Crepitus is an alleged Roman god of flatulence created by Christians and used in their literature frequently as a fascinating subject to them. It is unlikely that Crepitus was ever actually worshipped. The only ancient source for the claim that such a god was ever worshipped comes from Christian satire. The name Crepitus standing alone would be an inadequate and unlikely name for such a god in Latin.[ further explanation needed ] The god appears, however, in a number of important works of French literature.
The origin of the myth is somewhat obscure, as it is possible that the existence of this god is an invention by a satirist. No ancient polytheistic source appears for this deity.
The earliest mention of a god of flatulence is as an Egyptian, not a Roman deity. This comes from the hostile pen of the author of the Recognitions dubiously attributed to Pope Clement I, in which it is reported that:
It is unlikely that Clement I was the author of the extant Recognitiones; these are extant chiefly in a Latin translation, presumably out of the original Greek, made by Tyrannius Rufinus in the late fourth or early fifth century. The passage of Pseudo-Clement stands within a Western Christian tradition of satire against the variety of minor deities worshipped by classical pagans; similar passages exist in The City of God by Saint Augustine of Hippo, and Tertullian's Ad Nationes. [2]
Robert Burton, in The Anatomy of Melancholy , mentions a god Crepitus Ventris among a variety of other deities allegedly worshipped in classical antiquity:
Burton cites a work called Syntagma de Diis ("A Compendium of the Gods") by Lilius Giraldus as his source for the existence of such a god; by this reference, Burton probably meant Giraldus' Historia de diis gentium ("History of the Pagan Gods"); but because Burton wrote in what he called an "extemporean" style, quicquid in buccam venit ("whatever came into his head"), [4] Burton's quotations and references are not always reliable. [5] Because of Burton's mixed Latin and English style, this passage may not say that there was a god named "Crepitus Ventris", (Latin for "intestinal noise"), but only that there was a god of intestinal noise. The Latin word crepitus, moreover, did not exclusively mean the sound generated by intestinal gas; it referred to squeaks, groans, knocks, and any nondescript noise in general. In The City of God, Augustine elsewhere refers to crepitus cymbalorum, the clang of cymbals. [6] Medical jargon gives the name crepitus to the creaking or popping noises made by the joints. The Latin word for "to fart" is pēdere. [7]
Voltaire, in a passage of his Philosophical Dictionary devoted to changing conceptions of deity, alludes to a number of real or alleged Roman deities of a less exalted status:
Through these passages, the noun Crepitus moves from a common noun to a proper noun. Previous authorities had only claimed that the ancient polytheists, whether Egyptian or Roman, worshipped a god of intestinal noises. Perhaps in Burton's mention, and certainly in Voltaire, Crepitus is the name of a god of flatulence.
Baudelaire criticised both the need of religion and the mediocrity of neopagan artists in the essay "The Pagan School" ("L'École païenne"):
Relying on Voltaire's account, Gustave Flaubert put a memorable speech into the mouth of the alleged deity Crepitus in The Temptation of Saint Anthony :
While Flaubert learned from his friend Fréderic Baudry, who in turn had consulted Alfred Maury, that "poor little Deus Crepitus does not exist; it's a modern invention," he liked his text so much that he left him in. [12] While it is unlikely that the god Crepitus ever existed, the scene from Aristophanes is genuine; in The Clouds Athenians compare thunder to the sound of celestial flatulence.
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