I Am... | ||||
---|---|---|---|---|
Studio album by | ||||
Released | January 1, 2002 | |||
Recorded | 2000–2001 | |||
Studio |
| |||
Genre | ||||
Length | 70:35 | |||
Language | Japanese | |||
Label | Avex Trax | |||
Producer | ||||
Ayumi Hamasaki chronology | ||||
| ||||
Singles from I Am... | ||||
|
I Am... is the fourth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2002 by Avex Trax and was distributed throughout Asia in both physical and digital formats. Hamasaki enlisted long-time collaborator Max Matsuura to assist with the album's creation, and was inspired by the events of the September 11, 2001 attacks to emphasise lighter themes in contrast to her previous work.
I Am... is a J-Pop record with a diverse range of sounds including rock, heavy metal, trance, and dance music. Lyrically, the album touches on themes of hope, peace and love. The album received positive reviews from music critics for its musical direction and Hamasaki's emotional presence, with some citing the album as one of her best. Commercially, I Am... was a success in Japan, reaching number one on the Oricon Albums Chart. It was certified double million by the Recording Industry Association of Japan (RIAJ) for exceeding two million unit shipments, and is ranked as the fifty-fifth highest-selling album in that region.
I Am... spawned various singles in Japan and internationally; two singles, "M" and "Evolution", sold well over one million units in Japan. To promote I Am..., various songs from the record were promoted in commercial and campaigns in Japan. Moreover, Hamasaki embarked on two concert tours in the same region: her 2002 arena tour, and her 2002 stadium tour. Both tours were commemorated with live DVD releases that were commercially success in the country.
On September 28, 2000, Ayumi Hamasaki released her third studio album Duty . [1] It was a critical success upon its release, partially noted for her songwriting abilities and overall production standard. [2] It became Hamasaki's best-selling studio album in Japan, debuting at number one on the Oricon Albums Chart and selling over two million copies. [3] [4] To promote the record, Hamasaki embarked on her 2000 concert tour and eventually her annual Live Countdown concert tour. [5] [6]
Work on new music began after the promotion for Duty concluded, with the release of her single "M" in December 2000. [7] Initially dissatisfied with the original results her team had given her for the track "M," Hamasaki decided to compose the tune herself. [8] She was pleased with the final sound, so she concentrated on writing and producing new material for the album under the alias Crea. [9] During the early stages of development, Hamasaki's record label Avex Trax planned to release a musical retrospective of the singer's career. Despite Hamasaki's refusal, Avex Trax released her greatest hits album A Best in March 2001 as a "competitive strategy" against the release of Japanese recording artist Hikaru Utada's album Distance . [10] [11] [12] Despite its massive commercial success in Japan at the time, this resulted in a minor pause in her new material.
She returned to making music for her new album, initially pursuing a darker and more personal sound similar to her previous records. However, Hamasaki told Time that the September 11, 2001 attacks in New York City affected her emotionally. As a result, she decided to abandon her musical direction in order to concentrate on "lighter themes" like faith and peace. [13] [14] Along with this decision, Hamasaki decided to broaden her market by performing outside of Japan; in 2002, she made her international debut at the MTV Asia Awards in Singapore. [15]
I Am... is a J-Pop record that incorporates various sounds such as rock, heavy metal, trance, dance, electronic music, and acoustic-driven instrumentation. [16] [17] [9] [18] Writing for AllMusic, Neil Z. Yeung said the record features more "mature content and thrilling genre experimentation". He also noted that the second half of the record has a more "midtempo fare...". [16] Michael McCarthy from Lollipop Magazine noted the variety of sounds and emotional presence from Hamasaki, writing that each track "fits together nicely." [17] The album was produced by long-time collaborator Max Matsuura, and all songs were written by Hamasaki. Tasuku, CMJK, Hal, Dai Nagao (under the alias D.A.I.) and Naoto Suzuki are among the composers and arrangers on the album, while Hamasaki is credited as a composer on ten of the songs. [19]
