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Czech folklore is the folk tradition which has developed among the Czech people over a number of centuries. Czech folklore was influenced by a mix of Christian and pagan customs. Nowadays it is preserved and kept alive by various folklore ensembles uniting members of all ages, from children to seniors, showing their talent during competitions, folklore festivals or other performances.
The Czech Republic is divided into a number of ethnographic regions. Each of them has special folklore traditions, songs or costumes and specializes in different crafts. As a result, Czech folklore provides a diverse source of entertainment.
Music played an important part in life of common people or peasants in the Czech Republic. It offered both means of expression and a vent for their emotions. Resulting music varies not only by the region of its origin but also in the purpose of its use. Therefore, there are myriads of distinct folk songs.
Music often addressed everyday issues and was passed down orally. From the 19th century onward it was recorded by ethnographers. Traditional celebrations such as welcome of the spring, successful harvest are still among the occasions traditionally celebrated with songs. More lively themes were used specifically during celebrations, weddings or feasts. Funerals and mournful occasions also had their own set of songs and tunes.
Songs and especially dances were often linked to conscription of Czech young men to the Army; they are called “verbuňk” in some regions. Conscriptions usually happened during wartimes and these songs have a particular place in Czech folklore music. They are listed by UNESCO in the List of the Intangible Cultural Heritage of Humanity. [1]
There are a number of instruments associated with Czech folk music, which add to its distinct sound – violin and the double bass; instruments specific to Bohemia and Moravia such as bagpipes (bock), shepherd's pipe, dulcimer and trumpet.
All of them are still in active use by the folklore groups during their shows.
Polka dance originated in Bohemia and still remains an integral part of folklore traditions especially in the western part of the country. Since the 19th century this dance has spread from Bohemia to many neighbouring European countries as well as overseas.
In the past, emphasis was placed on changes connected to the four seasons of the year; every season had its own specific traditions. In the spring, people practiced customs which would ensure health of their crops and future successful harvest. In the winter, it was most important to protect households and villagers against adverse effects of cold weather and supernatural forces.
Many Czech regions still hold traditional celebrations, which also revel in folklore music, dance and costumes. Among the most typical is Drowning of Morana, Shrovetide, erecting the maypole, grape harvest or celebration of Easter.
Folklore is not merely about music. Czech folklore is characteristic for elaborate traditional costumes distinctive to each region or even village. [7]
Specific aspects such as colors, embroidery, themes and fragments of traditional costumes varied on the basis of social, geographical and symbolical factors as well as according to the purpose of their use. Costumes worn on special occasions were usually lavishly decorated, colorful and accompanied with a wide range of accessories (scarves, ribbons, headdresses, hats, belts, etc.) while everyday clothes tended to be rather simple and practical. Every region had a set of amusing peculiarities. For example:
Traditional costumes are no longer commonly worn in most parts of the Czech Republic. They may be used during traditional celebrations or festivals when worn by members of folklore ensembles. In some families, costumes are handed down from generation to generation as they wish to preserve the tradition. Likewise, many stay protected in museums and private collections.
Multiple folklore shows and festivals are organized in the Czech Republic throughout the year. They are a display of rich Czech traditions and folklore. At the festivals, various folklore groups demonstrate the heritage of their country. The performers are presented in traditional costumes particular to different regions of the Czech Republic. They perform folk dances, traditional folk songs and play musical instruments. Many festivals are not only demonstrations of music and dances, but also show traditional cuisine and crafts.
There are many folklore festivals in the Czech Republic. [8] [9]
Czech Republic is abundant in folklore groups of all kinds. [10] Their goal is to preserve local traditions and folklore and to pass the heritage on to the following generations. Members of the folklore groups are enthusiasts of all ages: from little children through adolescents to adults. They all enjoy building up folklore spirit with dances, music and showing off beautiful folklore dresses, as well as performing in front of audiences at folklore festivals. Children are encouraged to participate in folklore ensembles from a very early age.
Traditional arts and crafts are an inseparable part of Czech folklore.
May Day is a European festival of ancient origins marking the beginning of summer, usually celebrated on 1 May, around halfway between the Northern Hemisphere's Spring equinox and June solstice. Festivities may also be held the night before, known as May Eve. Traditions often include gathering wildflowers and green branches, weaving floral garlands, crowning a May Queen, and setting up a Maypole, May Tree or May Bush, around which people dance and sing. Bonfires are also a major part of the festival in some regions. Regional varieties and related traditions include Walpurgis Night in central and northern Europe, the Gaelic festival Beltane, the Welsh festival Calan Mai, and May devotions to the Blessed Virgin Mary. It has also been associated with the ancient Roman festival Floralia.
Mardi Gras is the final day of Carnival ; it thus falls on the day before the beginning of Lent on Ash Wednesday. Mardi Gras is French for "Fat Tuesday", reflecting the practice of the last night of consuming rich, fatty foods in preparation for the Christian fasting season of Lent, during which the consumption of such foods is avoided.
Carnival or Shrovetide is a festive season that occurs at the close of the Christian pre-Lenten period, consisting of Quinquagesima or Shrove Sunday, Shrove Monday, and Shrove Tuesday or Mardi Gras.
A maypole is a tall wooden pole erected as a part of various European folk festivals, around which a maypole dance often takes place.
