"Boys & Girls" | ||||
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Single by Ayumi Hamasaki | ||||
from the album Loveppears | ||||
Released | July 14, 1999 | |||
Recorded | 1999 | |||
Genre | Dance | |||
Length | 3:54 | |||
Label |
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Songwriter(s) | Ayumi Hamasaki | |||
Producer(s) | Max Matsuura | |||
Ayumi Hamasaki singles chronology | ||||
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Official Music Video | ||||
"Boys & Girls" on YouTube |
"Boys & Girls" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the fourth single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. "Boys & Girls" marks Hamasaki's first single to be made available for purchase as a maxi single with additional remixes. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Musically, the song is a dance recording, a genre that heavily influences Loveppears. The single's lyrical content is written in third-person perspective.
Upon its release, "Boys & Girls" received positive reviews from music critics, with some praising the original version of the song, but also acclaiming the different selection of remixes on its physical release. Commercially, the single experienced success in Japan, being subjected to a controversial competition with the song "Be Together" by Japanese recording artist Ami Suzuki, who eventually outperformed "Boys & Girls" during its first charting week on the Oricon Singles Chart. It became Hamasaki's first single to sell over one million copies, and was certified double Platinum by the Recording Industry Association of Japan (RIAJ) for shipments of 800,000 units.
An accompanying music video was directed by Wataru Takeishi, and featured Hamasaki in an orange-lit room circulated by mysterious light and furniture. In order to promote the single, it appeared on several remix and greatest hits compilation albums and live concert tours conducted by Hamasaki. "Boys & Girls" was additionally used as the theme song for the cosmetics company Aube, which led to the singer becoming their spokeswoman. To date, the recording is one of the best-selling singles in Japanese music history and remains one of her highest-selling tracks.
"Boys & Girls" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. The song was composed by Dai Nagao—who used the alias D.A.I. through production credits and Aube for the maxi single notes—whilst it was arranged by Nagao and Japanese musician Naoto Suzuki. It was mixed by Dave Ford, and mastered by Shigeo Miyamoto. [2] [3] Musically, "Boys & Girls" is a dance song, a genre that heavily influences its parent album, Loveppears (1999). [4] [5] [1] The recording's instrumentation consists of synthesizers and keyboards managed by Suzuki, while electric guitar is provided by Hidetoshi Suzuki. Programming was handled by Takahiro Iida. [2] According to the demo sheet music published at Ultimate Guitar Archive, the song is set in time signature of common time with a tempo of 130 beats per minute. Its chord progression develops in E-A-D-G-B-E. [6] Lyrically, "Boys & Girls" was written in third person perspective, a trait that is shared with the rest of the album's content. [7] [8]
"Boys & Girls" served as the fourth single from Loveppears. It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. [3] [9] Its CD edition featured a total of ten tracks, seven of which were remixes and its instrumental, plus one remix for both of Hamasaki's previous singles, "Love (Destiny)" (1999) and "To Be" (1999). [10] [2] In early 2001, Avex USA subsequently distributed three 12" vinyls; the first two of them contained remixes produced by American disc jockey Hex Hector, whilst the third vinyl, released in on January 24, 2003, contained remixes by Junior Vasquez. [11] [12] The artwork of the physical and digital formats was shot by Toru Kumazawa, and features several images of Hamasaki in one entire square canvas. A large photo of Hamasaki's face is placed in the center, with it being surrounded by 12 small thumbnails. [3]
Upon its release, "Boys & Girls" received positive reviews from music critics. A member of CD Journal was positive towards the original version of the single, but also complimented the remixes featured on its maxi release. The review concluded that each remix was able to "change different moods", and labelled the release of the recording "high-tension". [4] AllMusic's Alexey Eremenko, who contributed in writing Hamasaki's biography on the website, selected the track as one of her best work. [13]
