FEMM discography | |
---|---|
Studio albums | 3 |
EPs | 6 |
Singles | 21 |
Remix albums | 2 |
The discography of Japanese female duo FEMM includes three studio albums, two remix albums, six extended plays, four remix singles, and twenty-one singles. All of their English and Japanese musical releases have been with Maximum10 and Avex Music Creative Inc., two sub-division record labels of Avex Group.
FEMM, who debuted under the abbreviated name Far East Mention Mannequins, originally debuted with several singles and an extended play (EP) Astroboy. [1] Performing in the English language, they released several singles through digital retail stores including iTunes Store and Amazon.com; some of the singles include "Kill the DJ", "Fxxk Boyz Get Money", and "Dead Wrong". [2] [3] [4] FEMM released their debut studio album Femm-Isation (2014) through digital retail stores, and was a collection of songs that FEMM released premiered through their official YouTube channel. [5] After signing an exclusive distribution deal with London-based record label JPU Records, FEMM released their debut physical release Pow!/L.C.S. , which also issued a double album with the physical edition of Femm-Isation. [6]
Throughout their career, FEMM have released several music videos to support the release of their singles. FEMM have also promoted their work by releasing remix versions of their previous singles. FEMM released their first remix album in 2014, Femm-Isation Instrumentals, which is an album containing instrumental versions of their debut album.
Year | Album details | Peak chart positions | Certifications | ||||||||||||||||
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JPN | US World [7] | ||||||||||||||||||
2014 | Femm-Isation
| — | 10 | ||||||||||||||||
2021 | Tokyo Girls Anthem
Track listing
| — | — | ||||||||||||||||
2022 | Tokyo Ex Machina
Track listing
| — | — | ||||||||||||||||
"—" denotes releases that did not chart or was not released. |
Year | Album details | Peak chart positions | Certifications | ||||||||||||||||
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JPN | US World | ||||||||||||||||||
2014 | Astroboy
Track listing
| — | — | ||||||||||||||||
2016 | Pow!/L.C.S.
| — | — | ||||||||||||||||
2018 | dollhouse
Track listing
| — | — | ||||||||||||||||
2020 | 404 Not Found
Track listing
| — | — | ||||||||||||||||
2022 | THE SIX
Track listing
| — | — | ||||||||||||||||
2023 | CHERRY
Track listing
| — | — | ||||||||||||||||
"—" denotes releases that did not chart or was not released. |
Year | Album details | Peak chart positions | Certifications | ||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
JPN | US World | ||||||||||||||||||
2014 | Femm-Isation Instrumentals
| — | — | ||||||||||||||||
2016 | PoW! / L.C.S. (Instrumental)
| — | — | ||||||||||||||||
"—" denotes releases that did not chart or was not released. |
Year | Album details | Peak chart positions | Certifications | ||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
JPN | US World [7] | ||||||||||||||||||
2017 | 80s/90s J-POP REVIVAL
Track listing
| — | — | ||||||||||||||||
"—" denotes releases that did not chart or was not released. |
Title | Year | Peak chart positions | Certifications | Album | |
---|---|---|---|---|---|
Japan Oricon Singles Chart | Billboard Japan Hot 100 | ||||
"Wannabe" [12] | 2014 | — | — | Femm-Isation | |
"Kiss the Rain" [13] | — | — | |||
"White Noise" [14] | — | — | |||
"We Flood the Night" [15] | — | — | |||
"Kill the DJ" [2] | — | — | |||
"Fxxk Boyz Get Money" [3] | — | — | |||
"Dead Wrong" [4] | — | — | |||
