Row counter (hand knitting)

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Clover on-needle row counters from Japan, 2000-2010 Counter 020.jpg
Clover on-needle row counters from Japan, 2000–2010

A row counter for hand knitting is a tally counter for counting rows or courses worked, for counting stitch pattern repetitions, or for counting increases or decreases of the number of stitches in consecutive rows. The first commercially produced one appeared on the market in the 1920s after the general public started regularly knitting from unfamiliar printed and complex patterns. Design variations include on-needle barrel-shaped counters for straight-needle work, stitch-marker counters for knitting on double-pointed and circular needles, complex counters which attempted to assist with decreases, increases and lacework, stand-alone hand-held counters in imitation of the hand-tally, pendant counters worn round the neck and online software for iPhones.

Contents

Early tally methods in Europe and the United States

Five bar gate tally marks made by knitter on pattern, 1960s Five bar gate knitting tally.jpg
Five bar gate tally marks made by knitter on pattern, 1960s

Until the early 19th century, in Europe and the United States, groups of localised professional hand knitters specialised in a few well-known patterns in which keeping a tally of rows was barely necessary, since the pattern and expected size of the work were known by heart. From the early 19th century, when printed patterns were introduced for the recreational knitter, [1] [2] [3] [4] and until the early 20th century, woollen yarn had clear stitch definition so that rows were easily seen and counted, and a mental tally could be kept. However knitters could tally by moving objects from one pocket to another, or bracelets from one wrist to the other. For lace knitting and complicated increases, a knitter could write five-bar gate tally marks around the margins of a printed pattern. Tally b12.svg [1] [5]

On-needle row counters

Flat-faced type

Woman's Weekly flat-faced on-needle counter Womans Weekly free gift row counter 002.jpg
Woman's Weekly flat-faced on-needle counter

The earliest on-needle row counters seem to have appeared in the UK between 1920 and 1939, when complicated printed patterns increased in popularity among the working population. In the 1920s a 1 inch (2.5 cm) grey-brown enamelled unit was manufactured with two rotary dials on the front showing tens and units, and slots on the back for sliding onto a knitting needle. The front was flat and shaped like a figure-8, but was heavier than the back so that the unit hung downward from the needle, making the numbered face difficult to read. [1] A similar bakelite unit was manufactured by Abel Morrell for sale in the US in the 1930s. [lower-alpha 1]

Around the 1980s to 1990s, Woman's Weekly magazine gave away a plastic on-needle knitting row counter of unusual design. It was presented as a self-assembly kit, in a small blue envelope with assembly instructions and a diagram on the back. According to the diagram, the gadget consists of (a) two blue front and back plates, pierced to show the numbers; (b) an inner white soft plastic frame to hold the number discs and to which are attached the two loops to bend back and thread on the needle; (c) the two number discs. So the disks don't spin on an axis; they spin within circular spaces in the inner frame. [lower-alpha 2]

Rotary barrel type

I.X. Products on-needle row counters 1950s Counter 008b.jpg
I.X. Products on-needle row counters 1950s

In Britain in the 1950s when the baby boom years following World War II caused an increased requirement for hand-knitting, I.X. Products produced a brightly coloured and marketable plastic row counter with patent number 424432. This was a barrel-shaped counter which sat in stable fashion on the knitting needle by the aid of a central metal spring. The assemblage consisted of a double rotating inner barrel and an outer fixed and slotted skin which was pinned to the central spring.

Millward Ro-Tally on-needle counters, 1950s Millward Ro-Tally row counters 1950s.jpg
Millward Ro-Tally on-needle counters, 1950s

The two separately rotating halves of the inner barrel were printed with numbers, and the outer slotted skin rotated over the barrels, revealing a single ten and a single unit at one time. Precise engineering ensured that there was just enough ease of movement for the turning of the barrels, but just enough friction to prevent movement of the barrels while vigorous knitting continued. However the introduction in the late 1950s of double knitting yarn and the consequent popular use of thicker needles tended to damage the springs which were intended for needles of a maximum thickness of 3.25mm. This design and most of the barrel-shaped on-needle counters which followed it had a white or cream central barrel and a decoratively coloured outer skin. [1]

1970s Millward Ro-Tally counters Counter 013.jpg
1970s Millward Ro-Tally counters

In the 1950s and 1960s the UK knitting accessories manufacturer Millward produced the Ro-Tally, whose name was a pun on rotary. Its design was very similar to the I.X. Products version, it used the same patent number and the precision of engineering was improved, although the inner spring was still too small for 4 mm needles. The Millward Ro-Tally was re-designed quite differently in the 1970s in various sizes, of softer plastic with a plastic spring which fitted large and small needles. These counters were not precisely engineered, so depended on polygonal barrels and outer skin to provide sufficient friction to control unnecessary movement while knitting. [1]

