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The Biennale de Paris (English: Paris Biennale) is a noted French art festival, established in 1959. In 1983, the organization ceased functions, until its reestablishment in 2000 with the first exhibition of the new era occurring in 2004. [1]
The Biennale's mission is to promote art and artists which challenge current conventions in the art world. [2]
The Biennale de Paris rejects exhibitions and art objects. It refuses to be "thought by art". It identifies and defends true alternatives. It calls for "non-standard practices". [3]
Inspired by the Venice Biennale and the São Paulo Art Biennial, the 'Biennale de Paris' was created by André Malraux, the Minister of Culture, in 1959 and headed by Raymond Cogniat. Cogniat held the position as director until 1967, when he resigned due to health concerns. He was succeeded by Jacques Lassaigne who lead the institution until its decommissioning in 1985. The initial goal of the Biennale was to present an overview of young creativity worldwide and to create a place of experiences and meetings; this was achieved partly with an international jury and the institution of an upper age limit of 35 years for submitted artists. [4] [1]
Held every two years from 1959 to 1985, it was eventually decommissioned by the Ministry of Culture for a multitude of reasons including the rise of competing art exhibitions in Paris and the removal of the age requirements for artists. After its decommissioning, there were several failed attempts to revive the exhibition. In 1993, Alfred Pacquement headed attempts to restore and finance a new edition of the Biennale, but the plans were ultimately dropped. In 2000, Alexandre Gurita headed the reestablishment of the Biennale as a public institution with a focus on challenging and pushing conventions of contemporary art. With support from contemporary artists and art critics, the Biennale put on its first exhibition since 1985 in 2004, and continues to run with its emphasis on non-traditional art forms. [1]
From the 2nd to the 25th of October 1959, Musée d'Art Moderne de Paris [5]
From the 29th of September to the 5th of November 1961, Musée d'Art Moderne de Paris [6]
From the 28th of September to the 3rd of November 1963, Musée d'Art Moderne de Paris [7]
From the 28th of September to the 3rd of November 1965, Musée d'Art Moderne de Paris [8]
From the 29th of September to the 5th of November 1967, Musée d'Art Moderne de Paris [9]
From the 24th of September to the 1st of November 1969, Musée d'Art Moderne de Paris [10]
From the 15th of September to the 21st of October 1971, Parc floral de Paris, Bois de Vincennes [11]
From the 15th of September to the 21st of October 1973, Musée d'Art Moderne de Paris [12]
From the 19th of September to the 2nd of November 1975, Musée d'Art Moderne de Paris, Palais Galliera [13]
From the 17th of September to the 1st of November 1977, Palais de Tokyo, Musée d'Art Moderne de Paris [14]
From the 20th of September to the 2nd of November 1980, Musée d'Art Moderne de Paris [15]
From the 2nd of October to the 14th of November 1982, Musée d'Art Moderne de Paris [16]
From the 21st of March to the 21st of May 1985, Grande halle de la Villette [17]
From the 20th of February to the 15th of March 2004, Paris et ailleurs [18]
From the 1st of October 2006 to the 30th of September 2008, Paris, varied countries and regions [19]
Catherine Millet, Alfred Pacquement, Jean-Marc Poinsot, Daniel Abadie, Lucy R. Lippard, Pontus Hulten, Gérald Gassiot-Talabot, Achille Bonito Oliva, Pierre Restany, Pierre Courcelles, Paul Ardenne, Stephen Wright, Francesco Masci, Brian Holmes, Elisabeth Lebovici.
Karen Andreassian, Horst Antes, John M. Armleder, La Bergerie, Joseph Beuys, Gary Bigot, Alighiero Boetti, Microcollection, Christian Boltanski, Thierry Boutonnier, Winston Branch, Florian Brochec, Bernard Brunon (That's Painting Productions), Kees Brusse, Bureau d'Etudes, Daniel Buren, Ian Burn, Michel Chevalier, Christo, René Daniëls, Olivier Darné, Sérgio de Camargo, Francois Deck, Bernard Delville, Chinnapan Jesudoss Anthony Doss, Marcel Duchamp, Sabine Falk, Jean-Baptiste Farkas, Dominic Gagnon, Gilbert and George, Rolf Glasmeier, Dan Graham, Johannes Heisig, Anish Kapoor, Yves Klein, Park Seo-Bo, Joseph Kosuth, Karine Lebrun, André Éric Létourneau, La Chèvre Phénomène, Saint-Thomas l'Imposteur, Gordon Matta-Clark, Ricardo Mbarkho, Mario Merz, Jan Middlebos, Nam June Paik, Rodolfo Nieto, OSTSA, Giulio Paolini, Pablo Picasso, Sadequain Michelangelo Pistoletto, Hubert Renard, Paul Robert, Saint Thomas L'Imposteur, Nana Petzet, That's Painting Productions, Richard Serra, Les Somnatistes, Robert Smithson, Soussan Ltd, Cosey Fanni Tutti, Niele Toroni, Liliane Viala, Visualinguistic, Wolf Vostell, Lawrence Weiner, Paratene Matchitt, Yasuo Mizui, Alberto Gironella, [22] Gage Taylor (1975 he was featured in the Paris Biennalle at the Museum of Modern Art ("Mindscapes From The New Land"))
Jean-Paul Riopelle, was a Canadian painter and sculptor from Quebec. He had one of the longest and most important international careers of the sixteen signatories of the Refus Global, the 1948 manifesto that announced the Quebecois artistic community's refusal of clericalism and provincialism. He is best known for his abstract painting style, in particular his "mosaic" works of the 1950s when he famously abandoned the paintbrush, using only a palette knife to apply paint to canvas, giving his works a distinctive sculptural quality. He became the first Canadian painter since James Wilson Morrice to attain widespread international recognition and high praise, both during his career and after his death. He was a leading artist of French Lyrical Abstraction.