"Unbreakable" [16] | — | — | |||
"Neon Twilight / Countdown" [17] | 2016 | — | — | FAMM'IN - EP | |
"Do It Again feat. LIZ" [18] | 2017 | — | — | Tokyo Ex Machina | |
"My Revolution / 今夜はブギー・バック (nice vocal)" [19] [20] | — | — | 80s/90s J-POP REVIVAL | ||
"卒業 / 浪漫飛行" [21] [22] | — | — | |||
"Dolls Kill feat. ELLE TERESA" [23] | 2018 | — | — | Tokyo Girls Anthem | |
"Shibuya Ex Horologium" [24] | 2019 | — | — | Non-album singles | |
"Chewing Gum Cleaner" [25] | 2020 | — | — | ||
"Level Up feat. Duke of Harajuku / Summer Dream feat. FEMM (S+ Ver.)" [26] | — | — | 404 Not Found - EP | ||
"Tic Toc" | — | — | Tokyo Ex Machina | ||
"Come & Go" | 2021 | — | — | Non-album single | |
"Sugar Rush" | — | — | Tokyo Ex Machina | ||
"Keep It Cool" | — | — | |||
"Private Dancer" | — | — | THE SIX - EP | ||
"THE SIX (梨々れんれん神雫平坂ビーストVer.)" | 2022 | — | — | Non-album single | |
"CHERRY on TOP" | 2023 | — | — | CHERRY - EP | |
Title | Year | Peak chart positions | Certifications | Album | |
---|---|---|---|---|---|
Japan Oricon Singles Chart | Billboard Japan Hot 100 | ||||
"Party All Night" (Sfpr Remix) [27] | 2014 | — | — | Pow!/L.C.S. | |
"Kill the DJ" (Invaderous Remix) [28] | — | — | |||
"Whiplash" (Sfpr Remix) [29] | — | — | |||
"Whiplash" (Invaderous Remix) [30] | — | — | |||
Title | Year | Peak chart positions | Certifications | Album | |
---|---|---|---|---|---|
Japan Oricon Singles Chart | Billboard Japan Hot 100 | ||||
"No Boyfriend No Problem" (featuring Sak Noel, Kuba & Neitan, Mayra Veronica, and Faky) [31] | 2016 | — | — | Non-album single | |
No. | Title | Other(s) Artist(s) | Album | Release date |
---|---|---|---|---|
1 | circle | Yup'in, FEMM & Faky | FAMM'IN - EP | April 27, 2016 |
2 | Countdown | FEMM | ||
3 | animus | Yup'in, FEMM & Faky | — | March 15, 2017 |
Title | Year | Peak chart positions | Other(s) Artist(s) | Album | |
---|---|---|---|---|---|
Japan Oricon Singles Chart | Billboard Japan Hot 100 | ||||
"CANDY GIRL" [32] | 2018 | — | — | Hitomi Kaji feat.FEMM | 90S & NEW REVIVAL |
"CAN'T STOP THIS!" [33] | 2020 | — | — | Beverly, FAKY, FEMM, lol, Yup'in and Anzai Karen | avex revival trax |
"SUMMER DREAM" [34] | — | — | Duke of Harajuku feat. FEMM | RAZZLE DAZZLE | |
FEMM have released a total of 17 music videos from their own discography, alongside one live concert video, three miscellaneous promotional videos, one remix video, and two featuring artist music videos. A total of 13 music videos from their debut album Femm-Isation were directed by creative unit IKIOI. [35] Each music video from FEMM's discography has been choreographed by Japanese production and choreographing team Hidali. [36] The group's fashion directors and designs are by Shoichiro Matsuoka of GM Atelier, a Japanese fashion company that specialize in latex fabrics. [35] Several music videos by FEMM, particularly "Kill the DJ", "Fxxk Boyz Get Money", and "Party All Night", received a large amount of favorable feedback, praising the concept, its convenient use of cosplay and otaku culture, and choreography. [37] "Fxxk Boyz Get Money" received media attention for its imagery and choreography, [38] [39] with several online figures including American blogger and journalist Perez Hilton, American YouTube star Miles Jai, among others publicly commended the video and FEMM themselves. [39] [40]
Title | Year | Director(s) | Description | Ref. |
---|---|---|---|---|
FEMM Agency Syndicate (Teaser) | 2013 | IKIOI | A "teaser" video that features FEMM walking around the streets of Tokyo and Shibuya, Japan. | [41] [42] |
