"Eyes of the Insane" is a 2006 song by the American thrash metal band Slayer, taken from the band's 2006 album Christ Illusion. The lyrics explore an American soldier's mental anguish following his return home from the second Gulf War, and are based on an article titled "Casualty of War" in Texas Monthly magazine; they were written by vocalist Tom Araya during pre-production for the album. The song was generally well received by critics, and also peaked at No. 15 on the Danish singles chart.
The accompanying music video by the Tehran-born Armenian director Tony Petrossian was recorded in the Los Angeles area in August 2006. The film is presented as a close-up of the soldier's pupil and iris, which reflect disconcerting images of war-themed horrors, flashbacks of his home, wife and children, and ultimately images of his death. "Eyes of the Insane" was used on the soundtrack to Saw III, and won an award for the Best Metal Performance at the 49th Grammy Awards.
Origins
While walking through an airport, vocalist Tom Araya picked up a March 2006 issue of Texas Monthly with a soldier's helmet on the front cover. Seeing the article "Casualty of War", he was interested enough to purchase a copy.[1] The issue explored the involvement of military personnel from Texas in the Iraq War, and included a list of Texan soldiers who had died in the conflict.[2][3] The feature was accompanied by photographs of some of the dead, while a further article dealt with the anguish of surviving soldiers on their return home.[2] Araya later said the article "blew his mind".[3]
Araya read the article during his flight back to Los Angeles. Pre-production for Slayer's tenth studio album Christ Illusion had just begun, and the band was about to undertake a three-day rehearsal with producer Josh Abraham. Araya left his baggage at the hotel to attend the rehearsals, then returned to re-read the article. Finding it to be "very profound", he woke up in the middle of the night and wrote down the lyrics.[1] He said that his treatment of the topic is "sincere", and that he believes it to be "one that the military doesn't want you to know. They sweep it under the rug, but it's a story that needs to be told."[1] The band's guitarist, Kerry King, has said that "these new songs [from the Christ Illusion album] aren't political at all: 'Jihad', 'Eyes of the Insane' — it's what's spewing out at us from the TV."[4]
A sample from "Eyes of the Insane", where Dave Lombardo's slow drum pattern opens the track, over which Hanneman and King play angular and descending scales on guitar.[5]
"Eyes of the Insane" is 3 minutes 23 seconds long.[5] A slow drum pattern played by Dave Lombardo opens the track, over which Hanneman and King play angular and descending scales on guitar. These guitar riffs evolve from verse to verse, and have been described by Allmusic as "intensely harrowing".[5] The song gradually builds over the course of the verses, refrain and bridge, before resolving with a "towering" chorus.[6]
Some reviewers paid particular attention to Araya's vocal contribution. Zach Hothorn of Prefix magazine said the song "allows Araya to show his vocal range, deepening to build up tension and creating a wonderfully chilling 3and a half minutes",[7] while Ian Robinson of musicOMH felt the track "is a distinct but welcome change of pace, Dave Lombardo's machine-gun rhythms forming the backbone for Tom Araya's impressively intact scream."[8]
Music video
A screenshot from the music video
By the time Slayer decided a music video should be filmed, touring commitments prevented their involvement in the actual shoot.[9] Instead, others were contacted to produce the film.[9] Director Tony Petrossian presented Slayer with the first draft, and the group made a few suggestions for improvement.[10] Never having met him, King recalled Petrossian "had a treatment, and we all dug the treatment so we just turned him loose."[10] "Eyes of the Insane"'s war-themed music video was filmed on August 13, 2006, in the Los Angeles area. Casting company Tolley Casparis Casting sought a male Caucasian between the ages of 18 and 26 to appear in the clip, with auditions held on August 10, 2006. The official project notes deemed that "This guy must be a serious actor, capable of emoting everything through his eyes. He was innocent a few months ago, now he is scarred by seeing so much fighting. Strong eyebrows that do not overpower the face. Scars or large veins actually a plus."[11]