Compact luxury on-needle counters, 1960s Counter 005a.jpg
Compact luxury on-needle counters, 1960s
Counters used in US 2000-2010 Row counters from USA 002.jpg
Counters used in US 2000–2010

The Compact rotary row counter was manufactured in England in the 1950s to 1960s under a pending patent application, although the general design was similar in principle to the early I.X. Products version. It had the same precise engineering for control of friction, and central metal spring suitable for needles up to 3.5 mm. The basic Compact, however, had a central knurled grip-band, which made the gadget easier to hold and to turn quickly and precisely. The earlier version of the late 1950s to early 1960s had red numerals, [lower-alpha 3] and the later 1960s version had black numerals. [lower-alpha 4]

The luxury version of the Compact was presented in a gift box, it was priced at a guinea and became a contemporary collector's item, tending to be little-used due to impracticality. The assemblage included a thin and delicate 6-inch – later 8-inch – tape measure in place of the grip band. [lower-alpha 5] On this luxury version the tape-measure assembly caused the centre of the gadget to rotate independently, making it difficult for adult fingers to grip the remaining part of the stable outer skin to turn the main assemblage for use as a row counter. [1] Some of the counters in this range featured pearlised plastic outer skins in various pastel colours. [lower-alpha 6]

Around the 1960s to 1970s Woman's Weekly magazine gave away a soft plastic on-needle knitting row counter of unusual but simple design. Two numbered blue-and-white barrels rotate independently around a central white spindle, which has a number-pointer at one end and a loop to thread onto a needle at the other end. The friction (to prevent the barrels rolling freely) is maintained by the tightness of the number-pointer and shortness of the spindle. [lower-alpha 7]

21st century polygonal on-needle counters by Pony and Whitecroft Counter 015.jpg
21st century polygonal on-needle counters by Pony and Whitecroft

In the 1980s the knitting accessories company Aero produced its own rotary on-needle counter which had a distinctive red inner barrel with thick knurled ends, and a grey outer skin. The red colour of the inner barrel meant that the numbers had to be printed in white, and were more easily visible than the small black printed numbers on earlier versions. Aero later produced a blue and white version of the same design, with the name Inox printed on it. In the 1990s Wrights Boyle and Prym began to produce a similar design with white inner barrels and coloured outer skin which continued to be sold in different sizes until at least 2010.

In the 21st century until at least 2010, the manufacturers Pony, Whitecroft and Wrights each made a new version of the 1970s octagonal counter for sale in Europe, the UK and the United States. At the same time the Japanese knitting accessories supplier Clover was exporting a version of the 1980s Aero counter, with dark inner barrels and white numbers, to the same customer base, although at first they supplied a pink version to the UK, and a blue version to the United States. [6]

Jewellery type

Commercial and home-crafted, beaded row counters appeared from 2000 until at least 2010. Some of these involved suspending jewellery from the needle and marking off beads as rows progressed. [lower-alpha 8]

Stitch-marker row counters

Stitch-marker counter Counter 018.jpg
Stitch-marker counter

These tend to be on-needle barrel row counters which have been attached to stitch-marker rings. They are intended to be used with circular or double-pointed knitting needles. In the 21st century Prym has marketed a dedicated stitch-marker row counter, labelling it the Universal Rotally.

Complex row counters

The MP Handy Guide 1936 Counter 040.jpg
The MP Handy Guide 1936
Aero complex counter 1960s Counter 036.jpg
Aero complex counter 1960s

In 1936 The MP Handy Guide to Knitting and Crochet was patented under number 813814 and manufactured in Britain as a pair of rectangular flat metal plates sandwiching a paper card marked with number lists, and sliders with markers to record current row number, increase, decrease and times. However the metal slides did not work smoothly and could get stuck. The gadget incorporated a small ruler and needle gauge. There is an example of this counter in the Victoria and Albert Museum. [7] The paper instructions pasted on the back carried the following legend:

"Rows: When knitting and suddenly called away, mark off the number of rows reached.

Increase/decrease: For casting on, or casting off stitches.
Times: To mark off the pattern when doing fancy knitting, etc.
Measure: Very handy when tape measure is mislaid.

