"H" | ||||
---|---|---|---|---|
Single by Ayumi Hamasaki | ||||
from the album Rainbow | ||||
Released | July 24, 2002 | |||
Genre | ||||
Length | 28:29 | |||
Label | Avex Trax | |||
Songwriter(s) | Ayumi Hamasaki | |||
Producer(s) | Max Matsuura | |||
Ayumi Hamasaki singles chronology | ||||
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H is an EP by Japanese recording artist Ayumi Hamasaki, featuring songs later included on her fifth studio album Rainbow (2002). The EP contains the songs "Independent", "July 1st" and "Hanabi", all written and co-composed by Hamasaki (under the alias Crea), alongside composer Dai Nagao and producer Max Matsuura. Hamasaki had written and recorded the three songs when she was still hurt and influenced by the events of the September 11 attacks and the completion of her fourth studio album I Am... (2002).
The attacks influenced Hamasaki's lyrical and musical direction, and had made her decide to create more worldly-inspired music. The EP utilizes dance and pop music, with each song being influenced by pop rock, electronica, and trip hop music. Like Rainbow, it contains ambient-influenced sounds such as handclaps and cheering. The lyrical content deals with freedom, fun and sadness, continuing themes seen on her previous album.
The EP received mostly positive reviews from music critics, who commended the production value. Many critics praised it as being one of Hamasaki's career highlights. The EP was commercially successful in her native Japan, peaking at number one on the weekly Oricon Singles Chart. It became the only single in 2002 to sell over one million units in Japan in the same year, and was certified Million by the Recording Industry Association of Japan.
No music videos were created to promote the EP, which makes only one of three single or extended play releases by Hamasaki to lack videos ( A (1999), "Unite!" (2001) and "Terminal" (2014)). However, the singles did have commercial endorsed videos by product companies that featured Hamasaki. The songs have been performed several times on her domestic and nationwide tours including A-nation and her stadium tours Ayumi Hamasaki Stadium Tour 2002 A and Ayumi Hamasaki Countdown Live 2002–2003 A .
On New Year's Day 2002, Hamasaki released her fourth studio album I Am... from Avex Trax. [1] The album saw a new direction for Hamasaki, whose first three studio albums was dominated by a pop rock sound, and lyrics based on loneliness, confusion, sadness, relationships and individualism. [2] [3] [4] The result was not well-received from critics, who felt the effort was "unassuming", particularly on her debut release A Song for ×× (1999). [5] After being affected emotionally by the September 11 attacks, Hamasaki quickly changed the album's planned musical direction, and updated the album cover to support world peace. This effort was Hamasaki's first album to focus on lighter themes, such as faith, humanity and serenity. [6] I Am... became a success and sold over 2.3 million copies in Japan, and was certified triple million by the RIAJ. [1] [7]
Hamasaki begun work on Rainbow the same year, and intended to focus on the same themes again. [8] While promoting I Am..., Hamasaki performed for the first time outside Japan at the 2002 MTV Asia Music Awards in Singapore. Her performance has been seem as an influencing factor for Japanese musical acts to begin performing overseas. [9] [10] [11] At the ceremony, Hamasaki felt that by only writing Japanese lyrics, she was not able to bring her "message" to other countries and decided to write in English. [2] Rainbow contained three songs with English lyrics; "Real Me", "Heartplace" and "Over". [12] Despite this, none of the three songs on H feature English lyrics.
