| "Be-Bop-A-Lula" | ||||
|---|---|---|---|---|
 | ||||
| Single by Gene Vincent and His Blue Caps | ||||
| B-side | "Woman Love" | |||
| Released | 1956 | |||
| Genre | Rockabilly | |||
| Length | 2:34 | |||
| Label | Capitol | |||
| Songwriter(s) | Gene Vincent, Donald Graves, Bill "Sheriff Tex" Davis | |||
| Gene Vincent and His Blue Caps singles chronology | ||||
| ||||
"Be-Bop-A-Lula" is a rockabilly song first recorded in 1956 by Gene Vincent and His Blue Caps.
The writing of the song is credited to Gene Vincent and his manager, Bill "Sheriff Tex" Davis. Evidently [1] the song originated in 1955, when Vincent was recuperating from a motorcycle accident at the US Naval Hospital in Portsmouth, Virginia. There, he met Donald Graves, who supposedly wrote the words to the song while Vincent wrote the tune. (Cf. "Money Honey" by the Drifters, 1953). The song came to the attention of Davis, who allegedly bought out Graves' rights to the song for some $50 (sources vary as to the exact amount), and had himself credited as the lyric writer. Davis claimed that he wrote the song with Gene Vincent after listening to the song "Don't Bring Lulu". Vincent himself sometimes claimed that he wrote the words inspired by the comic strip, "Little Lulu": "I come in dead drunk and stumble over the bed. And me and Don Graves were looking at this bloody book; it was called Little Lulu. And I said, "Hell, man, it's 'Be-Bop-a-Lulu.' And he said, 'Yeah, man, swinging.' And we wrote this song." [2]
The phrase "Be-Bop-A-Lula" is similar to "Be-Baba-Leba", the title of a No. 3 R&B chart hit for Helen Humes in 1945, which became a bigger hit when recorded by Lionel Hampton as "Hey! Ba-Ba-Re-Bop." This phrase, or something very similar, was widely used in jazz circles in the 1940s, giving its name to the bebop style, and possibly being ultimately derived from the shout of "Arriba! Arriba!" used by Latin American bandleaders to encourage band members. [3]
In early 1956, Gene Vincent performed the song on a radio show in Norfolk, Virginia, and recorded a demo version which was passed to Capitol Records, who were looking for a young singer to rival Elvis Presley. Capitol invited Vincent to record the song and it was recorded at Owen Bradley's studio in Nashville, Tennessee on May 4, 1956. Cliff Gallup (lead guitar), "Wee" Willie Williams (rhythm guitar), "Jumpin'" Jack Neal (string bass), and Dickie "Be Bop" Harrell (drums) comprised the band. [4] When the song was being recorded, Harrell screamed twice in the background, he said because he wanted to be sure his family could hear it was him on the record.
The song was released in June 1956 on Capitol Records' single F3450, and immediately sold well. The song was successful on three American singles charts: it peaked at No. 7 on the US Billboard pop music chart, No. 8 on the R&B chart, [5] and also made the top ten on the C&W Best Seller chart peaking at No. 5. [6] In the UK, it peaked at No. 16 in August 1956. [7] In April 1957, the record company announced that over 2 million copies had been sold to date.[ citation needed ]
The original demo for the song, probably recorded at radio station WCMS, has never been located and is presumed lost.[ citation needed ] The song drew comparisons to Presley [8] and is listed as No. 103 on Rolling Stone's 500 Greatest Songs of All Time. [9]
Steve Allen mocked the lyrics to the song by reading them in a pseudo-serious tone accompanied by light piano background music in a September 1957 broadcast of The Steve Allen Show . [10] [11]
Vincent recorded a new version of the song in 1962 which appeared on the flip-side of the single "The King of Fools".
Vincent sang the song in the movie The Girl Can't Help It .