"UFO" (featuring Invaderous vs. FZ from Sfpr) | 2014 | IKIOI | The video portrays FEMM in a pink room, featuring lights and other club members. | [43] [44] |
"Astroboy" (feat. Honey-B and W-Trouble) | 2014 | IKIOI | The video portrays FEMM with other male background dancers. The video introduces FEMM's managers, Honey-B (portrayed by RiRi; Emily Kaiho) and W-Trouble (portrayed by LuLa; Hiro Todo). The music video has the girls dancing to the song, duplicated several times in front of a white backdrop. | [45] [46] |
"Kiss the Rain" | 2014 | IKIOI | The video portrays FEMM in front of a dark backdrop with a latex school-girl uniform on. Several computer generated imagery surrounds or interferes through the video, with them dancing to several steampunk-influenced imagery. | [47] [48] |
"White Noise" | 2014 | IKIOI | The video portrays FEMM in a dark room, surround by several digitalized imagery and provided with lyrics. | [49] [50] |
"We Flood the Night" | 2014 | IKIOI | The video portrays FEMM as mannequins in still motion. CGI is aimed towards the backdrop of the video, with the girls standing underwater and moving motionless through a city. | [51] [52] |
"Kill the DJ" | 2014 | IKIOI | The video portrays FEMM in front of a white backdrop, wearing latex cadet uniforms; the video is superimposed with several lyrics from the song. | [53] [54] |
"Wannabe" (Live Video) | 2014 | IKIOI | The video features Japanese artists tagging a wall in the middle of a street. FEMM appear near the middle of the song and wear a large zip-shirt that gets spray painted over, camouflaging into the tagging on the wall. | [55] |
"Wannabe" (Music Video) | 2014 | IKIOI | The video portrays FEMM dancing in front of a white and black backdrop, wearing latex school girl uniforms. | [56] [57] |
"Fxxk Boyz Get Money" | 2014 | IKIOI | The video portrays FEMM in latex Lolita outfits, dancing and twerking to the song. Several lyrics from the song is superimposed throughout the video, and features minor GCI. | [58] [59] |
"Party All Night" | 2014 | IKIOI | The video portrays FEMM in front of a greyish-blue backdrop wearing latex nurse/combat uniforms. FEMM walk through a space-like club, with several clones dancing to the song. They walking around several sections of the club, and perform several dance moves. | [60] [61] |
"Girls Night Out (Music Video Prototype)" | 2014 | IKIOI | The video without finished effects. | [62] |
"Girls Night Out" | 2014 | IKIOI | The video portrays FEMM in hipster clothing, dancing and performing the track; several GCI imagery is superimposed on them and behind them. | [63] [64] |
"Dead Wrong" | 2014 | IKIOI | The video portrays FEMM as Japanese geishas, wearing latex kimono's whilst performing in front of CGI imagery of cherry blossoms (Japanese wording "Sakura") and other natural imagery. | [65] [66] |
"The Real Thing" | 2014 | IKIOI | The video portrays FEMM in front of a brown backdrop, performing the song in purple wigs and a latex catsuit. Intercut scenes features a man hacking through a computer system, whilst FEMM (as robotic mannequins) gradually shut down after the man completes his process on the computer. | [67] [68] |
"Whiplash" | 2014 | IKIOI | The video features FEMM on a stage with several background dancers, all in latex catsuits. The dancers and FEMM perform the song with several camera directions changing throughout the process. | [69] [70] |
"Unbreakable" | 2014 | IKIOI | The video portrays FEMM singing the song in front of a grand piano, wearing combat/nurse latex uniforms. | [71] [72] |
"Whiplash (Behind The Scenes / Take 0)" | 2014 | IKIOI | Alternative take from the music video. | [73] |