Needle gauge: For correct sizes from 6 to 12." [1] [lower-alpha 9]

A paper card version of the MP Handy Guide was published with folded card sliders for the war effort under the auspices of the UK Ministry of Defence during World War II and was intended for use by people knitting gloves, socks and balaclavas for the troops. [1] In the 1960s, The Aero Needles Group Plc of Redditch, England produced the Knitters Companion, a pocket version of the complex counter, consisting of a pierced bar of black plastic containing seven knurled, white, rotary, numbered discs whose numbers would appear through the piercings in the bar. As in the MP Handy Guide, the numbers were labelled Increase, Decrease, Rows and Times. It was supplied with a soft plastic case which was intended to maintain memory of the count by preventing accidental movement of the discs. In 1972, UK magazine Woman's Weekly gave away its own card variation of this, with the numbers on dials with rotary paper pointers to record rows, increases or decreases, and times. Like the MP Handy Guide it incorporated a small inch-ruler and needle gauge, but now added a tension gauge measure and centimetre ruler.

Plastic complex counter, 2008 Counter 043.jpg
Plastic complex counter, 2008

In spring 2008 the UK magazine Simply Knitting no.39 gave away a green plastic version of the MP Handy Guide, without needle gauge or ruler and with a clarified version of the same instructions moulded onto the back:

"Rows: move the markers when you have completed each row.

Increase and decrease: keep count each time you need to increase or decrease stitches.

Times: use the markers when you need to make more than one set of increases or decreases."

This version illustrated the difficulty of mass-producing such a gadget cheaply: the inner card is easily displaced during assembly, thereby misplacing the numbers, and some of the sliders do not move easily.

Counters made of card

These include the World War II card counter, and the 1972 Woman's Weekly card counter, both mentioned above. The wartime counter was a pierced card glued to a flat backing card; the front card contained strips printed with numerals and with slider-indicators. The numerals represented rows, increase or decrease, and times, as in previous complex counters; it also had a needle gauge and five-inch measure. The reverse contained instructions for use, and the legend: "a handy help for the war-time knitter". [lower-alpha 10] The wartime counter was a version of the 1930s Bestway card counter.

In the 1920s to 1930s, various card counters were produced in the UK, including the Little Dorrit counter, [lower-alpha 11] and the schoolgirl counter. [lower-alpha 12] From around 2006 Maik Remmers designed and manufactured in Germany a series of 3D card counters in the shape of skeins of wool, animals and abstract designs. These are folded and printed on back and front, with a pair of rotatable number discs sandwiched between the layers of card. The discs can be rotated to reveal numerals through two windows in the front layer of card. The outer surface of the card can be written-on with water-soluble ink, and the back surface of the counter contains a form where the knitter can fill in current row numbers. This is necessary as there is not enough friction to prevent the number discs from moving during storage. [8]

Viyella needle gauge and knitting counter

Viyella row counter Counter 035.jpg
Viyella row counter

The Viyella needle gauge and knitting counter was created between 1936 and 1940. It is sizeable and heavy at 1.5 inches (3.8 cm) high and 1.5 inches (3.8 cm) across, and is enamelled and chromed. The two flat, chromed ends of the drum are pierced to form a needle gauge. The ends rotate on the enamelled drum such that red or white enamelled numbers are revealed through piercings in the sides of both drum-ends. There is a black and a white version of this design and each has a transfer picture of two children in the style of Mabel Lucie Attwell. A third form, in black and without the picture, was possibly an austerity version produced during World War II. [1]

Pony total knitting system

Pony total knitting system Counter 037.jpg
Pony total knitting system

The Pony Total Knitting System was manufactured by Pony in the 1990s, but ceased manufacture around 2008. It consisted of a pair of short needles with flexible 13 inches (33 cm) cables attached to the ends, so that heavy knitted items did not have to be supported on long, straight needles. The ends of the cables were knobbed to prevent stitches falling off, and one cable had an on-needle-type barrel row-counter affixed to the end. However, unlike the standard on-needle row-counter, this counter was not removable, and there was a counter on one of every pair of needles of this design. [9] [10]

Handheld mechanical and electronic row counters

1930s bakelite bookmark counters Counter bakelite 1930s 02.jpg
1930s bakelite bookmark counters

The earliest of these, alongside the MP Handy Guide and Viyella counters above, was possibly the bakelite knitting pattern bookmark made in England in the 1930s, which incorporated a counter for 1–16 rows and a needle gauge. The large, red, mechanical Kacha-Kacha handheld counter of 2000–2010 by Clover is robustly made for adult hands and for older eyes which require large, clear numerals. However it has no toddler-proof or drop-proof lock to maintain the count. Because it does not attach to a lanyard, it is more suited to the stationary workbasket than to travelling needlework. [11] [12] However, there is a similar design with a lock manufactured by KA in pink plastic for sale in the United States in the early 21st century, at least until 2010. [13]