Three months before the release of H, Hamasaki released her first single from Rainbow, "Free & Easy", on April 24, 2002. [13] The song received positive reviews from critics and was a commercial success, peaking at number one on the Oricon Charts and selling over 400,000 copies. [14]
The September 11 attacks influenced Hamasaki's writing for her studio albums I Am... and Rainbow. [6] I Am... focused on world peace and political aspects and featured "A Song Is Born", a song particularly influenced by the event which had been included on Song Nation , a non-profit album funded by her label Avex Trax for the September 11 victims. [6] [15] [16] The song itself sold over 400,000 units in Japan and the profits were donated towards the American government to help with the damages. [17]
"The lyrics to [July 1st] are cheerful, and the melody has some spots that are subdued and others that come out and grab you. This was the first time I had ever written a song from this viewpoint, and I even surprised myself! (Laughs)"
—Hamasaki talking about "July 1st", the second track on the EP. [8]
Rainbow and the H tracks were recorded in Tokyo at Avex Studios, Prime Sound Studio, JVC Victor Studios, as well as at other recording studios in Japan. [18] "Hanabi" and "Independent" was mixed by Yasuo Matsumoto, while "July 1st" was mixed by Koji Morimoto. [18] In order to expand her creative control, she had composed nine tracks on Rainbow and subsequently co-composed all the tracks from H. [18] "Independent" was the first song recorded for the studio album. Avex Trax director Yasuyuki Tomita and Hamasaki had discussed having a song with a baseball theme. While she was convinced by his idea, Tomita later reconsidered the idea and scrapped it. [8] Japanese producer Dai Nagao, who had co-composed Hamasaki's album Loveppears, thought of a similar concept and suggested the idea to Hamasaki, which she accepted. The single version of "Independent" was not featured on Rainbow, a version of the song titled "Independent+" was included as a hidden track. This was the third time Hamasaki had included a song as a hidden track, after "Kanariya" on Loveppears (1999). [19] The song discusses independence and adulthood. [8]
The second track, "July 1st" was composed by Nagao and Hamasaki. [18] Japanese disc jockey Cool-K also included additional scratching on the track. [8] As H was released during the Japanese summer, Hamasaki decided to incorporate a "summer vibe" to the tracks and, according to Tomita, "July 1st" was her strongest song to feature this. [8] These themes had also been explored throughout I Am.... [20] The lyrical content is "uplifting and cheerful" and talks about fun experiences; Hamasaki commented, "This was the first time I had ever written a song ["July 1st"] from this viewpoint, and I even surprised myself!" [8] "Hanabi" talks about Hamasaki's views of the world, and discusses personal nostalgia. [8] Hamasaki wanted the songs to be deeper, and Tomita commented that "Hanabi" was the first time he saw Hamasaki feel more engaged with global artists and incorporating those influences, rather than simply being influenced by Japanese music. [8] "Hanabi"'s title was written in English characters, and is the Japanese word for fireworks. [21] The title was re-used on her single & for the track "Hanabi (Episode II)". [21]
"It is reminiscent of the UK trip hop/dub sound yet has a somewhat nostalgic feeling. I have the sense that [Ayumi] was looking for expression that can move outside the domestic market when she created this song."
—Avex Trax director Yasuyuki Tomita commenting on "Hanabi's musical structure. [8]
H incorporates different genres including trip hop, dance-rock and electronica. [8] [22] "Independent" is a pop rock song with elements of modern electronica. [22] The song features more "relaxed" vocals and "softer" lyrical content. [23] According to Tomita, Hamasaki had placed microphones in Tokyo Dome during one of her concerts, to recorded the audience's voices and "cheerleader" hand claps, as a way to incorporate inspiration from her fans. [8] [22]
"July 1st" is a Eurodance and dance-pop influenced song. [21] According to CDJournal, the song starts with a "natural breezy" guitar flow. [21] "Hanabi" is inspired by British trip hop and dub music, and is also strongly influenced by ambient music. [8] [21] The song's lyrical content and composition were based on the theme of nostalgia, which Hamasaki felt was one of her more deep songs. [8] She felt that putting "Hanabi" after "July 1st" was perfect because it interrupted the emotions created by the "summery vibe" of "July 1st"; Hamasaki herself had stated that her idea was to create "a summer that ends in deep sadness." [8] Tomita felt that Hamasaki was trying to move outside of the Japanese domestic market by incorporating British trip hop influences. [8]
