Executive Action (film)

Last updated
Executive Action
Executive Action1973.jpg
Theatrical poster
Directed by David Miller
Written by Dalton Trumbo
Story by
Produced by Edward Lewis
Starring
CinematographyRobert Steadman
Edited byGeorge Grenville
Music by Randy Edelman
Distributed by National General Pictures
Release date
  • November 7, 1973 (1973-11-07)
Running time
91 minutes
CountryUnited States
LanguageEnglish
Budgetunder $1 million [1] : 276 

Executive Action is an American political thriller film. It is a fictionalized account of a conspiracy to assassinate United States President John F. Kennedy. Released in November 1973 on the tenth anniversary of the JFK assassination, the film stars Burt Lancaster, Robert Ryan, and Will Geer. It was directed by David Miller, produced by Edward Lewis, and written by Dalton Trumbo. The screenplay was adapted from the novel Executive Action by Donald Freed and Mark Lane, which was published earlier in 1973. Freed and Lane received a film credit for their story. [2]

Contents

Although the film is about a conspiracy, it does not adhere to the conventions of the conspiracy thriller genre in which one or more independent journalists or outside investigators seek to expose the truth of a high-level conspiracy. Instead, Executive Action is told from the standpoint of the conspirators, and the audience watches them carry out the JFK assassination in a methodical, businesslike manner. [3]

Plot

A narrator states that when asked years later about the JFK Assassination and the Warren Commission report, former U.S. President Lyndon B. Johnson "expressed misgivings" that the Commission's lone-gunman conclusion was correct. [4] The narration ends by mentioning that the interview segment did not run on television, and it was cut from a program about Johnson at his own request.

At a June 1963 gathering in the palatial home of Robert Foster, shadowy figures from American industry, politics, and intelligence discuss their growing dissatisfaction with the Kennedy administration. Foster and the others try to persuade Harold Ferguson, a powerful oil magnate dressed in white, to back their plans for Kennedy's assassination. Foster's fellow conspirator James Farrington, a black-ops specialist, labels this an "executive action" (the intelligence term for assassinating a head of state). In a presentation to the assembled group, Farrington shows that magnicide is indeed a viable option. As examples, he cites the Lincoln, Garfield, and McKinley assassinations, along with a few failed attempts, such as against President Franklin Roosevelt in 1933. Farrington explains that these actions were carried out by alleged lone fanatics (later scenes show the grooming process unwittingly undergone by Lee Harvey Oswald to fulfill the lone-fanatic role in the JFK assassination). He adds that "the best chance for success would be to act during a motorcade, because they are always planned well in advance, allow for firing from three angles under cover and provide clean escapes during the following confusion." [5]

Ferguson remains unconvinced, saying such schemes are "tolerable only if they're necessary, and permissible only if they work." [6] Although obtaining Ferguson's approval is crucial to the conspirators, Farrington proceeds to organize shooting Teams A and B in anticipation that Ferguson will eventually change his mind. Team A is shown practicing in the Mojave Desert, firing at moving targets at medium-to-long range. One of the shooters says he can only guarantee the operation's success if he fires at a target travelling less than 15 miles per hour.

After a subsequent meeting, the conspirators discuss their paranoid fears about the future of the U.S. under the Kennedy brothers, and the imperiled security of ruling-class whites across the globe. Foster and Farrington seem privy to plans known to the CIA that Ferguson, a civilian, is perhaps unaware of. Foster forecasts the planet's population in a couple decades at seven billion, "most of them brown, yellow or black. All of them hungry.... They'll swarm out of their breeding grounds into Europe and North America." [6] He regards victory in Vietnam as an opportunity to control the developing world and reduce its population to 550 million, ominously adding, "I know; I've seen the data." [6] He also states that the same population-reduction methods can then be applied to unwanted groups in the United States: Asians, blacks, Latinos, poor whites, etc.

Ferguson watches TV news and becomes increasingly agitated by Kennedy's liberal direction on civil rights, the Nuclear Test Ban Treaty, and nuclear disarmament. The decisive moment comes in an anti-Kennedy news report on the deteriorating situation in South Vietnam. It is followed by Kennedy's October 1963 decision (National Security Action Memorandum #263) to withdraw all U.S. advisers from Vietnam by the end of 1965, effectively ending America's combat involvement in the Vietnam War. Ferguson telephones Foster and tells him he now supports their executive action project.

