Butcher's Tale (Western Front 1914)

Last updated
"Butcher's Tale (Western Front 1914)"
Butchers Tale cover.jpg
Single by the Zombies
from the album Odessey and Oracle
B-side "This Will Be Our Year"
ReleasedJune 1968
Recorded20 July 1967
Studio EMI, London
Genre Baroque pop
Length2:48
Label Date Records
Songwriter(s) Chris White
Producer(s) The Zombies
The Zombies singles chronology
"Care of Cell 44"
(1967)
"Butcher's Tale (Western Front 1914)"
(1968)
"Time of the Season"
(1968)

"Butcher's Tale (Western Front 1914)" is a song written by Chris White of the Zombies, first released on the group's 1968 album Odessey and Oracle . It was also released as a single in the United States in June 1968, backed by "This Will Be Our Year." "Butcher's Tale" was recorded in one take on 20 July 1967 at EMI Abbey Road Studio No. 3. The song has also been covered by They Might Be Giants, The Immediate, John Wilkes Booze and Chrysanthemums. The anti-war protest song is written from the perspective of a soldier fighting on the Western Front of World War I, mentioning the battles at Gommecourt, Thiepval, Mametz and Verdun in France.

Contents

Lyrics and music

The lyrics are based on an incident from World War I, a subject in which White took an interest. [1] [2] The lyrics tell of a battle from the viewpoint of a soldier in the midst of the fight. [2] Despite the title, the battle White had in mind when writing the lyrics occurred in 1916. [2] The Bee Gees' 1967 song "New York Mining Disaster 1941" was apparently an inspiration for the serious tone of the song. [2] In the album's CD liner notes, Alec Palao calls the song "a thinly-disguised comment on Vietnam."

Instrumentation on "Butcher's Tale (Western Front 1914)" is limited to Zombies keyboardist Rod Argent playing a pump organ in a manner described by Allmusic critic Matthew Greenwald as "odd-sounding." [1] The song also includes sound effects reminiscent of musique concrète which were created by playing a Pierre Boulez album backwards and sped up. [1] [2]

Although White wrote the song for the Zombies' frontman Colin Blunstone to sing, White sang it himself as the group felt that his weaker voice better suited the lyrics. [2] [3] "Butcher's Tale (Western Front 1914)" is White's only lead vocal performance for The Zombies, with the exception of one verse of the Odessey and Oracle track "Brief Candles". [2]

Reception

Although "Butcher's Tale (Western Front 1914)" was the band's "most soberly uncommercial song," Date Records chose it to release as the second single from Odessey and Oracle in the United States, on the recommendation of Al Kooper and with the label believing that its implicit commentary on the Vietnam War would resonate with a young audience. [2] [4] The Zombies, however, were surprised that such an uncommercial song was chosen as a single, and it sold poorly. [2] [4]

Cash Box described the song as containing "some searching lyrics and a weird ear-catching instrumental setup to create interest for this wild outing." [5] Allmusic critic Matthew Greenwald retrospectively called it one of The Zombies' "strangest and most experimental songs". [1] Pierre Perrone of The Independent claimed that the song proved that "the band were both of their time and incredibly prescient." [6] Arts writer Matt Kivel called the song a "creepy war ballad" and noted that it showed The Zombies experimenting with instrumentation in more imaginative ways than any contemporary band besides the Beatles. [7] Arts writer Mike Boehm called it "one of the greatest anti-war songs in the rock canon" and "unsparing in its depiction of war's horrors". [8] [9] Music critic Antonio Mendez called it one of the "sublime" songs on Odessey and Oracle. [10]

Other versions

The Chrysanthemums covered "Butcher's Tale (Western Front 1914)" on their 1989 version of Odessey and Oracle. [11] Allmusic critic Stewart Mason praised the "sneering hardcore punk setting" the group used for the song, stating that it "fits the horrific wartime imagery perfectly." [11] A live cover by They Might Be Giants was featured on the 2000 various artists compilation Simply Mad, Mad, Mad, Mad About the Loser's Lounge. [12] John Wilkes Booze covered the song in 2004 on Five Pillars of Soul . [13] Jonas Prangerød noted that the John Wilkes Booze version is short and strange. [14] The Immediate covered the song in 2006 on Stop and Remember. [15]

See also

Related Research Articles

<span class="mw-page-title-main">The Zombies</span> English rock band

The Zombies are an English rock band formed in St Albans in 1961. Led by keyboardist/vocalist Rod Argent and vocalist Colin Blunstone, the group had their first British and American hit in 1964 with "She's Not There". In the US, two further singles—"Tell Her No" in 1965 and "Time of the Season" in 1968—were also successful.

<i>Odessey and Oracle</i> 1968 studio album by the Zombies

Odessey and Oracle is the second studio album by the English rock band the Zombies. It was originally released in the UK in April 1968 by CBS Records. The album was recorded primarily between June and August 1967. The sessions took place at EMI and Olympic Studios in London.