The cover sleeve was directed by Shinichi Hara. [24] Shinichi has been Hamasaki's creative director for photoshoots, album and single sleeves, and began collaborating with her in 1998 with her on her debut album. His final work was directing the sleeve for Hamasaki's 2009 single "Sunrise/Sunset (Love Is All)". [25] [26] The photographer, Keita Haginiwa, directed the photoshoot, which featured Hamasaki on a beach front. [24] On different versions of the cover artwork, Hamasaki is accompanied by the male model Atsuko Kubota, who professionally goes by the name Minori. [24] The artwork features Hamasaki sitting on a Harley Davidson in front of a beach, leaning and smiling away from the camera. [24]
H has five different sleeves featuring photos from the same shoot. All of these were housed in a transparent jewel case. [24] The next three covers contained limited-edition colours; a pink edition, a green edition and a blue edition, all with different cover artwork with a border of each colour. [27] [28] [29] All physical editions featured an additional black and white lyric sheet, a post card from Avex Trax and a Japanese Windows Media Player promotion flyer. [24] All tracks were listed the same and were protected by the Copy Control Association. After the EP achieved one million sales in November 2002, Avex Trax re-released the EP as a digipak, containing all the colored covers inside, and used the original artwork for the front display. [30]
H was digitally released worldwide with the original artwork. [31] Each song has been featured on several greatest hits compilation albums by Hamasaki. For "Independent", it was featured on A Best 2 (2007), A Complete: All Singles (2008) and A Summer Best (2009). For "July 1st", it was featured on her A Best 2 and A Summer Best compilation and the final track "Hanabi" was featured on A Ballads (2004), A Best 2 and A Summer Best. [32] [33] [34] [35] For the A Best 2 series, which the first two tracks were featured on the white version and the latter track on the black version. All of the songs from H were remastered in Los Angeles, California by Bernie Grundman and Brian "Big Bass" Gardner, in order to have a "more powerful" feel on the compilation. [36] "July 1st" was re-released as the b-side single for Hamasaki's 2015 digital single "Step by Step". [37]
Review scores | |
---|---|
Source | Rating |
Allmusic | (positive) [22] |
CD Journal | (favorable) [38] |
Yahoo! Music | (favorable) [39] |
H received favorable reviews from most music critics. Adam Greenberg from Allmusic reviewed the parent album Rainbow and favoured "Independent" and "Hanabi", but failed to mention "July 1st". He felt that "Hanabi" "focuses strongly on her vocal qualities as well as some interesting phrasing [...]", while he concluded that the song "Close to You" "[...] never quite gets off the ground, especially when compared to the ending track, ["Independent",]" [22] Greenberg, who had written the extended biography of Hamasaki on the same website, had listed "Hanabi" as one of her career standouts. [40] CDJournal had reviewed each track on their mini-review. For "Independent", the reviewer called it an "upper dance tune" and felt the song sounded "aggressive." [21] For the second track, the reviewer commended the song's composition and production and called it a "summery, refreshing dance tune." However, slight criticism was directed on the chorus that needed "minor adjustment." For the third track, the reviewer felt that the song expressed the sadness of the end of summer through a Japanese fireworks motif, and praised her freely expressed world view. [21]
Tetsuo Hiraga from Hot Express commended the tracks. Regarding "July 1st" and "Independent", Hiraga praised the songs for showing positive messages and having more personality drawn towards the songs and said the songs had shown more "respect." [39] Regarding "Hanabi", Hiraga commended the sadder songs which also included "Over". Hiraga exemplified the lyric ("There's never a day that I have/To remember you because/I never for a moment forgot you.") for being one of his favorite lyrics on the album. [39]
Hamasaki hosted an online voting poll for fans to choose their favorite tracks to be featured on her Ayumi Hamasaki 15th Anniversary Tour Best Live Tour. As a result, all three songs from H were featured on the list. [41] H won the Song of the Year Award at the Japan Gold Disc Awards in 2003, alongside "Free & Easy" and "Voyage". [42]
