The Road to Hell | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 30 October 1989 [1] | |||
Recorded | Miraval Studios, France | |||
Genre | ||||
Length | 50:53 | |||
Label | ||||
Producer |
| |||
Chris Rea chronology | ||||
| ||||
Singles from The Road to Hell | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
New Musical Express | 4/10 [3] |
The Road to Hell is the tenth studio album by British singer-songwriter Chris Rea, released in 1989. Coming on the back of several strongly performing releases, it is Rea's most successful studio album, and topped the UK Albums Chart for three weeks. [4] [5] Hailed as a "modern masterpiece", it was certified 6× Platinum by BPI in 2004. [6] [7] The album demonstrates a thematic cohesion previously absent from Rea's work, with the majority of the tracks containing strong elements of social commentary, addressing alienation, violence and redemption. [8] The second part of the two-part title track, "The Road to Hell (Pt. 2)", is one of Rea's most famous songs, and was his first UK Top 10 single. Geffen Records released the album in the US, adding the 1988 re-recording of "Let's Dance" and different cover artwork.
The album built on the upswing Rea had experienced in the previous few years, starting with a surge of popularity in Ireland. "Without the Irish and Shamrock Diaries there would have been no Road To Hell," Rea said. [9] The album was written and recorded within four weeks. [8] He had a lot of trouble with the album arising out of the attitude of his record company, and he "recorded the next album – Auberge – before, as an agreement with Warner Brothers. So if Road To Hell didn’t work – and they said it won't – we would jump straight away to Auberge and forget about it. Of course, the beginning to Road To Hell is a gospel blues thing. Warner Brothers went, ‘This is going to be over in five minutes’. But I did stand me ground, and it went No.1". [10]
Throughout the album there are repeated references to increasing social dissolution and rising violence, including riots, murder and their irresponsible depiction on television news (You Must Be Evil), and "the perverted fear of violence" on city streets (The Road to Hell (Part 2)), where "it's all gone crazy" amid fears that "someone's gonna get killed out there" (Texas). Rea also targets industrial polluters' destruction of rivers (which "boil" with "poison"), and Thatcherism (which he also criticised on Shamrock Diaries' Steel River), dismissing notions of an "upwardly mobile freeway", or that promises will be delivered on (That's What They Always Say). A sense of suffocating doom suffuses the title track. Rea cries "We gotta get outta here!" (Texas) and "I'm getting out!" (That's What They Always Say), and struggles to find an escape in Texas and Looking for a Rainbow. A prominent theme is the impact all of this is having on his daughter, who was six at the time (You Must Be Evil, Tell Me There's a Heaven). [11]
In an interview for the deluxe edition of the album (2019), Rea said You Must Be Evil was inspired by a journalistic friend of his recounting that a report on someone having been necklaced in riots in South Africa would only make the television news if footage of the horrific event was obtained. "You start to see news as pornography," Rea said. "'If we have something horrible, it's news!'... And I hate it, to this day." [12] He recounts how his daughter saw the television report, and how his father-in-law tried to console her by saying that there is a heaven, which prompted Rea to write the song Tell Me There's a Heaven , which was subsequently used in a 1991 public information film for the NSPCC. Over the years, Texas has been played on classic rock/AOR radio stations in Texas, and is sometimes played as background music before Texas Rangers baseball games at Rangers Ballpark in Arlington. Daytona is about the Ferrari 365 GTB/4 Daytona (Rea races a different model Ferrari), in which he sings about the car metaphorically, with the engine and tyre noise from the car fading out toward the end of the song. [13]
The Leisure Process was commissioned to produce the artwork for the album cover by Max Hole. Creative Director John Carver personally handled the project, and commissioned and art directed the illustrator, Adrian Chesterman. Chesterman, [14] was also responsible for creating cover art for, amongst others, Motörhead's 1979 Bomber album.