Dance is not a Crime | 2015 | IKIOI | The video contains the audio track "Anaconda" by Trinidian-American rapper and songwriter Nicki Minaj; the video features FEMM twerking with background dancers, protesting against the 2015 law changes in Japan that state that no one can dancer after a certain time. Failing to do so may lead to possible arrest and charges. | [74] [75] |
FEMM Voguing | 2015 | IKIOI | The video contains the audio track "P.I.M.P" by Japanese producer and composer Invaderous; the video features FEMM dancing to the song in a high skyscraper, wearing white latex mini-dresses and have strapped balloons on their hair. | [76] |
"Karma" | 2015 | IKIOI | The video contains the audio track "Deja Vu" by Karma; the video features FEMM as cameo appearances. | [77] |
"No Boyfriend No Problem" (Sak Noel, Kuba & Neitan, Mayra Veronica, & Faky) | 2015 | IKIOI | The video portrays Japanese girl band Faky dancing in a small club, with FEMM dancing to parts of the song. | [78] |
#FEMMIsBackBitches | 2016 | IKIOI | The video portrays a selection of several songs from FEMM's back catalogue; the video emphasizes FEMM's future material, the promotion of their EP Pow!/L.C.S., and further information of the FEMM Agency Syndicate background and history. | [79] |
"Pow!" | 2016 | IKIOI | The video portrays FEMM walking around Japan in the same costumes from "Fxxk Boyz Get Money"; FEMM dance with background dancers, and also have scenes where they sing in front of shiny foil. The video was inspired by comic book and pop art styles. | [80] [81] |
"Remixes" | 2016 | IKIOI | The video portrays a selection of remix songs from FEMM's back catalogue; the video emphasizes the promotion of their EP Pow!/L.C.S.. | [82] |
Live at BRDG | 2016 | — | The video features cameo appearances of Japanese producers and composers Invaderous and Fz from Sfpr; the video features FEMM performing songs at BRDG to promote their remix material from their EP Pow!/L.C.S. | [83] |
"L.C.S." | 2016 | Taihei Shibata | The video portrays FEMM in a digital realm; they are computer generated to show both 3D and 2D qualities. | [84] |
"CIRCLE (FEMM, Faky & Yupin)" | 2016 | maximum10 | First video of experimental unit FAMM'IN, formed by FEMM, Faky & Yupin | [85] |
"FAMM'IN / circle (Radical Hardcore Remix) (FEMM, Faky & Yupin)" | 2016 | maximum10 | FAMM'IN video to remix song. | [86] |
"Neon Twilight" | 2016 | maximum10 | FEMM walk wearing inflatable coats. | [87] [88] |
"Countdown" | 2016 | Yuta Saito | FEMM dance among palm trees and potted plants under colorful lights | [89] [90] |
ISETAN ART & CREATION 2016 | 2016 | Takashi Okada | FEMM × Takashi Okada × Radical Hardcore Clique collaboration movie for Isetan fashion exhibition "ISETAN ART & CREATION 2016". | [91] |
Live at VRDG+H | 2016 | — | The video features cameo appearances of Japanese singers Lil’ Fang from FAKY & Yup’in × VJ Daihei Shibata; the video features FEMM performing songs at VRDG+H to promote and their "FAMM'IN" avex supergroup project and "BRDG" and "HIP LAND MUSIC" 3D hologram live show Technology. | [92] |
District81 Meets FEMM | Shibuya | 2016 | — | District81 × FEMM collaboration, vertical video showns the duo dancing on the backseat of a car driving through Shibuya sights, and features a preview of FEMM's 2021 song "Keep it Cool". | [93] |
#MannequinChallenge with LIZ | 2016 | — | Collaboration with singer LIZ. The video from viral YouTube challenge MannequinChallenge with LIZ. | [94] |
