Cruising with Ruben & the Jets | ||||
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Studio album by | ||||
Released | December 2, 1968 | |||
Recorded | July 1967 – February 1968 [1] | |||
Studio | Apostolic (New York) | |||
Genre | ||||
Length | 40:34 | |||
Label | Bizarre/Verve | |||
Producer | Frank Zappa | |||
Frank Zappa and the Mothers of Invention chronology | ||||
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Ruben and the Jets [4] chronology | ||||
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Singles from Cruising with Ruben &the Jets | ||||
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Cruising with Ruben &the Jets is the fourth album by the Mothers of Invention,and fifth overall by Frank Zappa,released under the alias Ruben and the Jets. [4] Released on December 2,1968 on Bizarre and Verve Records with distribution by MGM Records,it is a concept album,influenced by 1950s doo-wop and rock and roll. The album's concept deals with a fictitious Chicano doo-wop band called Ruben &the Jets,represented by the cover illustration by Cal Schenkel,which depicts the Mothers of Invention as anthropomorphic dogs. It was conceived as part of a project called No Commercial Potential,which produced three other albums: Lumpy Gravy , We're Only in It for the Money and Uncle Meat .
The album and its singles received some radio success,due to its doo-wop sound. Subsequently,the name Ruben and the Jets continued with a different lineup,led by musician Rubén Guevara Jr.,who recorded the albums For Real! (1973) and Con Safos (1974). Zappa produced the former. [4]
During a previous recording session,engineer Richard Kunc and the Mothers of Invention discussed their high school days and love for doo-wop songs. Ray Collins and some of the other members of the band started singing and performing the songs,and Zappa suggested that they record an album of doo-wop music. [2] Zappa described the album as an homage to the 1950s vocal music that he was "crazy" about. [5] Collins later left the Mothers of Invention,and Zappa began working on a project entitled No Commercial Potential,which included sessions that produced Cruising with Ruben &the Jets,as well as We're Only in It for the Money ,a revised version of Lumpy Gravy ,and Uncle Meat . [6] After the Mothers of Invention's contract with MGM and Verve Records expired,Zappa and Herb Cohen negotiated to form Bizarre Productions,with Verve releasing three Bizarre releases with distribution by MGM:a new Mothers of Invention album,Cruising with Ruben &the Jets,the compilation Mothermania ,and an album by Sandy Hurvitz,Sandy's Album is Here at Last. [6] [7]
Zappa stated,regarding the releases Lumpy Gravy , We're Only in It for the Money ,Cruising with Ruben &the Jets and Uncle Meat ,"It's all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way,and it still would make sense. I could do this twenty ways. The material is definitely related." [6]
Ray Collins rejoined the Mothers of Invention for the doo-wop recording sessions of No Commercial Potential,as his high falsetto was suited for the recordings. According to Collins,"I brought the style of being raised in Pomona,California,being raised on the Four Aces,the Four Freshmen,Frankie Laine,Frank Sinatra and Jesse Baldwin. The early influences of R&B came into the Southern California area when I was probably in the tenth grade in high school. And I remember Peter Potter's show,and I think I recall the first R&B tune on there was 'Oop-Shoop'. Frank actually had more influences from the 'real blues',you know,like Muddy Waters,those kind of people. But I wasn't into that in my early life. I was more of the pop culture,pop radio things,and it's always been more of a favourite of mine than the early blues stuff - even though I love John Lee Hooker and all those people." [2]
According to Bunk Gardner,"Cruising with Ruben &the Jets was an easy album to record. We were recording it at the same time as Uncle Meat because the songs were easy and very simple and didn't require a lot of time for arrangements and technical overdubbing. It was the beginning of the end for Ray Collins because all the new material Frank was writing was a little too far out and away from Ray's roots - which was Ruben-era material. Motorhead too was in his glory during the recording of this album. He loved Ruben and that was really his kind of music to get nostalgic over - on stage and doing the dance steps and playing that music [...] I really enjoyed playing a solo on Ray's tune 'Anything'. I remember Frank,Ray and Roy standing in the control booth while I recorded my solo. Frank was telling me after the first take to keep it simple. So I nailed it on the second take and everyone was happy!" [2]
The doo-wop recordings were reconstituted as the concept album Cruising with Ruben and the Jets;the album included four rerecordings of songs that were on the Mothers' first album Freak Out! :"How Could I Be Such a Fool";"You Didn't Try to Call Me";"Anyway the Wind Blows";and "I'm Not Satisfied". Their arrangements were altered to fit within the album's concept.