All tracks are written by Chris Rea
No. | Title | Length |
---|---|---|
1. | "The Road to Hell (Part 1)" | 4:52 |
2. | "The Road to Hell (Part 2)" | 4:32 |
3. | "You Must Be Evil" | 4:23 |
4. | "Texas" | 5:12 |
5. | "Looking for a Rainbow" | 8:02 |
6. | "Your Warm and Tender Love" | 4:33 |
7. | "Daytona" | 5:07 |
8. | "That's What They Always Say" | 4:29 |
9. | "I Just Wanna Be with You" | 3:41 |
10. | "Tell Me There's a Heaven" | 6:06 |
Total length: | 50:58 |
(The 1989 US Geffen CD issue also includes the 1988 re-recording of "Let's Dance" slotted between tracks 8 and 9 listed above).
In 2019 the album, along with others in Rea's back catalogue, was remastered and reissued with a second CD of B-Sides, remixes and live tracks.
No. | Title | Length |
---|---|---|
1. | "He Should Know Better" (B-Side of Road To Hell single) | 4:38 |
2. | "That's What They Always Say" (Rainbow Mix) | 6:41 |
3. | "1975" (B-Side of That's What They Always Say single) | 4:47 |
4. | "The Road To Hell Parts 1 & 2" (Live At Wembley Arena March 1990) | 6:59 |
5. | "Working On It" (Live At Wembley Arena March 1990) | 6:26 |
6. | "Let's Dance" (Live At Wembley Arena March 1990) | 7:34 |
7. | "Daytona" (Live At Birmingham NEC November 1991) | 6:36 |
8. | "Working On It" (Extended Mix) | 5:56 |
9. | "Josephine" (US Version from New Light Through Old Windows) | 4:16 |
10. | "Let's Dance" (from New Light Through Old Windows) | 4:15 |
11. | "You Must Be Evil" (Live In Stuttgart 1991) | 4:36 |
12. | "I Can Hear Your Heartbeat" (from New Light Through Old Windows) | 3:25 |
13. | "Working On It" (from New Light Through Old Windows) | 4:26 |
Total length: | 70:38 |
Chart (1989–1990) | Peak position |
---|---|
Australian Albums (ARIA) [15] | 35 |
Austrian Albums (Ö3 Austria) [16] | 2 |
Canada Top Albums/CDs ( RPM ) [17] | 37 |
Dutch Albums (Album Top 100) [18] | 43 |
German Albums (Offizielle Top 100) [19] | 3 |
Hungarian Albums (MAHASZ) [20] | 12 |
New Zealand Albums (RMNZ) [21] | 33 |
Norwegian Albums (VG-lista) [22] | 3 |
Swedish Albums (Sverigetopplistan) [23] | 2 |
Swiss Albums (Schweizer Hitparade) [24] | 6 |
UK Albums (OCC) [25] | 1 |
US Billboard 200 [26] | 107 |
Chart (1989) | Position |
---|---|
European Albums (Music & Media) [27] | 92 |
Chart (1990) | Position |
---|---|
Austrian Albums (Ö3 Austria) [28] | 13 |
European Albums (Music & Media) [29] | 13 |
German Albums (Offizielle Top 100) [30] | 14 |
Swiss Albums (Schweizer Hitparade) [31] | 17 |
Region | Certification | Certified units/sales |
---|---|---|
Austria (IFPI Austria) [32] | Platinum | 50,000* |
Canada (Music Canada) [33] | Gold | 50,000^ |
Finland (Musiikkituottajat) [34] | Gold | 45,000 [34] |
France (SNEP) [35] | Platinum | 300,000* |
Germany (BVMI) [36] | 3× Gold | 750,000^ |
Switzerland (IFPI Switzerland) [37] | Platinum | 50,000^ |
United Kingdom (BPI) [38] | 6× Platinum | 1,800,000^ |
* Sales figures based on certification alone. |
Sing When You're Winning is the third studio album by English singer-songwriter Robbie Williams. It was released on 28 August 2000 in the United Kingdom by Chrysalis Records and in the United States by Capitol Records. Following the critical and commercial success of I've Been Expecting You (1998), the North American release of The Ego Has Landed (1999) and the subsequent promotional tours for both albums, Williams reteamed with producers Guy Chambers and Steve Power to create new material for his next record. Whereas I've Been Expecting You used the Britpop genre for its overall sound, Sing When You're Winning incorporates a more post-millennial dance-pop approach while utilizing classic British rock elements.
