Critical reception
Upon release, Music & Media wrote, "Rea at his best: the perfect combination of Dire Straits-framed vocals and Ry Cooder-styled slide guitar. The type of song to play loud during driving. Traffic will be much nicer the next weeks." [3] Andy Stout of Sounds described the song as "good, honest rock à la Bob 'Excitement' Harris". [4]
In the US, Billboard described the song as a "dreamy blues-induced rocker", with "dark, Morrison-esque vocal delivery, "rockabilly guitar backdrop", "psychedelic organ vibes" and "lighthearted horn riffs". [5] In a review of the album of the same name, Johnny Loftus of AllMusic wrote, "The rousing title track and its accompanying set piece "Set Me Free" move from searching, tentative guitar noodlings into full-blown epics, with bluesy bottom end, blustering horns, backup singers, and Rea's own grainy vocal rumble." [1]
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