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Colonna is an inline serif display typeface created by Monotype in 1926. [1] A roman typeface, Colonna comes with some very elegant letterforms, based on artwork obtained by Stanley Morison during 1926 as part of a program to increase the range of display faces in the Monotype library. The letters of the Colonna font have an inscriptional feel about them, figures are non-ranging. Originally developed as an advertising face, Colonna is at its best when used in large sizes. [2] Like many Monotype fonts, it has been released with Microsoft Office and other Microsoft products.
Palatino is the name of an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company.
A typeface is the overall design of lettering; the design can include variations, such as extra bold, bold, regular, light, italic, condensed, extended, etc. Each of these variations of the typeface is a font.
Matthew Carter is a British type designer. A 2005 New Yorker profile described him as 'the most widely read man in the world' by considering the amount of text set in his commonly used fonts.
Frutiger is a series of typefaces named after its Swiss designer, Adrian Frutiger. Frutiger is a humanist sans-serif typeface, intended to be clear and highly legible at a distance or at small text sizes. A very popular design worldwide, type designer Steve Matteson described its structure as "the best choice for legibility in pretty much any situation" at small text sizes, while Erik Spiekermann named it as "the best general typeface ever".
Arial, sometimes marketed or displayed in software as Arial MT, is a sans-serif typeface and set of computer fonts in the neo-grotesque style. Fonts from the Arial family are packaged with all versions of Microsoft Windows from Windows 3.1 onwards, some other Microsoft software applications, Apple's macOS and many PostScript 3 computer printers. The typeface was designed in 1982, by Robin Nicholas and Patricia Saunders, for Monotype Typography. It was created to be metrically identical to the popular typeface Helvetica, with all character widths identical, so that a document designed in Helvetica could be displayed and printed correctly without having to pay for a Helvetica license.
In digital typography, the TrueType font Arial Unicode MS is an extended version of the font Arial. Compared to Arial, it includes higher line height, omits kerning pairs and adds enough glyphs to cover a large subset of Unicode 2.1—thus supporting most Microsoft code pages, but also requiring much more storage space. It also adds Ideographic layout tables, but unlike Arial, it mandates no smoothing in the 14–18 point range, and contains Roman (upright) glyphs only; there is no oblique (italic) version. Arial Unicode MS was previously distributed with Microsoft Office, but this ended in 2016 version. It is bundled with Mac OS X v10.5 and later. It may also be purchased separately from Ascender Corporation, who licenses the font from Microsoft.
Comic Sans MS is a sans-serif casual script typeface designed by Vincent Connare and released in 1994 by Microsoft Corporation. It is a non-connecting script inspired by comic book lettering, intended for use in informal documents and children's materials.
Monotype Imaging Holdings Inc. is an American company that specializes in digital typesetting and typeface design for use with consumer electronics devices. Incorporated in Delaware and headquartered in Woburn, Massachusetts, the company has been responsible for many developments in printing technology—in particular the Monotype machine, which was a fully mechanical hotmetal typesetter, that produced texts automatically, all single type. Monotype was involved in the design and production of many typefaces in the 20th century. Monotype developed many of the most widely used typeface designs, including Times New Roman, Gill Sans, Arial, Bembo and Albertus.
Georgia is a serif typeface designed in 1993 by Matthew Carter and hinted by Tom Rickner for the Microsoft Corporation. It was intended as a serif typeface that would appear elegant but legible printed small or on low-resolution screens. The typeface is inspired by Scotch Roman designs of the 19th century and was based on designs for a print typeface in the same style Carter was working on when contacted by Microsoft; this would be released under the name Miller the following year. The typeface's name referred to a tabloid headline "Alien heads found in Georgia".
Franklin Gothic and its related faces are a large family of sans-serif typefaces in the industrial or grotesque style developed in the early years of the 20th century by the type foundry American Type Founders (ATF) and credited to its head designer Morris Fuller Benton. “Gothic” was a contemporary term meaning sans-serif.
Cambria is a transitional serif typeface commissioned by Microsoft and distributed with Windows and Office. It was designed by Dutch typeface designer Jelle Bosma in 2004, with input from Steve Matteson and Robin Nicholas. It is intended as a serif font that is suitable for body text, that is very readable printed small or displayed on a low-resolution screen and has even spacing and proportions.
Segoe is a typeface, or family of fonts, that is best known for its use by Microsoft. The company uses Segoe in its online and printed marketing materials, including recent logos for a number of products. Additionally, the Segoe UI font sub-family is used by numerous Microsoft applications, and may be installed by applications. It was adopted as Microsoft's default operating system font beginning with Windows Vista, and is also used on outlook.com, Microsoft's web-based email service. In August 2012, Microsoft unveiled its new corporate logo typeset in Segoe, replacing the logo it had used for the previous 25 years.
Century Gothic is a sans-serif typeface in the geometric style, released by Monotype Imaging in 1991. It is strongly influenced by the font Futura, but with a larger x-height. Its design also derives from two other typefaces that were designed to compete with Futura. It is an exclusively digital typeface that has never been manufactured as metal type.
Curlz is a whimsical OTF display typeface designed by Carl Crossgrove and Steve Matteson in 1995 for Agfa Monotype. While decorative and without a historical model, the face bears comparison with the Emigre foundry's 1991 typeface Remedy, designed by Frank Heine.
Perpetua is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, at a time when Gill's reputation as a leading artist-craftsman was high. Perpetua was intended as a crisp, contemporary design not following any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text; it has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings.
Goudy Old Style is an old-style serif typeface originally created by Frederic W. Goudy for American Type Founders (ATF) in 1915.
News Gothic is a sans-serif typeface in the grotesque or industrial style. It was designed by Morris Fuller Benton and released in 1908 by his employer American Type Founders (ATF). News Gothic is similar in proportion and structure to Franklin Gothic, also designed by Benton, but lighter.
Twentieth Century is a geometric sans-serif typeface designed by Sol Hess for Lanston Monotype in 1937. It was created as a competitor to the successful Futura typeface for Monotype's hot metal typesetting system. Like Futura it has a single-story 'ɑ' and a straight 'j' with no bend.
Century is a family of serif type faces particularly intended for body text. The family originates from a first design, Century Roman cut by American Type Founders designer Linn Boyd Benton in 1894 for master printer Theodore Low De Vinne, for use in The Century Magazine. ATF rapidly expanded it into a very large family, first by Linn Boyd and later by his son Morris.
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