"Don't Look Now (It Ain't You or Me)" | |
---|---|
Song by Creedence Clearwater Revival | |
from the album Willy and the Poor Boys | |
Released | November 1969 |
Recorded | 1969 |
Genre | Rockabilly [1] |
Length | 2:11 |
Label | Fantasy Records |
Songwriter(s) | John Fogerty |
Producer(s) | John Fogerty |
"Don't Look Now (It Ain't You or Me)" is a song written by John Fogerty that was first released on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys . [2] It has also appeared on several of the group's live and compilation albums. It was covered by Minutemen on their 1984 album Double Nickels on the Dime .
"Don't Look Now (It Ain't You or Me)" follows "Fortunate Son" on Willy and the Poor Boys and it follows up the latter's political theme of class disparities. [3] "Don't Look Now (It Ain't You or Me)" supports common laborers at the expense of rock stars and hippies. [3] It critiques the fact that hippies get to enjoy their idealism and their music, but while they are having fun and ignoring responsibilities the less fortunate have to do the hard work such as farming, mining and making clothing. [4] It is structured as a series of questions, such as "Who will work the field with his hands?" "Who takes the coal from the mines?" "Who takes the salt from the earth?" and "Who will keep the promises that you don't have to keep?" [4] [5] It answers the questions by stating, "Don't look now, it ain't you or me". [5] In a manner reminiscent of Bob Dylan's "Blowin' in the Wind", the first two questions in each verse are practical ones, such as the ones about working the field or mining for coal or salt, while the third and last question of each verse is more metaphysical, such as the one about keeping promises. [6]
Fogerty stated that while like many in his generation he was concerned about what was happening in America at the time, he was also concerned about issues with his hippie generation itself. [7] Fogerty stated: [4] [5]
We're all so ethnic now, with our long hair and shit. But, when it comes to doing the real crap that civilization needs to keep it going ... who's going to be the garbage collector? None of us will. Most of us will say, "That's beneath me, I ain't gonna do that job".
Fogerty also stated that "It was a challenge really to take a look at yourself. Most of us refuse to get involved with the dirty work of humanity". [4] Creedence Clearwater Revival drummer Doug Clifford later explained: [7]
That's a song that will slap you right in the face...It's a sobering tune, if you listen to the lyrics. It's a period of time when everyone was pointing the finger at our generation saying "This isn't right, this isn't right". But how many people were really going to do something about it? It's real easy to point your finger and knock something, but to get in there and roll up your sleeves and change it for the better these are the real leaders in the world. That song can really ring a chord of truth about a lot of people's basic laws. That's one of my favorite songs, quite frankly. It has everything in it: Great message, nice little beat. Stu has a nice little lick in there. Stu was really an underrated bass player.
Village Voice critic Robert Christgau wrote that the song "manages to encapsulate the class system in two minutes and eight seconds." [7]
"Don't Look Now (It Ain't You or Me)" has a rockabilly melody. [7] Band biographer Craig Hansen Werner calls it "a country-tinged variation on the straight ahead rock and roll of 'Fortunate Son.'" [8] Fogerty biographer Thomas Kitts describes the song as having an "echoey vocal, straightforward backbeat, simple bass line and acoustic guitar" which come together to give it the sound of pre-World War II country music, which Kitts finds consistent with the song's "support of traditional values". [4] Werner points out that in contrast to the hard rocking "Fortunate Son," when Fogerty sings the crucial lines of "Don't Look Now"—Don't look now, someone's done your starvin'/Don't look now, someone's done your prayin' too—he does so quietly, virtually in a whisper. [8]
Rolling Stone critic Alec Dubro credits "Don't Look Now" for attempting to deal with its difficult issue and for displaying a broader vision than that of most rock lyricists. [5] Timothy Gray stated that, like "Fortunate Son," this song rocks so hard you hardly notice the bald political rhetoric. [3] AllMusic critic Stephen Thomas Erlewine calls it "a great rockabilly spiritual," an "overlooked gem" and "an album favorite." [2] [9] The New Rolling Stone Album Guide critic Rob Sheffield highlighted the "sharp working class anger" of "Don't Look Now" in regarding the song as part of "Fogerty's songwriting peak." [10] In an earlier edition of that book, reviewer Paul Evans stated that "'Fortunate Son' and 'Don't Look Now (It Ain't You or Me)' was the most convincing political rock & roll before the Clash." [11] Village Voice critic Robert Christgau called it a "hidden treasure." [12]
