An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.
GarageBand is a software application by Apple for macOS, iPadOS, and iOS devices that allows users to create music or podcasts. It is a lighter, amateur-oriented offshoot of Logic Pro. GarageBand was originally released for macOS in 2004 and brought to iOS in 2011. The app's music and podcast creation system enables users to create multiple tracks with software synthesizer presets, pre-made and user-created loops, an array of various effects, and voice recordings.
The Korg M1 is a synthesizer and music workstation manufactured by Korg from 1988 to 1995. The M1 was advertised as a 'workstation' rather than a synthesizer, integrating composition and performance features into a single device. It features 16-voice polyphony, high-quality digital samples, an integrated 8-track sequencer and digital effects processing.
The Roland D-50 is a synthesizer produced by Roland and released in April of 1987. Its features include digital sample-based subtractive synthesis, on-board effects, a joystick for data manipulation, and an analog synthesis-styled layout design. The external Roland PG-1000 (1987) programmer could also be attached to the D-50 for more complex manipulation of its sounds. It was also produced in a rack-mount variant design, the D-550, with almost 450 user-adjustable parameters.
Keytar is a keyboard instrument similar to a synthesizer or MIDI controller that is supported by a strap around the neck and shoulders, similar to the way a guitar is held.
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981.
The Realistic Concertmate MG-1 is an analog synthesizer manufactured by Moog Music in 1981 and sold by Radio Shack from 1982 to 1983 under their "Realistic" brand name. It was produced without some standard Moog features, such as pitch and modulation wheels, as a cost-cutting measure aimed at achieving a lower price for the consumer market. The synthesizer also featured a pair of pass-through RCA jacks, which allowed users to mix radio or records into the final live synthesized sound output.
The Yamaha Motif is a series of music workstation synthesizers, first released by Yamaha Corporation in August 2001. The Motif replaced the EX series in Yamaha's line-up and was also based on the early Yamaha S series. Other workstations in the same class are the Korg Kronos and the Roland Fantom G. The series' successor is Yamaha Montage, released in 2016, followed up by the Yamaha Montage M in 2023.
The VL-1 was the first instrument of Casio's VL-Tone product line, and is sometimes referred to as the VL-Tone. It combined a calculator, a monophonic synthesizer, and sequencer. Released in 1981, it was the first commercial digital synthesizer, selling for $69.95.
The MC-808 is a groovebox introduced by Roland in 2006. It is the successor to the late Roland MC-303, Roland MC-307, Roland MC-505 and Roland MC-909.
The Yamaha SY85 is a digital music workstation introduced in 1992. Unlike other Yamaha synthesizers of the time the SY85 does not use FM synthesis. Instead, its sounds are based on samples, which can be layered and modified to create new sounds.
The Ensoniq VFX Synth was initially released as a performance type synthesizer in 1989. It was soon followed by the release of the VFX-SD, which included some updated waveforms, a 24-track sequencer and a floppy drive. Both models were equipped with the Ensoniq Signal Processing (ESP) chip for 24-bit effects. The VFX-SD also included two AUX outs, which allowed for a total of 4 outputs from the synth for more routing flexibility. The initial models were 21-voice polyphony, and in latter models of the VFX-SD (I/II) and the SD-1, the polyphony was 32.
The Yamaha V50 is a hybrid music workstation introduced in 1989. It combines a sequencer, rhythm machine, an FM synthesis-based sound module and a MIDI keyboard.
The Yamaha SY99 is a synthesiser combining frequency modulation synthesis and sample-based synthesis and the direct successor to Yamaha's SY77/TG77. Compared to the SY77, it has a larger keyboard at 76 keys instead of 61, a larger ROM with more in-built AWM samples, the ability to load user-specified AWM samples into on-board RAM, an upgraded effects processor, and several other enhanced features.
Casio's SDSynthesizers were a late-1980s line of analog synthesizers featuring a resonant filter. SD synthesis was traditional DCO-analog synthesis, with the main difference being that some of the SD waveforms' harmonic spectrums changed temporally, or dynamically in relation to the amplitude envelope.
The Casio Casiotone MT-40 is an electronic keyboard, formerly produced by Casio and originally developed for the consumer market. It was released in 1981, with the MT-41 gray version joining it in 1983.
The Roland JV-2080 is a rack-mount expandable MIDI sound module and an updated version of the Roland JV-1080. Produced by the Roland Corporation, released in 1996, and built on a sample-based synthesis architecture, the JV-2080 provides a library of on-board sample material and a semi-modular synthesis engine.
The Kawasaki Synthesizer is a musical software tool for the Commodore 64 created in 1983 by Japanese jazz musician, Ryo Kawasaki. The first of four music programs created by Kawasaki, Kawasaki Synthesizer (1983) was followed by Kawasaki Rhythm Rocker (1984), Kawasaki Magical Musiquill (1985), and Kawasaki MIDI Workstation in 1986.
The 12 Step foot controller is a bass pedal-style programmable MIDI controller pedal keyboard made by Keith McMillen Instruments which was released in 2011. It has small, soft, rubbery keys that are played with the feet. As a MIDI controller, it does not make or output any musical sounds by itself; rather, it sends MIDI messages about which notes are played to an external synth module or computer music program running on a laptop or other computer. Each key on the 12 Step senses the velocity, aftertouch pressure, and the amount of tilt the player is applying with his feet. The messages from the player's foot presses can be sent via USB to a computer-based virtual instrument or to a synthesizer or other electronic or digital musical instrument.