<span class="mw-page-title-main">Rod Argent</span> British rock musician

Rodney Terence Argent is an English musician. In a career spanning more than 50 years, Argent came to prominence in the mid-1960s as the keyboardist, founder and leader of the rock band the Zombies, and went on to form the band Argent after the first break-up of the Zombies.

<span class="mw-page-title-main">Colin Blunstone</span> British singer

Colin Edward Michael Blunstone is an English singer and songwriter. In a career spanning more than 60 years, Blunstone came to prominence in the mid-1960s as the lead singer of the rock band the Zombies, which released four singles that entered the Top 75 charts in the United States during the 1960s: "She's Not There", "Tell Her No", "She's Coming Home" and "Time of the Season". Blunstone began his solo career in 1969, releasing three singles under a pseudonym of Neil MacArthur. Since then, he has released ten studio albums under his real name. He appears on several albums with the Alan Parsons Project and sang "Old and Wise".

<span class="mw-page-title-main">Time of the Season</span> Single by the British band The Zombies

"Time of the Season" is a song by the British rock band the Zombies, featured on their 1968 album Odessey and Oracle. It was written by keyboard player Rod Argent and recorded at Abbey Road Studios in September 1967. Over a year after its original release, the track became a surprise hit in the United States, rising to number three on the Billboard Hot 100 and number one on the Cashbox chart. It has become one of the Zombies' most popular and recognizable songs, and an iconic hit of 1960s psychedelia.

<span class="mw-page-title-main">I Wanna Be Free (The Monkees song)</span> 1967 single by The Monkees

"I Wanna Be Free" is a song written by Tommy Boyce and Bobby Hart that was first performed by The Monkees and appeared on their debut album The Monkees in 1966. It was released as a single in some countries, reaching the Top 20 in Australia. It was also covered by The Lettermen.

"Sedan Delivery" is a song written by Neil Young that was first released on his 1979 album with Crazy Horse, Rust Never Sleeps.

<i>Pig Heaven/Slaughter the Grey</i> 1986 EP by White Zombie

Pig Heaven/Slaughter the Grey is the second EP by American rock band White Zombie, independently released in May 1986. Two different pressings of this album were created, both of which were limited to 500 copies each. By this time, drummer Peter Landau was replaced by Ivan de Prume, who would remain with the band until Astro-Creep: 2000, and guitarist Paul "Ena" Kostabi by Tim Jeffs.

Psychedelic pop is pop music that contains musical characteristics associated with psychedelic music. Developing in the mid-to-late 1960s, elements included "trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists.

<span class="mw-page-title-main">Chris White (musician)</span> British bassist

Christopher Taylor White is an English musician. He came to prominence in the mid-1960s as the bass guitarist and occasional lead vocalist of the rock band The Zombies. White is one of the main composers of the Zombies' music, and made major lyrical contributions to the band's songs. He was inducted into the Rock and Roll Hall of Fame in 2019 as a member of the Zombies.

<span class="mw-page-title-main">A Million Ways</span> 2005 single by OK Go

"A Million Ways" is a song by American rock band OK Go from their album Oh No. It was the first song from the album to be released as a single and became the band's breakthrough song from the album because the accompanying music video went viral on the Internet.

<span class="mw-page-title-main">The Chrysanthemums (band)</span> English band

The Chrysanthemums are an English art-pop group. The project began as a collaboration between multi-instrumentalist Terry Burrows and Alan Jenkins, the leader of The Deep Freeze Mice. The first releases were performed in the studio by Burrows and Jenkins alone. Other personnel were gradually added, including Vladimir Zajkowiecz on bass, Robyn Gibson on drums and Jonathan Lemon on keyboards, enabling them to complete several tours of mainland Europe, where there was most interest in their work.

<span class="mw-page-title-main">Chester French</span> American indie pop band

Chester French was an American indie pop band consisting of lead vocalist and songwriter David-Andrew 'D.A.' Wallach and multi-instrumentalist and songwriter Maxwell Drummey. They met as college students at Harvard University, naming their band after sculptor Daniel Chester French, who designed the statue at the Lincoln Memorial, the John Harvard statue, as well as the Minuteman statue at the Lexington/Concord battlegrounds in Massachusetts. Milwaukee-raised Wallach and Boston native Drummey quickly found a lot of shared ground in musical tastes and philosophies and before long formed a band with three other classmates, playing various campus functions, eventually moving in a direction heavily influenced by classic British Northern Soul. Over the summer both stayed in Cambridge, working hard at songwriting. But when school resumed, they realized that the material went way beyond the basic guitar-bass-drums-piano format of the band, and the duo continued the work themselves, Wallach handling most of the vocals, Drummey performing much of the music on multiple instruments, supplemented with the occasional special guest – and both taking production and engineering duties for recordings.

