A Ballads | ||||
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Compilation album by | ||||
Released | March 12, 2003 | |||
Recorded | 1998–2003 | |||
Studio | ||||
Genre | Pop | |||
Length | 72:03 | |||
Label | Avex Trax | |||
Producer | Max Matsuura | |||
Ayumi Hamasaki chronology | ||||
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A Ballads (stylized as BALLADS) is the second greatest hits album by Japanese recording artist Ayumi Hamasaki. It was released physically on March 12, 2003, through Avex Trax, and digitally distributed worldwide on September 14, 2006, by Avex Entertainment Inc. It is her first compilation release in two years since A Best ; it premiered three months after her sixth studio album Rainbow . The compilation compiles ballad-inspired singles released by Hamasaki between 1998 and 2003, while the material is divided into new-arrangement remixes and the original versions. With all the tracks written by Hamasaki, it includes two new songs—"Rainbow", which served as the album's promotional single, and a cover version of Japanese singer Yumi Matsutoya's 1975 track "Sotsugyō Shashin".
Released in six formats featuring a photograph by JFKK, A Ballads received favorable reviews from music critics. Many praised the collection for including some of Hamasaki's best vocal work, and commended the songwriting. Minor criticism was aimed on the newer renditions of the original songs. Commercially, the album was a success in Japan, reaching number one on the Oricon Albums Chart, making it Hamasaki's second compilation and eighth album to reach the top spot. It was certified Million by the Recording Industry Association of Japan (RIAJ) for shipments of one million units. The album experienced limited promotion during its release, with some of the tracks appearing during Japanese commercial endorsements.
In December 2002, Hamasaki released her sixth studio album Rainbow . Early issues of the album included a code number and URL address that allowed customers to visit an exclusive website that promoted the album and listen to a 40-second demo of her unfinished song "Rainbow". [1] During its promotion, Avex Trax and Hamasaki received over 100,000 messages from fans, telling them their opinions about the unfinished demo. Due to the mixed response of her fanbase, Hamasaki decided to develop the song further and release it as part of an upcoming compilation album, which was later named A Ballads. [2] During the process, Hamasaki confessed that "[she] had never before written lyrics that were based on messages received directly from [her] fans. It was with "Rainbow" that [she] decided to give this approach a try". [2]
A Ballads is Hamasaki's first compilation to compile songs that were inspired by ballad music, with it portraying her second greatest hits album after A Best (2001). [3] [4] Each track from the album was released either as a single or as a promotional recording, recorded between the years 1998 and 2003. Six of the tracks on the album were composed and co-produced by Hamasaki, who used the alias Crea. [3] The album consists of fifteen tracks, including two new recordings—"Rainbow" and a cover version of Japanese singer Yumi Matsutoya's 1975 track "Sotsugyō Shashin". [3] Seven of the album's tracks—"Appears", "You", "To Be", "M", "Seasons", "A Song for ××" and "Who..."— feature new arrangements and compositions, while the songs "Key", "Hanabi", "Dearest" and "Voyage" are included with their original versions. [3]
"I really wanted to hear (read) all of the messages that were sent in (both lyrics and themes), because if 100,000 people come together, they will see things in 100,000 different ways. Some of the messages I received were very sad, while others conjured up happy images and colors. But I thought that a professional writer would do a better job of tying these words together in a piecemeal manner than I. That's why... I read all of the messages and then wrote lyrics based on what I felt afterward."
