"M" | ||||
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Single by Ayumi Hamasaki | ||||
from the album A Best and I am... | ||||
Released | December 13, 2000 | |||
Genre | ||||
Length | 4:26 | |||
Label | Avex Trax | |||
Composer(s) | CREA | |||
Lyricist(s) | Ayumi Hamasaki | |||
Producer(s) | Max Matsuura | |||
Ayumi Hamasaki singles chronology | ||||
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Ayumi Hamasaki German singles chronology | ||||
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Music video | ||||
"M" on YouTube |
"M" is the nineteenth single by Japanese recording artist Ayumi Hamasaki. [1] "M" serves as the lead single to her fourth studio album I Am... (2002). The track marked Hamasaki's increased creative control over her music,as it was the first song she composed,under the pen name "CREA".
The single is to date one of Hamasaki's most commercially successful;it peaked at the top spot on the Oricon weekly charts,selling over 500,000 units on its first week. Moreover,the single eventually sold over 1,000,000 copies over its seventeen-week run and became a RIAJ-certified million-seller;"M" also won the Japan Gold Disc Award for "Song of the Year". [2] Since its release,the single is listed as the 113th best-selling single of all time in Japan.
Shortly after the release of her studio album Duty ,Hamasaki began writing "M". Before then,Hamasaki's staff had composed the melodies;Hamasaki only wrote the lyrics. However,with "M",Hamasaki felt that none of the melodies composed by her staff fit her vision of the song. Consequently,she decided to compose the melody herself. [3] She began work on an electronic keyboard;however,as she had little proficiency in the instrument,Hamasaki eventually resorted to singing the melody into a voice recorder. [3]
Throughout the song,Hamasaki addresses "Maria". Hamasaki is ambiguous as to the identity of "Maria";however,she has stated that the song was inspired by a story told to her by a friend about a saint named Mary. [4] [5] The story was pivotal in the shaping of the theme of the song,which,according to Hamasaki,is about a "woman who won't change with time". [4] Finally,like other songs from I am...,Hamasaki explores the topics of couples and love. [6] [7]
According to Hamasaki, the melodies composed by her staff for "M" did not fit her image for the song because they were too "warm"—she had envisioned a melody with a "cold" feeling. That, according to Hamasaki, meant a melody that was "difficult to grasp" and started in a lower key before progressing to a higher key. [4] The song is written in common time and begins in the key of C major before progressing to the key of C-sharp major. [8] The song uses piano, electric guitar, triangle, and various stringed instruments.
"M", unlike Hamasaki's antecedent songs, does not follow the verse-chorus form; rather, the song opens with an introduction that is followed by a brief instrumental bridge that precedes two verses. [9] The verses are followed by a pre-chorus after which comes an instrumental bridge; that is followed by a repetition of the pre-chorus and the verse. The chorus and a repetition of it follow; the chorus and its repetition are separated by another instrumental bridge. Finally, a second verse is sung before the repetition of the introduction, at which point the song ends. [10]
The music video for "M", directed by Wataru Takeishi, opens with Hamasaki singing the introduction against a stained-glass window. The first instrumental bridge follows, during which is seen the exterior of a church. When the first verse starts, the doors of the church open and glowing particles sweep into the church; at the start of the second instrumental bridge, the particles merge and Hamasaki appears in a white gown, at the intersection of the transept and the aisle, also in this scene she is wearing blue contacts. When the chorus starts, Hamasaki is seen outside the church (no longer in a gown) singing with her band; subsequent scenes switch between Hamasaki singing outside the church and standing inside. At the end of the video, the glowing particles sweep out of the church and the gown-clad Hamasaki disappears.