"Be-Bop-A-Lula" has been covered by numerous and varied artists. The Everly Brothers released a version only two years after Vincent's, on their 1958 self-titled debut album, [12] and they included it as part of the setlist at their Royal Albert Hall reunion concert in 1983. [13] English rocker Cliff Richard covered the song for his own debut album, Cliff , in 1959. [14] Vincent's rockabilly colleague Jerry Lee Lewis recorded it for the 1971 album Monsters, [15] and Carl Perkins offered his own take in 1996 on the album The Man & The Legend. [16]
The Beatles played the song regularly during their early years, [17] and a raucous live version (complete with guest vocals) can be heard on Live! at the Star-Club in Hamburg, Germany; 1962 . [18] [19] [20] John Lennon later recorded the song for his 1975 album Rock 'n' Roll , [21] and it was used as the B-side for the Apple single release of "Ya Ya" in Germany later that year. [22] Paul McCartney performed an acoustic version on the 1991 live album Unplugged (The Official Bootleg) . [23]
The song has also been recorded by:
Vincent's original version of the song is featured in the soundtracks of several films including The Delinquents (1989), [24] Wild At Heart (1990), [25] and Pleasantville (1998). [26]
In the late 1960s and early '70s, George Harrison played a psychedelic Stratocaster called "Rocky", which bore on its face the one-word slogan "Bebopalula". [27] The song is name-checked in the opening of Dire Straits' 1985 hit "Walk of Life" as one of the great "oldies, goldies". [28]
Italian DJ and TV personality Red Ronnie (a.k.a. Gabriele Anzaloni) named his first and long-running TV show after the song, also using Vincent's performance in the film The Girl Can't Help It as the signature tune of the show (accompanied by cartoonist Bonvi's Sturmtruppen-inspired animations).
The song features in the soundtrack of Jack Smith's infamous avant-garde film, Flaming Creatures (1963).
A cover version of the song by Chris Cawte appears in the animated film Planet 51.
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
Help! is the fifth studio album by the English rock band the Beatles and the soundtrack from their film of the same name. It was released on 6 August 1965. Produced by George Martin, it was the fifth UK album release by the band, and contains fourteen songs in its original British form. Seven of these, including the singles "Help!" and "Ticket to Ride", appeared in the film and took up the first side of the vinyl album. The second side contained seven other releases including the most-covered song ever written, "Yesterday".
The Quarrymen were a British skiffle/rock and roll group, formed by John Lennon in Liverpool in 1956, which evolved into the Beatles in 1960. Originally consisting of Lennon and several schoolfriends, the Quarrymen took their name from a line in the school song of their school, the Quarry Bank High School. Lennon's mother, Julia Lennon, taught her son to play the banjo, showed Lennon and Eric Griffiths how to tune their guitars in a similar way to the banjo, and taught them simple chords and songs.
Vincent Eugene Craddock, known as Gene Vincent, was an American musician who pioneered the styles of rock and roll and rockabilly. His 1956 top ten hit with his Blue Caps, "Be-Bop-A-Lula", is considered a significant early example of rockabilly. He was inducted into the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame.
Rockabilly is one of the earliest styles of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.
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"Come Together" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. The song is the opening track on their 1969 album Abbey Road and was also released as a single coupled with "Something". The song reached the top of the charts in the United States and peaked at No. 4 in the United Kingdom.
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"Honey Don't" is a song written by Carl Perkins, originally released on January 1, 1956 as the B-side of the "Blue Suede Shoes" single, Sun 234. Both songs became rockabilly classics. Bill Dahl of Allmusic praised the song saying, "'Honey Don't' actually outclasses its more celebrated platter-mate in some ways." It has been covered by more than 20 other artists, including The Beatles, Ronnie Hawkins and Johnny Rivers. The song also appeared in the movies Prince of Tides, Diner, and Perfect Sisters.
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Clifton E. "Cliff" Gallup was an American electric guitarist, who played rock and roll in the band Gene Vincent and His Blue Caps in the 1950s.
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"Hey! Ba-Ba-Re-Bop" is a 1946 song by Lionel Hampton and His Orchestra. The song's lead vocals were performed by Lionel Hampton himself and the recording featured Herbie Fields on alto sax. The song went to number one on the R&B Juke Box chart for sixteen non-consecutive weeks and reached number nine on the national pop charts.
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