The video was shot as a "first-person narrative about the horrors leading up to the final moments of a soldier at war", and was described as "a single, long and tight close-up of the soldier's eye with images clearly reflected within his pupil and iris and perfectly choreographed with the rhythm of the music. Reflected are disconcerting images of para trooping into enemy territory, gunfire, helicopters and tanks, explosions, poignant flashbacks of his wife and child and home, and the images of his death."[12] Two endings were shot; one in which the soldier is killed as the result of sustained combat wounds, and another in which the soldier commits suicide by hanging - the latter one was used.[12]Jeff Hanneman confirmed that the band "loved" the eye concept, and personally felt that the video was "pretty amazing" when he first viewed it.[9] King admitted the film is "pretty cool — I thought it was neat idea — very different, especially for us, because we usually do performance based videos."[10] The video was exclusively posted on mp3.com late in October 2006.[12] In 2007, the video earned a Metal Hammer Golden Gods Awards nomination for Best Video, but eventually lost to Avenged Sevenfold's "Seize The Day."[13]
Critical reception
Critics were generally positive when reviewing "Eyes of the Insane". Stylus magazine's Cosmo Lee described the track as "a dark, midpaced exploration of a soldier's psyche", and remarked that "it's memorable and would be a good breather between the usual barnburners".[14] Peter Atkinson of KNAC.com felt that "'Eyes of the Insane' offers a post-traumatic sequel to 'Mandatory Suicide', again with a soundtrack that recalls the original, but boasting a couple truly mammoth hooks that do shake things up."[15] Don Kaye of Blabbermouth made a comparison to a different Slayer track than Atkinson, and commented that "'Eyes of the Insane' and 'Catatonic' both have that slow, grinding feeling of doom that the band has done so well before on classics like 'Dead Skin Mask'."[16]
Awards
The song was nominated for Best Metal Performance at the 49th annual Grammy Awards.[17] When asked for his thoughts on the nomination, King revealed that he did not "even care", and noted that Slayer fans "don't give a shit and that's the most important thing to me". The interviewer expressed his surprise at the nomination given Slayer's "inflammatory" lyrics, to which King replied, "That would be the coolest thing, you know? To win with the shit we write about."[18] The ceremony was held on February 11, 2007, at the Staples Center in Los Angeles, with Slayer competing against Mastodon, Lamb of God, Ministry and Stone Sour.[19] Slayer won the Best Metal Performance Grammy award,[20] although the band was unable to attend because of a conflicting North American headlining tour.[19] Araya commented about the win from a hotel room in Columbus, Ohio: "Jeff [Hanneman] and I put a lot into 'Eyes of the Insane' so we're thrilled that the Grammy voters took the time to listen to it, and then vote for it. We're out here on the road and we're all really, really happy."[19] King disagreed, deeming the song "one of the poorest representations of us [Slayer] on the record [Christ Illusion]". He further said that, if given the decision, he would have chosen the controversial track "Jihad" to represent Slayer from their ninth album Christ Illusion. Critical of the Recording Academy, King said, "Realistically, I think people on the academy who vote pick the household name... And that's what we are."[21]
Other media
The soundtrack to the 2006 horror film Saw III included "Eyes of the Insane", and was released on October 24, 2006, by Warcon Enterprises.[22] The track was one of six songs performed by Slayer during their first US network television appearance on ABC-TV's Jimmy Kimmel Live! (January 19, 2007), and was the only song broadcast in its entirety.[23] However, King dislikes playing "Eyes of the Insane" live, commenting, "It's just dull to play, good song just dull to play on guitar."[24]
Slayer is an American thrash metal band from Huntington Park, California, formed in 1981 by guitarists Kerry King and Jeff Hanneman, drummer Dave Lombardo and bassist/vocalist Tom Araya. Slayer's fast and aggressive musical style made them one of the "big four" bands of thrash metal, alongside Metallica, Megadeth, and Anthrax. Slayer's current lineup consists of King, Araya, drummer Paul Bostaph and guitarist Gary Holt, who initially joined as a touring member in 2011 before joining the band permanently after Hanneman's death in 2013. Drummer Jon Dette was also a member of the band.
Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 7, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject.
