La bohème is an opera in four acts, composed by Giacomo Puccini between 1893 and 1895 to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème (1851) by Henri Murger. The story is set in Paris around 1830 and shows the Bohemian lifestyle of a poor seamstress and her artist friends.
Lucia di Lammermoor is a dramma tragico in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel The Bride of Lammermoor.
Johann Ludwig Tieck was a German poet, fiction writer, translator, and critic. He was one of the founding fathers of the Romantic movement in the late 18th and early 19th centuries.
Bluebeard's Castle is a one-act expressionist opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer, and is written in Hungarian, based on the French literary tale La Barbe bleue by Charles Perrault. The opera lasts only a little over an hour and there are just two singing characters onstage: Bluebeard, and his new wife Judith ; the two have just eloped and Judith is coming home to Bluebeard's castle for the first time.
Dialogues des Carmélites is an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956. The composer's second opera, Poulenc wrote the libretto after the work of the same name by Georges Bernanos. The opera tells a fictionalised version of the story of the Martyrs of Compiègne, Carmelite nuns who, in 1794 during the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation.
Tannhäuser is an 1845 opera in three acts, with music and text by Richard Wagner. It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work.
Judith Weir is a British composer and the first female Master of the Queen's Music.
Il sogno di Scipione, K. 126, is a dramatic serenade in one act composed by Wolfgang Amadeus Mozart to a libretto by Pietro Metastasio, which is based on the book Somnium Scipionis by Cicero; Metastasio's libretto has been set to music several times. Mozart had originally composed the work at the age of 15 for his patron, Prince-Archbishop Sigismund von Schrattenbach. After the bishop's death before it could be performed, Mozart dedicated it to Schrattenbach's successor, Count Colloredo. It was given a private performance in the Archbishop's Palace in Salzburg on 1 May 1772, although not in its entirety. Only one aria, the final chorus and the recitative dedicating it to the new Prince-Archbishop were performed. It is highly unlikely that it was ever performed in its entirety in Mozart's lifetime.
Le prophète is a grand opera in five acts by Giacomo Meyerbeer, which was premiered in Paris on 16 April 1849. The French-language libretto was by Eugène Scribe and Émile Deschamps, after passages from the Essay on the Manners and Spirit of Nations by Voltaire. The plot is based on the life of John of Leiden, Anabaptist leader and self-proclaimed "King of Münster" in the 16th century.
A Night at the Chinese Opera is an opera in three acts by Judith Weir, who also wrote the libretto. Aside from an earlier opera for children, this was Weir's first full-scale opera, written on commission from the BBC for performance by Kent Opera. Weir incorporated an early Chinese play of the Yuan dynasty, The Orphan of Zhao, as the centrepiece of Act 2 of her opera.
Christopher Ventris, born 1965, in London, is a British tenor. He is particularly known for his role as Parsifal which he has performed over 100 times including performances at the Bayreuth Festival during the 2008, 2009, and 2010 Festival seasons.
Armida is an opera by British composer Judith Weir. It premiered on 25 December 2005 as a television broadcast on the UK station, Channel 4 which had commissioned the work. The English libretto, also written by Weir, is loosely based on the story of Rinaldo and Armida, in Torquato Tasso's 1581 epic poem set in the First Crusade, La Gerusalemme liberata.
The Vanishing Bridegroom is an opera by composer Judith Weir to a libretto by the composer from work edited by J. F. Campbell of Islay. Commissioned by the Glasgow District Council, the opera was premiered by the Scottish Opera as a part of the 1990 European Capital of Culture celebrations in Glasgow. The United States premiere of the opera was given by the Opera Theatre of Saint Louis in 1992 with soprano Lauren Flanigan as the Bride/Wife/Mother.
Margaret Williams is a British film and television director based in London, UK. She has directed mainly arts and music-drama films and documentaries.
Sophie Tieck, later known as Sophie Bernhardi or Sophie von Knorring, was a German Romantic writer and poet. Her role as a writer of the Romantic period was overshadowed by her brother Ludwig and her first husband. She was only really appreciated as an important writer when her letters were published in the 1960s. A plot twist in her brother's story Eckbert the Blond is an unattributed invention by Sophie Tieck.
The Black Spider is an opera in three acts by Judith Weir with a libretto by the composer. The work is loosely based on the 1842 novella Die schwarze Spinne by Jeremias Gotthelf.
Delores Ziegler is an American mezzo-soprano who has had an active international performance career since the late 1970s. A former resident artist at the Cologne Opera, she has performed leading roles with many of the world's best opera houses, including La Scala, the Lyric Opera of Chicago, the Metropolitan Opera, the San Francisco Opera, and the Vienna State Opera. She is currently a professor of voice at the University of Maryland. While she has performed a broad repertoire, she is widely admired for her performances in operas by Wolfgang Amadeus Mozart and Richard Strauss; particularly Cherubino in The Marriage of Figaro, Dorabella in Così fan tutte, Idamante in Idomeneo, and Octavian in Der Rosenkavalier.
Orphée is a chamber opera in two acts and 18 scenes, for ensemble and soloists, composed in 1991 by Philip Glass, to a libretto by the composer, based on the scenario of the eponymous film (1950) by Jean Cocteau. Commissioned by the American Repertory Theater in Cambridge, Massachusetts, and the Brooklyn Academy of Music in New York, this is the first part of a trilogy in honour of the French poet. The world premiere of the work took place on 14 May 1993 under the direction of Martin Goldray and the European premiere in London on 27 May 2005 in the Royal Opera House's Linbury Studio Theatre.
Der blonde Eckbert is a Romantic Fairy Tale written by Ludwig Tieck at the end of the eighteenth century. It first appeared in 1797 in a collected volume of Folk Tales published by Tieck under the publisher Friedrich Nicolai in Berlin. For some literary scholars and historians, the publication of Eckbert represents the beginning of a specifically German romantic movement.
The Piano Concerto is a concerto for piano and string orchestra by the British composer Judith Weir. The work was commissioned by Anthony and Mary Henfrey in celebration of their 25th wedding anniversary. it was written for the pianist William Howard, who first performed the work with the BT Scottish Ensemble at the Spitalfields Festival in London on 12 June 1997.
