Barbara G. Walker (born July 2, 1930, in Philadelphia, Pennsylvania) is an American author and feminist. She is a knitting expert and the author of over ten encyclopedic knitting references, despite "not taking to it at all" when she first learned in college. [1] [2] Other topics she has written about are religion, New Age, the occult, spirituality, and mythology.
In the 1960s and 1970s, Walker authored several volumes of knitting references which have become landmarks for their comprehensiveness and clarity. [3] Her Knitting Treasury series documents over a thousand different knitting stitches. Other books considered mosaic knitting, for producing multicolored designs while knitting only one color per row, and constructing knitted garments from the top down rather than the usual bottom-up method used in Western knitting tradition. Most of Walker's best-known knitting books have been reprinted, and starting in the mid-1990s, she has published new knitting books.
Walker writes about the problems with mainstream religion and how these problems have contributed to patriarchal societies and sexism. [4] [2] In The Skeptical Feminist: Discovering the Virgin, Mother, and Crone, she writes about her belief that there is no god. However, she believes that people, and women in particular, can use the image of the goddess in their day-to-day lives. Walker often uses the imagery of the Mother Goddess to discuss neolithic matriarchies. Her book Woman's Rituals: A Sourcebook is an attempt to show how she puts her "meditation techniques" into practice, and is meant as a guide for other women who wish to do the same.
The Woman's Encyclopedia of Myths and Secrets has been criticized for being based on the idea of the "Great Mother" by writers like Robert Graves and Erich Neumann, and for rewriting myths so they would support the theory of a "Great Goddess". [lower-alpha 1]
Walker studied journalism at the University of Pennsylvania, then worked for the Washington Star in Washington, D.C. While serving on a local hotline helping abused women and pregnant teenage girls in the mid-1970s, she became interested in feminism. Walker continued a personal study of comparative religions and feminist issues after she graduated [2] which led to her writing The Woman's Encyclopedia of Myths and Secrets (1983). [4]
Walker describes herself as an atheist.
She is an advocate of the Christ myth theory. [5]
The American Humanist Association named her "Humanist Heroine" in 1993, and in 1995, she received the "Women Making Herstory" award from the New Jersey NOW. [4]
Feminist theology is a movement found in several religions, including Buddhism, Hinduism, Sikhism, Neopaganism, Baháʼí Faith, Judaism, Islam, Christianity and New Thought, to reconsider the traditions, practices, scriptures, and theologies of those religions from a feminist perspective. Some of the goals of feminist theology include increasing the role of women among clergy and religious authorities, reinterpreting patriarchal (male-dominated) imagery and language about God, determining women's place in relation to career and motherhood, studying images of women in the religions' sacred texts, and matriarchal religion.
Thealogy views divine matters through feminine perspectives including but not limited to feminism. Valerie Saiving, Isaac Bonewits (1976) and Naomi Goldenberg (1979) introduced the concept as a neologism. Its use then widened to mean all feminine ideas of the sacred, which Charlotte Caron usefully explained in 1993: "reflection on the divine in feminine or feminist terms". By 1996, when Melissa Raphael published Thealogy and Embodiment, the term was well established.
In Greek mythology, Medusa, also called Gorgo or the Gorgon, was one of the three Gorgons. Medusa is generally described as a woman with living snakes in place of hair; her appearance was so hideous that anyone who looked upon her was turned to stone. Medusa and her Gorgon sisters Euryale and Stheno were usually described as daughters of Phorcys and Ceto; of the three, only Medusa was mortal.
The Triple Goddess is a deity or deity archetype revered in many Neopagan religious and spiritual traditions. In common Neopagan usage, the Triple Goddess is viewed as a triunity of three distinct aspects or figures united in one being. These three figures are often described as the Maiden, the Mother, and the Crone, each of which symbolizes both a separate stage in the female life cycle and a phase of the Moon, and often rules one of the realms of heavens, earth, and underworld. In various forms of Wicca, her masculine consort is the Horned God.