"Do It Again feat. LIZ" | 2017 | — | Collaboration with singer LIZ. The video uses Fake 3D technology, using the technique called "SPLIT DEPTH", it is innovative to use the optical illusion that the depth and the stereoscopic feeling are felt without using 3D graphic processing by delimiting the screen on the screen with a line. | [95] |
"animus (FEMM, Faky & Yupin)" | 2017 | Maximum10 & BRDG | Video of experimental unit FAMM'IN | [96] |
"Samishii Nettaigyo" (淋しい熱帯魚) | 2017 | Sho Hatano (OKNACK) | Remake of 1989's Wink music video to the Samishii Nettaigyo song. | [97] |
"80s/90s J-POP REVIVAL (Teaser Video) Prod. MYLK" | 2017 | — | Teaser from "80s/90s J-POP REVIVAL" Cover Album by FEMM | [98] |
"Up Up & Away" | 2018 | — | Video recorded at "AR LIve at Panasonic Immersive Entertainment Booth in CES 2018" | [99] |
"Plastic" | 2018 | — | Made in cooperation with Panasonic | [100] |
"『90S & NEW REVIVAL』 / NEW REVIVAL SPOT" | 2018 | — | The video features previews of avex today singers remake music videos of older avex singers. It include FEMM feat. Hitomi Kaji performing hitomi's song "Candy Girl". | [101] |
"Dolls Kill feat. ELLE TERESA" | 2018 | Yuki Tsujimoto | The video uses part of their live performance from their first one-man ADIRECTOR Vol.1 "DOLLHOUSE". | [102] |
"CAN'T STOP THIS! (REVIVE 'EM ALL 2020)" | 2020 | Sho Hatano (OKNACK) | Beverly, FAKY, FEMM, lol, Yup'in and Kalen Anzai reunite in the special unit "REVIVE 'EM ALL 2020" to make a remake of MAXIMIZOR「CAN'T UNDO THIS!!」, it is an insert song on "M Aisubeki Hito ga Ite" drama. RiRi (FEMM) and Yup'in were the songwriters. | [103] |
"Chewing Gum Cleaner" | 2020 | Midori Kawano | The music video uses previous footage from FEMM's 2018 live performance event ‘DOLLHOUSE’ | [104] |
"Goodbye to FEMM1.0" | 2020 | — | Preview of the finalized version of their Dollhouse EP song "untitled 01 work in progress" (now named "Tic Toc"), to signal the duo's musical change. | [105] |
"FEMM 2.0 Teaser Movie" | 2020 | — | Preview of song "Level Up", the first after the duo's musical change. | [106] |
"Level Up feat. Duke of Harajuku Prod. Star Boy / Loesoe / R.H.C." | 2020 | Yuki Tsujimoto | Collaboration with Duke of Harajuku, the video is complemented with "Summer Dream" | [107] |
"Duke of Harajuku / Summer Dream feat. FEMM (S+ Ver.)" | 2020 | Yuki Tsujimoto | Extended and clean version of the song from Duke of Harajuku's Razzle Dazzle album | [108] |
"We Flood The Night (Dance Ver.)" | 2020 | IKIOI | The video features an unreleased alternative version of the song and portrays FEMM dancing another choreography | [109] |
"Peach" | 2020 | Weirdcore | The futuristic MV for "PEACH" has FEMM mannequins RiRi and LuLa dressed as waitresses as they dance and hold a variety of food. | [110] |
"Sit Down (Extended Ver.)" | 2020 | 2nd Function / Sho Hatano (OKNACK) | The video, taken in a shot with a fixed angle from a single camera, shows a live performance in which members of the FEMM interact in real time with giant screens and other objects. On a stage 25 meters wide by 15 meters high, huge 3D objects equipped with LED screens move and disappear or reappear, controlled by a technical production system called KINESYS. | [111] |
"Tic Toc Prod. Radical Hardcore Clique" | 2020 | Liam Wong | FEMM sings at streets of city at night after the rain. | [112] |
"Come & Go (Vertical Music Video)" | 2021 | — | Riri and Lula are holograms with hip hop clothes walking though an intersection, in an abandoned New Tokyo. | [113] |
"Peach (Vertical Dance Video)" | 2021 | Sho Hatano (OKNACK) | FEMM dances at the same scenario of "Come & Go" video. | [114] |
