Aria, Ciaccona & Vivace is a 2019 composition by Krzysztof Penderecki, which was compiled and adapted for piano by Venezuelan-German composer Sef Albertz. [1] [2] This work represents the only solo piano music in the catalog of the renowned Polish composer. [3] It was one of the last works of Penderecki, composed before his death, just over a year after its premiere in March 2019.
Aria, Ciaccona & Vivace takes approximately 15 minutes to perform. [3] [4] The single pieces were originally written for orchestra and in the piano version they are placed in a new dramaturgical context. [1]
German pianist Anna-Maria Maak gave the world premiere performance on March 22, 2019, during the ‘Town Hall Concert Serie’ (Rathauskonzerte) in Torgau (Germany). [1] [2] [3] [4] It represented the last world premiere in the lifetime of the renowned composer. [7] [8]
On March 26, 2019, Georg Frackowiak, music critic of the newspaper Torgauer Zeitung wrote about the premiere of the work: "Composition, arrangement and performance were equally convincing, with the pianistic ability of the interpreter arousing total admiration...". [1]
About the new composition, Maak said: "It’s a wonderful piano music, pianistically adapted in a very appropriate way. Making Penderecki's exciting musical language accessible to pianists is a real asset!". [1]
Pianist Anna-Maria Maak has also performed the world premiere recording of Aria, Ciaccona & Vivace, which can be found on her 2021 Album 'In the Secret of the World' alongside world premieres of original compositions by Sef Albertz. [9] [10] [8] [11] [12] [13]
Krzysztof Eugeniusz Penderecki was a Polish composer and conductor. His best-known works include Threnody to the Victims of Hiroshima, Symphony No. 3, his St Luke Passion, Polish Requiem, Anaklasis and Utrenja. His oeuvre includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works.
Wojciech Kilar was a Polish classical and film music composer. One of his greatest successes came with his score to Francis Ford Coppola's Bram Stoker's Dracula in 1992, which received the ASCAP Award and the nomination for the Saturn Award for Best Music. In 2003, he won the César Award for Best Film Music written for The Pianist, for which he also received a BAFTA nomination.
A chaconne is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th- and 18th- centuries.
The Krzysztof PendereckiAcademy of Music in Kraków is a conservatory located in central Kraków, Poland. It is the alma mater of the renowned Polish contemporary composer Krzysztof Penderecki, who was also its rector for 15 years. The academy is the only one in Poland to have two winners of the International Chopin Competition in Warsaw as well as a few further prize-winners among its alumni.
Felicja Blumental was a Polish pianist and composer. "She was one of the relatively few women born in the first quarter of the twentieth century to have achieved an important career as a concert pianist."
Polish Requiem, also A Polish Requiem, is a large-scale requiem mass for soloists, mixed choir and orchestra by the Polish composer Krzysztof Penderecki. The Lacrimosa, dedicated to the trade union leader Lech Wałęsa, was written for the unveiling of a statue at the Gdańsk Shipyard to commemorate those killed in the Polish anti-government riots in 1970. He expanded the work into a requiem, writing other parts to honour different patriotic events over the next four years.
Motion Trio is a Polish accordion trio founded in 1996 by Janusz Wojtarowicz.
Füsun Köksal is a Turkish composer of contemporary classical music.
Piotr Orzechowski, also known by his stage name Pianohooligan, is a Polish jazz pianist and composer. He is a graduate of the Berklee College of Music in Valencia and a winner of the Montreux Jazz Piano Competition and Jazz Hoeilaart, hailed by the critics as "the most creative and uncompromising young Polish jazz artist."
The Sextet is a two-movement composition for clarinet, horn, violin, viola, cello, and piano by Polish composer Krzysztof Penderecki. The composition was written in 2000 and is, according to some critics, the composer's most substantial chamber work.
The Suite is a composition for solo cello by Polish composer Krzysztof Penderecki. The piece is well known for its typical chromatic melodies and for its recurrent use of pizzicati and col legno.
Utrenja, alternatively spelled as Utrenia, Utrenya, or Jutrznia, and sometimes also translated as Matins, is a set of two liturgical compositions by Polish composer Krzysztof Penderecki. They were composed and premiered in 1970 and 1971.
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The Clarinet Quartet, also known as Quartet for Clarinet and String Trio, is a work for clarinet, violin, viola, and cello by Polish composer Krzysztof Penderecki. It was finished in 1993.
Penderecki's setting of the biblical canticle Magnificat was commissioned for the 1200th anniversary of Salzburg Cathedral and premiered there on 17 August 1974 under the composer's baton. It is a vast work, being scored for bass vocal soloist, boys’ voices, seven other men’s voices, two 24-part mixed choirs and orchestra.
Mitología de las Aguas, or Mythology of the waters, is a composition for flute and guitar by the Cuban composer Leo Brouwer, written in 2009 for the German-Venezuelan guitarist and composer Sef Albertz.
Skylla and Charybdis is a 2014 composition for piano quartet by Graham Waterhouse, played in four movements without a break. The title refers to Scylla and Charybdis, two sea monsters from Greek mythology. In performances in German-speaking countries, it has also appeared in English surroundings as Between Scylla and Charybdis.
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Credo is a large-scale sacred composition for soloists, children's choir, mixed choir and orchestra by Krzysztof Penderecki, completed in 1998. It was commissioned by Helmuth Rilling for the Oregon Bach Festival, where it was first performed on 11 July 1998. Penderecki expanded the liturgical text by hymns and Bible verses in Latin, Polish and German. A recording won the 2000 Grammy Award for best choral performance.