Ernesto Tomasini (born 15 May 1968, in Palermo, Italy) is an Italian actor/singer/writer living in Britain. Best known for his more recent forays into contemporary music, he has also had a 35-year career on the stage.
Tomasini began his career at the age of 16 on the Italian comedy circuit[1]. He subsequently made his theatrical debut appearing alongside Duilio Del Prete in the national première of Franz Xaver Kroetz’s Death on Christmas Night[2]. He later appeared in numerous theatre productions while continuing to work in cabaret. He performed as a support act for the comedian Nino Frassica and appeared on the RAI 3 broadcast Premio Anna Magnani[3] For the television programme Scuola di Cabaret, he created comic characters that gained widespread recognition, and in 1990 he was awarded the prize for best comedy act in Sicily.
Stage
In 1992 Tomasini moved to the United Kingdom, where he trained at the Arts Educational London School. He subsequently worked as an actor and singer in the West End stage (Chicago the Musical), at the Royal National Theatre (The English Man...), with experimental theatre companies (Lindsay Kemp)[4], in Off-West End productions (Blind Summit's Mr China's Son), and in national and international tours (Cabaret (musical)).
After early experiments in the late 1990s, including The Other Woman[5], he began creating his own productions in the early 2000s. He first attracted wider attention with True or Falsetto? A Secret History of the Castrati, presented at the Edinburgh Festival[6]. Written by Time Out critic Lucy Powell, the show subsequently ran in London for two seasons and toured internationally in three languages[7]. This was followed by The Veiled Screen: A Secret History of Hollywood!, written by Tomasini and presented in two London runs in 2006 with support from the Arts Council of England[8].
From 2013, following a six-year period largely devoted to music, Tomasini returned to theatre with a series of productions written specifically for him. These included Andrea Cusumano’s Petit Cheval Blanc (International Theatre Festival of Kerala, India, 2013), Roberta Torre’s Aida (Teatro Biondo, Palermo, 2014), Il Mutamento’s Mamma Schiavona (Teatro Astra, Turin, 2014), Lunaria (Napoli Teatro Festival and Italian tour, 2023)[9]. He also resumed wrtiting his own plays, like Beato chi ci crede (Teatro Out Off, Milan, 2017)[10] and he founded the first queer theatre company in Sicily, presenting the production La signora Palermo ha due figlie (Festival Teatro Bastardo, Palermo, 2024)[11]. His performance style has been described by critics as combining elements of Italian cabaret, avant-garde performance art and vaudeville[12].
For the past 18 years he has been lending his wide vocal range to experimental music, singing an eclectic repertoire written for him by a multitude of musicians, becoming an international cult figure.[15] He also performs a more classical repertoire, often alongside opera stars, in opera houses and concert halls. A wide vocal range combined with his melodramatic delivery have interested the press: Frontiers magazine described him as "the most exciting and flamboyant personality to shake up the opera world since Klaus Nomi"[16] and Italian newspaper La Repubblica called him a "prominent figure in avant-garde circuits with his seducing high voice reminiscent of those belonging to evirated singers".[17]
In 2025 he returned to London's Crazy Coqs with a new recital and sang in Franco Maresco's Jazz nights at Teatro Santa Cecilia in Palermo. In 2024 he was singer and actor in “Derek Jarman’s Blue Live” by composer Simon Fisher Turner, at the National Cinema Museum in Turin, Italy.[18] In 2023 he took a new one-man concert to the Danae Festival in Milan and played a major role in the Franco Zeffirelli centenary production of Donizetti‘s “La fille du regiment”, at the Teatro Massimo Bellini in Catania, directed by Marco Gandini, musical direction Giuliano Carella, with John Osborn.[19] In 2022 he sang Cabaret chansons from the early 20th Century, directed by Omer Meir Wellber, at the Teatro Massimo in Palermo and at the Toscanini Festival in Parma and Reggio Emilia.[20] In 2020 he was among the highlights at the end of year concert of the Teatro Massimo in Palermo, also under the baton of maestro Wellber, alongside soprano Carmen Giannattasio and baritone Markus Werba. 2020 also saw the release of a second compilation album by the Lacerba label in which Ernesto appears alongside Myss Keta, Federico Fiumani, Mirco Magnani and others.[21]
In film, he has appeared in features for Pathé and Universal Pictures, working with directors such as Alfonso Cuarón and Peter Hewitt. The short documentary Ernesto Tomasini: One Life to Live (2018) premiered on Dangerous Minds before being screened at the Sicilia Queer Filmfest, as part of a retrospective on his career. His Italian film debut came with Ciurè (2022), in which he plays a major role, followed by his leading performance in Quir (2024), an award-winning Swiss production, that premiered at the Taormina Film Festival ahead of its theatrical release in September 2025.[31] His latest film, Bravo Bene!, by Italian cinema maestro Franco Maresco, was in competition at the Venice Film Festival 2025.[32] As a voiceover artist, he has collaborated with Oscar-winning filmmakers like James Ivory, Ridley Scott, and Kevin Spacey.
