| At Mister Kelly's | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | February 1958 | |||
| Recorded | August 6–8, 1957 | |||
| Venue | Mister Kelly's, Chicago | |||
| Genre | Vocal jazz | |||
| Length | 72:40 | |||
| Label | EmArcy | |||
| Producer | Bob Shad | |||
| Sarah Vaughan chronology | ||||
| ||||
At Mister Kelly's is a 1957 live album by American jazz singer Sarah Vaughan, recorded at Mister Kelly's jazz club in Chicago.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| Disc | [2] |
The Allmusic review by John Bush awarded the album four-and-a-half stars and said that At Mister Kelly's captures Vaughan at her "best and most relaxed", stating that "her unerring sense of rhythm carries her through every song on this set, whether the occasion calls for playfulness and wit ("Thou Swell," "Honeysuckle Rose") or a world-wise melancholia ("Willow Weep for Me")". Bush also praises Jimmy Jones and Roy Haynes [3]
Ella at Juan-les-Pins is a 1964 live album by Ella Fitzgerald, accompanied by a quartet led by Roy Eldridge on trumpet with the pianist Tommy Flanagan, Gus Johnson on drums and Bill Yancey on bass. Val Valentin was the recording engineer, cover photo by Jean-Pierre Leloir. The original 1964 album featured 12 songs, highlights of two concerts Fitzgerald performed on the 28 and 29 of July 1964 at the fifth annual Festival Mondial du Jazz Antibes in Juan-les-Pins, France. In 2002 Verve re-issued this album, including all the performances from both evenings. Ella is in fine voice, sounding very aggressive at times, as her voice leaps and growls. The listener also gets to hear Ella improvise a musical tribute to the crickets who are also in fine voice throughout the performance.
Ella Fitzgerald and Billie Holiday at Newport is a 1958 live album by Ella Fitzgerald and Billie Holiday, recorded at the 1957 Newport Jazz Festival.
Sassy Swings the Tivoli is a 1963 live album by American jazz singer Sarah Vaughan and her trio, produced by Quincy Jones. The performances were recorded in the concert hall of the Tivoli Gardens, Copenhagen, over four days in July 1963.
Live in Japan is a 1973 live album by the American jazz singer Sarah Vaughan, recorded at the Nakano Sun Plaza Hall in Tokyo, Japan.
In the Land of Hi-Fi is a 1955 studio album by the American jazz singer Sarah Vaughan. It was recorded October 25–27, 1955, in New York City. Alternate takes from these sessions, featuring a young Cannonball Adderley, were compiled on The Complete Sarah Vaughan On Mercury, Vol. 1 - Great Jazz Years 1954-1956.
Meet Betty Carter and Ray Bryant is a 1955 jazz album by singer Betty Carter and pianist Ray Bryant both debuting here on record as leading artists. Although Carter is mentioned first, she is only featured on half of the tracks. On three of the six songs Jerome Richardson is also heard on flute. The other half is recorded by the Ray Bryant Trio alone.
Ella Fitzgerald Live at Mister Kelly's is a live album of a 1958 Ella Fitzgerald performance at Mister Kelly's, and released in 2007.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Jazz Original, also known as Bud Powell '57, is a studio album by jazz pianist Bud Powell, released in 1955 by Norgran, featuring sessions that Powell recorded at Fine Sound Studios in New York in 1954 and 1955.
The Complete Bud Powell on Verve is a five-disc box set, released on September 27, 1994, by Verve Records, containing all of jazz pianist Bud Powell's recordings as leader for producer Norman Granz.
Love is a studio album by Rosemary Clooney, arranged by Nelson Riddle, recorded in 1961 but not released until 1963.
I'm Beginning to See the Light is an acoustic jazz album by American mandolinist David Grisman, British guitarist Martin Taylor, George Marsh, and Jim Kerwin.
Anita O'Day at Mister Kelly's is a 1958 live album by Anita O'Day, recorded at Mister Kelly's in Chicago.
The Greatest!! Count Basie Plays, Joe Williams Sings Standards is an album by vocalist Joe Williams and pianist/bandleader Count Basie and His Orchestra recorded in 1956 and released on the Verve label. It was Williams' second album with Basie following Count Basie Swings, Joe Williams Sings.
Softly as a Summer Breeze is an album by American jazz organist Jimmy Smith featuring performances recorded in 1958 but not released on the Blue Note label until 1965. The album was rereleased on CD with four bonus tracks recorded at a later session.
The Piano Style of Nat King Cole is a 1956 studio album by Nat King Cole, with orchestra arranged and conducted by Nelson Riddle. This was Cole's last instrumental album.
Snowbound is a 1962 studio album by Sarah Vaughan, arranged by Don Costa.
Jazz at the Hi-Hat is a live album by saxophonist Sonny Stitt recorded in Boston in 1954 and originally released on the Roost label as a four track 10 inch LP. The original album has been expanded with additional material and released on CD in two volumes.
The Billy Taylor Touch is an album by American jazz pianist Billy Taylor released in 1958 on the Atlantic label and featuring seven tracks recorded in 1951 that were originally released on a 10-inch LP as Atlantic's Piano Panorama series along with four more tracks recorded in 1957.
The Complete Roost Recordings is a 1997 compilation 3-CD set of sessions led by saxophonist and bandleader Stan Getz recorded for the Roost Records label between 1950 and 1954. The compilation includes material previously released on Getz's Roost LPs The Sound, The Getz Age, the two volumes of Stan Getz at Storyville and the album with guitarist Johnny Smith - Moonlight in Vermont along with alternate takes and previously unreleased performances.