"Don't Look Now (It Ain't You or Me)" was included on several Creedence Clearwater Revival compilation albums, including Chronicle, Vol. 2 in 1986, Keep On Chooglin' in 1999 and Creedence Clearwater Revival: Box Set in 2001. [13] It was also included on the 1980 live album The Concert . [9]
Punk band Minutemen covered "Don't Look Now" on their 1984 album Double Nickels on the Dime . [14] It is the only song on the album that was not recorded at Radio Tokyo. [14] Although a studio version was recorded, the band decided to accept a suggestion by Joe Carducci to include on the album a live version recorded on a cassette tape at Club Lingerie in Hollywood. [14] [15] Although the recording is imperfect, the fact that audience members can be heard talking during the song enhances the message of the song. [14] The song asks who is going to take care of providing necessities such as food, clothing and shelter. [14] If the audience is gossiping during the song, apparently it will not be them who takes care of it, which throws the question to the listener of the album whether he or she is even paying attention, let alone willing to take responsibility. [14]
Creedence Clearwater Revival, commonly abbreviated as CCR or simply Creedence, was an American rock band formed in El Cerrito, California. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother, rhythm guitarist Tom Fogerty, bassist Stu Cook, and drummer Doug Clifford. These members had played together since 1959, first as the Blue Velvets and later as the Golliwogs, before settling on Creedence Clearwater Revival in 1967. The band's most prolific and successful period between 1969 and 1971 produced fourteen consecutive Top 10 singles and five consecutive Top 10 albums in the United States, two of which – Green River (1969) and Cosmo's Factory (1970) – topped the Billboard 200 chart. The band performed at the 1969 Woodstock festival in Upstate New York, and was the first major act signed to appear there.
Cosmo's Factory is the fifth studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on July 16, 1970. Six of the album's eleven tracks were released as singles in 1970, and all of them charted in the top 5 of the Billboard Hot 100. The album spent nine consecutive weeks in the number one position on the Billboard 200 chart and was certified 4x platinum by the Recording Industry Association of America (RIAA) in 1990. Rolling Stone ranked it number 413 on its 2020 list of the "500 Greatest Albums of All Time".
Creedence Clearwater Revival is the debut studio album by the American rock band Creedence Clearwater Revival, released in July 1968, by Fantasy Records in the US. Featuring the band's first hit single, "Susie Q", which reached number 11 in the US charts, it was recorded shortly after the band changed its name from the Golliwogs and began developing a signature swamp rock sound.
Bayou Country is the second studio album by the American rock band Creedence Clearwater Revival, released by Fantasy Records on January 15, 1969, and was the first of three albums CCR released in that year. Bayou Country reached number 7 on the Billboard 200 chart and produced the band's first No. 2 hit single, "Proud Mary".
Green River is the third studio album by the American rock band Creedence Clearwater Revival, released on August 7, 1969 by Fantasy Records. It was the second of three albums they released in that year, preceded by Bayou Country in January and followed by Willy and the Poor Boys in October.
Willy and the Poor Boys is the fourth studio album by the American rock band Creedence Clearwater Revival, released on October 29, 1969, by Fantasy Records. It was the last of three studio albums the band released that year, arriving just three months after Green River. In 2020, Rolling Stone ranked the album number 193 on its list of the "500 Greatest Albums of All Time".
Mardi Gras is the seventh and final studio album by the American rock band Creedence Clearwater Revival, released on April 11, 1972 by Fantasy Records. Recorded after the departure of guitarist Tom Fogerty, it was the band's only studio album as a trio, and featured songs written, sung, and produced by each of the remaining members, rather than just John Fogerty. The recording sessions were marred by personal and creative tensions, and the group disbanded after a short U.S. tour to support the album.