"Dead Of Night (Vertical Dance Video)" | 2021 | — | FEMM dances at the same scenario of "Come & Go" video, with the same clothes. | [115] |
"Sugar Rush" | 2021 | Shuhei Yamada / Ryo Noguchi | Black and white video, FEMM dances with dancers in unicycles. | [116] |
"Keep It Cool (Vertical Music Video)" | 2021 | Sho Hatano (OKNACK) | FEMM dances at the same scenario of "Come & Go" video. | [117] |
"Private Dancer" | 2021 | 2ndFunction | FEMM dances with tied hands. | [118] |
"Tokyo Girls Anthem" | 2021 | BABYMARY | FEMM dances in an empty nightclub. | [119] |
"Mental Health feat. Yup'in" | 2022 | 2nd Function | FEMM and Yup'in perform between LED panels with a chaotic use of laser grid. | [120] |
"Lolly (Vertical Music Video)" | 2022 | Sho Hatano (OKNACK) | FEMM perform at the same scenario of "Come & Go" video. | [121] |
"Falling For A Lullaby (Vertical Music Video)" | 2022 | Sho Hatano (OKNACK) | FEMM perform at the same scenario of "Come & Go" video. | [122] |
"We Got Each Other" | 2022 | Julie Giesen | FEMM walk at city streets until a magic cellphone transform them into humans, who play games at the mall. | [123] |
"Outta the Clouds" | 2022 | Masashi Muto | FEMM are trapped between invisible walls until the sun rises. | [124] |
"Falling For A Lullaby" | 2022 | — | FEEM dances on a stage full of lights. | [125] |
"Crawl Away" | 2022 | — | FEEM explore neo tokyo until they break. | [126] |
"THE SIX" | 2022 | 2nd Function | FEEM imagine themselves as zombies in an abandoned factory. | [127] |
"Crystal Ball" | 2022 | — | FEEM perform blindfolded. | [128] |
"CHERRY on TOP" | 2023 | Sho Hatano | FEEM perform in outfits from their various musical eras. | [129] |
"FINAL SHOW【Last FEMM-Isation】in LONDON 2023/12/16" | 2023 | — | Teaser from the Final International Show from FEMM | [130] |
"We Flood The Night (MYLK Remix)" | 2023 | RiRi from FEMM | Video with behind-the-scenes from all music videos and various performances over the past 10 years. Edited by RiRi. | [131] [132] |
"RiRi from FEMM - Living in the Spotlight" | 2023 | RiRi from FEMM | Solo song from RiRi from FEMM | [133] |
"LuLa from FEMM - Butterfly to the Moon" | 2023 | LuLa from FEMM | Solo song from LuLa from FEMM | [134] |
FEMM was a Japanese electronic dance music duo, composed of RiRi and LuLa. The group signed with the Avex Group Holdings Inc. sub-record label Maximum10 and their distributing label Avex Music Creative Inc.; they signed a deal with London label JPU Records for European distribution. After a series of singles between 2013 and 2014, FEMM released their debut studio album Femm-Isation in October 2014 as a digital release. FEMM's major debut and first physical release, Pow!/L.C.S., was released in February 2016.
"Whatever" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was written by Hamasaki, while production was handled by Max Matsuura. The track is Hamasaki's sixth single with Matsuura since her debut single in April 1998, "Poker Face". "Whatever" premiered on February 10, 1999 as the lead single from the album. It was re-released on February 28, 2001 as a CD single.
"Love (Destiny)" (stylized as "LOVE ~Destiny~") is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the second single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Taiwan on April 14, 1999, and through Avex Entertainment Inc. worldwide in September 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Three versions of the recording have been made available—a ballad version arranged by Tsunku, an edited version with vocals by Tsunku, and a dance-influenced version included on Loveppears.
