Sinatra–Basie: An Historic Musical First is a 1962 studio album by Frank Sinatra, arranged by Neal Hefti.
Digital III at Montreux is a 1979 live album featuring a compilation of performances by Ella Fitzgerald, Count Basie, Niels-Henning Ørsted Pedersen, Joe Pass, and Ray Brown, recorded at the 1979 Montreux Jazz Festival. It was produced and has liner notes by Norman Granz. The cover photo is by Phil Stern.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
Count Basie/Sarah Vaughan is a 1961 album by the American jazz singer Sarah Vaughan, accompanied by the Count Basie Orchestra, with arrangements by Frank Foster, Thad Jones and Ernie Wilkins. According to James Gavin's liner notes to the 1996 CD release, Basie himself does not perform on any of the tracks.
I Told You So is a 1976 album recorded at RCA studios, New York City on January 12, 13 and 14 1976 and released in 1976, featuring Count Basie and his orchestra. All the titles were arranged by Bill Holman. Sound engineer was Bob Simpson and the tape editor was Ben Jordan. The producer was Norman Granz.
A Swingin' Christmas is a Christmas album by Tony Bennett, released in 2008, that features the Count Basie Big Band. Bennett's daughter Antonia duets with him on one track.
Welcome to the Club is a 1959 album by Nat King Cole, arranged by Dave Cavanaugh. Cole is accompanied by an uncredited Count Basie Orchestra, without Count Basie himself.
88 Basie Street is a 1983 studio album by Count Basie.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
The Chairman of the Board is a 1959 studio album by Count Basie and his orchestra.
Live in Japan '78 is a 1978 live album by Count Basie and his orchestra.
On the Road is an album by the Count Basie Orchestra that won the Grammy Award for Best Jazz Instrumental Performance, Big Band in 1981.
Fun Time is a 1975 live album by Count Basie and his orchestra, recorded at the 1975 Montreux Jazz Festival.
Basie at Birdland is a 1961 live album by the Count Basie Orchestra that was recorded at Birdland in New York City.
The Greatest!! Count Basie Plays, Joe Williams Sings Standards is an album by vocalist Joe Williams and pianist/bandleader Count Basie and His Orchestra recorded in 1956 and released on the Verve label. It was Williams' second album with Basie following Count Basie Swings, Joe Williams Sings.
I Gotta Right to Swing is a 1960 studio album by Sammy Davis Jr., accompanied by an uncredited Count Basie Orchestra, minus Count Basie himself.
Big Boss Band is the 1990 studio album of American musician George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.
Basie's Beat is a 1967 album by Count Basie and his orchestra.
Sing Along with Basie is an album by vocalese jazz group Lambert, Hendricks & Ross with Joe Williams and the Count Basie Orchestra recorded in 1958 and originally released on the Roulette label.
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