| Coat of arms of Dalmatia | |
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| Earlier version(s) |   |
| Use | Regional coat of arms - Dalmatia |
The coat of arms of Dalmatia is the heraldic symbol used for the historical region of Dalmatia on the eastern coast of Adriatic Sea. It is also featured on the crest of the coat of arms of Croatia.
The arms first appeared in 14th century Gelre Armorial (pre-1396) representing Kingdom of Croatia and Dalmatia (Regnum Croatiae et Dalmatiae) as part of the coat of arms of King Louis I (1342-1382). Until 1526 these arms were used to represent Croatia in general [1] as can be seen from coat of arms of several kings: Louis I, Mary, Matthias Corvinus and Louis II. It is also found on the great seals of Sigismund of Luxembourg, [2] Albert II, [3] John Zápolya, [4] Ferdinand I, [5] and from then on, on various seals and arms of the Habsburgs.
Historically there are two main variants of these arms:
From a strictly heraldic point of view the charges on the arms are not lions but heraldic leopards. The heraldic leopard differs from the real-life leopard (Panthera pardus). It does not have any spots and often has a mane. Therefore, in heraldry, the leopard is generally similar, and is often referred to as a lion (Panthera leo). The reason for this lies in the fact that in the Middle Ages leopards were thought to be a crossbreed between a lion and a pard. [11]
Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
The coat of arms of Saskatchewan is the heraldic symbol representing the Canadian province of Saskatchewan.
The coat of arms of the Republic of Croatia consists of one main shield and five smaller shields which form a crown over the main shield. The main coat of arms is a checkerboard (chequy) that consists of 13 red and 12 white fields. It is also informally known in Croatian as šahovnica. The five smaller shields represent five different historical regions within Croatia.
The coat of arms of Bulgaria consists of a crowned golden lion rampant over a dark red shield; above the shield is the Bulgarian historical crown. The shield is supported by two crowned golden lions rampant; below the shield there is compartment in the shape of oak twigs and white bands with the national motto "Unity makes strength" inscribed on them.
The coat of arms of Toronto is a heraldic symbol used to represent the city Toronto. Designed by Robert Watt, the Chief Herald of Canada at the time, for the City of Toronto after its amalgamation in 1998. The arms were granted by the Canadian Heraldic Authority on 11 January 1999.
The coat of arms of Finland is a crowned lion on a red field, the right foreleg replaced with an armoured human arm brandishing a sword, trampling on a sabre with the hindpaws. The coat of arms was originally created around the year 1580.
A roll of arms is a collection of coats of arms, usually consisting of rows of painted pictures of shields, each shield accompanied by the name of the person bearing the arms.
The coat of arms of Denmark has a lesser and a greater version.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjelbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
The coat of arms of Bavaria has greater and lesser versions.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Each author could attribute different arms for the same person, but the arms for major figures soon became fixed.
German heraldry is the tradition and style of heraldic achievements in Germany and the Holy Roman Empire, including national and civic arms, noble and burgher arms, ecclesiastical heraldry, heraldic displays and heraldic descriptions. German heraldic style is one of the four major broad traditions within European heraldry and stands in contrast to Gallo-British, Latin and Eastern heraldry, and strongly influenced the styles and customs of heraldry in the Nordic countries, which developed comparatively late. Together, German and Nordic heraldry are often referred to as German-Nordic heraldry.
The Dutch Republic Lion was the badge of the Union of Utrecht, the Republic of the Seven United Netherlands, and a precursor of the current coat of arms of the Kingdom the Netherlands.
In heraldry, a mount is a representation of a hill or mountain as a curved terrace in base. When the mount is included in the lower part of the shield, it may be considered an ordinary rather than a charge.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The Palatine Lion, less commonly the Palatinate Lion, is an heraldic charge. It was originally part of the family coat of arms of the House of Wittelsbach and is found today on many coats of arms of municipalities, counties and regions in South Germany and the Austrian Innviertel.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
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