultaneously the violist in the Kehr Trio founded by his violin teacher Günter Kehr, and a composer of incidental music at the Hessisches Staatstheater Wiesbaden.
Gary Kulesha is a Canadian composer, pianist, conductor, and educator. Since 1995, he has been Composer Advisor to the Toronto Symphony Orchestra. He has been Composer-in-Residence with the Kitchener-Waterloo Symphony (1988–1992) and the Canadian Opera Company (1993–1995). He was awarded the National Arts Centre Orchestra Composer Award in 2002. He currently teaches on the music faculty at the University of Toronto.
Symphony No. 3 is a symphony for orchestra in five movements composed between 1988 and 1995 by Krzysztof Penderecki. It was commissioned and completed for the 100 year celebration of the Munich Philharmonic. Its earliest version, Passacaglia and Rondo, premiered at the International Music Festival Week in Lucerne, Switzerland, on August 20, 1988. It was performed by the Lucerne Festival Orchestra and conducted by Penderecki. The full symphony premiered in Munich on December 8, 1995, and performed by the Munich Philharmonic, again under the composer's baton.
Rafał Stradomski is a Polish composer of contemporary classical music, pianist and writer.
Marek Stachowski was a Polish composer. He received many awards and won many competitions for composers, including 1st prize at the K. Szymanowski Competition in 1974.
The Sextet is a two-movement composition for clarinet, horn, violin, viola, cello, and piano by Polish composer Krzysztof Penderecki. The composition was written in 2000 and is, according to some critics, the composer's most substantial chamber work to date.
The Suite is a 1994 composition for solo cello by Polish composer Krzysztof Penderecki. The piece is well known for its typical chromatic melodies and for its recurrent use of pizzicati and col legno.
The Partita for Harpsichord and Orchestra, sometimes also referred to as Partita for Harpsichord, Electric Guitar, Bass Guitar, Harp, Double Bass, and Chamber Orchestra or Harpsichord Concerto, is a composition by Polish composer Krzysztof Penderecki. It was finished in 1971 and is Penderecki's only major composition for a harpsichord soloist.
The Symphony No. 1 by Polish composer Krzysztof Penderecki was composed in 1973. It was published by Polish Music Publishing House and Schott Music and has never been expanded or revised.
The Dream of Jacob, also referred to as The Awakening of Jacob, is a composition by Polish composer Krzysztof Penderecki. It is scored for large orchestra and was finished in 1974.
Emanations, also referred to by its original German title Emanationen or by its Polish title Emanacje, is a composition for two orchestras by Polish composer Krzysztof Penderecki. Composed in 1958, it is one of his early compositions.
The Clarinet Quartet, also known as Quartet for Clarinet and String Trio, is a work for clarinet, violin, viola, and cello by Polish composer Krzysztof Penderecki. It was finished in 1993.
Three Miniatures for Clarinet and Piano is an early work by Polish composer Krzysztof Penderecki. It was finished in 1956, but was premiered four years later.