Within the concept of the album,Ruben Sano was the leader of the fictitious Chicano band "the Jets". The back cover depicted Ruben with an early high school photograph of Zappa. [2] According to artist Cal Schenkel,"I started working on the story of Ruben and the Jets that is connected with the Uncle Meat story,which is this old guy turns this teenage band into these dog snout people [...] We started that before it actually became Ruben and the Jets. That came out of my love for comics and that style,the anthropomorphic animals,but also it was part of a running story line." [6]
Zappa stated regarding the album's lyrics,"I detest 'love lyrics'." [7] He intentionally wrote lyrics he described as "sub-Mongoloid" to satirize the genre. [7] The music of Cruising with Ruben &the Jets was the most straightforward genre work the Mothers of Invention had performed yet,attempting to faithfully reproduce the sound of 1950s doo-wop and rock and roll. [2] However,the arrangements included quotes from Igor Stravinsky pieces and unusual chord changes and tempos. [7] [8]
Review scores | |
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Source | Rating |
Allmusic (Cruising with Ruben &the Jets 1984 Remix) | [9] |
Allmusic (Greasy Love Songs) | [10] |
Rolling Stone | (positive) [11] |
The album was popular with radio stations,as they believed it to be an unearthed doo-wop album by an unknown band called Ruben &the Jets. [2] A single was issued ("Deseri" b/w a remixed version of "Jelly Roll Gum Drop") credited to "Ruben and the Jets",with no mention of the Mothers of Invention;according to Zappa,later pressings,which credited the Mothers of Invention,did not receive as much airplay as the original "Ruben" pressings. [12] The album's cover has a word balloon stating "Is this the Mothers of Invention recording under a different name in a last ditch attempt to get their cruddy music on the radio?" [7] Zappa later dismissed claims that he had "fooled people" with this album as "nonsense". [7]
Subsequently,Zappa stated that the Mothers of Invention would record a second doo-wop album under the alias Ruben &the Jets. [12] Later,the band Ruben and the Jets continued with a different lineup,led by musician Rubén Guevara Jr.,who recorded the albums For Real! (1973) and Con Safos (1974). Zappa produced the former. [4]
In 1983,Zappa prepared a remix of Cruising with Ruben &the Jets for its compact disc reissue the next year,as well as the vinyl box set The Old Masters I. The remix featured new rhythm tracks recorded in July 1983 by bassist Arthur Barrow and drummer Chad Wackerman,much as the CD remix of We're Only in It for the Money had featured. [1] Zappa stated "The master tapes for Ruben and the Jets were in better shape,but since I liked the results on We're Only in it For the Money,I decided to do it on Ruben too. But those are the only two albums on which the original performances were replaced. I thought the important thing was the material itself." [6]
After the remixing was announced,a $13 million lawsuit was filed against Zappa by Jimmy Carl Black,Bunk Gardner and Don Preston,who were later joined by Ray Collins,Art Tripp and Motorhead Sherwood,increasing the claim to $16.4 million,stating that they had received no royalties from Zappa since 1969. [6]
In 2009,the original mix of the album was released as part of a compilation entitled Greasy Love Songs. [10] Allmusic's François Couture gave the album's 1984 remix 3 out of 5 stars. [9] Another writer for the site,Sean Westergaard,gave Greasy Love Songs 4 out of 5 stars. [10]
All tracks are written by Frank Zappa except as noted
No. | Title | Writer(s) | Length |
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1. | "Cheap Thrills" | 2:23 | |
2. | "Love of My Life" | 3:10 | |
3. | "How Could I Be Such a Fool" | 3:35 | |
4. | "Deseri" | Collins, Paul Buff | 2:07 |