AC/DC Live is the second live album by Australian hard rock band AC/DC, released in October 1992. Two versions were released, one containing a single CD, with the second version being a double album on LP and CD known as AC/DC Live: 2 CD Collector's Edition. A feature-length live video, AC/DC: Live at Donington, was released concurrently. The double album AC/DC Live: 2 CD Collector's Edition was released a month after the single-disc version, in a slipcased two-disc "book" and containing an AC/DC dollar note known as "Angus Bucks". Both editions of the album were re-released in 2003 as part of the AC/DC Remasters series.
Made in England is the twenty-fourth studio album by English musician Elton John, released in 1995. It was produced by John and Greg Penny, his first album since Leather Jackets without producer Chris Thomas. The album was dedicated to John's boyfriend and future husband David Furnish. It was also dedicated to the memory of Denis Gauthier and Peter Williams. It was the last album to feature regular Elton John Band percussionist Ray Cooper until 2016's Wonderful Crazy Night. Bob Birch became John's full-time recording and touring bass player until his death in 2012.
Water Sign is the fifth studio album by British singer-songwriter Chris Rea, released in 1983. The album reached No. 64 on the UK Albums Chart. "I Can Hear Your Heartbeat" was released as a single, initially peaking on the UK Singles Chart at No. 60, while a re-recorded version for Rea's 1988 compilation album, New Light Through Old Windows, reached No. 74. The album contained three singles which includes several non-album B-sides. Water Sign reached No. 36 in New Zealand. It sold well in Ireland, prompting Rea to mount an extensive tour there, which marked the beginning of an upswing in the musician's fortunes.
On the Beach is the eighth studio album by British singer-songwriter Chris Rea, released in 1986, and built on the success of the preceding Shamrock Diaries. It reached No. 11 on the UK Albums Chart, topped the Dutch charts, reached number two in West Germany and No. 4 in New Zealand. It also reached the top 10 in Norway. In 2019, a deluxe remastered version of the album was released.
The Very Best of Elton John is a greatest hits compilation album by English musician Elton John, released in October 1990. His first career-retrospective compilation album, and fourth official greatest-hits album overall, it was released in the United Kingdom and throughout Europe, and in other countries such as Japan and Australia, but not in the United States, where the box set To Be Continued... was released the following month instead.
Auberge is the eleventh studio album by British singer-songwriter Chris Rea, released in 1991. The album, as well as the title song, is notable for its association with the Caterham Super Seven that Rea owned, which he called the "Blue Seven". The car appears on the album cover, illustrated in oil by motoring artist Alan Fearnley. The album makes several references to the car over several tracks, as well on the video of the title song, and its cover illustration was used for its adverts. In 2005, Rea sold the car in an auction.
Dancing with Strangers is the ninth studio album by British singer-songwriter Chris Rea, released in 1987. It became Rea's first major success in the UK, peaking at No. 2 behind Michael Jackson's Bad, and spent 46 weeks in the charts before going platinum. The album entered the Top 10 in six other European countries, and topped the chart in New Zealand.
New Light Through Old Windows is the first compilation album by British singer-songwriter Chris Rea, released in 1988. The album consists primarily of re-recordings of songs from Rea's earlier albums, as well as the new track "Working on It", which peaked at No. 73 on the US Billboard Hot 100, and was Rea's only No. 1 on the Mainstream Rock Tracks chart. "On the Beach" peaked at No. 9 on the US Adult Contemporary singles chart, and No. 12 on the UK Singles Chart. The album reached number five on the UK Albums Chart, charted for over a year, and was certified 3× Platinum by BPI until 1992. It charted in the Top 10 in New Zealand, Australia and West Germany.
The Blue Cafe is the fourteenth studio album by British singer-songwriter Chris Rea, released in 1998. The singles released for the album were "The Blue Cafe", "Thinking of You", "Sweet Summer Day" and "Square Peg, Round Hole". There was also a Japanese version with three bonus tracks, "Kyoto Blue", "Ameno Nakano Kiirono Herumetto" and "On the Beach". It was Rea's sixth successive album to reach the UK top ten, peaking at No. 10.
