The coat of arms of the Republic of Croatia consists of one main shield and five smaller shields which form a crown over the main shield. The main coat of arms is a checkerboard (chequy) that consists of 13 red and 12 white fields. It is also informally known in Croatian as šahovnica. The five smaller shields represent five different historical regions within Croatia.
The coat of arms of Bulgaria consists of a crowned golden lion rampant over a dark red shield; above the shield is the Bulgarian historical crown. The shield is supported by two crowned golden lions rampant; below the shield there is compartment in the shape of oak twigs and white bands with the national motto "Unity makes strength" inscribed on them.
The coat of arms of Toronto is a heraldic symbol used to represent the city Toronto. Designed by Robert Watt, the Chief Herald of Canada at the time, for the City of Toronto after its amalgamation in 1998. The arms were granted by the Canadian Heraldic Authority on 11 January 1999.
The coat of arms of Romania was adopted in the Romanian Parliament on 10 September 1992 as a representative coat of arms for Romania. The current coat of arms is based on the lesser coat of arms of interwar Kingdom of Romania, which was designed in 1921 by the Transylvanian Hungarian heraldist József Sebestyén from Cluj, at the request of King Ferdinand I of Romania, it was redesigned by Victor Dima. As a central element, it shows a golden aquila holding a cross in its beak, and a mace and a sword in its claws. It also consists of the three colors which represent the colors of the national flag. The coat of arms was augmented on 11 July 2016 to add a representation of the Steel Crown of Romania.
The coat of arms of Georgia is one of the national symbols of Georgia. The coat of arms is partially based on the medieval arms of the Georgian royal house and features Saint George, the traditional patron saint of Georgia. In addition to St. George, the original proposal included additional heraldic elements found on the royal seal, such as the seamless robe of Jesus, but this was deemed excessively religious and was not incorporated into the final version.
The lozenge in heraldry is a diamond-shaped rhombus charge, usually somewhat narrower than it is tall. It is to be distinguished in modern heraldry from the fusil, which is like the lozenge but narrower, though the distinction has not always been as fine and is not always observed even today. A mascle is a voided lozenge—that is, a lozenge with a lozenge-shaped hole in the middle—and the rarer rustre is a lozenge containing a circular hole in the centre. A lozenge throughout has "four corners touching the border of the escutcheon". A field covered in a pattern of lozenges is described as lozengy; similar fields of mascles are masculy, and fusils, fusily. In civic heraldry, a lozenge sable is often used in coal-mining communities to represent a lump of coal.
The coat of arms of Norway is the arms of dominion of King Harald V of Norway, and as such represents both the monarch and the kingdom. It depicts a standing golden lion on a red background, bearing a golden crown and axe with silver blade.
The Canadian Heraldic Authority is part of the Canadian honours system under the Canadian monarch, whose authority is exercised by the Governor General of Canada. The authority is responsible for the creation and granting of new coats of arms, flags, and badges for Canadian citizens, government agencies, municipal, civic and other corporate bodies. The authority also registers existing armorial bearings granted by other recognized heraldic authorities, approves military badges, flags, and other insignia of the Canadian Forces, and provides information on heraldic practices. It is well known for its innovative designs, many incorporating First Nations symbolism.
The coat of arms of Denmark has a lesser and a greater version.
The lion is a common charge in heraldry. It traditionally symbolises courage, nobility, royalty, strength, stateliness and valour, because historically the lion has been regarded as the "king of beasts". The lion also carries Judeo-Christian symbolism. The Lion of Judah stands in the coat of arms of Jerusalem. Similar-looking lions can be found elsewhere, such as in the coat of arms of the Swedish royal House of Bjälbo, from there in turn derived into the coat of arms of Finland, formerly belonging to Sweden.
The leopard in heraldry is traditionally depicted the same as a lion, but in a walking position with its head turned to full face, thus it is also known as a lion passant guardant in some texts, though leopards more naturally depicted make some appearances in modern heraldry. The Oxford Guide to Heraldry makes little mention of leopards but glosses leopard as a "term used in medieval heraldry for lion passant guardant. Now used for the natural beast." Another name for this beast is the ounce.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Danish heraldry has its roots in medieval times when coats of arms first appeared in Europe. Danish heraldry is a branch of the German-Nordic heraldic tradition.
Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms. Individual authors often attributed different arms for the same person, although the arms for major figures eventually became fixed.
The Coat of arms of Balearic Islands is described in the Spanish Law 7 of November 21, 1984, the Law of the coat of arms of the Autonomous Community of Balearic Islands. Previously, by Decree of the Interinsular General Council of August 7 and 16, 1978, adopted the coat of arms as official symbol of the Balearic Islands.
The so-called Bars of Aragon, Royal sign of Aragon, Royal arms of Aragon, Four Bars, Red Bars or Coat of arms of the Crown of Aragon, which bear four red pallets on gold background, depicts the familiar coat of the Kings of Aragon. It differs from the flag because this latter instead uses bars. It is one of the oldest coats of arms in Europe dating back to a seal of Raymond Berengar IV, Count of Barcelona and Prince of Aragon, from 1150.
The flag of Dalmatia consisted of two identical horizontal stripes of blue and yellow. Like the Croatian flag, it draws its modern roots from the period of the Austrian Empire, specifically from the Kingdom of Dalmatia. The coat of arms of Dalmatia - blue with three golden crowned leopard heads - is never used on it, it is a simple yellow over blue bicolour without any emblem, as was custom of Austrian "landesfarben". The coat of arms was possibly sometimes set in it, but this was far from official.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
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