Carl William Demarest was an American character actor, known especially for his roles in screwball comedies by Preston Sturges and for playing Uncle Charley in the sitcom My Three Sons Demarest, who frequently played crusty but good-hearted roles, was a prolific film and television actor, appearing in over 140 films, beginning in 1926 and ending in the late 1970s. Before his career in motion pictures, he performed in vaudeville for two decades.
John Villiers Farrow, KGCHS was an Australian film director, producer, and screenwriter. Spending a considerable amount of his career in the United States, in 1942 he was nominated for the Academy Award for Best Director for Wake Island, and in 1957 he won the Academy Award for Best Adapted Screenplay for Around the World in Eighty Days. He had seven children by his wife, actress Maureen O'Sullivan, including actress Mia Farrow.
Five Came Back is a 1939 American black-and-white melodrama from RKO Radio Pictures produced by Robert Sisk, directed by John Farrow, written by Jerry Cady, Dalton Trumbo, and Nathanael West, and starring Chester Morris and Lucille Ball. The film was photographed by cinematographer Nicholas Musuraca. Although considered a B movie, the positive notices received by Ball helped launch her career as an A-list actress. Five Came Back is considered a precursor of the disaster film genre. The supporting cast features Wendy Barrie, John Carradine, C. Aubrey Smith, Kent Taylor, and Patric Knowles.
Big City is a 1937 American drama film directed by Frank Borzage and starring Luise Rainer and Spencer Tracy. The film was also released as Skyscraper Wilderness.
The Royal Bed is a 1931 American pre-Code satirical comedy film produced by William LeBaron and distributed through RKO. The film was directed by and starred Lowell Sherman, along with Mary Astor and Anthony Bushell. The screenplay was adapted by J. Walter Ruben based on the 1928 play by Robert E. Sherwood titled The Queen's Husband. It would be one of a handful of RKO pictures which was produced in both English and French language versions.
Transgression is a 1931 Pre-Code American drama film directed by Herbert Brenon, using a screenplay written by Elizabeth Meehan, adapted from Kate Jordan's 1921 novel, The Next Corner. The film stars Kay Francis, Paul Cavanagh, and Ricardo Cortez, and deals with the romantic entanglements of a wealthy English businessman, his wife and a Spanish nobleman.
The Crime Doctor is a 1934 American crime drama directed by John Robertson from a screenplay by Jane Murfin, adapted from the novel The Big Bow Mystery by Israel Zangwill. The film stars Otto Kruger, Karen Morley, and Nils Asther. RKO Radio Pictures produced and distributed the film which was released on April 27, 1934.
The Farmer in the Dell is a 1936 American comedy film directed by Ben Holmes from a screenplay by Sam Mintz and John Grey, adapted from Phil Stong's 1935 novel, which was similarly titled, Farmer in the Dell. The film was premiered by RKO Radio Pictures in New York City on March 6, 1936, and released widely later that month on March 27. It stars Fred Stone, Jean Parker, and Esther Dale.
Don't Turn 'Em Loose is a 1936 American crime drama film directed by Ben Stoloff and produced by RKO Radio Pictures, who released the film on September 18, 1936. Written by Harry Segall and Ferdinand Reyher, the production’s screenplay is at least partially based on "Homecoming" by Thomas Walsh, a short story published in Collier's magazine in March 1936. The film costars Lewis Stone, James Gleason, Bruce Cabot, Louise Latimer and Betty Grable.
Criminal Lawyer is a 1937 American drama film directed by Christy Cabanne from a screenplay by G. V. Atwater and Thomas Lennon, based on a story by Louis Stevens. The film stars Lee Tracy, Margot Grahame and Eduardo Ciannelli. RKO produced the film and premiered it on January 26, 1937 in New York City, with a national release a few days later on January 29. It was the second time Stevens' story had been used for a film, the first being 1932's State's Attorney, starring John Barrymore and Helen Twelvetrees, directed by George Archainbaud, and also produced and released by RKO.
