Dubnobasswithmyheadman | ||||
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Studio album by | ||||
Released | 24 January 1994 | |||
Recorded | 1991–1993 | |||
Studio |
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Genre | ||||
Length | 72:53 | |||
Label | Junior Boy's Own | |||
Producer | Underworld | |||
Underworld chronology | ||||
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Singles from Dubnobasswithmyheadman | ||||
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Alternative cover | ||||
![]() Vinyl edition |
Dubnobasswithmyheadman (stylised as dubnobasswithmyheadman) is the third studio album by British electronic music group Underworld,released in the United Kingdom on Junior Boy's Own on 24 January 1994. [1] [2] It was the first Underworld album after the 1980s version of the band had made the transition from synth-pop to electronic dance music and is also the first album to feature Darren Emerson as a band member.
The original line-up of Underworld had split up after a 1989 tour of North America as the support act to Eurythmics. After the tour Karl Hyde had stayed in the United States for two months to work at Prince's Paisley Park Studios in Minneapolis as a session musician,and then toured with Debbie Harry and Chris Stein of Blondie. [3] When Hyde returned to the UK he found his former bandmate Rick Smith had been collaborating on dance tracks with a teenage DJ named Darren Emerson,a friend of Hyde's brother-in-law,at Hyde and Smith's studio in Romford:Emerson had been eager to learn how to use the equipment in a recording studio,and in turn Smith had been keen to have somebody who could introduce him to electronic music and club culture,which he had grown increasingly interested in. [3] [4] The three men started to swap ideas and create songs,resulting in a series of singles released throughout 1992 and 1993 under the names Underworld and Lemon Interupt.
Underworld's approach to songwriting was very fluid,and based on the idea that everything was valid. Hyde told Melody Maker,"We're grabbing elements from all different times and areas of music and taking them somewhere else. We don't want to simply regurgitate the past,and even though we're using vocals and guitars,we're trying to do it in new ways. We're trying to find ways which makes those elements relevant to today. By not following a blueprint,we're able to base a song on acoustic guitar,or we can do a pure techno track,based on an oscillator. In the past,Rick and I have often been excited by a poem or a film or something and thought,'That's inspired us to do a great reggae tune but we can't because we're not in a reggae band'. Now we would think,'Fuck yes,let's do it'." Smith added,"There's a lot of cutting and pasting,especially with the vocals. Something which is recorded for one track one day may well end up on three different tracks a few months down the line. Nothing is fixed. They're just points for us to jump off of." [4]
Many of Hyde's lyrics were written during his sojourn in the US:"Dark and Long" was intended to evoke the open prairies of Minnesota that he had visited while working in Minneapolis,and "Mmm Skyscraper... I Love You" was inspired by walking around Greenwich Village in New York City. Hyde stated that the biggest influences at the time on his writing style had been Lou Reed's 1989 album New York ,and playwright Sam Shepard's autobiography Motel Chronicles. [3]
Tomato,the art design collective that includes Underworld's Rick Smith and Karl Hyde,designed the artwork for Dubnobasswithmyheadman. It features black and white type that has been "multiplied,smeared,and overlaid" so much that it is nearly unreadable,alongside a "bold symbol consisting of a fractured handprint inside a broken circle". [5] [6] The artwork was originally intended for Tomato's book Mmm... Skyscraper I Love You:A Typographic Journal of New York,published in 1994. [7]
According to the authors of The Greatest Album Covers of All Time,the cover "set a new standard of presentation for subsequent Dance albums". [7] In Graphic Design:A New History,Stephen Eskilson cites the cover as a notable example of the "expressive,chaotic graphics" that developed in the 1990s,a design style he calls "grunge". [8] In an article published in the journal Substance Paul Zelevansky says that "the packaging... replays the visual poetry of the 1960s and '70s and fast forwards to the alchemical transformations of computer graphics packages". [5]
The album artwork also features excerpts of lyrics to the band's 1996 hit "Born Slippy .NUXX",a track which was released two years after the album.