To explain Hamasaki's the background and development, Hamasaki hosted a commentary on her website. [5] The first song, "Rainbow", was originally composed by CMJK, but Hamasaki felt the finishing product was "missing something", and re-worked the demo version with Japanese musician Dai Nagao. [2] According to Hamasaki, she wanted to reflect the emotion and words used in each 100,000 messages she received from her fans to create the song, but because there were numerous emails, she decided to write it as a summary and her feelings as an "aftermath" from reading the messages. [2] The song was described by a staff member at CD Journal as an "organic midtempo pop ballad" song. [6] "Appears" was remixed by Japanese group HΛL. According to Hamasaki, she had asked the group to re-compose their original version of the track in order to reflect "current [musical] themes of 2003." [2]
The album included the original version of "Key (Eternal Tie)" as Hamasaki felt that the original was "more important and unknown" than the proposed-reworked version she had planned. [2] "You (Northern Breeze)" was one of the last reworked tracks, and was described by Hamasaki as being influenced by Western music. [2] "To Be (2003 ReBirth Mix)" was not re-worked or re-arranged by any of the album's collaborators, with it being purely remastered and mixed again by music engineer Koji Morimoto. [3] "Hanabi" was one of the album's only tracks to appear in its original version, and has been described by a CD Journal staff member to have been inspired by Europop, trip hop, and dub music. [7] "Dolls", a J-pop influenced pop ballad, remained the sophomore original track to make part of the record. [7]
Like "To Be", the next track "Seasons" was remastered and mixed by Morimoto. The final original track, "Voyage", was described by CD Journal as a midtempo ballad influenced by gospel music, layered with several string arrangements and other instrumentation. [7] "A Song for ××" was re-worked as a live demo, recorded at the Avex Trax studios in Japan. [3] For the promotional track "Who...", Hamasaki asked CMJK to create a more "warmer" version than the original. [2] The closing track for A Ballads was "Sotsugyō Shashin". According to Hamasaki, she had imagined recording a cover for a studio album, but was unsuccessful at doing so. To compose the track, she and the song's co-composer Tasuku composed it by using a Fender Rhodes Suitcase Mk I electric piano in order to reflect the song's original 1960s–1970s pop influence. [2]
A Ballads was released physically on March 12, 2003, through Avex Trax in five formats, and digitally distributed worldwide on September 14, 2006, by Avex Entertainment Inc. The first five formats were compact discs; each one of the four early editions included a slipcase sleeve that had two clones of Hamasaki asleep next to each other, with the inner booklet portraying four different photographs of the clones. The four alternative covers were different variations of the two Hamasaki figures in a pink-coloured room. [3] The fifth format came without a slipcase, and had the slipcase image as the inner booklet cover. [3] The digital release featured the slipcase cover and the entire photo shoot was photographed by JFKK. [3]
Upon its release, A Ballads received favorable reviews from most music critics. Tetsuo Hiraga from Hot Express believed that the album's material was able to connect with both younger and older audiences. He also pointed out the "Royal-esque" tracks "Seasons" and "Dearests" as some of her best recordings. [8] In a similar review, a staff member of CD Journal enjoyed the album and complimented its new additions to the album. [6]
Commercially, the album was successful in Japan, with it debuting at number one on the Oricon Albums Chart and replacing 200 Km/h in the Wrong Lane (2002) by Russian female duo t.A.T.u. at the top spot. Hamasaki's entry sold 561,127 units in comparison to t.A.T.u.'s 167,627 unit sales. [9] [10] By the end of 2003, A Ballads was ranked at number eight as the best selling album in Japan of that year. It sold 917,555 units, and was also her second album to enter the annual top ten, just behind Rainbow which sold 1,856,919 units. [11] As of July 2016, it has sold 924,242 units, her first greatest hits album to not sell over the one million mark. [12] Nevertheless, it was certified Million by the Recording Industry Association of Japan (RIAJ) for shipments of one million units. [A] [13] [14] It is Hamasaki's ninth best selling album based on Oricon's sale database. [15]
The album experienced limited promotion during its release, with some of the tracks appearing during Japanese commercial endorsements. [B] The compilation's only release was promotional song "Rainbow", which was used as the theme song for Hamasaki's Japanese talk show Ayuready? , and to promote products by Lumix. [6] An accompanying music video for the song was directed by Wataru Takeishi, featuring two clones of Hamasaki chasing each other, and eventually meeting at a dinner in Japan. Near the end of the video, it is revealed that the second clone is in fact her imagination or conscious. [19]
All lyrics are written by Ayumi Hamasaki with the exception of Yumi Matsutoya's contribution on track 14.