His UK television work includes appearances on BBC, ITV, and Sky productions. In 2013 he was at the centre of the documentary Heavenly Voices – The Legacy of Farinelli (2013), performing alongside the world’s leading countertenors. In Italy, he has been frequently interviewed on RAI 3 about his theatrical work and, in April 2025, he appeared on the same channel, in the cast of Ricordando Letizia a short film by Franco Maresco.
In 2015, he was the face of the House of Fraser lipstick campaign, and in 2016, he starred in Symphony to a Lost Generation, the world’s first holographic opera.
Other
In 2012 he was included in the Theatre/Music section of Eccellenza Italiana (Italian Excellency, with presentation by the President of the Republic of Italy, Giorgio Napolitano), for representing Italy in the world.[33] In 2013 he was awarded the prize "Sicilian in the World" and in 2016 received the keys to the city by the mayor of his hometown of Palermo.[34] A lecturer on theatre history and techniques he has given master-classes to drama students in England, Spain and Mexico. Tomasini is the only Italian to have given a masterclass at RADA Royal Academy of Dramatic Art.[35] His work and performance style are discussed in four books and an academic essay.[36] For two years (2010–2012) Ernesto was the London correspondent of the Italian magazine Musical!.[37]
Discography
Black Widow (album, 2007) Beta Lactam-ring Records
Black Sea (album, 2007) Beta Lactam-ring Records
When I Leave You (single, 2007) Othon Mataragas
Canes Venatici (album, 2007) Blossoming Noise
Otto; or, Up With Dead People (soundtrack album, 2008) Crippled Dick Hot Wax!
Digital Angel (album, 2008) Durtro Jnana
The Hunting Dogs of Boötes the Herdsman (album, 2010) Chew-z
Last Night I Paid To Close My Eyes (single, 2011) Cherry Red/SFE
Impermanence (album, 2011) Cherry Red/SFE
Impermanence (single, 2012) Cherry Red/SFE
Düde (album, 2012) Tin Angel Records
Messier Objects (album 2013) Tourette Records
InSonar, L'Enfant et le Ménure (album, 2013) Lizard Records
Dawn Yet To Come (single, 2014) Cherry Red/SFE
Pineal (album, 2014) Cherry Red/SFE
Devotional Songs (album, 2016) Honest Jon
Madame E with Mirco Magnani (album, 2017) Undogmatisch
Star (album, 2017) Parrish Digital
Fun House Mirrors (album, 2017) Backwards Records
Plaisir with Mirco Magnani (single, 2018) Undogmatisch
LB/R La Bellezza Riunita (album, 2018) Lacerba
Amour Braque (album, 2018) Prophecy
La Bellezza Eccetera (album, 2020) Lacerba
Bibliography
Autori vari. Incontroazione 70/96 – 20 anni + 1, Theatrum Mundi Edizioni 1997
Marinelli, Manlio. Per un teatro degli spazi, Theatrum Mundi Edizioni, 2001
Scarlini, Luca. Lustrini per il regno dei cieli. Bollati Boringhieri, 2008
Autori vari. Teatro Libero. Quarant’anni: Le creazioni di Beno Mazzone e Lia Chiappara, 1969–2009, Theatrum Mundi Edizioni 2009
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