Pendant knitting counters

Pendant counters 3counters 001.jpg
Pendant counters

In the 21st century and at least until 2010, the Japanese company Clover was producing the bright green pendant Mini Kacha-Kacha which is designed like a hand-held mechanical tally counter, but is oriented upside-down on a neck pendant for easy reading by the user. It has a button to advance the numbers singly, access to the knurled number rings for adjustment of numbers, and a lock to prevent interference by the user dropping the gadget or by children playing with it. On this type of gadget it has been possible for the manufacturer to make the numbers larger and therefore easier to read than on the on-needle counter, which needs to be small. [14] In August 2007 the UK magazine Simply Knitting no.32 gave away a free pendant knitting counter in a form of a white sheep, and in June 2010 the same magazine no.67 gave away another one in the shape of a yellow flower. Unfortunately the numerals on the yellow flower version were oriented incorrectly, causing inconvenience for the wearer of the pendant.

Electronic pendant knitting counters

Electronic counter Electronic row counter 001.jpg
Electronic counter

The pendant Electronic Row Counter was produced in the early 21st century and was sold in the United States at least until 2010. Its LCD display counts up to 4 digits, whereas all foregoing knitting row counters were limited to 2 digits. It has add- and subtract-buttons which allow the user to count forwards and backwards in increments of one with an audible beep at each press, and the on-off button can be used to reset the count to zero. Because there is no memory facility, the counter must be left turned on if the count is to be maintained; however the gadget's instructions say that the battery will last for over seven months. There is no lock so that the maintained count is vulnerable to playing children. [15] [16] The more complex version of this counter, the Electronic Row Counter Plus, has ceased manufacture. [17]

Row counter software online

Applications for iPhone

The Knit Counter Lite, [18] Knit Counter and Knit Row Counter are applications downloadable for iTunes which can be used on iPhone. [19] [20] [21] JKnit Knitting Project Assistant is a similar application for iPhone, [22] [23] and so is Knitbuddy which has been renamed Vogue Knitting iPhone App. [24] My Row Counter enables the knitter to count rows while reading a knitting pattern. [25]

Applications for PC

The Lo-Fat Row Counter is a basic online facility designed in 2008 for PC. [26]

Applications for Android

The Knitting Buddy application is downloadable from the Google Play Store, [27] and so is the Row Counter application. [28]

Row counter patents

Two patents for row counters were recorded online in 1982. [29] [30]

Compact on-needle barrel row counters, 1960s. The numerals are lightly printed, and rub off easily Counter 004.jpg
Compact on-needle barrel row counters, 1960s. The numerals are lightly printed, and rub off easily

See also

Notes

Related Research Articles

Crochet Technique of creating lace or fabric from thread using a hook

Crochet is a process of creating textiles by using a crochet hook to interlock loops of yarn, thread, or strands of other materials. The name is derived from the French term crochet, meaning 'small hook'. Hooks can be made from a variety of materials, such as metal, wood, bamboo, or plastic. The key difference between crochet and knitting, beyond the implements used for their production, is that each stitch in crochet is completed before the next one is begun, while knitting keeps many stitches open at a time. Some variant forms of crochet, such as Tunisian crochet and broomstick lace, do keep multiple crochet stitches open at a time.

Knitting Method of forming fabric from yarn

Knitting is a method by which yarn is manipulated to create a textile or fabric. It is used in many types of garments. Knitting may be done by hand or by machine.

Knitting needle

A knitting needle or knitting pin is a tool in hand-knitting to produce knitted fabrics. They generally have a long shaft and taper at their end, but they are not nearly as sharp as sewing needles. Their purpose is two-fold. The long shaft holds the active (unsecured) stitches of the fabric, to prevent them from unravelling, whereas the tapered ends are used to form new stitches. Most commonly, a new stitch is formed by inserting the tapered end through an active stitch, catching a loop of fresh yarn and drawing it through the stitch; this secures the initial stitch and forms a new active stitch in its place. In specialized forms of knitting the needle may be passed between active stitches being held on another needle, or indeed between/through inactive stitches that have been knit previously.

Intarsia is a knitting technique used to create patterns with multiple colours. As with the woodworking technique of the same name, fields of different colours and materials appear to be inlaid in one another, fit together like a jigsaw puzzle.

Stocking frame Mechanical knitting machine

A stocking frame was a mechanical knitting machine used in the textiles industry. It was invented by William Lee of Calverton near Nottingham in 1589. Its use, known traditionally as framework knitting, was the first major stage in the mechanisation of the textile industry, and played an important part in the early history of the Industrial Revolution. It was adapted to knit cotton and to do ribbing, and by 1800 had been adapted as a lace making machine.