South of Heaven is the fourth studio album by American thrash metal band Slayer, released on July 5, 1988, by Def Jam Recordings. The album was the band's second collaboration with producer Rick Rubin, whose production skills on their previous album Reign in Blood (1986) had helped their sound evolve. Given the frenetic pace of Reign in Blood, Slayer made no attempt to top it on South of Heaven; rather, the band offset and complemented Reign in Blood by deliberately slowing the tempo down on South of Heaven, as well as by utilizing undistorted guitars and toned-down vocals.
Kerry Ray King is an American musician, best known for being the co-lead guitarist and songwriter of thrash metal band Slayer. He co-founded the band with Jeff Hanneman in 1981 and is one of two members to stay with the band for its 43-year existence, along with Tom Araya. During Slayer's hiatus from 2019 to 2024, King went on to pursue a solo career, with his debut album From Hell I Rise released in May 2024.
God Hates Us All is the ninth studio album by American thrash metal band Slayer, released on September 11, 2001, by American Recordings. It was recorded over three months at The Warehouse Studio in Vancouver, and includes the Grammy Award-nominated song "Disciple". Guitarist Kerry King wrote the majority of its lyrics, taking a different approach from earlier recordings by exploring topics such as religion, murder, revenge, and self-control. Stylistically, the album shows a return to Slayer's classic thrash metal sound. It was Slayer's last album to feature drummer Paul Bostaph until his return on their 2015 album Repentless.
"Angel of Death" is the opening track on American thrash metal band Slayer's 1986 album Reign in Blood. The lyrics and music were written by guitarist Jeff Hanneman. They detail the Nazi physician Josef Mengele's human experiments at the Auschwitz concentration camp during World War II.
Tomás Enrique Araya Díaz is a Chilean-American musician, best known as the vocalist and bassist of thrash metal band Slayer. He was ranked 58th by Hit Parader on their list of the 100 Greatest Metal Vocalists of All Time. Araya, along with Kerry King, are the only members who stayed in the band since its inception.
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David Lombardo is a Cuban-American drummer, best known as a co-founding member of the thrash metal band Slayer. He currently plays drums with Fantômas, Dead Cross, Mr. Bungle, Empire State Bastard, and Misfits.
Jeffrey John Hanneman was an American musician, best known as a founding member and guitarist of the thrash metal band Slayer. Hanneman composed both music and lyrics for every Slayer album until his death in 2013.
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War at the Warfield is a concert video by Slayer which was released on July 29, 2003, through American Recordings. Recorded at Warfield Theatre in San Francisco, California, on December 7, 2001, it is the band's second video album. The DVD's contents were announced by MTV on July 25, 2003. It is the last release by Slayer with drummer Paul Bostaph, who left due to a chronic elbow injury. Bostaph was subsequently replaced by the original Slayer drummer Dave Lombardo. War at the Warfield was well received by critics, debuting at number three on the Billboard DVD chart, and sold over 7,000 copies in its first week. It was certified gold by the Recording Industry Association of America (RIAA) for selling over 50,000 copies in the United States. It also won a 2003 Metal Edge Readers' Choice Award for DVD of the Year.
Still Reigning is a live performance DVD by the thrash metal band Slayer, released in 2004 through American Recordings. Filmed at the Augusta (Maine) Civic Center on July 11, 2004, the performance showcases Slayer's 1986 album, Reign in Blood, played in its entirety with the four original band members on a set resembling their 1986 Reign in Pain Tour. Still Reigning was voted "best live DVD" by the readers of Revolver magazine, and received gold certification in 2005.
Slayer is an American thrash metal band formed in 1981 by guitarists Kerry King and Jeff Hanneman, who recruited vocalist and bassist Tom Araya, and drummer Dave Lombardo. Slayer's first two albums, Show No Mercy (1983) and Hell Awaits (1985), which were released on Metal Blade Records, did not chart in the United States. The band was then signed to Def Jam Recordings by Rick Rubin, who produced Reign in Blood (1986). The album helped Slayer break into the Billboard 200 for the first time, peaking at number 94. After South of Heaven (1988), Slayer signed to Rubin's new label, Def American, and released Seasons in the Abyss (1990). After the album was released, Lombardo departed Slayer and was replaced by Paul Bostaph.
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