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documenta 8 was the eighth edition of documenta, a quinquennial contemporary art exhibition. It was held between 12 June and 20 September 1987 in Kassel, West Germany. The artistic director was Manfred Schneckenburger. [1]
The Walter Schottky Prize is a scientific prize awarded by the German Physical Society for outstanding research work of young academics in the field of solid-state physics. Since 1973 the prize is generally awarded annually. The endowment of the prize with 10,000 euros is contributed by Infineon Technologies AG and Robert Bosch GmbH. The prize is dedicated to Walter Schottky, a physicist and pioneer of electronics.
The Hessian Cultural Prize is an annual German culture prize awarded by the Government of Hesse. The prize was established in 1982. With a trophy of 60,000 German marks, now 45,000 Euro, it is currently the highest endowed culture prize in Germany.
documenta X was the tenth edition of documenta, a quinquennial contemporary art exhibition. It was held between 21 June and 28 September 1997 in Kassel, Germany. The artistic director was Catherine David. This was the first time a woman was appointed as artistic director of documenta. It is also the first time that the website of the exhibition was conceived as an artistic part of it. Catherine David chose the Swiss curator Simon Lamunière to conceive, design and curate the project. Part of documenta X was the experimental performance space and digital platform "Hybrid WorkSpace", curated by Klaus Biesenbach, Nancy Spector, and Hans-Ulrich Obrist. The space was designed by architect Eicke Becker and featured important performances, among them the famous Christoph Schlingensief performance titled "Mein Filz, mein Fett, mein Hase, 48 Stunden Überleben für Deutschland" during which several artists were arrested. Florian Schneider used "Hybrid WorkSpace" as an opportunity to initiate the No one is illegal network.
DOCUMENTA IX was the ninth edition of documenta, a quinquennial contemporary art exhibition. It was held between 13 June and 20 September 1992 in Kassel, Germany. The artistic director was Jan Hoet in collaboration with Bart de Baere, Denys Zacharopoulos and Pier Luigi Tazzi.
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