"To Be" is a song by Japanese recording artist Ayumi Hamasaki. It served as the third single from Hamasaki's second studio album Loveppears (1999). The track was released by Avex Trax in Japan and Taiwan on May 12, 1999, and through Avex Entertainment Inc. worldwide in September 2008. It was Hamasaki's final single to be distributed as a Mini-CD, a format that debuted at the start of her career in April 1998. "To Be" was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Musically, it is a J-Pop that was written in third person perspective, much like the content from the parent album.
"Boys & Girls" is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the fourth single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on July 14, 1999, and through Avex USA in North America in early 2001, while being re-distributed in 2003. "Boys & Girls" marks Hamasaki's first single to be made available for purchase as a maxi single with additional remixes. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Musically, the song is a dance recording, a genre that heavily influences Loveppears. The single's lyrical content is written in third-person perspective.
A is an extended play (EP) by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan and Hong Kong on August 11, 1999, in 10 different editions, and through Avex Entertainment Inc. worldwide in September 2008. It additionally served as a single from her second studio album Loveppears (1999), and is her first single marketed as an EP. The 12-track EP contains four new original songs: "Monochrome", "Too Late", "Trauma", and "End Roll", and eight remixes. All songs were written by Hamasaki, while production was handled by long-time collaborator Max Matsuura.
"Kanariya" is a song recorded by Japanese recording artist Ayumi Hamasaki for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Hong Kong on December 8, 1999, and through Avex USA in North America in early 2000. The recording also served as Hamasaki's second limited edition single, with limited physical units of 300,000 copies. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Kanariya" were made available for consumption—a radio edit produced by American disc jockey Jonathan Peters, and the album version composed by Yasuhiko Hoshino. Lyrically, the song was written in third person perspective.
"Fly High" is a song recorded by Japanese recording artist Ayumi Hamasaki. It was released by Avex Trax in Japan on February 9, 2000, and through Avex Entertainment Inc. worldwide in September 2008. The recording served as Hamasaki's third and final limited edition single from her second studio album, Loveppears (1999), limiting physical units to 300,000 copies. The track was written by the singer herself, while production was handled by long-time collaborator Max Matsuura. Two versions of "Fly High" were made available for consumption—a radio edit composed by HΛL, and the album version produced by Dai Nagao. Lyrically, the song was written in third person perspective.
"Vogue" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on April 26, 2000 as the lead single from the album. Her third consecutive lead single to be produced by Matsuura, the song is part of a trilogy from Duty; the other two singles being "Far Away" and "Seasons".
"Far Away" is a song recorded by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on May 17, 2000, as the second single from the album. The song is part of a trilogy from Duty; the other two singles being "Vogue" and "Seasons".
"Seasons" is a song by Japanese recording artist Ayumi Hamasaki for her third studio album, Duty (2000). It was written by Hamasaki, while production was handled by Max Matsuura. It premiered on June 7, 2000, as the third single from the album. The song is the final part of a trilogy from Duty; the other two singles being "Vogue" and "Far Away".
Guilty is the ninth studio album by Japanese recording artist Ayumi Hamasaki. It was released on January 1, 2008 by Avex Trax. Guilty marks Hamasaki's ninth consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Guilty is a rock album with numerous musical elements such as pop rock, heavy metal, synthrock, and power ballad melodies.
"Reincarnation" is a song by Japanese recording artist Ami Suzuki for her second greatest hits album, Ami Selection (2011). It was written by Emi Hinouchi and produced by Taku Takahashi. It was Suzuki's first collaboration with both Hinouchi and Takahashi. It premiered on February 25, 2009, as the lead single from the album. The CD and digital cover sleeve has a close-up of Suzuki hovering a GCI bubble. The DVD cover sleeve features a slightly altered version of it.