"Boys & Girls" was subjected to controversy by Japanese media at the time of its release, mainly due to it interspersing with the premiere of Japanese recording artist Ami Suzuki's "Be Together", which was perceived as a direct competition between Suzuki's label, Sony Music, and Hamasaki's label, Avex Trax, in order to score the highest entry on the Oricon Singles Chart. [14] As a result, Suzuki's single topped the Oricon Singles Chart with 317,610 units sold, whilst Hamasaki's recording debuted at number two on that chart, selling 261,750 copies in its first week of availability. [14] The following week, "Boys & Girls" replaced "Be Together" at the top spot, becoming the singer's second single to peak atop after "Love (Destiny)" in May 1999. [14] The recording spent 17 weeks within the top 200, marking one of Hamasaki's longest-spanning songs on the chart. [15] Similarly, it debuted at number two on the Count Down TV chart hosted by Tokyo Broadcasting System (TBS), behind Suzuki's "Be Together". [16] The following week, it reached number one and stayed there for three consecutive weeks, with it lasting 16 weeks within the top 100. [17] In 2008, the single charted at number 33 on Billboard's Adult Alternative Radio chart in Japan. [18]
By the end of 1999, "Boys & Girls" had sold over 1,037,950 units in Japan, thus being ranked at number 11 on Oricon's Annual 1999 chart. [19] Likewise, it charted at number 12 on TBS' Annual Chart. [20] In October 1999, the single was certified double Platinum by the Recording Industry Association of Japan (RIAJ) for shipments of 800,000 units. [21] "Boys & Girls" remains the 225th best-selling single in Japanese music history, and as of July 2016 the singer's fourth highest-selling song according to Oricon Style's database. [22] [23]
An accompanying music video for the single was directed by Wataru Takeishi. [24] It opens with Hamasaki walking into a small orange-lit room with a black object on a stall. After touching it, the entire room starts to light up, and the singer subsequently walks around singing to the song; scenes are digitally-altered and edited during the process. Following the first chorus, Hamasaki is seen wearing a white outfit while a mysterious light shines around the room. The video subsequently ends with the singer sitting on a small chair, looking in the distance. [24] The clip was included on several DVD compilations released by Hamasaki: A Clips (2000), [25] A Complete Box Set (2004), [26] the digital release of A Clips Complete (2014), [27] and the DVD and Blu-Ray re-release edition of her 2001 compilation album, A Best (2016). [28] The visual was additionally used as the theme song for Japanese cosmetics company Aube's launch of their lipstick range, which led to Hamasaki becoming their spokeswoman and appearing in a campaign video. [4]
"Boys & Girls" has been heavily promoted on compilation albums conducted by Hamasaki. It has been included on 11 of Hamasaki's remix albums, including Super Eurobeat Presents Ayu-ro Mix and Ayu-mi-x II Version Non-Stop Mega Mix (2001). [29] The single has also been featured on three of Hamasaki's greatest hits albums, A Best (2001), A Complete: All Singles (2007), and A Summer Best (2012). [30] [31] [32] Additionally, it was specially remixed by Junior Vasquez and Hex Hector in order to be added onto her remix extended plays The Other Side One: Hex Hector (2001) and The Other Side Two: Junior Vasquez (2001). [33] [34] The song has been included on three of the singer's major concert tours, including her part one and part two of her 2000 concert tour, [35] [36] her 2000–2001 Countdown live show, [37] her 2006 (Miss)Understood tour, [38] and her 2011 Hotel Love Songs concert tour. [39]
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Credits adapted from the single's CD release. [3]
Weekly charts
| Yearly chart
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Region | Certification | Certified units/sales |
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Japan (RIAJ) [21] | 2× Platinum | 1,037,950 [41] |
Region | Date | Format | Label |
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Japan [3] | July 14, 1999 | CD single |
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Hong Kong [9] | |||
North America [11] | January 24, 2000 | Hex Hector 12" vinyl | Avex USA |
Junior Vazquez 12" vinyl | |||
Japan [40] | September 2008 [upper-alpha 1] | Digital download |
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Australia [43] | Avex Entertainment Inc. | ||
New Zealand [44] | |||
United Kingdom [45] | |||
Ireland [46] | |||
Germany [47] | |||
Spain [48] | |||
France [49] | |||
Italy [50] | |||
Taiwan [51] | |||
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999 through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001 by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
Duty is the third studio album by Japanese recording artist Ayumi Hamasaki. It was released on September 27, 2000 by Avex Trax. Duty is Hamasaki's first studio album inside the 2000 decade, and her third consecutive studio album to be fully produced by Japanese musician and businessman Max Matsuura. The album's composing and arrangement was handled by several music collaborators, such as Ken Harada, Kazuhito Kikuchi, Dai Nagao, HΛL, among many others. Hamasaki contributed to the album as the primary and background vocalist, and songwriter to every song. Three different formats were released to promote the album: a standalone CD, a limited edition Playbutton, and a digital download. The cover sleeve has Hamasaki wearing a leopard-print cat suit.