20th-century French art developed out of the Impressionism and Post-Impressionism that dominated French art at the end of the 19th century. The first half of the 20th century in France saw the even more revolutionary experiments of Cubism, Dada and Surrealism, artistic movements that would have a major impact on western, and eventually world, art. After World War II, while French artists explored such tendencies as Tachism, Fluxus and New realism, France's preeminence in the visual arts progressively became eclipsed by developments elsewhere.
Jean-Philippe Charbonnier was a French photographer whose works typify the humanist impulse in that medium in his homeland of the period after World War II.
Fabrice Hybert, also known by the pseudonym Fabrice Hyber, is a French plastic artist born on 12 July 1961 in Luçon (Vendée). At 56, he was elected to the Academy of Fine Arts on April 25, 2018.
Jean-Marc Bustamante is a French artist, painter, sculptor and photographer. He is a noted conceptual and installation artist and has incorporated ornamental design and architectural space in his works.
Guillaume Bijl is a Belgian conceptual and an installation artist. He lives and works in Antwerp.
Annette Messager is a French visual artist. She is known for championing the techniques and materials of outsider art. In 2005, she won the Golden Lion Award at the Venice Biennale for her artwork at the French Pavilion. In 2016, she won the prestigious Praemium Imperiale International Arts Award. She lives and works in Malakoff, France.
Joseph Csaky was a Hungarian avant-garde artist, sculptor, and graphic artist, best known for his early participation in the Cubist movement as a sculptor. Csaky was one of the first sculptors in Paris to apply the principles of pictorial Cubism to his art. A pioneer of modern sculpture, Csaky is among the most important sculptors of the early 20th century. He was an active member of the Section d'Or group between 1911 and 1914, and closely associated with Crystal Cubism, Purism, De Stijl, Abstract art, and Art Deco throughout the 1920s and 1930s.
Claude Garache (1929-2023) is a French artist. He has worked in painting, sculpture, illustration and engraving. His principal subject is the female nude. Much of his work uses a single colour on a monochrome background, very often blood-red on white.
Tania Mouraud is a contemporary French video artist and photographer.
Jean-Hubert Martin born on June 3, 1944, in Strasbourg, France, is a leading art historian, institution director, and curator of international exhibitions. Through his professional career, he contributed to expand what is considered as contemporary art as well as create a dialogue between different cultures and ethnic groups.
The Musée d'art moderne et contemporain, or MAMC, is an art museum in Saint-Étienne, Auvergne-Rhône-Alpes, France. It was inaugurated as a separate museum in 1987. It has one of the largest collections of its type in France.
Meir Eshel, known professionally as Absalon, was an Israeli-French artist and sculptor.
Jacques Hérold was a prominent surrealist painter born in Piatra Neamț, Romania.
Jean-Luc Moulène is a French contemporary artist based in Paris, France. Spanning a wide variety of media, such as photography, drawings, and sculptures, Moulène's practice examines the relationship between systems and orders. Moulène has stated that he subscribes to the notion of a 'disjunction,' whereby he follows a principle of discrepancies as a way to "find new dialectical knowledge." His interests include the "symbolic position of the author" and authorship; processes of production, repetition, and accumulation; labor and social space; and the intersection of advanced technology and contemporary material culture, among others. Moulène identifies himself as a "technicien libertaire", who transforms "the process of perception as an aesthetic end in itself to one that incorporates everyday life" in his work.
Gaston Suisse, was a French artist designer, painter, lacquerer, decorator. Gaston Suisse, "is a major artist of Art Deco".
Jean Degottex was a French abstract painter, known in particular for his initial proximity with the lyrical abstraction movement of the 1950s and 1960s. He is considered an important artist of the abstraction movement in the second half of the twentieth century and a significant inspiration for contemporary art. Degottex was particularly inspired by East Asian calligraphy and Zen philosophy in achieving the erasure of the creative subject.
Étienne Bertrand Weill (1919-2001) was a French photographer. His primary works were abstract Metaforms.
Jean Le Gac is a French conceptual artist, painter, pastelist, photographer using mixed media, frequently video or photography and text to document his investigations and sketched scenes. His poetic photographic interventions in which he is most often the main subject are accompanied either by typed text describing the underlying story in the artwork or handwritten notes in the art piece itself. Member of the Narrative art movement since the seventies, Le Gac ofttimes tells a story about an imaginary character that viewers can easily identify with the artist himself. He calls it a “metaphor for painting." Le Gac also uses the artist's book as a central part of his art practice. Le Gac is a Professor and lecturer at Institut des hautes études en arts plastiques.
Maurice Paul Jean Asselin was a French painter, watercolourist, printmaker, lithographer, engraver and illustrator, associated with the School of Paris. He is best known for still lifes and nudes. Other recurring themes in his work are motherhood, and the landscapes and seascapes of Brittany. He also worked as a book illustrator, particularly in the 1920s. His personal style was characterised by subdued colours, sensitive brushwork and a strong sense of composition and design.
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