Rock 'n' Roll Circus is the eleventh studio album by Japanese recording artist Ayumi Hamasaki. It was released on April 14, 2010, by Avex Trax. It was also released just a little over a year after her 2009 album, Next Level. Rock 'n' Roll Circus marks Hamasaki's eleventh consecutive album to be fully produced by Japanese producer and manager Max Matsuura, while she contributes to the album as the lead vocalist, background vocalist, and songwriter to all songs. Recorded in Japanese with minor phrases in English, Rock 'n' Roll Circus is a rock album with numerous musical elements such as electropop, J-pop, rock, pop ballad, and dance music.
"Pop Diva" is a song recorded by Japanese musician Kumi Koda, taken as the fourth and final single from her ninth studio album Dejavu (2011). It premiered on February 2, 2011 by Rhythm Zone and Avex Music Creative Inc. in two physical formats and for digital consumption. The song was written, composed, arranged and produced by musical artist Lil' Showy, making it one of few tracks from Dejavu to not be written by Koda.
The discography of YG, an American rapper, consists of six studio albums, 55 singles and nine mixtapes. YG's debut studio album, My Krazy Life, was released on March 18, 2014. His second studio album, Still Brazy, was released on June 17, 2016. His best known singles include "Big Bank", "My Nigga" and "Who Do You Love".
Femm-Isation is the debut studio album by Japanese musical duo Far East Mention Mannequins, who later adapted their name into FEMM. It was released as an independent digital album on October 1, 2014 by Maximum10 and Avex Music Creative Inc. After releasing a digital EP Astroboy in April 2014, Avex announced new material from the group. The album's production was handled by several music producers and songwriters, such as Dan Book, Alexei Misoul, Leah Haywood, Daniel James, Kevin Ross, Andreas Carlsson, and Dreamlab. It also features a guest appearance from FEMM's alter-egos; the managers Honey-B and W-Trouble. Performed in English language, Femm-Isation is primarily an electronic dance album with numerous elements of pop ballad, disco, and eurodance.
"No Man's Land" is a song recorded by Japanese recording artist Kumi Koda, taken from her tenth studio album, Japonesque (2012). It was written by Koda, Mr. Blistah, Pete Kirtley, Jorge Mhondera, Samiya Berrabah, with production being done by long-time collaborator Max Matsuura. The song premiered on January 18, 2012 as the album's fifth promotional digital single, which was served through online retailers Dwanga, Mora, Mu-Mo, music.jp and Recochoku. It was re-released as a promotional radio airplay single on January 25, the same release date as Japonesque. The single artwork uses the CD and double DVD cover of Japonesque, which was used exclusively through Recochoku stores.
Faky is a five-person Japanese girl group that debuted in 2013 under Avex's Rhythm Zone record label. The group has gone through two reformations and currently consists of Lil' Fang, Mikako, Hina, Akina, and Taki. The group name was derived from the word "fake" to challenge themselves to bring something "real" to the Japanese music scene. Their name also stands for "Five Ass Kicking Youngsters" and "FAntastic toKYo". The group defines themselves as a "Next Generation Girls Union" and tends to take musical inspiration from outside of Japan while incorporating Japanese culture and fashion.
Pow/L.C.S. is the second extended play (EP) by Japanese–American female duo FEMM. It was released on February 3, 2016 by Avex Music Creative Inc. and February 23 that same year by Avex Music Creative and JPU Records. The EP is a follow-up companion to their debut album, Femm-Isation. FEMM worked with a few producers and writers such as Harry Sommerdahl, Alex Ridha, members of Invaderous & Sfpr, and others. Musically, Pow/L.C.S. is an electronic dance music EP with numerous musical elements including rap, R&B, and remix material. Originally to be released as a stand-alone EP, it was instead released in four formats; a stand alone CD, a digital release, and two double album formats with Femm-Isation. The artwork for Pow/L.C.S. has FEMM on set of their music video "PoW!".