A Best is the first greatest hits album by Japanese singer-songwriter Ayumi Hamasaki. It was released on March 28, 2001, by Avex Trax and Avex Music Creative Inc. Hamasaki had originally planned to release the greatest hits album after her 2002 studio album I Am..., but the idea was denied by Avex head staff. Instead, Avex released the album in 2001, which caused conflict between the label and Hamasaki. The compilation was released in two different formats including a physical and a digital release. Seven different artworks were released in several editions of the album. The album includes one new track, three re-recorded tracks, and the rest of previously released singles.
"Surreal" is a song by Japanese recording artist Ayumi Hamasaki, taken from her third studio album Duty (2000). It was written by Hamasaki and produced by Max Matsuura. The song is a rock with elements of alternative rock. "Surreal" describes Hamasaki's madness and sense of confusion, while the themes of "Surreal" are based on Hamasaki's concept of loneliness, chaos, confusion, and the burden of her responsibilities, aimed mostly toward her public image as a recording artist. It was released as the fourth single from the album on 27 September 2000 by Avex Trax and Avex Taiwan.
"Whatever" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was written by Hamasaki, while production was handled by Max Matsuura. The track is Hamasaki's sixth single with Matsuura since her debut single in April 1998, "Poker Face". "Whatever" premiered on February 10, 1999 as the lead single from the album. It was re-released on February 28, 2001 as a CD single.
"Love (Destiny)" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the second single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Taiwan on April 14, 1999, and through Avex Entertainment Inc. worldwide in September 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Three versions of the recording have been made available—a ballad version arranged by Tsunku, an edited version with vocals by Tsunku, and a dance-influenced version included on Loveppears.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
A is an extended play (EP) by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan and Hong Kong on August 11, 1999, in 10 different editions, and through Avex Entertainment Inc. worldwide in September 2008. It additionally served as a single from her second studio album Loveppears (1999), and is her first single marketed as an EP. The 12-track EP contains four new original songs: "Monochrome", "Too Late", "Trauma", and "End Roll", and eight remixes. All songs were written by Hamasaki, while production was handled by long-time collaborator Max Matsuura.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album Loveppears (1999), which was released on the same day. Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu. It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching what appears to be a happy and loving relationship. Upon its release, "Appears" received positive reviews from music critics. Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career. However, an editor from CD Journal criticized the amount of remixes on the CD single.
"Kanariya" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on December 8, 1999, and through Avex USA in North America in early 2000. The recording also served as Hamasaki's second limited edition single, with limited physical units of 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Kanariya" were made available for consumption—a radio edit produced by American disc jockey Jonathan Peters, and the album version composed by Yasuhiko Hoshino. Lyrically, the song was written in third person perspective.