The murder itself is described in a matter-of-fact way. As news of the successful assassination reaches the conspirators, the film depicts the aftermath. The shooters leave Dallas and the conspirators work to cover up the evidence. Farrington and his assistant Tim discuss the inconvenience of Oswald's survival. Tim approaches nightclub owner Jack Ruby, who stalks and kills Oswald. The plotters assess the political fallout in Washington, D.C. They're concerned about retribution from Attorney General Robert F. Kennedy and the believability of the Oswald-did-it story. Foster states that Bobby Kennedy is "not thinking as Attorney General tonight. He's grieving for a murdered brother. By the time his grief subsides, all the power will have passed." [6] The conspirators agree that people will believe the official story because "they want to." Soon after, Foster receives a call from Farrington's assistant: Farrington has died of a heart attack at Parkland Hospital. The conspirators are now insulated from the link to the group that committed the JFK and Oswald killings.

The conspirators' work is not finished. A photo collage of 18 material witnesses is shown, all but two of whom, the film states, died of unnatural causes within three years of the JFK assassination. A voice-over says that an actuary of the British newspaper The Sunday Times calculated the probability that all of these witnesses would die within that period of time to be one hundred thousand trillion to one. [a]

Cast

Production

The actor Donald Sutherland is credited with conceiving the idea for the film in 1972. [9] He hired Mark Lane and Donald Freed to write the screenplay. [10] Sutherland planned to act in and produce Executive Action, but he was compelled to abandon the project after failing to obtain studio financing, and ended up taking a role in another film. The project was then picked up by producer Edward Lewis. [10] He brought in director David Miller and screenwriter Dalton Trumbo, who had previously teamed up on Lonely Are the Brave (1962).

The original Lane-Freed screenplay strongly implicated the CIA in the JFK assassination. In fact, the film's subtitle was "Conspiracy in America", with the first letters highlighted in red to spell out the agency initials. When he saw Trumbo's rewrite of their screenplay, Lane complained that the central hypothesis had been compromised: "He [Trumbo] didn't have the guts to stay with the position we took.... Ironically, the only organization cleared by the film is the CIA." [10] In a 1991 retrospective article about Executive Action, Andy Marx wrote:

Once the film went into production, Lane and Freed tried to point out certain parts of Trumbo's script they disagreed with, but found themselves barred from the movie set. "We were thinking about what we could do to stop the film from being released," says Lane, "but we figured altogether it was probably better to have it come out and start people thinking about the assassination." [10] [11]

Executive Action was Robert Ryan's final film: he died of cancer four months before its release. [12] Steve Jaffe, an investigator who had worked with New Orleans District Attorney Jim Garrison, was the film's technical consultant and supervising producer. [10]

Music

The film's musical score was composed by Randy Edelman.

Controversies

The day after Executive Action opened, The New York Times reported that National General Pictures had filed a $1.5 million lawsuit against NBC. The lawsuit alleged that the NBC-affiliated New York City station, WNBC-TV, breached an agreement with National General by cancelling a promotional commercial for Executive Action. The station objected to two particular images as "too violent": (1) the president in an open limousine being viewed through a telescopic gunsight, and (2) "a scene in which a marksman is shown firing practice shots at a target in the desert." [13] Stations in Boston and Los Angeles also refused to air the promotional spots. Ira Teller, the director of advertising and publicity for National General, said after NBC turned down the commercial, "We went to the American Broadcasting Company and the Columbia Broadcasting System to seek available time, but were told that none was available." [14] The lack of advertising, and limited theater distribution, contributed to an early disappearance of Executive Action. It wasn't seen on television until the late 1980s. [15]

Critical reception

The film was generally panned. In The New Yorker, Pauline Kael called it "so graceless it's beyond using even as a demonstration of ineptitude.... It's a dodo bird of a movie, the winner of the Tora! Tora! Tora! prize—in miniature—for 1973, with matchlessly dull performances". [16] Leonard Maltin declared the film a "bomb" in his Movie Guide , dismissing it as an "excruciatingly dull thriller [that] promised to clear the air about JFK's assassination but was more successful at clearing theaters." [17]

In contrast, The New York Times gave it a positive review, with Nora Sayre writing that the film "offers a tactful, low-key blend of fact and invention. The film makers do not insist that they have solved John Kennedy's murder; instead, they simply evoke what might have happened...The film's sternest and strongest point is that only a crazed person acting on his own would have been acceptable to the American public — which, at that time, certainly did not want to believe in a conspiracy." [18]

Meanwhile, Roger Ebert was ambivalent, giving the film two stars and calling it "a dramatized rewrite of all those old assassination conspiracy books." [19] Ebert stated, "There’s something exploitative and unseemly in the way this movie takes the real blood and anguish and fits it neatly into a semi-documentary thriller." [19] He added that "Executive Action doesn't seem much to want to entertain" and labeled Miller's direction "colorless". [19] Ebert said the film "borrows from actual newsreel footage of Kennedy, Oswald and Jack Ruby for most of its power. And it does have power, make no mistake. It has the power of evoking what will probably remain, for most of us, the most stunning public moment of our lives: the moment when we first learned that the President had been shot." [19]

On the review aggregator Rotten Tomatoes, the film has a 60% rating with six of ten critic reviews being positive. [20]

Home media

On 23 October 2007, Executive Action was released on DVD in the U.S. and Canada. The film is also available on YouTube, Apple TV, Amazon Prime Video, Google Play Movie, and Fandango at Home.