"M" debuted at the number-one position on the Oricon weekly charts on its first week of release, selling 541,350 copies. [11] The single remained atop the charts the second week; however, the total sales for that week had dropped to 185,290. [12] The sales rose the third week: the single sold 246,150 copies; however, it was only able to reach the number-two position, as Every Little Thing's single "Fragile/Jirenma" debuted that week with 278,120 copies. [13] By the fourth week, "M" remained at the number-two position with 95,770 copies sold. [14] It remained in the Top 10 the following three weeks, dropping from the number-five position to the number-seven position. [15] [16] [17] It remained in the Top 30 for two more weeks; it reached the twenty-third position before dropping out. [18] [19] By the end of its nine-week run in the Oricon Top 30, "M" sold 1,279,830 copies, [20] making it the best-selling single from I am... and adding to Hamasaki's million-selling singles. Since its release, the single is listed as the 113th best-selling of all time in Japan. [21]
In early 2014, in honor of Hamasaki's sixteenth-year career milestone, Japanese website Goo.ne.jp hosted a poll for fans to rank their favorite songs by Hamasaki out of thirty positions; the poll was held in only twenty-four hours, and thousands submitted their votes. [22] As a result, "M" was ranked at number two, behind "Seasons", with 93.2 percent of the votes. [22]
Additionally, the Above & Beyond remix is considered a vocal trance classic, [23] ranking at number 653 in Trance Top 1000 in 2011, [24] and number 177 in A State of Trance Top 1000 in 2021. [25]
Japanese maxi-CD single [26]
Japanese 2×12-inch vinyl E.P. [27]
| German 12-inch vinyl (Part 1) [28]
German 12-inch vinyl (Part 2) [29]
German maxi-single [30]
|
Chart (2000) | Peak position |
---|---|
Japan (Oricon Weekly Chart) [11] | 1 |
Region | Certification | Certified units/sales |
---|---|---|
Streaming | ||
Japan (RIAJ) [32] | Gold | 50,000,000† |
† Streaming-only figures based on certification alone. |
Country | Release date |
---|---|
Japan | December 13, 2000 [33] |
Europe | October 27, 2003 |
I Am... is the fourth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2002 by Avex Trax and was distributed throughout Asia in both physical and digital formats. Hamasaki enlisted long-time collaborator Max Matsuura to assist with the album's creation, and was inspired by the events of the September 11, 2001 attacks to emphasise lighter themes in contrast to her previous work.
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999, through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001, by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
Rainbow is the fifth studio album by Japanese recording artist Ayumi Hamasaki, released on 18 December 2002 by Avex Trax. Production of Rainbow had commenced after the release of Hamasaki's fourth studio album I Am... that January; All lyrics were written by Hamasaki, and Japanese producer Max Matsuura returned to produce the album. The album was Hamasaki's first to feature conversational English lyrics, where in her previous works she had only used single words.
A Best is the first greatest hits album by Japanese singer-songwriter Ayumi Hamasaki. It was released on March 28, 2001, by Avex Trax and Avex Music Creative Inc. Hamasaki had originally planned to release the greatest hits album after her 2002 studio album I Am..., but the idea was denied by Avex head staff. Instead, Avex released the album in 2001, which caused conflict between the label and Hamasaki. The compilation was released in two different formats including a physical and a digital release. Seven different artworks were released in several editions of the album. The album includes one new track, three re-recorded tracks, and the rest of previously released singles.
"Surreal" is a song by Japanese recording artist Ayumi Hamasaki, taken from her third studio album Duty (2000). It was written by Hamasaki and produced by Max Matsuura. The song is a rock with elements of alternative rock. "Surreal" describes Hamasaki's madness and sense of confusion, while the themes of "Surreal" are based on Hamasaki's concept of loneliness, chaos, confusion, and the burden of her responsibilities, aimed mostly toward her public image as a recording artist. It was released as the fourth single from the album on 27 September 2000 by Avex Trax and Avex Taiwan.
"Whatever" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was written by Hamasaki, while production was handled by Max Matsuura. The track is Hamasaki's sixth single with Matsuura since her debut single in April 1998, "Poker Face". "Whatever" premiered on February 10, 1999 as the lead single from the album. It was re-released on February 28, 2001 as a CD single.
"Love (Destiny)" (stylized as "LOVE ~Destiny~") is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the second single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Taiwan on April 14, 1999, and through Avex Entertainment Inc. worldwide in September 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Three versions of the recording have been made available—a ballad version arranged by Tsunku, an edited version with vocals by Tsunku, and a dance-influenced version included on Loveppears.
"Boys & Girls" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the fourth single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. "Boys & Girls" marks Hamasaki's first single to be made available for purchase as a maxi single with additional remixes. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Musically, the song is a dance recording, a genre that heavily influences Loveppears. The single's lyrical content is written in third-person perspective.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album Loveppears (1999), which was released on the same day. Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu. It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching what appears to be a happy and loving relationship. Upon its release, "Appears" received positive reviews from music critics. Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career. However, an editor from CD Journal criticized the amount of remixes on the CD single.