No. | Title | Music | Arranger(s) | Length |
---|---|---|---|---|
1. | "Rainbow" | CMJK | 5:29 | |
2. | "Appears" (HΛL's Progress) | Kazuhito Kikuchi | HΛL | 5:57 |
3. | "Key" (Eternal Tie Ver.) | Kunio Tago | Naoto Suzuki | 3:15 |
4. | "You" (Northern Breeze) | Yasuhiko Hoshino | Tasuku | 5:03 |
5. | "To Be" (2003 ReBirth Mix) | D.A.I |
| 4:49 |
6. | "Hanabi" |
| CMJK | 4:49 |
7. | "M" (HΛL's Progress Remix) | Crea | HΛL | 5:24 |
8. | "Dearest" |
| Naoto Suzuki | 5:34 |
9. | "Dolls" | Crea | HΛL | 5:56 |
10. | "Seasons" (2003 ReBirth Mix) | D.A.I | Naoto Suzuki | 4:20 |
11. | "Voyage" |
| Ken Shima | 5:07 |
12. | "A Song for ××" (030213 Session #2 Take) | Yasuhiko Hoshino | Shingo Kobayashi | 5:51 |
13. | "Who..." (Across the Universe Mix) | Kazuhito Kikuchi | CMJK | 5:36 |
14. | "Sotsugyō Shashin (卒業写真, School Photograph)" (Yumi Matsutoya cover) | Yumi Matsutoya | Tasuku | 4:22 |
Region | Certification | Certified units/sales |
---|---|---|
Japan (RIAJ) [21] | Million | 924,242 [12] |
Region | Date | Format | Catalogue number |
---|---|---|---|
Japan | March 12, 2003 | CD (Copy Control CD) | AVCD-17278 |
Taiwan | 2003 | CD (Copy Control CD) | AVJCD-10160 |
Hong Kong | March 2003 | CD (Copy Control CD) | AVTCD-95676 |
Indonesia | 2003 | Cassette | AV 0370303 |
Rainbow is the fifth studio album by Japanese recording artist Ayumi Hamasaki, released on 18 December 2002 by Avex Trax. Production of Rainbow had commenced after the release of Hamasaki's fourth studio album I Am... that January; All lyrics were written by Hamasaki, and Japanese producer Max Matsuura returned to produce the album. The album was Hamasaki's first to feature conversational English lyrics, where in her previous works she had only used single words.
Memorial Address is the debut mini-album by Japanese singer Ayumi Hamasaki. Avex Trax released the album on December 17, 2003, in both physical and digital formats; it was her first album to be released in CD+DVD format in addition to the regular CD-only format, due to her increased interest in music video direction. The mini-album contains eight songs and features a number of collaborators, including Tetsuya Yukumi, Bounceback, CMJK, and Dai Nagao, among others, with Hamasaki serving as co-composer and songwriter. Memorial Address's musical influences include dance music, electronic, R&B, rock, and alternative metal.
A Best is the first greatest hits album by Japanese singer-songwriter Ayumi Hamasaki. It was released on March 28, 2001, by Avex Trax and Avex Music Creative Inc. Hamasaki had originally planned to release the greatest hits album after her 2002 studio album I Am..., but the idea was denied by Avex head staff. Instead, Avex released the album in 2001, which caused conflict between the label and Hamasaki. The compilation was released in two different formats including a physical and a digital release. Seven different artworks were released in several editions of the album. The album includes one new track, three re-recorded tracks, and the all the rest of her previously released singles.
"Surreal" is a song by Japanese recording artist Ayumi Hamasaki, taken from her third studio album Duty (2000). It was written by Hamasaki and produced by Max Matsuura. The song is a rock with elements of alternative rock. "Surreal" describes Hamasaki's madness and sense of confusion, while the themes of "Surreal" are based on Hamasaki's concept of loneliness, chaos, confusion, and the burden of her responsibilities, aimed mostly toward her public image as a recording artist. It was released as the fourth single from the album on 27 September 2000 by Avex Trax and Avex Taiwan.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
"Boys & Girls" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the fourth single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. "Boys & Girls" marks Hamasaki's first single to be made available for purchase as a maxi single with additional remixes. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Musically, the song is a dance recording, a genre that heavily influences Loveppears. The single's lyrical content is written in third-person perspective.
A is an extended play (EP) by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan and Hong Kong on August 11, 1999, in 10 different editions, and through Avex Entertainment Inc. worldwide in September 2008. It additionally served as a single from her second studio album Loveppears (1999), and is her first single marketed as an EP. The 12-track EP contains four new original songs: "Monochrome", "Too Late", "Trauma", and "End Roll", and eight remixes. All songs were written by Hamasaki, while production was handled by long-time collaborator Max Matsuura.
"Appears" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax on November 10, 1999 as the sixth single from her second studio album Loveppears (1999), which was released on the same day. Alongside this, it has been released in several other territories with different release dates under her Western alias Ayu. It also served as Hamasaki's first limited edition single, limiting physical sales to 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, "Appears" is a dance song written in third person perspective, and is about the third person watching what appears to be a happy and loving relationship. Upon its release, "Appears" received positive reviews from music critics. Alexey Eremenko, writing for AllMusic, selected the track as the best song from the album and her career. However, an editor from CD Journal criticized the amount of remixes on the CD single.