Karl Hyde told Uncut magazine in 2014 that the album's title had come from him misreading Rick Smith's writing on a cassette tape box. [9]
Contemporary reviews | |
---|---|
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Drowned in Sound | 10/10 [11] |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
NME | 8/10 [13] |
The Rolling Stone Album Guide | ![]() ![]() ![]() ![]() ![]() |
Select | 4/5 [15] |
Slant Magazine | ![]() ![]() ![]() ![]() ![]() |
Uncut | 9/10 [17] |
Vox | 8/10 [18] |
Dubnobasswithmyheadman received widespread acclaim from music critics. Writing in Melody Maker ,a year before he left to co-found the specialist dance music magazine Muzik ,Ben Turner proclaimed that "Dubnobasswithmyheadman is the most important album since The Stone Roses and the best since Screamadelica ... While others are content to go techno techno techno techno [a reference to the lyrics of "No Limit" by 2 Unlimited,a UK No. 1 hit the previous year],Underworld have taken a step back,utilising Karl Hyde and Rick Smith's experience in rock music and throwing it full in the face of 22-year-old DJ,Darren Emerson. The result is utterly contemporary,the sound of the moment,beautifully capturing melodic techno,deranged lyricism,historic bass and lead guitars and astounding walls of rhythm ... This breathtaking hybrid marks the moment that club culture finally comes of age and beckons to everyone." [19] Dele Fadele of NME said,"Before Underworld's startling remixes for Björk and Orbital last year,no-one would've put money on ex-members of ... popsters Freur making the first visionary record of '94 ... The sheer weight of ideas on offer and the constant variance of sounds and textures add up to a coherent,cogent whole,not a series of jack-tracks sequenced together,nor a series of hits with filler thrown in ... By writing 'songs'—albeit playful,deranged ones—Underworld have come up with a solution for the facelessness that blights some dance music." [13] Vox writer Phil Strongman wrote that "apart from the lumbering blasphemy of 'Dirt Epic' [sic],the only non-event here,it's all go-with-the-flow stuff laced with intricacies ... Attractive,undulating and with moments of innovation,this Underworld offering transcends many of the limitations of its genre." [18] At the end of 1994,Dubnobasswithmyheadman was ranked at number 16 on Melody Maker's list of the year's best albums. [20]
In 1999, Q included Dubnobasswithmyheadman in its list of the 90 best albums of the 1990s. [21] The following year, Alternative Press named it as one of "10 Essential Dance Albums That Rock". [22] In a retrospective review,John Bush from AllMusic wrote that the album's "innovative blend of classic acid house,techno,and dub" showed that "in a decade awash with stale fusion",Underworld were "truly a multi-genre group". [10] Adie Nunn from Drowned in Sound viewed Dubnobasswithmyheadman as a groundbreaking dance music album,noting that few other acts in the dance scene managed to produce an album with crossover appeal to "indie kids and pop kids... as well as the electronic elite" whilst retaining "credibility". [11] Sal Cinquemani from Slant Magazine deemed the album Underworld's "greatest overall contribution to electronic music". [16]
Retrospective reviews | |
---|---|
Review scores | |
Source | Rating |
The Line of Best Fit | 9.5/10 [23] |
Louder than War | 10/10 [24] |
Mojo | ![]() ![]() ![]() ![]() ![]() |
The Music | ![]() ![]() ![]() ![]() ![]() |
Pitchfork | 9.2/10 [27] |
PopMatters | 10/10 [28] |
Q | ![]() ![]() ![]() ![]() ![]() |
Record Collector | ![]() ![]() ![]() ![]() ![]() |
Uncut | 9/10 [9] |
In 2014,the album was reissued on vinyl,Blu-Ray,and 2-CD and 5-CD expanded editions. Reviewing the reissue, Q described the album as "superb" and proposed that Hyde and Smith's previous 14 years of making music "was why the uncannily undated Dubnobasswithmyheadman still exudes such multidimensional sophistication". [29] Uncut praised the material on the extra four discs,but felt that the original album was still Underworld's key record,claiming that Hyde's lyrical vision was able to make Romford sound as exotic as the USA he had seen on his travels,and that this was the reason why "twenty years later,the results of that crazy belief still sound like dance music's dirtiest epic". [9]
All tracks are produced by Underworld (Darren Emerson,Rick Smith and Karl Hyde). Writing credits are often missing or inconsistent;for example,the original Lemon Interupt single credits Smith,Hyde and Emerson as writers of "Dirty", [31] while later editions only credit Smith and Hyde. [32]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dark & Long" |
| 7:35 |
2. | "Mmm…Skyscraper I Love You" |
| 13:08 |
3. | "Surfboy" |
| 7:33 |
4. | "Spoonman" |
| 7:41 |
5. | "Tongue" |