The album begins with the midtempo title track, opening with acapella and progresses with guitar riffs. [20] [17] "Opening Run" is one of two interludes, and its composition incorporates a breakbeat-inspired sound. [16] "Connected" was produced by Dutch DJ Ferry Corsten, and incorporates a fast trance-inspired beat. [16] [20] "Unite!" and "Evolution" are two fast-paced rock songs with keyboard and piano instrumentation, respectively, while "Naturally" has a "melancholic melody." [20] "Never Ever" is a fast-paced rock song with a guitar solo, while "Still Alone" is a slower rock-influenced track. [16] [20]
"Daybreak" is composed differently than its single release, opting for a mid-tempo rock sound, while "Taskinlude" is the second of two interludes featured on the album. [20] "M" is a "emotionally impactful" song, with the title "M" standing for Maria. [16] [20] A solo version of "A Song Is Born" was included on I Am..., omitting guest vocals by Globe lead vocalist Keiko from the single release. [19] [21] "Dearest" and "No More Words" are slow ballads with different instrumentation, while an alternate version of "Endless Sorrow" titled "Gone With the Wind" was included on the album; a hidden track titled "Flower Garden" is placed at the end of "Endless Sorrow". [20] [19]
"I had a completely different idea for the cover at first. We'd already reserved the space, decided the hair and makeup and everything. But after the incident, as is typical of me, I suddenly changed my mind. I knew it wasn't the time for gaudiness, for elaborate sets and costumes. It sounds odd coming from me, but I realize what I say and how I look has a great impact." [14]
—Hamasaki talking about the photoshoot for I Am....
I Am... was released on January 1, 2002, her fourth studio album overall. [19] The album contains 16 songs totalling over 70 minutes in length, and was released in various countries in Asia, with Avex Trax releasing it in China, Hong Kong, and Indonesia, and S.M. Entertainment releasing it in South Korea. [22] In 2012, the album was reissued by Avex Trax in a Playbutton format. [23]
Toru Kumazawa participated in an original photoshoot, which Hamasaki described as having a "darker" vibe than her previous work with him. However, in light of the September 11, 2001, attacks and the subsequent shift in musical direction, she arranged for another shoot with Kumazawa. [14] The finished piece depicted Hamasaki in an outfit covered in leaves and vines, with a dove perched on his shoulder to convey a symbolic message of peace and hope.. [19] [14] She described the overall vibe of the photoshoot as a "peace muse". [14]
Eight singles were released in Japan to promote I Am.... "M" was released the album's lead single on December 13, 2000, through Avex Trax. [7] The song peaked at number one on the Oricon Singles Chart, and was certified million by the Recording Industry Association of Japan (RIAJ) for exceeding one million unit shipments. [24] [4] The albums second single, "Evolution", was released on January 31, 2001, through Avex Trax. [25] It peaked at number one on the Oricon Singles Chart, and was also certified million in Japan. [26] [27] "Never Ever" was released as the albums third single by Avex Trax on March 7, 2001. [28] The song peaked at number one on the Oricon Singles Chart, and was certified double platinum for exceeding shipments of 500,000 units. [29] [30] "Endless Sorrow" was released as the albums fourth single on May 16, 2001, and peaked at number one on the Oricon Singles Chart, achieving a double platinum certification in the country. [31] [32] [33]
The album's fifth single, "Unite!", was released on July 7, 2001, through Avex Trax. [34] It peaked at number one in the country, and was certified Platinum for exceeding sales of 400,000 units. [35] [36] "Dearest" was released as the sixth single on September 27, 2001, and peaked at number one in Japan. [37] [38] Additionally, the track received a double paltinum certification in the region. [39] "A Song Is Born", featuring Globe vocalist Keiko, served as a charity record to the Song Nation soundtrack in order to help raise funds for the September 11 attacks. [21] The song peaked at number one in Japan, and was certified Platinum in the region. [40] "Daybreak" was released as the albums eighth and final regional single on March 6, 2002. [41] It peaked at number one on the Oricon Singles Chart, achieving a gold certification for shipment of 200,000 units in the country. [42] [43]
A few songs on I Am... were remixed and released in different regions outside of Japan. "M" was the first remix single released under the pseudonym Ayu. It was re-released in the United Kingdom and parts of Europe, complete with a music video featuring the remix version by Above & Beyond. [44] The Razor's Club mix of "Evolution" was released on vinyl in the United States in August 2001. [45] "Connected" was released in 2002 as a stand-alone single in Germany and Belgium, and featured various remixes. [46] Two CD single's featuring remixes of the album track "Naturally" and the single "Unite!" were issued in Germany, Austria and Switzerland in 2004 and 2005, respectively. [47] [48]
