The Deposition or Lamentation over the Dead Christ is a c. 1618-20 painting by the Flemish painter Anthony van Dyck. It is now in the Kunsthistorisches Museum, in Vienna, which it entered in 1720. [1]
The Deposition or Lamentation over the Dead Christ is a c. 1618-20 painting by the Flemish painter Anthony van Dyck. It is now in the Kunsthistorisches Museum, in Vienna, which it entered in 1720. [1]
Sir Anthony van Dyck was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The Tower of Babel was the subject of three paintings by Pieter Bruegel the Elder. The first, a miniature painted on ivory, was painted while Bruegel was in Rome and is now lost. The two surviving paintings, often distinguished by the prefix "Great" and "Little", are in the Kunsthistorisches Museum, Vienna and the Museum Boijmans Van Beuningen in Rotterdam respectively. Both are oil paintings on wood panels.
Balthasar Denner was a German painter, highly regarded as a portraitist. He painted mostly half-length and head-and-shoulders portraits and a few group portraits of families in interiors. Usually Denner concentrated on the face; clothes and paraphernalia were done by other painters or later his daughter. His chief peculiarity consisted in the fineness of his mechanical finish, which extended to depicting even the almost invisible furze of hair growing on smooth skin. He is particularly noted for his heads of old men and women.
Charles I with M. de St Antoine is an oil painting on canvas by the Flemish painter Anthony van Dyck, depicting Charles I on horseback, accompanied by his riding master, Pierre Antoine Bourdon, Seigneur de St Antoine.
Magistrate of Brussels is an unfinished oil painting or oil sketch by Anthony van Dyck, rediscovered in 2013 after being shown on episodes of the BBC television programme Antiques Roadshow.
The Vision of the Blessed Hermann Joseph or The Mystical Engagement of the Blessed Hermann Joseph to the Virgin Mary is a 1629-1630 painting by the Flemish Baroque painter Anthony van Dyck.
The Crowning with Thorns is a 1618–1620 painting by Anthony van Dyck. He produced it aged 20 during his first Antwerp period, when he was the main studio assistant and pupil of Peter Paul Rubens. It shows Rubens' influence in its relatively sombre palette, chiaroscuro and highly realistic portrayal of musculature. He seems to have completed it early during his stay in Italy, since it also shows the influence of Titian and other Venetian painters in Jesus' face.
Samson and Delilah is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject, it is in the style of his former master Peter Paul Rubens. Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an unscrupulous temptress. Van Dyck's palette in the work also reveals the influence of Titian during van Dyck's stay in Italy. It is now in the Kunsthistorisches Museum in Vienna.
Cupid and Psyche is an oil on canvas painting by Anthony van Dyck. It is now in the Royal Collection and shown in Kensington Palace.
Madonna and Child with Two Donors or The Madonna of the Two Donors is a 1630 painting by Anthony van Dyck, now in the Louvre, in Paris.
The Deposition is a 1634 painting by the Flemish artist Anthony van Dyck. It is now in the Alte Pinakothek in Munich. The artist had already treated the same subject on at least two other occasions, in 1615 and 1619.
The Deposition is a 1615 painting by the Flemish artist Anthony van Dyck. It is now in the Alte Pinakothek in Munich. He later reworked it in his 1619 version of the subject.
The Deposition or Lamentation over the Dead Christ is a painting by the Flemish artist Anthony van Dyck. Dating to 1635, it is one of his final treatments of the subject. It was commissioned by Cesare Alessandro Scaglia, who intended it to hang over his tomb in the Recollects Convent in Antwerp. It is now in the Royal Museum of Fine Arts Antwerp.
The Lamentation over the Dead Christ is a 1634-40 painting by the Flemish artist Anthony van Dyck. One of his last treatments of the subject, it is now in the Bilbao Fine Arts Museum, having entered it in 1985. It was previously in the collection of Henry Pelham-Clinton, 7th Duke of Newcastle, before later passing into the Valdes Izaguirre collection.
Thetis Receiving the Weapons of Achilles from Hephaestus is a 1630–1632 painting in the workshop of the Flemish painter Anthony van Dyck. It was acquired by Archduke Leopold Wilhelm of Austria and is now in the Kunsthistorisches Museum in Vienna. It illustrates the story of the Shield of Achilles, from the Iliad, Book 18, lines 478–608, in which Thetis requests replacement weapons and shield for her son Achilles from Hephaestus.
Saint Margaret and the Dragon is the title shared by two paintings of Saint Margaret by the Renaissance painter Raphael, both executed in about 1518. One is held in the Kunsthistorisches Museum in Vienna, the other in the Louvre in Paris.
Madonna and Child is a 65 by 45 cm oil on canvas painting. It dates to 1512-1514 and is attributed to Correggio but this attribution is uncertain. It was rediscovered in Hohensalzburg Castle in 1928 and given to the Kunsthistorisches Museum in Vienna, where it now hangs.
Madonna and Child with Saint Catherine and Saint James is an oil-on-canvas painting by Lorenzo Lotto, created c. 1527, now in the Kunsthistorisches Museum in Vienna. To the right are the two martyr saints Catherine of Alexandria and James the Great.
Saint Rosalia Crowned by Angels is an oil on canvas painting by the studio of Anthony van Dyck, created c. 1624, one of several works showing the saint produced whilst van Dyck was quarantined in Palermo, Sicily due to a plague. It is now in the Galleria Regionale del Palazzo Abatellis in Palermo, where in 2015 it was displayed alongside Saint Rosalie Interceding, loaned from the Metropolitan Museum of Art.
The Coronation of Saint Rosalia or Madonna and Child with Saints Rosalia, Peter and Paul is an oil on canvas painting made by Anthony van Dyck in 1629.
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