"Fly High" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan on February 9, 2000, and through Avex Entertainment Inc. worldwide in September 2008. The recording served as Hamasaki's third and final limited edition single from her second studio album, Loveppears (1999), limiting physical units to 300,000 copies. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Fly High" were made available for consumption—a radio edit composed by HΛL, and the album version produced by Dai Nagao. Lyrically, the song was written in third person perspective.
"Vogue" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on April 26, 2000 as the lead single from the album. Her third consecutive lead single to be produced by Matsuura, the song is part of a trilogy from Duty; the other two singles being "Far Away" and "Seasons".
"Far Away" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on May 17, 2000, as the second single from the album. The song is part of a trilogy from Duty; the other two singles being "Vogue" and "Seasons".
"Seasons" is a song by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on June 7, 2000, as the third single from the album. The song is the final part of a trilogy from Duty; the other two singles being "Vogue" and "Far Away".
"Audience" is a song by Japanese recording artist Ayumi Hamasaki from her third studio album Duty (2000). It was released as the album's fifth and final single on 1 November 2000 by Avex Trax. Hamasaki wrote the track and Max Matsuura Lewis produced it. Dai Nagao and HΛL composed both the single and album version. The single artwork was shot by Japanese photographer Toru Kumazawa and features duplicate clones of Hamasaki, resembling an audience. Musically, "Audience" is a dance–pop and disco song.
"Evolution" is a song recorded by Japanese recording artist and lyricist Ayumi Hamasaki, released on January 31, 2001, as the second single from her fourth studio album I Am... (2002).
H is an EP by Japanese recording artist Ayumi Hamasaki, featuring songs later included on her fifth studio album Rainbow (2002). The EP contains the songs "Independent", "July 1st" and "Hanabi", all written and co-composed by Hamasaki, alongside composer Dai Nagao and producer Max Matsuura. Hamasaki had written and recorded the three songs when she was still hurt and influenced by the events of the September 11 attacks and the completion of her fourth studio album I Am... (2002).
A Best 2 is a two-part greatest hits album by Japanese singer Ayumi Hamasaki. Both albums, titled Black and White, were released on 28 February 2007 on various formats by Avex Trax. Produced by Max Matsuura, they follow Hamasaki's compilation album A Best, which was released in March 2001. "A Best 2" are concept albums, with Black focusing on darker and more serious tones and White on lighter and more upbeat themes. The albums contain 31 songs, including an unreleased track titled "Part of Me" on the Black edition, that were released between the periods of her albums I Am... (2002) and (Miss)understood (2006).
A Complete: All Singles is a greatest hits album by Japanese singer Ayumi Hamasaki. Avex Trax released it on September 10, 2008 in a variety of formats, and was created to commemorate the singer's tenth anniversary since the release of her 1998 single "Poker Face". The album is divided into three sections, each highlighting a single released by Hamasaki from her debut in 1998 to her most recent single, "Talkin' 2 Myself" in 2007. Additionally, the compilation includes two new songs: the stand-alone single "Mirrorcle World" and a re-recorded version of "Who...".
"Rule"/"Sparkle" is a double A-side single by Japanese recording artist Ayumi Hamasaki from her tenth studio album, Next Level (2009). The song was released on a CD and DVD format on February 25, 2009 as the second single from the album. With "Rule" composed by Miki Wantanabe and "Sparkle" composed by Kazuhiro Hara, both songs were written by Hamasaki and produced by long-time collaborator Max Matsuura. "Rule" was used as the international theme song for the 2009 film Dragonball Evolution.
Next Level is the tenth studio album by Japanese recording artist Ayumi Hamasaki. It was released through Avex Trax on March 25, 2009 in five physical formats, and for digital consumption. The album was solely produced by Avex Trax owner Max Matsuura, whereas the album's content was written by Hamasaki herself. Additionally, it marks a return for several composers that helped construct her previous records, including Dai Nagao, CMJK, Kazuhiro Hara, HΛL, amongst others. Stylistically, Next Level is a departure from her previous albums, focusing on electronic music with elements of rock and dance.
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