Don't Knock the Rock | |
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Directed by | Fred F. Sears |
Written by | Robert E. Kent James B. Gordon |
Produced by | Sam Katzman |
Starring | Alan Dale |
Cinematography | Benjamin H. Kline |
Edited by | Paul Borofsky Edwin H. Bryant |
Distributed by | Columbia Pictures |
Release date |
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Running time | 84 mins. |
Country | United States |
Language | English |
Box office | $1.2 million (US rentals) [1] |
Don't Knock the Rock is a 1956 American musical film starring Alan Dale and Alan Freed. Directed by Fred F. Sears, the film also features performances by Bill Haley & His Comets (who were top-billed), Little Richard, The Treniers, and Dave Appell and the Applejacks.
In contrast to the title track of Haley's previous film, Rock Around the Clock , the title track of this film was specially written for it (screenwriter Robert E. Kent is credited as co-writer of the song). A Haley recording of the song is played over the opening credits, but it is Alan Dale who performs the number in the film. Indeed, while Haley and his band are the top-billed performers in the movie, the story in fact focuses on Dale's character.
Arnie Haines is a rock and roll star who returns to his hometown to rest up for the summer only to find that rock and roll has been banned there by disapproving adults. Among those against him is influential newspaper columnist Arline MacLaine, though this does not stop Arnie from starting up a romance with MacLaine's daughter Francine. At Francine's urging, Arnie decides to perform a show to demonstrate to Arline that the adults' fears are unjustified. Meanwhile, MacLaine's columns have led to other towns across the country canceling planned rock and roll shows. This leaves big-name acts like Bill Haley, Little Richard, The Treniers and Dave Appell available to perform in Arnie's show.
The show goes well at first, with Arline prepared to write a new column acknowledging that the music is harmless. However, things go awry when Arnie rejects the advances of local girl Sunny Everett. In retaliation, Sunny gets drunk and gets two boys to begin a brawl. No one believes that Sunny was at fault and the resulting newspaper articles reporting that the show led to a drunken brawl among its attendees give rock and roll a worse reputation than ever.
As his final play, Arnie works with a local theater group to put on a show called "The Pageant of Art and Culture" to appeal to the adults. The show opens with depictions of paintings by Vermeer and Renoir, followed by a minuet dance performance, this show of high culture meeting with the strong approval of the adults in attendance. However, the show's next number is taken directly from those adults' own days of youth: a raucous performance of the Charleston, providing a stark contrast between the entertainment in which the adults indulged when they were young and what they are now advocating for their children.
Arline gets the point and announces that she now agrees that parents have been using rock and roll as a scapegoat for their own parental failings. Sunny's father agrees, noting that he now accepts that his daughter was at fault for the disruption at the rock and roll show. Arline offers Arnie an apology, both on the spot and in print, and the show closes with a rock and roll number, which even the adults now allow themselves to enjoy.
Don't Knock the Rock premiered in New York City on December 12, 1956 (The film is often listed in reference books as being a 1957 release, due to its December 1956 premiere). [2] The film was an immediate follow-up to the earlier Rock Around the Clock IMDB (Reference) , which had also starred Haley and Freed. Although Haley and the Comets were the top-billed stars of the film, their role in it was relatively minor and the film failed to duplicate the box office success of its predecessor. Today it is notable for the performances of Bill Haley and His Comets and Little Richard and the appearance of Alan Freed, all members of the Rock and Roll Hall of Fame.
The version of the guitar instrumental "Goofin' Around" performed in this film differs from the version released on Decca Records; it has yet to be officially issued although a film audio recording of the scene in which it was played (as opposed to the original studio recording) was released in the late 1990s by the German label Hydra Records. Due to sheet music for the songs "Applejack" and "Country Dance" being released as a tie-in with this movie but with Bill Haley's, not Dave Appell's, photo on the cover, these songs, although Haley-sounding, are often erroneously cited as Bill Haley recordings.
Three Little Richard songs are featured: two performed by Richard himself, and the third is a cover version of his "Rip it Up" performed by Haley.
Alan Dale's song "I Cry More" was one of the first songs published by the team of Burt Bacharach and Hal David. The two were largely unknown at the time of the film, and did not have a hit together until 1958, when their song "The Story of My Life" went to number one on the Billboard country chart.
As with Rock Around the Clock, no official soundtrack album was released, though some non-American issues of Haley compilations tied in to the film. Haley's 1956 album, Rock 'n Roll Stage Show , includes four of the songs featured in the movie: "Hot Dog Buddy Buddy", "Goofin' Around", "Hook, Line and Sinker", and "Calling All Comets".
