"Carol" | ||||
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Single by Chuck Berry | ||||
B-side | "Hey Pedro" | |||
Released | August 1958 | |||
Recorded | 12 June 1958 | |||
Studio | Chess (Chicago) [1] | |||
Genre | Rock and roll | |||
Length | 2:21 | |||
Label | Chess | |||
Songwriter(s) | Chuck Berry | |||
Chuck Berry singles chronology | ||||
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"Carol" is a song written and recorded by Chuck Berry, first released by Chess Records in 1958, with "Hey Pedro" as the B-side. The single reached number 18 on Billboard's Hot 100 and number 9 on the magazine's R&B chart. [2] In 1959, it was included on his first compilation album, Berry Is on Top .
Berry employs his well-known guitar figure, which AllMusic critic Matthew Greenwald describes as "a guitar lick that indeed propelled not just Berry's greatest works, but the rock & roll genre itself." [3] The Rolling Stones recorded it in 1964 for their debut album and a live version was released on Get Yer Ya-Ya's Out! (1969). [3] A live recording from Oakland in November 1969 is included in the bootleg album, Live'r Than You'll Ever Be . Their recordings were preceded by a performance by the Beatles in 1963, later included on Live at the BBC (1994). Several other artists have also recorded the song. [4]
Charles Edward Anderson Berry was an American singer, guitarist and songwriter who pioneered rock and roll. Nicknamed the "Father of Rock and Roll", he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as "Maybellene" (1955), "Roll Over Beethoven" (1956), "Rock and Roll Music" (1957), and "Johnny B. Goode" (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.
The Moonglows were an American R&B group in the 1950s. Their song "Sincerely" went to number 1 on the Billboard R&B chart and number 20 on the Billboard Juke Box chart.
"Johnny B. Goode" is a song by American musician Chuck Berry, written and sung by Berry in 1958. Released as a single in 1958, it peaked at number two on the Hot R&B Sides chart and number eight on its pre-Hot 100 chart. The song remains a staple of rock music.
"Burning Love" is a 1972 song by Elvis Presley, written by Dennis Linde, originally released by Arthur Alexander earlier in 1972. Presley found major success with the song, it becoming his final Top 10 hit in the American Hot 100 or pop charts, peaking at number 2.
Five Live Yardbirds is the live debut album by the English rock band the Yardbirds. It features the group's interpretations of ten American blues and rhythm and blues songs, including their most popular live number, Howlin' Wolf's "Smokestack Lightning". The album contains some of the earliest recordings with guitarist Eric Clapton.
"Rock and Roll Music" is a song by American musician and songwriter Chuck Berry, written and recorded by Berry in May 1957. It has been widely covered and is one of Berry's most popular and enduring compositions.
"Back in the U.S.A." is a song written by Chuck Berry that was released in 1959 and was a top 40 hit. A cover version in 1978 by Linda Ronstadt was also a hit.
"Roll Over Beethoven" is a 1956 song written by Chuck Berry, originally released on Chess Records, with "Drifting Heart" as the B-side. The lyrics of the song mention rock and roll and the desire for rhythm and blues to be as respected as classical music. The song has been covered by many other artists, including the Beatles and the Electric Light Orchestra. Rolling Stone magazine ranked it number 97 on its 2004 list of the "500 Greatest Songs of All Time".
Get Yer Ya-Ya's Out!: The Rolling Stones in Concert is the second live album by the Rolling Stones, released on 4 September 1970 on Decca Records in the UK and on London Records in the United States. It was recorded in New York City and Baltimore in November 1969 prior to the release of Let It Bleed. It is the first live album to reach number 1 in the UK. It was reported to have been issued in response to the well-known bootleg Live'r Than You'll Ever Be. This was also the band's final release under the Decca record label. Subsequent releases were made under the band's own label Rolling Stones Records.
Bo Diddley is the debut album by American rock and roll musician Bo Diddley. It collects several of his most influential and enduring songs, which were released as singles between 1955 and 1958. Chess Records issued the album in 1958. In 2012, it was ranked number 216 on Rolling Stone's 500 Greatest Albums of All Time list alongside his second album, Go Bo Diddley (1959). The ranking of the album pair dropped to number 455 in the 2020 update of the list.