Midsummer is a celebration of the season of summer, taking place on or near the date of the summer solstice in the Northern Hemisphere; the longest day of the year. The name "midsummer" mainly refers to summer solstice festivals of European origin, especially those in the Nordic countries. In these cultures it is traditionally regarded as the middle of summer, with the season beginning on May Day. Although the summer solstice falls on 21 or 22 June in the Northern Hemisphere, it was traditionally reckoned to fall on 23–24 June in much of Europe. This date was Christianized as Saint John's Eve and Saint John's Day. It is usually celebrated with outdoor gatherings that include bonfires and feasting.
Marzanna, Morė, Marena, Mara, Morana, Morena or Mora is a pagan Slavic goddess associated with seasonal rites based on the idea of death and rebirth of nature. She is an ancient goddess associated with winter's death, rebirth and dreams. In ancient Slavic rites, the death of the Goddess Marzanna at the end of winter becomes the rebirth of Spring of the Goddess Kostroma (Russian), Lada or Vesna representing the coming of Spring.
Calan Mai or Calan Haf, also historically called Cyntefin, is the Welsh celebration of May Day. It marks the beginning of summer and traditionally it involved festivities around bonfires, maypoles, and carol singing. Some of its traditions parallel the Gaelic May Day festival Beltane, and other May Day traditions in Europe.
The culture of Bangladesh is intertwined with the culture of the Bengal region of the Indian subcontinent. It has evolved over the centuries and encompasses the cultural diversity of several social groups of Bangladesh. The Bengal Renaissance of the 18th early 19th centuries, noted Bengali writers, saints, authors, scientists, researchers, thinkers, music composers, painters, film-makers have played a significant role in the development of Bengali culture. The culture of Bangladesh is deeply intertwined with the culture of the Bengal region. Basically Bengali culture refers to the culture of Bangladesh. The Bengal Renaissance contained the seeds of a nascent political Indian nationalism which was the precursor in many ways to modern Indian artistic cultural expression.
Chhau, also spelled Chhou, is a semi classical Indian dance with martial and folk traditions. It is found in three styles named after the location where they are performed, i.e. the Purulia Chhau of West Bengal, the Seraikella Chhau of Jharkhand and the Mayurbhanj Chhau of Odisha.
Lithuanian folk songs are often noted for not only their mythological content but also their relating historical events.
The Kalbelia are a snake charming tribe from the Thar Desert in Rajasthan, India. The dance is an integral part of their culture and performed by men and women.
Moravian traditional music or Moravian folk music represents a part of the European musical culture connected with the Moravian region of the Czech Republic. Styles of Moravian traditional music vary by location and subject, but much of it is characterized by a specific melodic and harmonic texture related to the Eastern European musical world. According to Czech musicologist Jiří Plocek, Moravia is the area where the European East musically meets the West.
Hody is an annual traditional celebration held in many villages and towns of historical land Moravia in the Czech Republic. The festivity is held from May to November in almost all villages and towns of the cultural region of Moravian Slovakia. The time of the celebration differs - each village or town has a church building dedicated to a particular patron saint and usually the nearest Sunday after the date of the saint's day is also the date for celebration of Hody.
A straw bear is a traditional character that appears in carnival processions or as a separate seasonal custom in parts of Germany, mainly at Shrovetide but sometimes at Candlemas or Christmas Eve.
Danish folklore consists of folk tales, legends, songs, music, dancing, popular beliefs, myths and traditions communicated by the inhabitants of towns and villages across the country, often passed on from generation to generation by word of mouth. As in neighbouring countries, interest in folklore grew with an emerging feeling of national consciousness in 19th century Denmark. Researchers travelled across the country collecting innumerable folktales, songs and sayings while observing traditional dress in the various regions. Folklore today is part of the national heritage, represented in particular by national and local traditions, songs, folk dances and literature.
This is a compilation of traditional dances from Nicaragua.
Slavic carnivals are known under different names in various Slavic countries: Bulgarian: Сирни заговезни, Прошка, Поклади, romanized: Sirni zagovezni, Proshka, Pokladi; Macedonian: Прочка, romanized: Pročka; Russian: Масленица, Мясопуст, romanized: Maslenitsa, Myasopust; Polish: Ostatki, Mięsopust, Zapusty; Czech: Masopust, Šibřinky, Ostatky; Slovak: Fašiangy; Slovene: Mesopȗst, Pust, Pustni teden, Fašnk; Serbian: Покладе, Проћка / Poklade, Proćka; Croatian: Pust, Poklade, Mesopust, Fašnik. They are traditional Slavic festivals related to the period of carnival.
Folk and traditional arts are rooted in and reflective of the cultural life of a community. They encompass the body of expressive culture associated with the fields of folklore and cultural heritage. Tangible folk art includes objects which historically are crafted and used within a traditional community. Intangible folk arts include such forms as music, dance and narrative structures. Each of these arts, both tangible and intangible, was originally developed to address a real need. Once this practical purpose has been lost or forgotten, there is no reason for further transmission unless the object or action has been imbued with meaning beyond its initial practicality. These vital and constantly reinvigorated artistic traditions are shaped by values and standards of excellence that are passed from generation to generation, most often within family and community, through demonstration, conversation, and practice.