See also

Notes

  1. ↑ The number was given in a Sunday Times article on 26 February 1967. In response to a 1978 request by the House Select Committee on Assassinations for a copy of the actuarial study, the newspaper's legal representative replied that the article was based on a careless journalistic mistake and should not have been published.
    "This was realized by The Sunday Times editorial staff after the first edition — the one which goes to the United States and which I believe you have — had gone out, and later editions were amended. We asked the actuary the wrong question: what were the odds against fifteen named people out of the population of the United States dying within a short period of time [instead of] the odds against fifteen of those included in the Warren Commission index dying within a given period [would have been] much lower." [7] : 463–465 
    Robert M. Musen, vice president and senior actuary at Metropolitan Life Insurance Company, estimated that the odds of 15 people out of 2,479 in the Warren Commission index dying within a three-year period, assuming a median age of 40, would be 98.16 percent, or one out of 1.2. Assuming a median age of 35, the number would be 57.09 percent, or one out of 1.75. [8] : 1013–14 

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References

  1. ↑ Buford, Kate (2001). Burt Lancaster: An American Life. Cambridge, MA: Da Capo Press. ISBN   0306810190. OCLC   47398389.
  2. ↑ Freed, Donald; Lane, Mark (1973). Executive Action. Dell Publishing Co. ASIN   B0006DZXFI. LCCN   79321939.
  3. ↑ This same matter-of-fact tone can be found in the Executive Action novel by Freed and Lane. In the prologue, the authors call their novel "an anti-mystery" which "aims not at suspense but at purgation."
  4. ↑ Sterritt, David (25 April 2016). "Executive Action". TCM.
  5. ↑ "Executive Action (1973)". AFI Catalog.
  6. 1 2 3 4 "Executive Action (1973)". Movie Scripts.
  7. ↑ HSCA Hearings Volume IV
  8. ↑ Bugliosi, Vincent (2007). Reclaiming History: The Assassination of President John F. Kennedy . New York: W. W. Norton & Co. pp. 1013–1014. ISBN   978-0393045253. OCLC   80180151.
  9. ↑ The AFI Catalog cites an October 1970 Hollywood Reporter news item that Sutherland and Jane Fonda were contemplating a film project titled Executive Action about the killing of a fictional U.S. president. However, it's unclear if that project ended up being the film released in 1973 under the same title.
  10. 1 2 3 4 5 Marx, Andy (29 December 1991). "'Executive Action' dealt with same theme as 'JFK'". Los Angeles Times. Retrieved May 26, 2013.
  11. ↑ Lane, Mark (1992). Plausible Denial: Was the CIA Involved in the Assassination of JFK?. New York: Thunder's Mouth Press. p. 326. ISBN   1560250488. As the credits reveal, the screenplay was actually written by Dalton Trumbo. Donald Freed and I had collaborated on the first draft of the script, which was intended to be a docudrama about the assassination based upon the evidence. It was my first foray into Hollywood, and I soon learned that entertainment concerns occupy a higher priority than fact when banks, insurance companies, film studios and producers decide what is marketable.... When we saw what had happened to our fact-based effort in subsequent drafts, Freed and I protested, both privately to the producer and then publicly at press conferences, pointing out the errors in the work. Consequently, our names did not appear as the screenwriters.
  12. ↑ "Robert Ryan - Biography". IMDb.
  13. ↑ "NBC Faces Lawsuit". Courier-Journal. 21 November 1973. p. 19.
  14. ↑ Calta, Louis (8 November 1973). "N.B.C. Sued on Ads for Kennedy Film". The New York Times.
  15. ↑ "Executive Action - Trivia". IMDb.
  16. ↑ Kael, Pauline (19 November 1973). "The Current Cinema - Politics and Thrills". The New Yorker . p. 236.
  17. ↑ Leonard Maltin, 2014, Leonard Maltin's 2015 Movie Guide, Penguin (Also in earlier editions)
  18. ↑ Sayre, Nora (8 November 1973). "Suspense Film Dramatizes Kennedy Assassination". The New York Times. Retrieved 5 May 2016.
  19. 1 2 3 4 Ebert, Roger (November 20, 1973). "Executive Action". RogerEbert.com. Ebert Digital. Retrieved December 15, 2014.
  20. ↑ "Executive Action". Rotten Tomatoes.
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