The London Chuck Berry Sessions is the sixteenth studio album by Chuck Berry, and consists of studio recordings and live recordings released by Chess Records in October 1972 as LP record, 8 track cartridge and audio cassette. Side one of the album consists of studio recordings, engineered by Geoff Calver; side two features three live performances recorded by the Pye Mobile Unit, engineered by Alan Perkins, on February 3, 1972, at the Lanchester Arts Festival in Coventry, England. At the end of the live section, the recording includes the sounds of festival management trying in vain to get the audience to leave so that the next performers, Pink Floyd, can take the stage; the crowd begins chanting "We want Chuck!". His backing band for that concert included Onnie McIntyre (guitar), Robbie McIntosh (drums), Nic Potter (bass), and Dave Kaffinetti (piano). McIntosh and McIntyre would later form the Average White Band. The studio recordings included pianist Ian McLagan and drummer Kenney Jones from the bands the Small Faces and Faces.
"Eyesight to the Blind" is a 12-bar blues song written and recorded in 1951 by Sonny Boy Williamson II. He also recorded the related songs "Born Blind", "Unseeing Eye", "Don't Lose Your Eye", and "Unseen Eye" during his career. The Larks, an American rhythm and blues group, recorded the song, which reached number five on the R&B charts in 1951. Several musicians subsequently recorded it in a variety of styles. The Who adapted Williamson's song for their rock opera Tommy.
"The Thrill Is Gone" is a slow minor-key blues song written by West Coast blues musician Roy Hawkins and Rick Darnell in 1951. Hawkins's recording of the song reached number six in the Billboard R&B chart in 1951. In 1970, "The Thrill Is Gone" became a major hit for B.B. King. His rendition helped make the song a blues standard.
"Sweet Little Sixteen" is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year's Newport Jazz Festival was included in the documentary film Jazz on a Summer's Day. It reached number two on the Billboard Hot 100, one of two of Berry's second-highest positions—along with Johnny Rivers cover of "Memphis, Tennessee"—on that chart. "Sweet Little Sixteen" also reached number one on the R&B Best Sellers chart. In the UK, it reached number 16 on the UK Singles Chart. Rolling Stone magazine ranked the song number 272 on its list of the "500 Greatest Songs of All Time" in 2004. He used the same melody on an earlier song, "The Little Girl From Central" recorded on Checkmate in 1955.
"Memphis, Tennessee", sometimes shortened to "Memphis", is a song by Chuck Berry, first released in 1959. In the UK, the song charted at number 6 in 1963; at the same time Decca Records issued a cover version in the UK by Dave Berry and the Cruisers, which also became a UK Top 20 hit single. Johnny Rivers's version of the song was a number two US hit in 1964.
"Let It Rock" is a song written and recorded by rock and roll pioneer Chuck Berry. Chess Records released it as single, which reached number 64 on the U.S. Billboard Hot 100 chart in February 1960. Chess later added it to Berry's album Rockin' at the Hops (1960). In 1963, Pye Records released it as a single in the UK, where it reached number six.
"Never My Love" is a pop standard written by American siblings Don and Dick Addrisi, and best known from a hit 1967 recording by the Association. The Addrisi Brothers had two Top 40 hits as recording artists, but their biggest success as songwriters was "Never My Love". Recorded by dozens of notable artists in the decades since, in 1999 the music publishing rights organization Broadcast Music, Inc. (BMI) announced it was the second most-played song on radio and television of the 20th century in the U.S.
Live'r Than You'll Ever Be is a bootleg recording of the Rolling Stones' concert in Oakland, California, from 9 November 1969. It was one of the first live rock music bootlegs and was made notorious as a document of their 1969 tour of the United States. The popularity of the bootleg forced the Stones' labels Decca Records in the UK, and London Records in the US, to release the live album Get Yer Ya-Ya's Out! The Rolling Stones in Concert in 1970. Live'r is also one of the earliest commercial bootleg recordings in rock history, released in December 1969, just two months after the Beatles' Kum Back and five months after Bob Dylan's Great White Wonder. Like the two earlier records, Live'r's outer sleeve is plain white, with its name stamped on in ink.
"Wee Wee Hours" is a song written and recorded by Chuck Berry in 1955. Originally released as the B-side of his first single, "Maybellene", it went on to become a hit, reaching number 10 in the Billboard R&B chart.
"Little Queenie" is a song written and recorded by Chuck Berry. Released in March 1959 as a double A-side single with "Almost Grown", it was included on Berry Is on Top (1959), Berry's first compilation album. He performed the song in the movies Go, Johnny Go! (1959) and Hail! Hail! Rock 'n' Roll (1987). One year earlier, Berry had released "Run Rudolph Run", a Christmas song with the same melody.