| 4:50 |
6. | "Dirty Epic" |
| 9:55 |
7. | "Cowgirl" |
| 8:29 |
8. | "River of Bass" |
| 6:26 |
9. | "M.E." |
| 7:08 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Rez" |
| 9:56 |
2. | "Why Why Why" | 12:24 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Eclipse" (released under the name Lemon Interupt) | P. Hernandez [34] | 13:01 |
2. | "Rez" |
| 9:58 |
3. | "Dirty" (released under the name Lemon Interupt) |
| 10:19 |
4. | "Dark & Long" (Dark Train) |
| 9:55 |
5. | "Spikee" |
| 12:51 |
6. | "Concord" (3 comp75 id9 a1771 aug 93a) | 6:51 | |
7. | "Can You Feel Me?" (from a4796) | 4:31 | |
8. | "Birdstar" (a1558 nov 92b.1) | 4:53 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Hump" (Wild Beast) | 6:25 | |
2. | "Eclipse" (released under the name Lemon Interupt) | P. Hernandez [34] | 13:00 |
3. | "Rez" |
| 9:57 |
4. | "Dirty" (released under the name Lemon Interupt) |
| 10:18 |
5. | "Dirty Guitar" |
| 10:01 |
6. | "Dark & Long" (Hall's Edit) |
| 4:10 |
7. | "Dark & Long" (Dark Train) |
| 9:54 |
8. | "Spikee" |
| 12:33 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Mmm…Skyscraper I Love You" (Jam Scraper) |
| 9:14 |
2. | "Cowgirl" (Irish Pub in Kyoto mix) |
| 11:45 |
3. | "Dark & Long" (Most 'ospitable mix) |
| 5:55 |
4. | "Mmm…Skyscraper I Love You" (Telegraph 16.11.92) |
| 7:09 |
5. | "Dark & Long" (Burts mix) |
| 8:47 |
6. | "Dogman Go Woof" |
| 12:15 |
7. | "Dark & Long" (Thing in a Book mix) |
| 20:14 |
No. | Title | Length |
---|---|---|
1. | "Concord" (3 comp75 id9 a1771 aug 93a) | 6:51 |
2. | "Dark & Long" (1st ruff id3 a15512) | 9:34 |
3. | "Mmm…Skyscraper I Love You" (a1765 sky version id4. harmone6 comp43) | 9:58 |
4. | "Mmm…Skyscraper I Love You" (after sky id6 1551 2) | 5:29 |
5. | "Can You Feel Me?" (from a4796) | 4:30 |
6. | "Birdstar" (a1558 nov 92b.1) | 4:51 |
7. | "Dirty Epic" (dirty ambi piano a1764 oct 91) | 6:48 |
8. | "Spoonman" (version1 a1559 nov92) | 10:04 |
9. | "Organ" (eclipse version from a4796) | 6:19 |
10. | "Cowgirl" (alt cowgirl c69 mix from a1564) | 10:12 |
No. | Title | Length |
---|---|---|
1. | "Mmm…Skyscraper I Love You" | 13:27 |
2. | "Improv 1" | 7:27 |
3. | "Bigmouth" | 8:16 |
4. | "Improv 2" | 8:03 |
5. | "Big Meat Show" | 11:16 |
6. | "Improv 3" | 9:52 |
7. | "Spoonman" | 18:05 |
The original version of "Dirty" is almost a minute longer, at 11:14. The remastered version cuts a coda that contained a sample from "Dolls' Polyphony" from the soundtrack to the anime film Akira .
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dark & Long" |
| 7:35 |
2. | "Mmm... Skyscraper I Love You" |
| 13:08 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Surfboy" |
| 7:33 |
2. | "Spoonman" |
| 7:41 |
3. | "Tongue" |
| 4:49 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dirty Epic" |
| 9:55 |
2. | "Cowgirl" |
| 8:25 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "River of Bass" |
| 6:26 |
2. | "M.E." |
| 7:09 |
On 3 October 2008, a DAT from 1993 surfaced on Underworld's official messageboard, which featured a different running order, some extended mixes and three previously unreleased songs: "Big Meat Show", "Organ" and "Can You Feel Me", an outtake from previous sessions. The poster of the DAT called it "just a sampling of the type of songs the band was creating, showing any potential label that was interested ..." [41]
No. | Title | Released | Length |
---|---|---|---|
1. | "Dirty Epic" | 9:59 | |
2. | "Jamscraper" | as "Mmm…Skyscraper I Love You (Jam Scraper)" | 8:57 |
3. | "Big Meat Show" | unreleased, a longer version on 1992–2012 The Anthology | 6:52 |
4. | "Mmm…Skyscraper I Love You" | 13:02 | |
5. | "Organ" | as "Organ (eclipse version from a4796)" (Dubnobasswithmyheadman 20th anniversary) | 6:23 |
6. | "River of Bass" | unreleased, 6:26 version on Dubnobasswithmyheadman | 9:10 |
7. | "Dark and Long" | 7:31 | |
8. | "Dirty Fuzz" | as "Dirty Guitar" | 9:55 |
9. | "Can U Feel Me" | as "Can You Feel Me? (from a4796)" (Dubnobasswithmyheadman 20th anniversary) | 4:31 |
10. | "Goodbye Mother Earth" | as "M.E." | 7:08 |
Chart (1994) | Peak position |
---|---|
Dutch Albums (Album Top 100) [42] | 71 |
UK Albums (OCC) [43] | 12 |
Chart (1999) | Peak position |
---|---|
UK Independent Albums (OCC) [44] | 34 |
Chart (2014) | Peak position |
---|---|
Belgian Albums (Ultratop Flanders) [45] | 132 |
Belgian Albums (Ultratop Wallonia) [46] | 142 |
Japanese Albums (Oricon) [47] | 257 |
Scottish Albums (OCC) [48] | 82 |
UK Dance Albums (OCC) [49] | 12 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [50] | Gold | 100,000^ |
United States | — | 56,000 [51] |
^ Shipments figures based on certification alone. |
Underworld are a British electronic music group formed in 1987 in Cardiff, Wales and the principal collaborative project of Karl Hyde and Rick Smith.