5. | "I'm Not Satisfied" | 4:03 | |
6. | "Jelly Roll Gum Drop" | 2:20 | |
7. | "Anything" | Collins | 3:04 |
Total length: | 21:23 |
No. | Title | Writer(s) | Length |
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8. | "Later That Night" | 3:06 | |
9. | "You Didn't Try to Call Me" | 3:57 | |
10. | "Fountain of Love" | Zappa, Collins | 3:01 |
11. | "No. No. No." | 2:29 | |
12. | "Anyway the Wind Blows" | 2:58 | |
13. | "Stuff Up the Cracks [5] " | 4:35 | |
Total length: | 20:37 |
Album - Billboard (United States)
Year | Chart | Position |
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1969 | Billboard 200 | 110 |
We're Only in It for the Money is the third album by American rock band the Mothers of Invention, released on March 4, 1968, by Verve Records. As with the band's first two efforts, it is a concept album, and satirizes left- and right-wing politics, particularly the hippie subculture, as well as the Beatles' album Sgt. Pepper's Lonely Hearts Club Band. It was conceived as part of a project called No Commercial Potential, which produced three other albums: Lumpy Gravy, Cruising with Ruben & the Jets, and Uncle Meat.
Uncle Meat is the sixth album by the Mothers of Invention, and seventh overall by Frank Zappa, released as a double album in 1969. Uncle Meat was originally developed as a part of No Commercial Potential, a project which spawned three other albums sharing a conceptual connection: We're Only in It for the Money, Lumpy Gravy and Cruising with Ruben & the Jets.
Civilization Phaze III is the sixty-third album by Frank Zappa, released posthumously as a double album on October 31, 1994. It was the first studio album of new material from Zappa since 1986's Jazz from Hell. The album marks the third part of a conceptual continuity that started with We're Only in It for the Money (1968), with the second part being a re-edited version of Zappa's 1967 album Lumpy Gravy. Zappa described the album as a "two-act opera", but in lieu of traditional recitatives and arias, it alternates brief spoken word passages with musical numbers created on a Synclavier using a combination of sampled and synthesized sounds. Much of the sampled material in the second half of the album was originally recorded by Ensemble Modern and other musicians to Zappa's specifications.
Lumpy Gravy is a 1968 solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra & Chorus. Zappa conducted the orchestra but did not perform on the album. It is his fourth album overall: his previous releases had been under the name of his group, the Mothers of Invention.
The Mothers of Invention were an American rock band from California. Formed in 1964, their work is marked by the use of sonic experimentation, innovative album art, and elaborate live shows. Originally an R&B band called the Soul Giants, the band's first lineup comprised Ray Collins, David Coronado, Ray Hunt, Roy Estrada, and Jimmy Carl Black. Frank Zappa was asked to take over as the guitarist when a fight between Collins and Hunt led to the latter's being fired. Zappa insisted they perform his original material — a decision that resulted in Coronado's leaving because he did not agree to the change — and on Mother's Day in 1965 the band changed its name to the Mothers. Record executives demanded the name be changed again, and so, "out of necessity", Zappa later said, "We became the Mothers of Invention", referencing the proverb "Necessity is the mother of invention."
Calvin "Cal" Schenkel is an American illustrator, graphic designer, animator and comics artist, specializing in album cover design.
Mothermania (1969), subtitled The Best of the Mothers, is a compilation album by the Mothers of Invention. While the songs were previously released on Freak Out!, Absolutely Free and We're Only in It for the Money, it contains unique mixes or edits made specifically for this compilation.