Double Nickels on the Dime is the third album by American punk trio Minutemen, released on the California independent record label SST Records in 1984. A double album containing 45 songs, Double Nickels on the Dime combines elements of punk rock, funk, country, spoken word and jazz, and references a variety of themes, from the Vietnam War and racism in America, to working-class experience and linguistics.
"Born on the Bayou" (1969) is the first track on Creedence Clearwater Revival's second album, Bayou Country, released in 1969. It was released as the B-side of the single "Proud Mary" that reached No. 2 on the Billboard charts.
"Fortunate Son" is a song by the American rock band Creedence Clearwater Revival, released on the band's fourth studio album, Willy and the Poor Boys in October 1969. It was previously released as a single, together with "Down on the Corner", in September 1969. It soon became a Vietnam anti-war movement anthem and an expressive symbol of the counterculture's opposition to U.S. military involvement in the Vietnam War and solidarity with the soldiers fighting it. The song has been featured extensively in pop culture depictions of the Vietnam War and the anti-war movement.
The Concert is the second live album by American rock band Creedence Clearwater Revival, released by Fantasy Records in October 1980. It was recorded at the Oakland–Alameda County Coliseum Arena in Oakland, California, on January 31, 1970.
Chronicle, or fully Chronicle: The 20 Greatest Hits, is a greatest hits album by the American rock band Creedence Clearwater Revival. It was released in January 1976 by Fantasy Records. The edited version of "I Heard It Through the Grapevine" featured on the album was simultaneously released as a single.
Revival is the seventh solo studio album by American roots rock singer-songwriter/guitarist John Fogerty. Released in 2007, it was his first new album in three years, and also his third album since rejoining Fantasy Records. The album was released on October 2, 2007.
"Green River" is a song by American rock band Creedence Clearwater Revival. It was written by John Fogerty and released as a single in July 1969, one month before the album of the same name was released. "Green River" peaked at number two for one week, behind "Sugar, Sugar" by The Archies, and was ranked by Billboard as the No. 31 song of 1969.
"Long As I Can See the Light" is a song by American rock band Creedence Clearwater Revival, from the album Cosmo's Factory. Released as the flip side of the single "Lookin' Out My Back Door" in 1970, it reached number 57 on the Cash Box singles chart in the US, number 20 in the UK, and number one in Norway.
"Rock and Roll Girls" is a song written by John Fogerty that was first released on his 1985 album Centerfield. It was also released as the second single from the album, backed with the title track of the album. It peaked at number 20 on the Billboard Hot 100 and at number five on the Mainstream Rock chart.
"Commotion" is a song by Creedence Clearwater Revival from the album Green River, and was also the B-side of the single release of the album's title track. In 1980, "Tombstone Shadow" b/w "Commotion'" was released as a single in the United States. While released as a B-side, "Commotion" reached #30 in the United States on the Billboard Hot 100 and #16 in Germany. It was written by John Fogerty and recorded at Wally Heider's Studios in San Francisco in June 1969. The 45rpm was the debut session of the band at Wally Heider's and the first collaboration with engineer Russ Gary.
"It Came Out of the Sky" is a song written by John Fogerty that was included on Creedence Clearwater Revival's 1969 album Willy and the Poor Boys. It was also released as a single in some countries and has appeared on several of the group's compilation albums. It was included occasionally in the group's live set even after John Fogerty left the group and the remaining members reformed as Creedence Clearwater Revisited.
"Keep On Chooglin'" is a song written by John Fogerty that was first released as the final song on Creedence Clearwater Revival's 1969 album Bayou Country. The song was often used to close Creedence Clearwater Revival concerts and was later covered by several other artists including Fogerty as a solo artist. The song popularized the neologism "chooglin'."
Ultimate Creedence Clearwater Revival: Greatest Hits & All-Time Classics is a three-disc greatest hits album by the American roots rock band Creedence Clearwater Revival, released in 2012 by Fantasy Records and Concord Music Group.