Everybody's Doing It is a 1938 American comedy film directed by Christy Cabanne using a screenplay by J. Robert Bren, Edmund Joseph, and Harry Segall, based on George Beck's story. RKO produced and distributed the film, releasing it on January 14, 1938. The movie stars Preston Foster and Sally Eilers.
Double Danger is a 1938 American crime drama directed by Lew Landers, using a screenplay by Arthur T. Horman and J. Robert Bren based on Horman's story. The film stars Preston Foster and Whitney Bourne, with supporting roles by Donald Meek and Samuel S. Hinds. Produced by RKO Radio Pictures, it was released on January 28, 1938.
China Passage is a 1937 American mystery film directed by Edward Killy from a screenplay by Edmund L. Hartmann and J. Robert Bren, based on a story by Taylor Caven. RKO Radio Pictures produced the film, which stars Constance Worth, Vinton Haworth, Leslie Fenton and Gordon Jones. Haworth was injured in an automobile accident in January 1937, delaying the film's released until March 12, 1937.
The Big Shot is a 1937 American comedy film directed by Edward Killy from a screenplay by Arthur T. Horman and Bert Granet, based on a story by Lawrence Pohle and Thomas Ahearn. The film stars Guy Kibbee, Cora Witherspoon, Dorothy Moore, and Russell Hicks. Produced and distributed by RKO Radio Pictures, the film premiered on July 23, 1937.
Danger Patrol is a 1937 American drama film directed by Lew Landers from a screenplay by Sy Bartlett based on a story by Helen Vreeland and Hilda Vincent. Produced and distributed by RKO Radio Pictures, it was released on December 3, 1937 and stars Sally Eilers, John Beal, and Harry Carey.
Scattergood Survives a Murder is a 1942 American mystery film directed by Christy Cabanne from a screenplay by Michael L. Simmons, based on the series of short stories about "Scattergood Baines", penned by Clarence Budington Kelland.
Cinderella Swings It is a 1943 American comedy-drama film directed by Christy Cabanne from a screenplay by Michael L. Simmons, based on short stories by Clarence Budington Kelland about small-town philanthropist Scattergood Baines. Produced and Distributed by RKO Radio Pictures, it was released on January 22, 1943 and stars Guy Kibbee and Gloria Warren. It was the last of the six films in the Scattergood Baines series and the only one without the word “Scattergood” in the title. Originally called Scattergood Swings It, the picture was renamed because the franchise was declining in popularity.
Charles R. Rogers, was an American film producer whose career spanned both the silent and sound film eras. Rogers began his career on the 1924 silent film, A Cafe in Cairo, produced by the short-lived Hunt Stromberg Productions. After Stromberg ceased productions in 1925, Rogers would found his own independent company, Charles R. Rogers Productions. He would also produce for major studios such as RKO Radio Pictures, Universal, and United Artists. The pinnacle of his career would be from 1936 to 1938 when he was chosen as the vice-president in charge of production for Universal Pictures. He died as the result of injuries sustained in a car accident in 1957.
Maury Cohen, also known as Maury M. Cohen, was an American film producer most active during the 1930s. He owned one of the Poverty Row studios, Invincible films, which specialized in making low-budget feature films. After leaving film in the early 1940s, Cohen founded and ran the historic dance club in Los Angeles, the Hollywood Palladium.
Lee Marcus, also known as Lee S. Marcus, was an American film producer of the 1930s and 1940s. During his fifteen-year career he produced over 85 films, most of them between 1934 and 1941 while he was at RKO Studios. Prior to his production career, Marcus worked for FBO and then RKO as a sales executive, reaching the level of vice president in both organizations. At RKO, he was head of production of the studio's b-films during the late 1930s and the beginning of the 1940s. He was also responsible for producing what many consider to be the first film noir, 1940's Stranger on the Third Floor.