Hamasaki embarked on three different concert tours in Japan to promote I Am.... The first was her 2001-2002 Countdown Live debut on December 31, 2001 at Tokyo's National Yoyogi Stadium First Gymnasium. The show, which featured various album tracks, was filmed and released in conjunction with Hamasaki's box set Ayumi Hamasaki Complete Live Box A (2003). [49] Her 2002 Arena Tour began in her home prefecture of Fukuoka in April 2002 and ended in Yokohama in June of that year. On January 29, 2003, a live release was made available. [50] Her 2002 Stadium Tour began in Fukuoka in early July 2002 and ended in Tokyo at the end of the month. A live release, like its predecessor, was released on the same date of January 29, 2003. [51]
Review scores | |
---|---|
Source | Rating |
AllMusic | [16] |
Lollipop Magazine | (positive) [17] |
I Am... received positive reviews from music critics. Neil Z. Yeung of AllMusic gave the album four and a half stars, calling it one of Hamasaki's best works. Z. Yeung praised Hamasaki's songwriting abilities and overall emotional presence, citing "M" as an example, and stated that she was back "in full force." [16] He chose the title track, "Connected," "Evolution," and "M" as album highlights. [16] Michael McCarthy from Lollipop expresses similar sentiments about Hamasaki's involvement and emotional presence, stating "when she sings ballads, Hamasaki’s delivery is intense and emotional and the music is never generic... Yet all of these songs, which Hamasaki wrote and composed herself, fit together nicely." [17]
Commercially, I Am... was a huge success. I Am... was the first album of 2002 to top the Oricon Albums Chart, marking Hamasaki's fourth consecutive studio album to do so. [52] The album sold over 1.7 million units in its first week, setting a record until it was surpassed that same year by Japanese singer Hikaru Utada's album Deep River . [53] I Am... spent 27 weeks on the chart, and by the end of the year, it was the country's second best-selling record, trailing only Deep Diver, with over 2.3 million units sold. [54] The album was certified douple million by the Recording Industry Association of Japan (RIAJ) for shipments of two million units. [55] In Taiwan, the album was certified by the Recording Industry Foundation in Taiwan (RIT), and sold 114,413 units in the region. [56] Since its release, I am... has ranked as the fifty-fifth best selling album of all time in Japan. [57]
All lyrics are written by Ayumi Hamasaki
No. | Title | Music | Arranger(s) | Length |
---|---|---|---|---|
1. | "I Am..." | Ayumi Hamasaki [Note 1] | Tadashi Kikuchi | 5:31 |
2. | "Opening Run" (Instrumental) | CMJK | CMJK | 0:57 |
3. | "Connected" | Ferry Corsten | Corsten | 3:19 |
4. | "Unite!" | Hamasaki | Hal | 4:59 |
5. | "Evolution" | Hamasaki | Hal | 4:40 |
6. | "Naturally" | Hamasaki | CMJK | 4:16 |
7. | "Never Ever" | Hamasaki | Chokkaku | 4:40 |
8. | "Still Alone" | Hamasaki | CMJK | 5:54 |
9. | "Daybreak" |
| Tasuku | 4:48 |
10. | "Taskinlude" (Instrumental) | Tasuku | Tasuku | 1:20 |
11. | "M" | Hamasaki | Hal | 4:26 |
12. | "A Song Is Born" | Tetsuya Komuro | Komuro | 6:16 |
13. | "Dearest" |
| Naoto Suzuki | 5:32 |
14. | "No More Words" |
|
| 5:41 |
15. | "Endless Sorrow" (Gone with the Wind ver.) | Hamasaki | CMJK | 5:12 |
16. | "Flower Garden" (hidden track) |
| 2:38 |
Personnel details were sourced from I Am...'s liner notes booklet. [19]
Visuals and imagery
Musicians
Technical and production
Region | Certification | Certified units/sales |
---|---|---|
Japan (RIAJ) [59] | 2× Million | 2,308,112 [60] |
Taiwan (RIT) [61] | 3× Platinum+Gold | 114,413 [61] |
Region | Date | Format | Label |
---|---|---|---|
Japan [19] | January 1, 2002 | Avex Trax | |
Worldwide [62] | Digital download | ||
China [22] | January 2002 | CD | |
Hong Kong [22] | |||
Indonesia [22] | |||
South Korea [22] | SM Entertainment | ||
Japan [23] | 2012 | Playbutton | Avex Trax |
Loveppears is the second studio album by Japanese recording artist Ayumi Hamasaki. It was released in Japan, Hong Kong and China on November 10, 1999, through Avex Trax and the China Record Corporation, and distributed worldwide on April 10, 2001, by Avex Entertainment Inc. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Musically, Loveppears is a dance album and lyrically focuses on themes of love, frustration of life, loneliness, and individualism.
