Bleeding Heart | |
---|---|
Live album (unofficial)by | |
Released | 1994 |
Recorded | 1968 |
Venue | The Scene, New York City |
Genre | Rock |
Length | 53:46 |
Label | Various |
Bleeding Heart is one of several names given to albums of a 1968 jam session with Jimi Hendrix, Jim Morrison, and others. The albums were fashioned from an informal two-track tape recording made by Hendrix which was subsequently stolen from his apartment. [1] The jam took place at the Scene, a nightclub in New York City, and various dates and participants have been suggested. Although it presents a unique setting, critics and biographers have generally found fault with the sound quality and Morrison's performance.
To relieve the pressures of touring and recording, Jimi Hendrix frequently jammed with musicians at local clubs. He was also a tape-recording enthusiast and traveled with his Sony two-track reel-to-reel recorder. [1] [2] Hendrix recorded several after-hours jams in New York for his personal use, around the time that he began recording material for the Electric Ladyland album at the Record Plant studio. [1] Some of these include jams at the Cafe Au Go Go on March 17, 1968, with members of the Paul Butterfield Blues Band (Elvin Bishop, Phillip Wilson) and the Electric Flag (Harvey Brooks, Buddy Miles) and the Generation Club on April 15, 1968, with B.B. King, Bishop, Wilson, Buzzy Feiten, and Al Kooper. [3] Partly because of its proximity to the Record Plant, Hendrix frequently jammed at the Scene club, which was owned by Steve Paul, the McCoys and later Johnny Winter's manager. [4]
Several dates have been mentioned for the Scene club jam, including March 7, [5] March 13, [1] [6] and June 6, [7] 1968. In addition to Hendrix and Morrison, other jam participants have been tentatively identified as the Scene's house band, the McCoys [1] [6] (bassist Randy Jo Hobbs [7] and drummer Randy Zehringer), bassist Harvey Brooks, and drummer Buddy Miles. [8] Most albums list guitarist Johnny Winter, who occasionally jammed with Hendrix, although he emphatically denied ever having met or performed with Jim Morrison or being in New York at the time. [7] The McCoy's Rick Derringer has also been suggested as the other guitarist. [9] [lower-alpha 1] The harmonica player has not been identified –at times Morrison is singing while the harmonica plays, which suggests a sixth participant. [lower-alpha 2]
Jimi Hendrix plays guitar on all of the songs and sings two. It is notable that Hendrix's guitar is tuned down a whole step to D tuning (D-G-C-F-A-D) for this session. His version of his slow blues "Red House" has been singled out as the session highlight, which uses an uptempo arrangement similar to that of Cream's rendition of "Crossroads". [2] [lower-alpha 3] Hendrix and the second guitarist trade guitar parts, with backing by bass and drums (Morrison and harmonica are not audible on the track). Except for part of the Elmore James slow blues "Bleeding Heart", the remainder of the jam is disjointed and includes rambling harmonica accompaniment and "Morrison's drunken hollering". [13] Snippets of instrumental passages and ad-libbed lyrics have led the album's producers to give the tracks names, such as "Tomorrow Never Knows", "Outside Woman Blues", "If You Wake Up This Morning (And Found Yourself Dead)", "Uranus Rock", etc., although these are brief jam themes and not actual songs.
Before and especially after Hendrix's death in 1970, many of his personal belongings were stolen. [1] These included many of his home tape recordings. [1] Although they were not intended for public release, some recordings have been issued many times on numerous albums, usually by small record labels that specialize in bootleg and gray market albums. [7] The Scene club jam was first issued in 1972 with the title Sky High by Skydog Records. Nutmeg Records released it in 1978 as High, Live 'n Dirty with a prominent "X Rated" on the front.