"Kanariya" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on December 8, 1999, and through Avex USA in North America in early 2000. The recording also served as Hamasaki's second limited edition single, with limited physical units of 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Kanariya" were made available for consumption—a radio edit produced by American disc jockey Jonathan Peters, and the album version composed by Yasuhiko Hoshino. Lyrically, the song was written in third person perspective.
"Fly High" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan on February 9, 2000, and through Avex Entertainment Inc. worldwide in September 2008. The recording served as Hamasaki's third and final limited edition single from her second studio album, Loveppears (1999), limiting physical units to 300,000 copies. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Fly High" were made available for consumption—a radio edit composed by HΛL, and the album version produced by Dai Nagao. Lyrically, the song was written in third person perspective.
"Vogue" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on April 26, 2000 as the lead single from the album. Her third consecutive lead single to be produced by Matsuura, the song is part of a trilogy from Duty; the other two singles being "Far Away" and "Seasons".
"Far Away" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on May 17, 2000, as the second single from the album. The song is part of a trilogy from Duty; the other two singles being "Vogue" and "Seasons".
"Seasons" is a song by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Avex Trax chairman Max Matsuura. It premiered on June 7, 2000, as the third single from the album. The song is the final part of a trilogy from Duty; the other two singles from the trilogy being "Vogue" and "Far Away".
H is an EP by Japanese recording artist Ayumi Hamasaki, featuring songs later included on her fifth studio album Rainbow (2002). The EP contains the songs "Independent," "July 1st" and "Hanabi," all written and co-composed by Hamasaki, alongside composer Dai Nagao and producer Max Matsuura. Hamasaki had written and recorded the three songs when she was still hurt and influenced by the events of the September 11 attacks and the completion of her fourth studio album I Am... (2002).
A Best 2 is a two-part greatest hits album by Japanese singer Ayumi Hamasaki. Both albums, titled Black and White, were released on 28 February 2007 on various formats by Avex Trax. Produced by Max Matsuura, they follow Hamasaki's compilation album A Best, which was released in March 2001. A Best 2 are concept albums, with Black focusing on darker and more serious tones and White on lighter and more upbeat themes. The albums contain 31 songs, including an unreleased track titled "Part of Me" on the Black edition, that were released between the periods of her albums I Am... (2002) and (Miss)understood (2006).
Guilty is the ninth studio album by Japanese recording artist Ayumi Hamasaki. It was released on New Year's Day 2008 by Avex Trax. Guilty marks Hamasaki's ninth consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Guilty is a rock album with numerous musical elements such as pop rock, heavy metal, synthrock, and power ballad melodies.
"Who..." is a Japanese-language song recorded by singer Ayumi Hamasaki. It served as a standard track to her second studio album Loveppears (1999), and was re-recorded and released as a promotional single by Avex Trax in Japan as part of the promotion towards her fifth greatest hits compilation album A Complete: All Singles on September 10, 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop ballad that was written in third-person perspective, like the rest of the content from Loveppears. The lyrics details the encapsulation of Hamasaki, and explaining her message of her own philosophy. During its promotional release in 2008, it reached number 49 on the Billboard Adult Alternative Songs chart in Japan, and number 19 on the RIAJ Monthly Ringtones chart. It was certified Platinum by the Recording Industry Association of Japan (RIAJ) for digital sales of 250,000 units. To promote the single, it appeared on remix and greatest hits compilation albums conducted by Hamasaki.
A Complete: All Singles is a greatest hits album by Japanese singer Ayumi Hamasaki. Avex Trax released it on September 10, 2008 in a variety of formats, and was created to commemorate the singer's tenth anniversary since the release of her 1998 single "Poker Face". The album is divided into three sections, each highlighting a single released by Hamasaki from her debut in 1998 to her most recent single, "Talkin' 2 Myself" in 2007. Additionally, the compilation includes two new songs: the stand-alone single "Mirrorcle World" and a re-recorded version of "Who...".
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
Colours is the fifteenth studio album by Japanese recording artist Ayumi Hamasaki. It was released on July 2, 2014, in Japan by Avex Trax, worldwide by Avex Entertainment Inc., and on July 18 in Taiwan by Avex Taiwan. The songs on the album were entirely written by Hamasaki, while production was led by long-time collaborator Max Matsuura; it also included a variety of Western producers such as Armin van Buuren, members from RedOne Productions De Paris and Rush, Darkchild, and Fedde Le Grand, among others. This became Hamasaki's first studio album to have not been fully produced by Matsuura, and her first album to incorporate a large amount of English language. Musically, Colours is an electronic dance music album.