English knitting, also known as right-hand knitting or throwing, is a style of Western knitting where the yarn to be knit into the fabric is carried in the right hand. This style is prevalent throughout the English-speaking world, though it is by no means universal.

In knitting, the word gauge is used both in hand knitting and machine knitting; the latter, technical abbreviation GG, refers to "Knitting Machines" fineness size. In both cases, the term refers to the number of stitches per inch, not the size of the finished garment. In both cases, the gauge is measured by counting the number of stitches or the number of needles over several inches then dividing by the number of inches in the width of the sample.

Combined knitting or combination knitting is a style that combines elements of Eastern-style knitting with the Western techniques. The name was suggested by Mary Thomas in her 1938 book "Mary Thomas's Knitting Book", where she described the technique as "..the better way to work in Flat Knitting. The resulting fabric is more even and closer in construction." By wrapping the yarn the opposite way while purling, the knitter changes the orientation of the resulting loops; then the next row's knit stitches can be formed by inserting the needle through the back leg, rather than through the front leg, without twisting the stitch. This technique is suitable for all knitted fabrics from the basic Stockinette stitch, to any other style, such as Fair Isle, circular knitting, or lace knitting.

Knitting machine

A knitting machine is a device used to create knitted fabrics in a semi or fully automated fashion.

Lace knitting

Lace knitting is a style of knitting characterized by stable "holes" in the fabric arranged with consideration of aesthetic value. Lace is sometimes considered the pinnacle of knitting, because of its complexity and because woven fabrics cannot easily be made to have holes. Famous examples include the Orenburg shawl and the wedding ring shawl of Shetland knitting, a shawl so fine that it could be drawn through a wedding ring. Shetland knitted lace became extremely popular in Victorian England when Queen Victoria became a Shetland lace enthusiast. Her enthusiasm resulted i.a. in her choosing knitted lacework for presents; e.g. when in ca. 1897 the Queen gave a lace shawl as a present to American abolitionist Harriet Tubman. From there, knitting patterns for the shawls were printed in English women's magazines where they were copied in Iceland with single ply wool.

Slip-stitch knitting

Slip-stitch knitting is a family of knitting techniques that use slip stitches to make multiple fabrics simultaneously, to make extra-long stitches, and/or to carry over colors from an earlier row.

Casting on (knitting)

In knitting, casting on is a family of techniques for adding new stitches that do not depend on earlier stitches, i.e., having an independent lower edge. In principle, it is the opposite of binding off, but the techniques involved are generally unrelated.

In knitting, binding off, or casting off, is a family of techniques for ending a column of stitches. Binding off is typically used to define the final edge of a knitted fabric, although it may also be used in other contexts, e.g., in making button holes. In principle, binding off is the opposite of casting on, but the techniques are generally not mirror images of one another. Sometimes, however, they can produce a mirror image appearance.

In knitting, a plaited stitch, also known as a twisted stitch, is a single knitted stitch that is twisted clockwise or counterclockwise, usually by one half-turn (180°) but sometimes by a full turn (360°) or more.

Brioche knitting

Brioche knitting is a family of knitting patterns involving tucked stitches, i.e., yarn overs that are knitted together with a slipped stitch from the previous row. Such stitches may also be made by knitting into the row below and dropping the stitch above.

Flat knitting

Flat knitting is a method for producing knitted fabrics in which the work is turned periodically, i.e., the fabric is worked with alternating sides facing the knitter. Another method of reaching the same result is to knit alternately from right to left and left to right without turning; this back-and-forth technique requires either innate or learned ambidextrous motor skills. The two sides of the fabric are usually designated as the right side and the wrong side.

Pick up stitches (knitting)

In knitting, picking up stitches means adding stitches to the knitting needle that were previously bound off or belong to the selvage.

Hand knitting is a form of knitting, in which the knitted fabric is produced by hand using needles.

Cowichan knitting

Cowichan knitting is a form of knitting characteristic of the Cowichan people of southeastern Vancouver Island, British Columbia. The distinctively patterned, heavy-knit Cowichan sweaters, popular among British Columbians and tourists, are produced using this method. Cowichan knitting is an acculturated art form, a combination of European textile techniques and Salish spinning and weaving methods. From this union, new tools, techniques and designs developed over the years.

Illusion knitting

Illusion knitting or shadow knitting is a form of textile art, in which the knitting is viewed as simply narrow stripes from one angle, and as an image when viewed from another angle. Illusion knitting has been recognised as an art form since 2010, largely due to the advances made by Steve Plummer who has created several large and detailed pieces. Similar effects occur in Tunisian crochet.

References

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