The Road to Hell: Part 2 is the fifteenth studio album by British singer-songwriter Chris Rea, released in 1999, ten years after The Road to Hell. The single released for the album was "New Times Square". There was also a Japanese edition with the songs "Be My Friend" and "Driving Home for Christmas" included as tracks. It reached number 54 on the UK Albums Chart, and was certified Silver by BPI.
Espresso Logic is the thirteenth studio album by British singer-songwriter Chris Rea, released in 1993. The US edition of the album has a significantly different track listing, featuring two songs from Rea's previous album, God's Great Banana Skin, which was not released in the US, along with "If You Were Me", a track recorded with Elton John for his 1993 Duets release. The cover art of the US edition is the same as the UK single "Espresso Logic". The song "Julia" was dedicated to his daughter Julia Christina, who was four years old at the time.
God's Great Banana Skin is the twelfth studio album by British singer-songwriter Chris Rea, released in 1992. The album was not released in the United States, though some tracks later appeared on the US release of Rea's following album Espresso Logic. The single "Nothing To Fear" reached number 16 in the UK Singles Chart, and its music video was filmed in Morocco. The album reached number 4 in the UK Albums Chart in 1992.
Dancing Down the Stony Road is the seventeenth studio album by British singer-songwriter Chris Rea, released in 2002 on his own record label, Jazzee Blue. The album was also released in Europe by Edel under the shorter title Stony Road with different cover art and only one CD, while the original UK is double CD edition with additional tracks. The album is notable for its change of Rea's previous rock music style to Delta blues and gospel blues. It reached the #14 position in UK album charts, and was certified Gold by BPI. A version of Dancing Down The Stony Road was used in the BBC television programme Speed.
The Best of Chris Rea is the second compilation album by British singer-songwriter Chris Rea, released in 1994. The album contains 15 previously released songs plus two new tracks, "You Can Go Your Own Way" and "Three Little Green Candles". The collection notably omits Rea's 1988 Christmas hit "Driving Home for Christmas". The song "If You Were Me" is a duet between Rea and Elton John, originally released on John's Duets album in 1993.
The Very Best of Chris Rea is the third compilation album by the British singer-songwriter Chris Rea, released in 2001. The last track, "Saudade", was originally written and recorded in 1994 as a tribute to the Formula 1 racing driver Ayrton Senna who died in a crash at Imola on 1 May that year. In Portuguese, the word saudade roughly means the feeling, emotions and euphoria of a certain moment in time. This album reached number 69 on the UK Albums Chart, and was certified Gold by the BPI in 2004.
The discography of Scottish pop rock band Texas contains 10 studio albums, one live album, five compilation albums and 45 singles. Their most successful single to date is "Say What You Want" (1997), which peaked at number three on the UK Singles Chart. Texas made their performing debut in March 1988 at Scotland's University of Dundee. They took their name from the 1984 Wim Wenders movie Paris, Texas. The band released their debut album Southside in 1989, along with the debut single "I Don't Want a Lover", which was a worldwide success, charting at number eight on the UK Singles Chart and other high charting positions in Europe. Southside debuted at number three in the United Kingdom and number 88 on the US Billboard 200 album chart. Despite the success of Southside, follow-up albums Mothers Heaven and Ricks Road were less successful in the UK.
The discography of British musician Chris Rea consists of 25 studio albums, 14 compilation albums, 1 live album, 1 soundtrack album and 72 singles—including 32 UK top 75 hit singles. He has fourteen UK top 20 albums, nine of them in the Top 10, including two No. 1s.
"Josephine" is a song by British singer-songwriter Chris Rea, released on 22 June 1985 as the second single from the album Shamrock Diaries. The song performed strongly, reaching the top 10 in France and the Netherlands, and a remix enjoyed popularity on the Balearic beat scene. It was written for his daughter of the same name. Rea would later name a song after his youngest daughter, Julia, on the album Espresso Logic (1993).
Still So Far to Go: The Best of Chris Rea is a compilation album by British singer-songwriter Chris Rea, released by Rhino Records in 2009. The album reached number 8 on the UK Albums Chart, making it Rea's first entry in the top 10 in ten years since The Blue Cafe (1998), and was certified Gold by BPI in 2013.