In folklore, a crone is an old woman who may be characterized as disagreeable, malicious, or sinister in manner, often with magical or supernatural associations that can make her either helpful or obstructive. The Crone is also an archetypal figure or a Wise Woman. As a character type, the crone shares characteristics with the hag. The word became further specialized as the third aspect of the Triple Goddess popularized by Robert Graves and subsequently in some forms of neopaganism. In Wicca, the crone symbolizes the Dark Goddess, the dark side of the moon, the end of a cycle; together with the Mother Crone, the Light Goddess and the Crone Maiden, Day Goddess, she represents part of the circle of life. The Handsome Warlock or Beautiful Witch, good or bad may change a Crone or Hag to normal looks, appearance if so desired.
"A Cyborg Manifesto" is an essay written by Donna Haraway and published in 1985 in the Socialist Review (US). In it, the concept of the cyborg represents a rejection of rigid boundaries, notably those separating "human" from "animal" and "human" from "machine." Haraway writes: "The cyborg does not dream of community on the model of the organic family, this time without the oedipal project. The cyborg would not recognize the Garden of Eden; it is not made of mud and cannot dream of returning to dust."
Circular knitting or knitting in the round is a form of knitting that creates a seamless tube. Work in the round is begun by casting on stitches as for flat knitting but then joining the ends of that row of stitches to form a circle. Knitting is worked in rounds, which forms the tube by winding around in a helix.
The Goddess movement is a revivalistic Neopagan religious movement which includes spiritual beliefs and practices that emerged predominantly in the Western world during the 1970s. The movement grew as a reaction both against Abrahamic religions, which exclusively have gods with whom are referred by masculine grammatical articles and pronouns, and secularism. It revolves around Goddess worship and the veneration for the divine feminine, and may include a focus on women or on one or more understandings of gender or femininity.
Craftivism is a form of activism, typically incorporating elements of anti-capitalism, environmentalism, solidarity, or third-wave feminism, that is centered on practices of craft - or what has traditionally been referred to as "domestic arts". Craftivism includes, but is not limited to, various forms of needlework including yarn-bombing or cross-stitch. Craftivism is a social process of collective empowerment, action, expression and negotiation. In craftivism, engaging in the social and critical discourse around the work is central to its production and dissemination. Practitioners are known as craftivists. The word 'craftivism' is a portmanteau of the words craft and activism.
Monica Sjöö was a Swedish-born British-based painter, writer and radical anarcho/ eco-feminist who was an early exponent of the Goddess movement. Her books and paintings were foundational to the development of feminist art in Britain, beginning at the time of the founding of the women's liberation movement around 1970.
Elizabeth Zimmermann was a British-born hand knitting teacher and designer. She revolutionized the modern practice of knitting through her books and instructional series on American public television.
Slip-stitch knitting is a family of knitting techniques that uses slip stitches to make multiple fabrics simultaneously, to make extra-long stitches, and/or to carry over colors from an earlier row.
Brioche knitting is a family of knitting patterns involving tucked stitches, i.e., yarn overs that are knitted together with a slipped stitch from the previous row. Such stitches may also be made by knitting into the row below and dropping the stitch above.
Basic knitted fabrics include stocking stitch, reverse stocking stitch, garter stitch, seed stitch, faggoting, and tricot. In some cases, these fabrics appear differently on the right side than on the wrong side.
Merlin Stone was an American author, artist and academic. She was an important thinker of the feminist theology and Goddess movements and is known for her book When God Was a Woman.
Meg Swansen is a knitting designer, owner of Schoolhouse Press and the daughter of Elizabeth Zimmermann. Similar to her mother, she has helped to popularize knitting and is a well-respected author and knitting teacher, especially at her knitting retreats. Swansen also writes a long-running regular column in Vogue Knitting called "Meg Swansen on...", which covers everything from the Turkish cast on, to lace knitting, to the recherché Scandinavian two-end knitting.
Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.
The Great Goddess hypothesis theorizes that, in Palaeolithic, Mesolithic, and/or Neolithic Europe and Western Asia and North Africa, a singular, monotheistic female deity was worshipped.
Maxine Hammond Dashu, known professionally as Max Dashu, is an American feminist historian, author, and artist. Her areas of expertise include female iconography, mother-right cultures and the origins of patriarchy. She is lesbian.