For Real! is an album by Ruben and the Jets, and the debut of musician Rubén Guevara Jr.'s new lineup, after the group name had previously been used as an alias of The Mothers of Invention in 1968. Released in 1973, For Real! was produced by Frank Zappa, who wrote the first track and played guitar on the second track. The album consists of blues, rhythm and blues and rock and roll music.
Ruben and the Jets was an American rock and roll band from Los Angeles, California. The band originated as an alias for The Mothers of Invention, Frank Zappa's band, to release Cruising with Ruben & the Jets (1968). Later, musician Rubén Guevara Jr. continued the band with his own lineup. Guevara's "Jets" recorded two albums, For Real! (1973) and Con Safos (1974).
Ray Collins was an American musician. He is best known for being an original member of the Mothers of Invention.
Uncle Meat is a 1987 film written and directed by Frank Zappa. It was conceived in 1968 as a vehicle for the Mothers of Invention, but remained unfinished until 20 years after the production began.
"Take Your Clothes Off When You Dance" is a song written by Frank Zappa, with the first officially available version being recorded and released by The Mothers of Invention on their 1968 album We're Only in It for the Money. The song was originally recorded as an instrumental by Frank Zappa in 1961 at Pal Recording Studio.
You Are What You Is is a 1981 double album by American musician Frank Zappa. His 34th album, it consists of three musical suites which encompass pop, doo-wop, jazz, hard rock, reggae, soul, blues, new wave and country. The album's lyrics satirize a number of topics, including hippies, socialites, fashion, narcotics use, cultural appropriation, religion, televangelists and the military draft.
The Old Masters is a box set series by Frank Zappa, released in three volumes on Barking Pumpkin Records from April 1985 to December 1987, consisting of studio and live albums by Zappa and The Mothers of Invention originally released from 1966 to 1976 on other labels, as well as "Mystery Discs" which contained previously unreleased material. The graphics on all three sets was airbrush illustrated by Larry Grossman. 200 Motels was not included in the series, as it was the only Zappa/Mothers album for which Zappa was unable to secure the rights.
Jackie & the Starlites were an American doo wop group active between 1960 and 1963.
Euclid James "Motorhead" Sherwood was an American rock musician notable for being a member of the original version of Frank Zappa's band the Mothers of Invention, providing soprano, tenor and baritone saxophone, tambourine, vocals and vocal sound effects. He appeared on all the albums of the original Mothers line-up and the 'posthumous' releases Burnt Weeny Sandwich and Weasels Ripped My Flesh, as well as certain subsequent Zappa albums. He also appeared in the films 200 Motels, Video from Hell and Uncle Meat.
Greasy Love Songs is a compilation album by Frank Zappa, released in 2010. The album consists of the original vinyl mix of Cruising with Ruben & the Jets (1968), with bonus material, including previously unreleased tracks from the original sessions, the single version of "Jelly Roll Gum Drop", and "audio documentary" material. The album is designated as a "Project/Object Audio Documentary". It is project/object #3 in a series of 40th Anniversary FZ Audio Documentaries, following MOFO (2006) and Lumpy Money (2009).
"Memories of El Monte" is a doo-wop song released in 1963 by the Penguins featuring Cleve Duncan. It was written by Frank Zappa and Ray Collins before they were in the Mothers of Invention. The song was first released as Original Sound 27.
Bunk Gardner is an American musician who most notably played for the original version of Frank Zappa's Mothers of Invention until the group disbanded in 1969. He plays woodwinds and tenor sax.
Meat Light is a 3CD compilation of Frank Zappa's Uncle Meat recordings. It is project/object #5 in a series of 40th Anniversary FZ Audio Documentaries, following MOFO (2006), Lumpy Money (2009), Greasy Love Songs (2010) and The Crux of the Biscuit (2016).
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