H debuted at number one on the Oricon Singles Chart and peaked at number one for three nonconsecutive weeks, including its debut week, its second week and its fourth week on the chart, with the third week being occupied by Misia's single "Nemurenu Yoru wa Kimi no Sei". [42] [43] [44] The song stayed in the top ten for seven weeks, slipping to number thirteen in its eighth week. [43] The song lasted thirteen weeks inside the top forty and ultimately finished its charting run at number sixty-three in its nineteenth week. [43] With a total of nineteen weeks in the singles chart, it has become Hamasaki's second-longest charting single since "Seasons", which charted for over twenty weeks. [45]
H sold over one million units in Japan and was certified Million by the Recording Industry Association of Japan (RIAJ) in November 2002 for shipments of one million units. [42] This became the best-performing single of the year in Japan and surpassed Hikaru Utada's 2002 single "Traveling" which sold over 850,000 units throughout the year. [46] "Traveling" and H were the only singles of the year to be certified for one million copies shipped by RIAJ. [7] [A] Overall, H was the only single to sell over one million units that year and became Hamasaki's first and only single to be the yearly number one. [48] [B] [42] According to Oricon sales, H is Hamasaki's fifth-best-selling single in her musical career, behind A , "Seasons", "M" and "Boys & Girls". [50]
H also remains Hamasaki's last single to sell over one million units and is the only million-selling single on Rainbow. It is her fourth single to sell over one million physical units, after "Boys & Girls" and A from Loveppears (1999), "Seasons" from Duty (2000) and "M" from I Am.... [51] [52] [53] [54] Hamasaki's last highest-selling single close to the one million physical sales mark was the next single "Voyage" which peaked at number one, but only sold an estimated 679,000 units in Japan and was certified double platinum. [55] [C]
The song "Hanabi" was a commercially successful sleeper hit, becoming certified gold by the Recording Industry Association of Japan in January 2015, for selling 100,000 legal downloads since its release twelve and a half years prior. [57]
The H tracks did not receive a music video. This was her first EP single since A (1999) and her first single since "Unite!" (2001) that did not feature videos. [D] This was her last single release that did not feature a music video until her October 2014 single "Terminal".
Each song from the H EP were released through endorsement deals. For "Independent", the song was on Nippon TV for the program The Baseball. [58] This was the only commercial that Hamasaki was not present on. For "July 1st", Hamasaki was featured with the song on a lipstick commercial for KOSE Visee make-up in Japan. [58] For "Hanabi", the song was used as a cellphone advert in Japan. [58]
Hamasaki has performed the three songs on several of her Asian-based tours;
Credits adapted from the EP's liner notes. [24]
All lyrics are written by Ayumi Hamasaki
No. | Title | Music | Arranger(s) | Length |
---|---|---|---|---|
1. | "Independent" | Crea + D.A.I | Tasuku | 4:57 |
2. | "July 1st" | Crea + D.A.I | Tasuku | 4:22 |
3. | "Hanabi" | Crea + D.A.I | Cmjk | 4:57 |
4. | "Independent (Instrumental)" | Crea + D.A.I | Tasuku | 4:57 |
5. | "July 1st (Instrumental)" | Crea + D.A.I | Tasuku | 4:22 |
6. | "Hanabi (Instrumental)" | Crea + D.A.I | Cmjk | 4:22 |
Source: [24]
Region | Certification | Certified units/sales |
---|---|---|
Japan (RIAJ) [68] Physical single | Million | 1,012,544 [69] |
Region | Date | Format | Label | Version |
---|---|---|---|---|
Japan | July 24, 2002 [70] | Copy Control Compact disc | Avex Trax | EP (original versions) |
November 24, 2002 | Digipak |
I Am... is the fourth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2002 by Avex Trax and was distributed throughout Asia in both physical and digital formats. Hamasaki enlisted long-time collaborator Max Matsuura to assist with the album's creation, and was inspired by the events of the September 11, 2001 attacks to emphasise lighter themes in contrast to her previous work.
A Song for ×× is the debut studio album by Japanese singer Ayumi Hamasaki, released on New Year's Day 1999 by Avex Trax. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Primarily a pop rock album, it features musical composition and arrangements by Yasuhiko Hoshino, Mitsuru Igarashi of Every Little Thing fame, and others. The concept of A Song for ××, along with its lyrical content, revolve around the flow of Hamasaki's own time from childhood to the present to the future.