Second Toughest in the Infants is the fourth studio album by British electronic music group Underworld, and the second in their "MK2" line-up with Darren Emerson. With this album, Underworld expanded on their progressive palette, while developing their signature sound of abrasive beats and anthemic melodies. The name of the album derives from a comment made by member Rick Smith's six-year-old nephew, Simon Prosser, when asked on his progress at infant school. Second Toughest featured the single "Pearl's Girl". The re-issue featured the band's best known single, "Born Slippy .NUXX".
Beaucoup Fish is the fifth album by Underworld, released in 1999. Following the huge success of the single "Born Slippy .NUXX" from its use in the film Trainspotting, Beaucoup Fish was Underworld's most anticipated release. It spawned several successful singles, including "Push Upstairs", "Jumbo" and "Moaner", which was previously used in the film Batman & Robin.
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Freur were a Welsh new wave and synth-pop band featuring Karl Hyde and Rick Smith, who went on to form the electronic band Underworld. It was their second band, following their art school collaboration, the Screen Gemz. Their best known song is "Doot-Doot", which peaked at No. 59 on the UK Singles Chart.
Karl Hyde is an English musician, composer and artist. He is a founding member of British electronic group Underworld. Hyde has also released a solo album, made albums with Brian Eno and Matthew Herbert, and contributed towards the score for the London 2012 Summer Olympics opening ceremony alongside his Underworld bandmate Rick Smith.
Darren Paul Emerson is an English musician, DJ and producer best known as a former member of the British electronic music group Underworld.
"Dark & Long" is a song by British electronic music group Underworld and the opening track on their third studio album, dubnobasswithmyheadman (1994). The band released a number of versions of the track, including the "Dark Train" mix made popular for inclusion on the hit soundtrack album for the 1996 film Trainspotting, and the 2021 "Drift 2 Dark Train" mix.
"Cowgirl" is a song recorded by the British electronic music group Underworld, originally released as a single in 1994. The track is from the band's 1994 album Dubnobasswithmyheadman.
"Dirty Epic" is a 1994 single by British electronic band Underworld. It is a remix of the track "Dirty" released by Underworld in 1992, under the name Lemon Interupt. It appeared on the album dubnobasswithmyheadman, and it was later released as a single in Europe in October 1994 and released in the US as a double A-side with "Cowgirl".
"Rez" is a non-album track by British electronic music group Underworld, originally released in 1993 in the UK. It became a popular club hit and live track in Underworld's sets, despite the fact it could not be found on an album. However, it did appear on many compilations, b-sides, and even appeared on a bonus disc for Second Toughest in the Infants (1996). The first promo release of the single was pressed onto pink vinyl, and is highly collectible as it has an exclusive non-album track, "Why, Why, Why". The song's obscurity led to many bootleg pressings of the song before it was officially re-issued as part of 1992–2012 The Anthology. The more common release has the single "Cowgirl" as its b-side. This version also received a limited white vinyl pressing in the US.
"Born Slippy .NUXX" is a song by the British electronic music group Underworld. It was first released as the B-side to another track, "Born Slippy", in May 1995. The fragmented lyrics describe the perspective of an alcoholic.
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The writing credits on this release are completely fabricated (a band in-joke)
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