Coltrane | ||||
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Studio album by | ||||
Released | July 1962 [nb 1] | |||
Recorded | April 11, June 19, 20, and 29, 1962 | |||
Studio | Van Gelder (Englewood Cliffs) | |||
Genre | Modal jazz | |||
Length | 39:55 | |||
Label | Impulse! | |||
Producer | Bob Thiele | |||
John Coltrane chronology | ||||
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Coltrane is a studio album by the jazz saxophonist, bandleader, and composer John Coltrane. It was recorded in April and June 1962, and released in July of that year through Impulse! Records. At the time, it was overlooked by the music press, but has since come to be regarded as a significant recording in Coltrane's discography. When reissued on CD, it featured a Coltrane composition dedicated to his musical influence "Big Nick" Nicholas that the saxophonist recorded for his Duke Ellington collaboration Duke Ellington & John Coltrane (1963). The composition "Tunji" was written by Coltrane in dedication to the Nigerian drummer Babatunde Olatunji.
The album's original Impulse! Records release was announced in the July 21, 1962, issue of Cash Box under the banner of "July Album Releases"; [1] Routledge's The John Coltrane Reference (2013) confirms the release date as being around August 1962. [2] According to All About Jazz writer Mark Werlin, Coltrane was initially overlooked in the music press, and later by music historians, because of the "hostility and incomprehension" that had met the saxophonist's controversial performances alongside fellow saxophonist Eric Dolphy at the Village Vanguard in 1961 and on tour in the US and Europe: "[The album] was intentionally shadowed—at the time of its recording—by a campaign of uninformed music criticism and personal attacks on Coltrane and Dolphy published in prestigious American newspapers and the preeminent jazz magazine Down Beat ." [3]
In 2002, Impulse! reissued Coltrane as a two-CD deluxe edition with the disclaimer that it used "second-generation, compressed and equalized tapes of all tracks", except "Miles' Mode", whose original master was still in existence, along with bonus tracks and alternate takes mastered from original recordings. [4] In 2016, the Verve Label Group rereleased the album in commemoration of Coltrane's 90th birthday, as a 192kHz/24bit digital download. [3]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Down Beat | [6] |
Encyclopedia of Popular Music | [7] |
New Record Mirror | [8] |
The Penguin Guide to Jazz | [9] |
The Rolling Stone Jazz Record Guide | [10] |
Tom Hull – on the Web | A− [11] |
According to Werlin, "The music of Coltrane is modal jazz, but far from the cerebral music advanced by George Russell or the comparatively restrained work by the Miles Davis Sextet on Kind of Blue ." Ultimately, Werlin regards the album as a "major" work of Coltrane and his quartet. [3] AllMusic's Michael G. Nastos calls the album "a most focused effort, a relatively popular session to both [Coltrane's] fans or latecomers, with five selections that are brilliantly conceived and rendered." [5] He found Coltrane "simply masterful" on tenor saxophone with a "fully formed instrumental voice" that "shine[s] through in the most illuminating manner", and wrote of the album's standing in his catalog:
Even more than any platitudes one can heap on this extraordinary recording, it historically falls between the albums Olé Coltrane and Impressions — completing a triad of studio efforts that are as definitive as anything Coltrane ever produced, and highly representative of him in his prime. [5]
Francis Davis of The Village Voice feels that, apart from the "modal, three-quarter time novelty hit" "The Inch Worm", consumers should buy the album for "the gorgeous 'Soul Eyes' and a shattering 'Out of This World'." [12]
Side One
Side Two
1997 CD bonus tracks
Disc One
Disc Two
John William Coltrane was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music.
Eric Allan Dolphy Jr. was an American jazz multi-instrumentalist, composer, and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
A Love Supreme is an album by the jazz saxophonist and composer John Coltrane. He recorded it in one session on December 9, 1964, at Van Gelder Studio in Englewood Cliffs, New Jersey, leading a quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison and drummer Elvin Jones.
My Favorite Things is a studio album by the jazz musician John Coltrane. It was released in March 1961 on Atlantic Records. It was the first album to feature Coltrane playing soprano saxophone. An edited version of the title track became a hit single that gained popularity in 1961 on radio. The record became a major commercial success.
Impressions is an album of live and studio recordings by the jazz musician and composer John Coltrane. It was released through Impulse! Records in July 1963.
Olé Coltrane is a studio album by the jazz musician and composer John Coltrane. It was released in November 1961 through Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
Coltrane Plays the Blues is an album of music by the jazz musician John Coltrane. It was released in July 1962 by Atlantic Records. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse Records. Like Prestige Records before them, as Coltrane's fame grew during the 1960s, Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Coltrane's Sound is an album credited to the jazz musician John Coltrane, recorded in 1960 and released in 1964 on Atlantic Records, catalogue SD 1419. It was recorded at Atlantic Studios during the sessions for My Favorite Things, assembled after Coltrane had stopped recording for the label and was under contract to Impulse! Records. Like Prestige and Blue Note Records before them, as Coltrane's fame grew during the 1960s Atlantic used unissued recordings and released them without either Coltrane's input or approval.