Duty is the third studio album by Japanese recording artist Ayumi Hamasaki. It was released on September 27, 2000, by Avex Trax. Duty is Hamasaki's first studio album inside the 2000s decade, and her third consecutive studio album to be fully produced by Japanese musician and businessman Max Matsuura. The album's composing and arrangement was handled by several music collaborators, such as Ken Harada, Kazuhito Kikuchi, Dai Nagao, HΛL, among many others. Hamasaki contributed to the album as the primary and background vocalist, and songwriter to every song. Three different formats were released to promote the album: a standalone CD, a limited edition Playbutton, and a digital download. The cover art portray Hamasaki wearing a leopard-print catsuit.
Rainbow is the fifth studio album by Japanese recording artist Ayumi Hamasaki, released on 18 December 2002 by Avex Trax. Production of Rainbow had commenced after the release of Hamasaki's fourth studio album I Am... that January; All lyrics were written by Hamasaki, and Japanese producer Max Matsuura returned to produce the album. The album was Hamasaki's first to feature conversational English lyrics, where in her previous works she had only used single words.
A Best is the first greatest hits album by Japanese singer-songwriter Ayumi Hamasaki. It was released on March 28, 2001, by Avex Trax and Avex Music Creative Inc. Hamasaki had originally planned to release the greatest hits album after her 2002 studio album I Am..., but the idea was denied by Avex head staff. Instead, Avex released the album in 2001, which caused conflict between the label and Hamasaki. The compilation was released in two different formats including a physical and a digital release. Seven different artworks were released in several editions of the album. The album includes one new track, three re-recorded tracks, and the rest of previously released singles.
& is an extended play by Japanese recording artist and songwriter Ayumi Hamasaki. It was released on July 9, 2003, by record label Avex Trax. Hamasaki's fourth extended play, & consists of four recordings; "Ourselves", "Greatful Days", "Hanabi: Episode II", and "Theme of A-Nation 03", with three additional instrumentals of the first three tracks. It was released in two different formats; a stand-alone CD, and a digital EP. The artwork for the EP depicts Hamasaki posing in front of a cloudy backdrop, with the title of the work superimposed over her hair. & contains predominantly J-pop and dance music.
"Surreal" is a song by Japanese recording artist Ayumi Hamasaki, taken from her third studio album Duty (2000). It was written by Hamasaki and produced by Max Matsuura. The song is a rock with elements of alternative rock. "Surreal" describes Hamasaki's madness and sense of confusion, while the themes of "Surreal" are based on Hamasaki's concept of loneliness, chaos, confusion, and the burden of her responsibilities, aimed mostly toward her public image as a recording artist. It was released as the fourth single from the album on 27 September 2000 by Avex Trax and Avex Taiwan.
(Miss)understood is the seventh studio album by Japanese singer-songwriter Ayumi Hamasaki. It was released on New Year's Day 2006, by Avex Trax. Hamasaki acted as the album's sole lyricist, as she had on all of her preceding albums. (Miss)understood marked new musical directions for Hamasaki: she explored new influences such as funk and used gospel choruses in some of the songs, foreign to her previous works. This was the result of her having heard compositions by Geo from the German-based pop music project Sweetbox and asking him for his works. Subsequently, Hamasaki rewrote the lyrics entirely to fit (Miss)understood. Lyrically, the album was a departure from her previous work, My Story, which had been primarily autobiographical.