Don't Knock the Rock was never released officially on VHS or laserdisc in North America. In 2006, the film was released on Region 1 DVD by Sony Pictures (current owners of the Columbia catalog) in a two-disc set with Rock Around the Clock . [3]
William John Clifton Haley was an American rock and roll musician. He is credited by many with first popularizing this form of music in the early 1950s with his group Bill Haley & His Comets and million-selling hits such as "Rock Around the Clock", "See You Later, Alligator", "Shake, Rattle and Roll", "Rocket 88", "Skinny Minnie", and "Razzle Dazzle". Haley has sold over 60 million records worldwide. In 1987, he was posthumously inducted into the Rock and Roll Hall of Fame.
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca. It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s.
Bill Haley & His Comets were an American rock and roll band formed in 1947 and continuing until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group recorded nine Top 20 singles, one of which was number one and three that were Top Ten. The single "Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years.
The Treniers were an American R&B and jump blues musical group led by identical twins Cliff and Claude Trenier. They were originally billed as the Trenier Twins, who performed alongside the Gene Gilbeaux Quartet, but shortened their name to the Treniers when Gilbeaux and other musicians became integral members of the group. Besides the Trenier brothers, group members included Don Hill on saxophone, Shifty Henry and later James (Jimmy) Johnson on bass, Henry (Tucker) Green on drums and Gene Gilbeaux on piano. Later, additional Trenier brothers Milt and Buddy, and nephew Skip, joined the group on vocals, and there were many other musician and line-up changes over the years including Herman Washington and Mickey Baker on guitar.
Francis Eugene Beecher was the lead guitarist for Bill Haley & His Comets from 1954 to 1962, and is best remembered for his innovative guitar solos that incorporated elements of jazz. He composed the classics "Blue Comet Blues", "Goofin' Around", "Week End", "The Catwalk", and "Shaky" when he was the lead guitarist for Bill Haley and the Comets. He continued to perform with surviving members of the Comets into 2006. In 2012, the Rock and Roll Hall of Fame inducted Beecher as a member of the Comets by a special committee, aimed at correcting the previous mistake of not inducting the Comets with Bill Haley.
John Andrew Grande was a member of Bill Haley's backing band, The Comets.
William Famous Williamson was the American steel guitar player for Bill Haley and His Saddlemen, and its successor group Bill Haley & His Comets, from 1949 to 1963.
Rock Around the Clock is a 1956 musical film featuring Bill Haley and His Comets along with Alan Freed, the Platters, Tony Martinez and His Band and Freddie Bell and His Bellboys. It was produced by B-movie king Sam Katzman and directed by Fred F. Sears.
Alan Dale was an American singer of traditional popular and rock and roll music.
"Crazy Man, Crazy" was the title of an early rock and roll song written by, and first recorded by Bill Haley & His Comets in April 1953. It is notable as the first recognized rock and roll recording to appear on the national American musical charts, peaking at #12 on the Billboard Juke Box chart for the week ending June 20, 1953, and #11 for two weeks on the Cash Box chart beginning for the week of June 13.
Donato Joseph "Danny" Cedrone was an American guitarist and bandleader, best known for his work with Bill Haley & His Comets on their epochal "Rock Around the Clock" in 1954.
Rock 'n Roll Stage Show is the first studio album and fourth overall album by rock and roll band Bill Haley and His Comets. Released by Decca Records in August 1956, it was the group's first album to include new, as opposed to previously released material. Although the album spawned several singles, it also featured several album-only tracks.
"Rock-A-Beatin' Boogie" is a 1952 song composed by Bill Haley and first recorded by the Esquire Boys in 1952. Bill Haley and the Comets recorded the song in 1955 for Decca. The song was featured in the 1956 movie Rock Around the Clock.
"Rudy's Rock" is a 1956 instrumental composed by Bill Haley and Rudy Pompilli and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock. The single peaked at #34 on Billboard and #26 in the UK on the Record Retailers chart.
Bill Haley & His Comets recorded many singles and albums. The following list references only their original release and generally does not include compilation albums or single reissues. This list does not include releases on which the Comets worked as session musicians, and primarily focuses on releases during Haley's lifetime.
Albert Floyd Piccirilli, also known by his stage name Al Rex, was an American bass player for Bill Haley & His Comets and its predecessor Bill Haley and the Saddlemen.
"Hot Dog Buddy Buddy" is a 1956 rock and roll song composed by Bill Haley and released as a Decca single and also on Brunswick. The song appeared in the 1956 Columbia Pictures movie Don't Knock the Rock. The single peaked at #36 on the Cash Box pop singles chart.
"R-O-C-K" is a 1956 rock and roll song recorded and co-written by Bill Haley and released as a Decca single. The song appeared in the 1956 Columbia Pictures movie Rock Around the Clock. The single peaked at #16 on Billboard.
Ralph Jones was an American drummer, best known for his work with Bill Haley & His Comets. Jones was ultimately Haley's fifth, joining The Comets at their peak in 1955 and ultimately staying until 1960. Jones played on many of Haley's hit records on Decca, including "See You Later, Alligator".