Africa/Brass is a studio album by the jazz saxophonist and composer John Coltrane. It was released on September 1, 1961 through Impulse! Records. Coltrane's working quartet is augmented by a larger ensemble that brings the total to twenty-one musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. While critics originally gave it poor ratings, more recent jazz commentators have described it as "amazing" and as a "key work in understanding the path that John Coltrane's music took in its final phases." It is Coltrane's first release for Impulse!.
John Coltrane and Johnny Hartman is a studio album by John Coltrane and Johnny Hartman which was released by Impulse! Records in July or August 1963. It was inducted into the Grammy Hall of Fame in 2013.
Coltrane Jazz is a studio album by the jazz musician John Coltrane. It was released in early 1961 on Atlantic Records. Most of the album features Coltrane playing with his former Miles Davis bandmates, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb during two sessions in November and December, 1959. The exception is the track "Village Blues", which was recorded October 21, 1960. "Village Blues" comes from the first recording session featuring Coltrane playing with pianist McCoy Tyner and drummer Elvin Jones, who toured and recorded with Coltrane as part of his celebrated "classic quartet" from 1960 to 1965.
Coltrane "Live" at the Village Vanguard is a live album by the jazz musician and composer John Coltrane. It was released in February 1962 through Impulse Records. It is the first album to feature the members of the classic quartet of Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones, as well as the first Coltrane live album to be issued. In contrast to his previous album for Impulse!, this one generated much turmoil among both critics and audience alike with its challenging music.
Live at Birdland is an album by the jazz saxophonist and composer John Coltrane. It was released on January 9, 1964 through Impulse! Records. Three of its tracks were recorded live at the Birdland club and two are studio recordings. Among them is "Alabama", a tribute to four black children killed in the 16th Street Baptist Church bombing, a white supremacist terrorist attack in Birmingham, Alabama.
The Complete Copenhagen Concert is a live album by jazz musician John Coltrane. It was recorded on November 20, 1961, at the Falkonercentret in Copenhagen, Denmark during a European tour, and was released in 2009 by both Magnetic Records, a label based in Luxembourg, and Gambit Records, based in Spain. In 2013 it was reissued by 'In' Crowd Records. The album features Coltrane on tenor and soprano saxophone, Eric Dolphy on bass clarinet, alto saxophone, and flute, McCoy Tyner on piano, Reggie Workman on bass, and Elvin Jones on drums.
The Complete 1961 Village Vanguard Recordings is a box set of recordings by jazz musician John Coltrane, issued posthumously in 1997 by Impulse! Records, catalogue IMPD4-232. It collects all existing recordings from performances by the John Coltrane Quintet at the Village Vanguard in early November, 1961. Five selections had been issued during Coltrane's lifetime on the albums Live! at the Village Vanguard and Impressions. Additional tracks had been issued posthumously on the albums The Other Village Vanguard Tapes, Trane's Modes and From the Original Master Tapes.
Newport '63 is a live album by jazz musician John Coltrane recorded at the 1963 Newport Jazz Festival, with one additional track recorded at the Village Vanguard in 1961. The album features the Coltrane quartet with drummer Roy Haynes substituting for Elvin Jones.
The Africa/Brass Sessions, Vol. 2 is a posthumous compilation album by American jazz saxophonist and composer John Coltrane, released in 1974 by Impulse Records. It compiles outtakes from the same 1961 sessions that produced his Africa/Brass album. "Song of the Underground Railroad" and "Greensleeves" were recorded on May 23, while "Africa" was recorded on June 4. On October 10, 1995, Impulse incorporated the tracks issued here into a two-disc set entitled The Complete Africa/Brass Sessions.
The Mastery of John Coltrane, Vol. IV: Trane's Modes is a compilation album by American saxophonist John Coltrane, released as a double LP in 1979. It features pieces recorded in 1961, two in studio and the remainder live. All the tracks were previously unissued, at the time of release. At present, "Africa " and "The Damned Don't Cry" may be found on the two-disc reissue of Africa/Brass, while all the live pieces have been included on The Complete 1961 Village Vanguard Recordings.
Live Trane: The European Tours is a 7–CD compilation album by American saxophonist John Coltrane containing music recorded live during 1961, 1962, and 1963 European tours, all of which took place under the auspices of Norman Granz's Jazz at the Philharmonic programs. The album, which was released in 2001 by Pablo Records, features Coltrane on tenor and soprano saxophones along with pianist McCoy Tyner, bassists Jimmy Garrison and Reggie Workman, and drummer Elvin Jones. In addition, Eric Dolphy is heard on alto saxophone, bass clarinet, and flute on a number of tracks.
Evenings at the Village Gate: John Coltrane with Eric Dolphy is a live album recorded in 1961 featuring jazz musicians John Coltrane and Eric Dolphy, released on Impulse! Records in 2023.