<span class="mw-page-title-main">Goin' Out of My Head</span> 1964 song performed by Little Anthony and the Imperials

"Goin' Out of My Head" is a song written by Teddy Randazzo and Bobby Weinstein, initially recorded by Little Anthony and the Imperials in 1964. Randazzo, a childhood friend of the group, wrote the song especially for them, having also supplied the group with their previous Top 20 Hit "I'm on the Outside ". Their original version of the song was a Billboard Top 10 Pop smash, reaching No. 6 on the Billboard Hot 100, and No. 1 in the Canadian RPM-list in 1965. The song peaked at No. 8 on Cashbox magazine's R&B chart. The Little Anthony and the Imperials original recording is the best-known version of the song, although it has since been covered by many other artists, including the Zombies, who released a rendition as their last single on Decca Records.

<span class="mw-page-title-main">Care of Cell 44</span> 1967 single by the Zombies

"Care of Cell 44" is a single by the Zombies, released as the lead single from their album Odessey and Oracle in November 1967. It was featured on Pitchfork's "200 Best Songs of the 1960s" list, and has been covered by modern artists including Elliott Smith and Of Montreal.

<span class="mw-page-title-main">Beechwood Park (mansion)</span> Preparatory day and boarding school in St Albans, Hertfordshire, United Kingdom

Beechwood Park was a mansion, near Markyate, Hertfordshire, England. It now houses Beechwood Park School.

"Pocahontas" is a song written by Neil Young that was first released on his 1979 album Rust Never Sleeps. It has also been covered by Johnny Cash, Everclear, Emily Loizeau, Crash Vegas, Gillian Welch, Trampled By Turtles, and Ian McNabb.

<span class="mw-page-title-main">Everybody Knows This Is Nowhere (song)</span> Neil Young song

"Everybody Knows This Is Nowhere" is a song written by Neil Young that was originally released as the title track of his 1969 album with Crazy Horse, Everybody Knows This Is Nowhere. The song was written earlier, and a different version was originally considered for Young's 1968 solo debut album Neil Young

<span class="mw-page-title-main">Whenever You're Ready (The Zombies song)</span> 1965 single by the Zombies

"Whenever You're Ready" is a song written by English keyboardist Rod Argent, first recorded by his band the Zombies. Following an American tour in April 1965 supporting their then single "She's Coming Home", the band were disappointed in finding out it had been a chart failure. After the follow-up "I Want You Back Again" was an even less commercial song, pressure from the group's management came forward in order for them to write a commercial song in the style of their earlier singles, which had been hits.

"Imagine the Swan" is a song by the British rock band the Zombies, released as a single in May 1969. It was written by keyboard player Rod Argent and bass player Chris White. It was recorded following the unexpected success of "Time of the Season" and intended for a Zombies album following Odessey and Oracle that went unreleased at the time.

References

  1. 1 2 3 4 Greenwald, M. "Butcher's Tale (Western Front 1914)". Allmusic . Retrieved 2012-07-13.
  2. 1 2 3 4 5 6 7 8 9 Russo, G. (1999). Time of the Season: The Zombies Collector's Guide. Crossfire Publications. pp. 34–36. ISBN   9780964815759.
  3. Zombie Heaven CD box set booklet, page 51.
  4. 1 2 Lynskey, D. (2011). 33 Revolutions per Minute: A History of Protest Songs, from Billie Holiday to Green Day . HarperCollins. p.  105. ISBN   9780061670152.
  5. "CashBox Record Reviews" (PDF). Cash Box. July 6, 1968. p. 16. Retrieved 2023-05-31.
  6. Perrone, P. (March 12, 2008). "The Zombies, Shepherds Bush Empire, London". The Independent . Retrieved 2012-07-13.
  7. Kivel, M. (September 26, 2006). "Odessey and Oracle (1968)". The Michigan Daily . p. 9. Retrieved 2012-07-12.
  8. Boehm, M. (November 17, 1994). "Classic of the Week". OC Live. Los Angeles Times (Orange County ed.). p. 5.
  9. Boehm, M. (September 15, 1985). "Bryan Adams and Sting: safety vs. risk-taking". Providence Journal . p. H-11.
  10. Mendez, A. (2007). Guía del pop y el rock 80 y 90: Aloha poprock (2nd ed.). Editorial Visión Libros. p. 413. ISBN   9788498215694.
  11. 1 2 Mason, S. "Chrysanthemums: Odessey and Oracle". Allmusic . Retrieved 2012-07-13.
  12. "Simply Mad, Mad, Mad, Mad About the Loser's Lounge". Allmusic . Retrieved 2012-07-13.
  13. Kergen, W. "Five Pillars of Soul". Allmusic . Retrieved 2012-07-13.
  14. Prangerød, J. (2004). "Psycho Soul". groove.no. Retrieved 2012-07-13.
  15. "The Immediate: Butcher's Tale (Western Front 1914)". Allmusic . Retrieved 2012-07-13.