Loveppears is the second studio album by Japanese singer Ayumi Hamasaki. It was released on November 10, 1999 by Avex Trax, ten months after her debut album, A Song for xx (1999). It was additionally distributed in a variety of formats and on different dates throughout Asia. Loveppears was written entirely by Hamasaki, produced by Max Matsuura, and includes collaborations with composers such as Hal, Dai Nagao, D.A.I, Yasuhiko Hoshino, and Kazuhito Kikuchi, among others. Musically, it is a departure from her previous record and incorporates more electronic and dance sounds with elements of trance, house, J-pop, and rock. Lyrically, it explores themes of love, frustration with life, loneliness, and individualism.
Duty is the third studio album by Japanese recording artist Ayumi Hamasaki. It was released on September 27, 2000, by Avex Trax. Duty is Hamasaki's first studio album inside the 2000s decade, and her third consecutive studio album to be fully produced by Japanese musician and businessman Max Matsuura. The album's composing and arrangement was handled by several music collaborators, such as Ken Harada, Kazuhito Kikuchi, Dai Nagao, HΛL, among many others. Hamasaki contributed to the album as the primary and background vocalist, and songwriter to every song. Three different formats were released to promote the album: a standalone CD, a limited edition Playbutton, and a digital download. The cover art portray Hamasaki wearing a leopard-print catsuit.
Rainbow is the fifth studio album by Japanese recording artist Ayumi Hamasaki, released on 18 December 2002 by Avex Trax. Production of Rainbow had commenced after the release of Hamasaki's fourth studio album I Am... that January; All lyrics were written by Hamasaki, and Japanese producer Max Matsuura returned to produce the album. The album was Hamasaki's first to feature conversational English lyrics, where in her previous works she had only used single words.
Memorial Address is the debut mini-album by Japanese singer Ayumi Hamasaki. Avex Trax released the album on December 17, 2003, in both physical and digital formats; it was her first album to be released in CD+DVD format in addition to the regular CD-only format, due to her increased interest in music video direction. The mini-album contains eight songs and features a number of collaborators, including Tetsuya Yukumi, Bounceback, CMJK, and Dai Nagao, among others, with Hamasaki serving as co-composer and songwriter. Memorial Address's musical influences include dance music, electronic, R&B, rock, and alternative metal.
A Ballads is the second greatest hits album by Japanese recording artist Ayumi Hamasaki. It was released physically on March 12, 2003 through Avex Trax, and digitally distributed worldwide on September 14, 2006 by Avex Entertainment Inc. It is her first compilation release in two years since A Best; it premiered three months after her sixth studio album Rainbow. The compilation compiles ballad-inspired singles released by Hamasaki between 1998 and 2003, while the material is divided into new-arrangement remixes and the original versions. With all the tracks written by Hamasaki, it includes two new songs—"Rainbow", which served as the album's promotional single, and a cover version of Japanese singer Yumi Matsutoya's 1975 track "Sotsugyō Shashin".
& is an extended play by Japanese recording artist and songwriter Ayumi Hamasaki. It was released on July 9, 2003, by record label Avex Trax. Hamasaki's fourth extended play, & consists of four recordings; "Ourselves", "Greatful Days", "Hanabi: Episode II", and "Theme of A-Nation 03", with three additional instrumentals of the first three tracks. It was released in two different formats; a stand-alone CD, and a digital EP. The artwork for the EP depicts Hamasaki posing in front of a cloudy backdrop, with the title of the work superimposed over her hair. & contains predominantly J-pop and dance music.
"Voyage" is the 28th single released by Japanese singer Ayumi Hamasaki, serving as the third and final single for her fifth studio album, Rainbow (2002). It was released by Avex Trax in Japan and Hong Kong on September 26, 2002. The track was written by the singer herself, while the composition was done by the singer herself under the pseudonym Crea with the assistance of Dai Nagao. Production was handled by long-time collaborator Max Matsuura. Musically, the song is a power ballad that lyrically describes the equality between women and men.
"Surreal" is a song by Japanese recording artist Ayumi Hamasaki, taken from her third studio album Duty (2000). It was written by Hamasaki and produced by Max Matsuura. The song is a rock with elements of alternative rock. "Surreal" describes Hamasaki's madness and sense of confusion, while the themes of "Surreal" are based on Hamasaki's concept of loneliness, chaos, confusion, and the burden of her responsibilities, aimed mostly toward her public image as a recording artist. It was released as the fourth single from the album on 27 September 2000 by Avex Trax and Avex Taiwan.