"Fly High" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan on February 9, 2000, and through Avex Entertainment Inc. worldwide in September 2008. The recording served as Hamasaki's third and final limited edition single from her second studio album, Loveppears (1999), limiting physical units to 300,000 copies. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Fly High" were made available for consumption—a radio edit composed by HΛL, and the album version produced by Dai Nagao. Lyrically, the song was written in third person perspective.
"Vogue" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on April 26, 2000 as the lead single from the album. Her third consecutive lead single to be produced by Matsuura, the song is part of a trilogy from Duty; the other two singles being "Far Away" and "Seasons".
"Far Away" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on May 17, 2000, as the second single from the album. The song is part of a trilogy from Duty; the other two singles being "Vogue" and "Seasons".
"Seasons" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on June 7, 2000 as the third single from the album. The song is the final part of a trilogy from Duty; the other two singles being "Vogue" and "Far Away".
"Audience" is a song by Japanese recording artist Ayumi Hamasaki from her third studio album Duty (2000). It was released as the album's fifth and final single on 1 November 2000 by Avex Trax. Hamasaki wrote the track and Max Matsuura Lewis produced it. Dai Nagao and HΛL composed both the single and album version. The single artwork was shot by Japanese photographer Toru Kumazawa and features duplicate clones of Hamasaki, resembling an audience. Musically, "Audience" is a dance–pop and disco song.
"Who..." is a Japanese-language song recorded by singer Ayumi Hamasaki. It served as a standard track to her second studio album Loveppears (1999), and was re-recorded and released as a promotional single by Avex Trax in Japan as part of the promotion towards her fifth greatest hits compilation album A Complete: All Singles on September 10, 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop ballad that was written in third-person perspective, like the rest of the content from Loveppears. The lyrics details the encapsulation of Hamasaki, and explaining her message of her own philosophy. During its promotional release in 2008, it reached number 49 on the Billboard Adult Alternative Songs chart in Japan, and number 19 on the RIAJ Monthly Ringtones chart. It was certified Platinum by the Recording Industry Association of Japan (RIAJ) for digital sales of 250,000 units. To promote the single, it appeared on remix and greatest hits compilation albums conducted by Hamasaki.
"Rule"/"Sparkle" is a double A-side single by Japanese recording artist Ayumi Hamasaki from her tenth studio album, NEXT LEVEL' (2009). The song was released on a CD and DVD format on February 25, 2009 as the second single from the album. With "Rule" composed by Miki Wantanabe and "Sparkle" composed by Kazuhiro Hara, both songs were written by Hamasaki and produced by long-time collaborator Max Matsuura. "Rule" was used as the international theme song for the 2009 film Dragonball Evolution.
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
"Feel the Love" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released in six different formats on December 25, 2013 by Avex Trax, Avex Taiwan, and Avex Entertainment Inc. worldwide. It was also her first physical release in three years since her EP–single L (2010), and her first double A-side single, alongside the track "Merry-Go-Round", since "Moon" and "Blossom" that same year. The track was written by the singer, whilst production was handled by Japanese musician and long-time collaborator Max Matsuura with the assistance of DJ Hello Kitty; this marks the singer's first single to be produced with another producer outside of Matsuura. Musically, "Feel the Love" is an electronic dance song that lyrically focuses on love and having a good time.
"Merry-Go-Round" is a song recorded by Japanese recording artist Ayumi Hamasaki, featuring a rap section delivered by Japanese artist Verbal, for the singer's fifteenth studio album Colours (2014). It was released worldwide in six different formats on December 25, 2013 by Avex Trax, Avex Taiwan, and Avex Entertainment Inc. It was also Hamasaki's first physical release in three years since her EP–single L (2010), and her first double A-side single, alongside the track "Feel the Love", since "Moon" and "Blossom" that same year. The track was written by Hamasaki, whilst production was handled by Japanese musician and long-time collaborator Max Matsuura with the assistance of M-Flo; this marks Hamasaki's first single to be produced with another producer outside of Matsuura. Musically, "Merry-Go-Round" is an electronic dance song that includes guitars and synthesizers in its instrumentation.