In 1980, the album was issued as Woke Up This Morning and Found Myself Dead on the Red Lightnin' label. The album's liner notes state that the tapes of the jam were the property of Mick Cox, guitarist for Eire Apparent, who Hendrix later produced, and imply that it is the first legitimate release of the album. [14] The now-defunct Castle Communications issued it as Bleeding Heart in 1994, also making claims. However, Hendrix biographer Keith Shadwick only indicates that the tape had been stolen. [1] Other releases include such titles as Jamming Live at the Scene Club, NYC, NYC '68, Live at the Scene Club, N.Y., N.Y., Tomorrow Never Knows, Sunshine of Your Love, etc. [15]
Review scores | |
---|---|
Source | Rating |
AllMusic — High Live & Dirty | [13] |
AllMusic — Woke Up This Morning and Found Myself Dead | [16] |
AllMusic — Jamming Live at the Scene Club, NYC | [10] |
AllMusic — NYC '68 | [17] |
In a posthumous assessment, AllMusic has reviews for four different iterations of the Scene club jam album, which more or less include the same material, although some with different names and sequencing. The ratings range from three (out of five stars) to one and a half stars. The albums have been described as "exceedingly lo-fi", [2] "interesting because it records for posterity two '60s icons on stage and the ensuing hilarity", [10] and "a horribly drunken, obscenity-spewing Jim Morrison only makes the experience that much more unpleasant". [17]
While one reviewer noted the album was "mandatory for completists, Hendrix fanatics and historians", [16] others conclude "nothing on this LP can be considered essential" [13] and "it sheds absolutely no new light on the guitarist's enduring legend". [17] Biographer Shadwick wrote:
As a private tape in a musician's own collection it would have had its point, but as a commercially available record of an informal night's worth of music-making it has serious aesthetic problems. Hendrix doubtless would have been appalled by the tape's release and subsequent exploitation. [1]
Most of the releases use the following track names in the following order: [15]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Red House" | Jimi Hendrix | 10:57 |
2. | "Woke Up This Morning and Found Myself Dead" | 8:05 | |
3. | "Bleeding Heart" | Elmore James | 12:29 |
4. | "Morrison's Lament" | 3:30 | |
5. | "Tomorrow Never Knows" | John Lennon, Paul McCartney | 5:11 |
6. | "Uranus Rock" | 3:11 | |
7. | "Outside Woman Blues" | Blind Joe Reynolds | 8:03 |
8. | "Sunshine of Your Love" | Jack Bruce, Eric Clapton, Pete Brown | 2:16 |
James Marshall "Jimi" Hendrix was an American guitarist, songwriter and singer. Although his mainstream career spanned only four years, he is widely regarded as the greatest and one of the most influential electric guitarists in the history of popular music, and one of the most celebrated musicians of the 20th century. The Rock and Roll Hall of Fame describes him as "arguably the greatest instrumentalist in the history of rock music."
Electric Ladyland is the third and final studio album by the Jimi Hendrix Experience, released in October 1968. A double album, it was the only record from the Experience with production solely credited to Hendrix. The band's most commercially successful release and its only number one album, it was released by Reprise Records in the United States on October 16, 1968, and by Track Records in the UK nine days later. By mid-November, it had reached number 1 on the Billboard Top LPs chart, spending two weeks there. In the UK it peaked at number 6, where it spent 12 weeks on the British charts.
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Blues is a compilation album of blues songs recorded by American singer/songwriter/musician Jimi Hendrix. Compiled by interim Hendrix producer Alan Douglas, it was released April 26, 1994, by MCA Records. The album contains eleven songs recorded by Hendrix between 1966 and 1970, six of which were previously unreleased. Hendrix wrote seven of the pieces; other writers include Muddy Waters, Booker T. Jones, and Elmore James. Most are demos, jams, and live recordings, which Hendrix may or may not have completed for release.
"Red House" is a song written by Jimi Hendrix and one of the first songs recorded in 1966 by the Jimi Hendrix Experience. It has the musical form of a conventional twelve-bar blues and features Hendrix's guitar playing. He developed the song prior to forming the Experience and was inspired by earlier blues songs.
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Jimi Hendrix (1942–1970) was an American guitarist whose career spanned from 1962 to 1970. His discography includes the recordings released during his lifetime. Prior to his rise to fame, he recorded 24 singles as a backing guitarist with American R&B artists, such as the Isley Brothers and Little Richard. Beginning in late 1966, he recorded three best-selling studio albums and 13 singles with the Jimi Hendrix Experience. An Experience compilation album and half of a live album recorded at the Monterey Pop Festival were also issued prior to his death. After the breakup of the Experience in mid-1969, songs from his live performances were included on the Woodstock: Music from the Original Soundtrack and More and Band of Gypsys albums. A studio single with the Band of Gypsys was also released.
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"Bleeding Heart" is a song written and recorded by American blues musician Elmore James in 1961. Considered "among the greatest of James' songs", "Bleeding Heart" was later popularized by Jimi Hendrix, who recorded several versions of the song.
"Hear My Train A Comin'" is a blues-based song written by Jimi Hendrix. Lyrically, it was inspired by earlier American spirituals and blues songs which use a train metaphor to represent salvation. Hendrix recorded the song in live, studio, and impromptu settings several times between 1967 and 1970, but never completed it to his satisfaction.
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