(Miss)understood is the seventh studio album by Japanese singer-songwriter Ayumi Hamasaki. It was released on New Year's Day 2006, by Avex Trax. Hamasaki acted as the album's sole lyricist, as she had on all of her preceding albums. (Miss)understood marked new musical directions for Hamasaki: she explored new influences such as funk and used gospel choruses in some of the songs, foreign to her previous works. This was the result of her having heard compositions by Geo from the German-based pop music project Sweetbox and asking him for his works. Subsequently, Hamasaki rewrote the lyrics entirely to fit (Miss)understood. Lyrically, the album was a departure from her previous work, My Story, which had been primarily autobiographical.
"Whatever" is a song by Japanese singer Ayumi Hamasaki. It was released by Avex Trax on February 10, 1999, and later distributed in a variety of formats throughout Asia. It also serves as the lead single for Hamasaki's second studio album, Loveppears (1999). It was written by Hamasaki, composed by Kazuhito Kikuchi, and produced by Max Matsuura, who also produced the parent album. It was re-released twice, once in 2001 with additional content on a CD single format and again as a double A-side vinyl with her single "Appears".
"Vogue" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on April 26, 2000 as the lead single from the album. Her third consecutive lead single to be produced by Matsuura, the song is part of a trilogy from Duty; the other two singles being "Far Away" and "Seasons".
"Far Away" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on May 17, 2000, as the second single from the album. The song is part of a trilogy from Duty; the other two singles being "Vogue" and "Seasons".
"Audience" is a song by Japanese recording artist Ayumi Hamasaki from her third studio album Duty (2000). It was released as the album's fifth and final single on 1 November 2000 by Avex Trax. Hamasaki wrote the track and Max Matsuura Lewis produced it. Dai Nagao and HΛL composed both the single and album version. The single artwork was shot by Japanese photographer Toru Kumazawa and features duplicate clones of Hamasaki, resembling an audience. Musically, "Audience" is a dance–pop and disco song.
"Evolution" is the 20th single by Japanese recording artist and lyricist Ayumi Hamasaki, released on January 31, 2001, by Avex Trax as the second single from her fourth studio album I Am... (2002).
A Best 2 is a two-part greatest hits album by Japanese singer Ayumi Hamasaki. Both albums, titled Black and White, were released on 28 February 2007 on various formats by Avex Trax. Produced by Max Matsuura, they follow Hamasaki's compilation album A Best, which was released in March 2001. A Best 2 are concept albums, with Black focusing on darker and more serious tones and White on lighter and more upbeat themes. The albums contain 31 songs, including an unreleased track titled "Part of Me" on the Black edition, that were released between the periods of her albums I Am... (2002) and (Miss)understood (2006).
Guilty is the ninth studio album by Japanese recording artist Ayumi Hamasaki. It was released on New Year's Day 2008 by Avex Trax. Guilty marks Hamasaki's ninth consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Guilty is a rock album with numerous musical elements such as pop rock, heavy metal, synthrock, and power ballad melodies.
Next Level is the tenth studio album by Japanese recording artist Ayumi Hamasaki. It was released through Avex Trax on March 25, 2009 in five physical formats, and for digital consumption. The album was solely produced by Avex Trax owner Max Matsuura, whereas the album's content was written by Hamasaki herself. Additionally, it marks a return for several composers that helped construct her previous records, including Dai Nagao, CMJK, Kazuhiro Hara, HΛL, amongst others. Stylistically, Next Level is a departure from her previous albums, focusing on electronic music with elements of rock and dance.
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
Original text: "英語を解禁にしようと思ったのは、アルバムの「Rainbow」からなんだけど、あのころMTVなどで賞をいただいてアジアでパフォーマンスするって い うようをことか何回か続いたの。そのときに、日本語だとやっぱけ傳れってをいかもっていう気がしちゃって、単純な少女はやっぱけ世界共通語だよな~っで 思ったんだよね。"
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