"Whatever" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was written by Hamasaki, while production was handled by Max Matsuura. The track is Hamasaki's sixth single with Matsuura since her debut single in April 1998, "Poker Face". "Whatever" premiered on February 10, 1999 as the lead single from the album. It was re-released on February 28, 2001 as a CD single.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
"Boys & Girls" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the fourth single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. "Boys & Girls" marks Hamasaki's first single to be made available for purchase as a maxi single with additional remixes. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Musically, the song is a dance recording, a genre that heavily influences Loveppears. The single's lyrical content is written in third-person perspective.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album Loveppears (1999), which was released on the same day. Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu. It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching what appears to be a happy and loving relationship. Upon its release, "Appears" received positive reviews from music critics. Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career. However, an editor from CD Journal criticized the amount of remixes on the CD single.
"Fly High" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan on February 9, 2000, and through Avex Entertainment Inc. worldwide in September 2008. The recording served as Hamasaki's third and final limited edition single from her second studio album, Loveppears (1999), limiting physical units to 300,000 copies. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Fly High" were made available for consumption—a radio edit composed by HΛL, and the album version produced by Dai Nagao. Lyrically, the song was written in third person perspective.
"Vogue" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on April 26, 2000 as the lead single from the album. Her third consecutive lead single to be produced by Matsuura, the song is part of a trilogy from Duty; the other two singles being "Far Away" and "Seasons".
"Seasons" is a song by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on June 7, 2000, as the third single from the album. The song is the final part of a trilogy from Duty; the other two singles being "Vogue" and "Far Away".
"Audience" is a song by Japanese recording artist Ayumi Hamasaki from her third studio album Duty (2000). It was released as the album's fifth and final single on 1 November 2000 by Avex Trax. Hamasaki wrote the track and Max Matsuura Lewis produced it. Dai Nagao and HΛL composed both the single and album version. The single artwork was shot by Japanese photographer Toru Kumazawa and features duplicate clones of Hamasaki, resembling an audience. Musically, "Audience" is a dance–pop and disco song.
"Evolution" is the 20th single by Japanese recording artist and lyricist Ayumi Hamasaki, released on January 31, 2001, by Avex Trax as the second single from her fourth studio album I Am... (2002).
H is an EP by Japanese recording artist Ayumi Hamasaki, featuring songs later included on her fifth studio album Rainbow (2002). The EP contains the songs "Independent", "July 1st" and "Hanabi", all written and co-composed by Hamasaki, alongside composer Dai Nagao and producer Max Matsuura. Hamasaki had written and recorded the three songs when she was still hurt and influenced by the events of the September 11 attacks and the completion of her fourth studio album I Am... (2002).
A Complete: All Singles is a greatest hits album by Japanese singer Ayumi Hamasaki. Avex Trax released it on September 10, 2008 in a variety of formats, and was created to commemorate the singer's tenth anniversary since the release of her 1998 single "Poker Face". The album is divided into three sections, each highlighting a single released by Hamasaki from her debut in 1998 to her most recent single, "Talkin' 2 Myself" in 2007. Additionally, the compilation includes two new songs: the stand-alone single "Mirrorcle World" and a re-recorded version of "Who...".
"Rule"/"Sparkle" is a double A-side single by Japanese recording artist Ayumi Hamasaki from her tenth studio album, Next Level (2009). The song was released on a CD and DVD format on February 25, 2009 as the second single from the album. With "Rule" composed by Miki Wantanabe and "Sparkle" composed by Kazuhiro Hara, both songs were written by Hamasaki and produced by long-time collaborator Max Matsuura. "Rule" was used as the international theme song for the 2009 film Dragonball Evolution.
Next Level is the tenth studio album by Japanese recording artist Ayumi Hamasaki. It was released through Avex Trax on March 25, 2009 in five physical formats, and for digital consumption. The album was solely produced by Avex Trax owner Max Matsuura, whereas the album's content was written by Hamasaki herself. Additionally, it marks a return for several composers that helped construct her previous records, including Dai Nagao, CMJK, Kazuhiro Hara, HΛL, amongst others. Stylistically, Next Level is a departure from her previous albums, focusing on electronic music with elements of rock and dance.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite journal}}
: Missing or empty |title=
(help){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)